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Curating Captive Art #3

From Morgan Hardie, emerging artist and curator of the recent exhibition Captive Art #3 in the Stove cafe:

I am a portrait artist based in Dumfries, I graduated with a HND in Art and Design three years ago at Dumfries and Galloway College and have continued since then as self-taught. I have a huge interest and wish to pursue a career in the therapeutic arts, which is why I was really excited when I was offered the opportunity to curate Captive Art #3! I believe it is so important that the prisoners have the chance to show their work outside of prison walls and to offer the local community a better understanding of prison rehabilitation, and how art practice and creative writing play a fundamental part in this.

Captive Art 3 - The Stove Network


The experience of curating the exhibition was so busy and enjoyable, I loved all of the different aspects from selecting the work in Dumfries Prison to hanging the exhibition the day before the opening. I had written out a plan covering everything that needed to be done and how I was going to do it, and with some help from blueprint100 and the prison education department, I think I managed to stay fairly organised! Selecting the artwork was probably the most challenging, as there was a huge variety to choose from and such limited wall space in The Stove Café, but I managed to really narrow it down and include work which demonstrated a range of different styles and techniques.

Captive Art 3 - The Stove Network

The reason I chose the painting called ‘The Nearest Faraway Place’ to be used on the posters and invites, apart from it being my personal favourite, was because of the story behind it and the immense detail portrayed. The artist had explained to me that the painting was a representation of a dream he’d had, and he had felt the need to paint it on to canvas.

Captive Art 3 - The Stove Network

My main goal was to involve the prisoners as much as possible, as it is their exhibition after all. I took information about The Stove up to the prison, along with photographs of the space so that they were clued up on where their work was going. I had decided to keep all of the work anonymous, but instead had asked each artist for a small statement on what art does for them on a personal level and included this on their labels. I received really good feedback at the opening event about this personal touch, as well as the prisoners’ poems which were read out at the beginning and the other written work which was also on display. I found that the visitors really liked that interesting connection between art and writing as it helps them to gain a more informative insight, which is exactly what I had hoped for.

Captive Art 3 - The Stove Network

The opening event was more successful than I imagined it would be, and I hope the exhibition continues to deliver and inform for the remaining time that it is on display. Hopefully everyone enjoys the exhibition as much as I loved curating it!

All Images: Kirstin McEwan

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News Project Updates

PRESENCE an Art-in-Between Commission update

By Jo Hodges and Robbie Coleman

We are coming to the end of working on the Art_Inbetween commission and it’s been a fascinating process.  The outcome is a work called PRESENCE which is a set of cards to be used as ‘A divining tool for journeys through the restless territories and blurred boundaries of art in the social or public realm’ the cards are a creative tool to explore and reveal aspects of a project or practice and to provoke discussion and exploration.

Background

PRESENCE is a research led response to some of the questions that arose during the Art_Inbetween Summit held at The Stove Network earlier in 2016. The summit attempted to describe the distinctiveness of an evolving ‘rural’ contemporary arts practice with an emphasis on social/participatory/public art across the UK and our starting point was to try and understand this distinctiveness. What are the differences between rural arts practice and projects in urban settings with similar intentions or processes?

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During the research phase, we worked with a number of artists, curators and producers using a word card process to explore core features of practice and context. These conversations were interesting and delved into territories that were slippery and shifting, we felt this area had more to offer to a wider audience. We began to work with the idea that practice was perhaps more important and distinctive than location and so the work began on developing PRESENCE; a method to explore and open up projects and practice that could become a companion on creative journeys, a navigational aid that could help understand and articulate the aims, methods and values of a project or practice. There are 16 CARDS, each exploring a core element of practice. Each card has a number of questions on the reverse. We suggest picking one or more card at regular intervals through a live project (or project development) and letting the questions lead into conversation and discussion.

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The Cards

We see the cards as a ‘divining tool’ in the process of making creative work. They cannot be used to navigate the straightest, fastest route through a project or process but provide different positions to view the route from. They are not instructions or a model to build a project around and have no opinions about the best way to conduct a project – each project (and artist) is unique. Their role is to prompt, disrupt habits, to revisit assumptions and reassess progress and to re-excite artists and collaborators about their work and provide a tool for exploring projects and practice.

 We have tried to create a process that will result in a series of overlapping views from different positions (The points of interest in situated or social practice are not stationary and two dimensional, but three dimensional and moving, sometimes through time as well as space) This compound eye allows us to examine the same issues from different positions and so learn different things from each viewpoint.

