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Musings

The Salty Coo Procession 2019

From Jordan Chisholm

“Wow! Nithraid 2019, you really were something else. I can’t quite believe I have to let go of you now; your procession has taken up many of my daily thoughts over the past few months.

This year you were unique, a little bit of a chancer, very salty and many of us learnt something new from you whilst asking important questions along the way.

I began to conceive the idea of the Nithraid 2019 procession when I was feeling inspired by what it means to “belong” alongside the want to work with different communities. I hoped for the procession to become a celebration of what Dumfries and Galloway has to offer, whilst creating a space for people to meet and connect with those they haven’t before. It is easy to believe that nothing ever happens here and question what there is to celebrate – but I believe that together we can do so much, so let’s try it.

Throughout June to the end of August, with support from the Blueprint100 team and The Stove Network, we contacted over 100 community groups from Dumfries and Galloway (yes, there really are that many!) encouraging them to make a banner in celebration of who they are, with a hope that they would then walk in our procession and become a part of the day. We had great fun throughout these workshops, and although challenged by the summer holidays, we met many new faces, conversed with people of all ages, heard many fascinating stories and connected with one another in a way that we wouldn’t have been able to before, whilst spreading the word about Nithraid and our Salty Coo.

“Pagan” means belonging or relating to a modern religion that includes beliefs and activities that are not from any of the main religions of the world (for example, the worship of nature). When I discovered this, I was keen to take this idea in to the procession. Imagine what the worship of community could look like. Imagine community as a religion. One which owns its own magic and is inclusive of all. I began to think more about where our beliefs come from, what Dumfries’ beliefs are, rituals and blessings; that is where much of the vision came from.With salt at the heart of this year’s overall Nithraid theme, it felt right to use this material as the source of action for the performers in the procession. Salt has many attributes, including being used for healing and sanctuary. Together, we spread salt throughout the high street in an offering of protection and safety for all our communities. Worshiping the place many of us call home. The 2019 Nithraid procession became a subtle disruption to a normal Saturday morning in Dumfries Town Centre. One which made people look twice as they walked on by. A moving image, a ritual, a blessing, a memory, an ephemeral moment, a discovery, many hearts and one community.

This experience was a huge collaboration from the very beginning to the very end and could not have been made possible without all those involved, including community groups, The Stove Network team, performers, musicians, costume designers, make-up artists, Salty Coo carriers and volunteers. I will never forget it.

Community is about doing something together, that makes belonging matter. We are community.

Here is the salt and here is the coo, let the river have its due,

Here is the salt and here is the coo, let the river have its due,

Here is the salt and here is the coo, let the river have its due.”

Jordan Chisholm is an artist and a current member of the blueprint100 curatorial team.

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Musings

Nithlight by Night, a Reflection

By Philip Mairs

With the theme of this years Nithraid festival being salt and ritual – including salt’s local, historical and mythical uses – we thought of a way to combine all three of these things into something that could form the basis of Nithlight.

Nithlight 2019

Upon finding out about the Celtic connection to the history of salt in the South-West Scotland region, we thought about using vibrational acoustic-phenomena to create patterns in the element of salt. A lot of these patterns appear surprisingly Celtic. For the Celts, the Earth and its elements, including all water and salt, were sacred.This idea was made possible by using a vibrating metal ‘Chladni’ plate, so called because following the pioneering experiments of Robert Hooke in the 1600s, it is the German physicist Ernst Chladni’s name that became most associated with these figures.

We set about filming the patterns emerging on our own plate, with the intention of beaming the projection over a maze of ship