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presence-backs

Open Source Future

PRESENCE is an open source project: all questions, concepts and card designs can be challenged, refuted or replaced. Our version is a starting point from which new sets can be constructed specifically tailored to a project or practice. A website is in the process of being set up that will include all design tools and templates to allow people to easily make new sets and upload their designs for others to use.

Huge thanks to everybody who contributed to the summit and to those who have helped with the development of PRESENCE.

If you are interested in getting a set of the PRESENCE cards – please contact [email protected]

More info about the project can be downloaded here

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Musings

everybody is just a human being

Jordan Chisholm is a student at Royal Conservatoire of Scotland studying Contemporary Perfomance Practice. She is currently doing a placement at The Stove and writing a blog about her experience with us – this is her first post..

Jordan (with blue hair) performing in the Salty Coo performance (Nithraid 2016) she co-designed and produced with Dillon Colthard
Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard for The Stove’s Nithraid 2016. Photo Kirstin McEwan

When I was thinking about where I wanted to do my placement for third year – I had no doubt in my mind that I wanted to do it in Dumfries. I moved to Dumfries, in 2012, when I was seventeen years old. When I left school, I had a university offer to do Criminology but I wasn’t entirely sure if this is what I wanted to do. My mum has stayed in Dumfries for around fourteen years and it was decided that I would move in with her, to be in a new environment with no one I knew.

I’d visited Dumfries many times at the weekends and over school holidays but living there on a daily basis was something extremely different. I wasn’t sure how I felt about the town. As an ‘outsider’ coming from Edinburgh; I felt as though I really did not belong in this beautiful space and I could not explain why. I guess this was something internal and I spent most of my first year living in Dumfries travelling back to Edinburgh; there was something I was not prepared to let go and starting a new life was not as simple as I had anticipated.

Time passed and I began to open my mind. I met new people and started to do new things. I began to explore Dumfries in a new way; it was like a playground – full of magic, wonder and uncertainty. I still feel much of that uncertainty today – over four years later. However, I am not scared by this anymore; instead it inspires me and it always leaves me wanting more.

Dumfries changed me. It changed the way I look at things, it changed my opinions, it gave me a platform to do things I never thought I was capable of doing, it gave me something to be passionate about, it allowed me to learn about myself and who I could be, it shaped my future, my hopes and my dreams; Dumfries changed my life. But could I change Dumfries?

When I think about what I may want to do in the future; giving something back to Dumfries is at the top of my list. You see, in this misunderstood town, where there may not be very much to do, there are hundreds of people who all share the same love and understanding of what this space really is. Dumfries has a strange pull to it; and this pull is of upmost importance to the future of the town. We have to work together to allow people to feel proud of where they come from – to make them want to stay. This is what I want to be a part of. A part of the regeneration of Dumfries through art, creativity and sheer hope. I want Dumfries to give everyone what it gave to me, and I don’t want them to have to look very hard to get what they are looking for.

The Stove Network is situated in the centre of Dumfries. It is a fully accessible public arts space/facility/resource for the population of the town and the wider region. It is a support network that creates opportunities and connections for the creative community and integrates with the local economy and wider society. One of The Stove’s aims is to use the arts to engage and empower people for themselves, the places they live and society at large. This aim is vital to my own learning and development; I knew that this was where I had to be for placement. I wanted to know how they manage to do what they do in a town that says no much more than it says yes. I wanted to live and breathe their commitment to the Dumfries community and I wanted to be around people who share the same desires as I do; who can show me how to make a positive difference with an understanding of the quality in process as well as the product.

Although I knew why I wanted to be at The Stove, I was still extremely nervous on my first day and I did not know what to expect. It reminded me of my earlier ‘outsider’ feelings but I pushed these to the side and arrived with no expectations as to how my first week may turn out.

I was met by curator, orchestrator and public artist; Matt Baker. The motivation for Matt’s work is to have an effect in the place for which it is made. I find it comforting and reassuring having the opportunity to be mentored by someone who vocalises that they became an artist to change the world.

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News

Captive Art 3 Comes to The Stove Network

An exhibition of original artwork and poetry by inmates from HMP Dumfries opened on 3rd October at The Stove, Dumfries. Organised by emerging artists’ platform, blueprint100 and curated by local artist Morgan Hardie, the exhibition included creative contributions ranging from oil on canvas, pastels, watercolours, ink drawings, as well as a selection of written work.

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An example of work from one of the inmates at HMP Dumfries.

John Oates, Learning Centre Manager at HMP Dumfries, commented, “The Learning Centre at HMP Dumfries has an ethos in which we try to encourage positive learning and positive learning outcomes, including equality, tolerance, inclusiveness and development of community spirit. Through creative practices, we aim to enhance self-esteem and break down cultural barriers; in short, we want to positively change lives.”

The Learning Centre at HMP Dumfries regularly hold celebrations of learning achievement, and the Captive Art 3 Exhibition was­ a chance for the prisoners to gain public recognition for their achievements, through the attendance of invited guests from the local artistic and educational community. Local SNP member, Joan McAlpine, and Oliver Mundell MSP were amongst those present at the opening of the exhibition, as well as Andy Huntstone, the Deputy Governor at HMP Dumfries. The inmates also had the opportunity to display and sell their work at a recent Creative Art Exhibition at HMP Dumfries, with the proceeds from all sales going to a nominated local charity.

Captive Art 3 - The Stove Network
Captive Art 3 Exhibition Launch at The Stove Network.

One prisoner commented, “All year long, the poets and artists at HMP Dumfries look forward to this particular event, as it allows us the opportunity to show the positive work that we can produce. The Creative Art Exhibition this year was much bigger and more inclusive than before, and gave those outside the prison walls the chance to see first-hand that there is creativity and enthusiasm to be found inside. Art in its many forms has inspired those in custody to express themselves and contribute to their rehabilitation.”

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Inmates at HMP Dumfries with their exhibition work.

Captive Art 3 will continue to be on display in The Stove Café until 19th October.

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News Project Updates

Brave New Words Celebrates First Birthday!

Brave New Words once again returned to The Stove, on Friday 30th September, for a special night celebrating the first anniversary of this monthly platform for new writing, spoken and sung. The night consisted of an extraordinary mix of performance by local poets and songwriters, featuring film, music and a specially commissioned performance from local artists Michael Sullivan and Lee McQueen.

BNW Birthday

To celebrate their first birthday, Brave New Words teamed up with blueprint100 to create a special zine for the night. Blueprint100 held various workshops throughout the month of September, in which previous participants of the open mic night submitted their original poetry and artwork to be part of the zine. The zine is currently available in The Stove Café for a small donation, with all proceeds going towards The Sindigo Foundation.

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Brave New Words zine.

Martin O’Neill, who runs Brave New Words, commented, “The past year has been incredible, we’ve seen people grow more confident with each month, heard some of the most inspiring poetry and played host to dynamic people, workshops and ideas. We were really pleased with the amount of people that came along to be a part of Brave New Words, and we would like to thank all the participants for contributing, as well as anyone who picked up a zine and donated money.”

The open mic night is part of our mission to bring vibrancy to evenings in the Town Centre. Through various performances, the event aims to challenge stigmas and stereotypes, whilst offering support to those willing to make a positive and impactful change in their home town and beyond. Over the past year, Brave New Words has held workshops with community groups, the general public and schools, in which they aim to celebrate diversity, and understand creative writing. They have also had the opportunity to host some of Scotland’s biggest names in the spoken word scene, voyaged to festivals, created multi-disciplinary installations and uncovered some incredible talent right here in the heart of Dumfries.

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Jamie Court performing at Brave New Words

Brave New Words will return to The Stove on the 28th of this month for a special Halloween Spectacular open mic night.

To take part and for more information on events, please email [email protected].

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News

The Stove goes to Electric Fields

This years Electric Fields festival saw a series of pop up Stove activity from commissioned work by Ailie Rutherford, art installations from Stove member Kirsty Turpie, a pop up Brave New Words tent and a gang of the Stove’s sign painting team who hand painted nearly 60 signs for the festival village.

People Pavillion

Ailie Rutherford and Laurence Payot‘s People Pavilion popped up at various points throughout the festival, a roam people-constructed structure that danced it’s way around the site, creating temporary intimate spaces before dispersing through the crowds..

People Pavillion
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Kirsty Turpie‘s mad marble run maze was on-site throughout the weekend:

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The Brave New Words tent ran both days of the two day festival, featuring a mix of local and national acts performing in our intimate and cosy teepee tent, organised by regular Brave New Words organiser and curatorial team member Martin Joseph O’Neill.

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In the run up to the festival itself, The Stove’s workshop room turned into a sign painting factory, where a steadfast team worked through the weekends to prepare new signs for the festival site.

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Huge thank you to our various teams of volunteers and supporters who helped out with various Stove themed projects, from sign painters, to pavillion dancers, performers, poets, and artists – and big up to the Electric Fields festival team for putting together a great weekend at Drumlanrig (extra points for perfect weather conditions!).

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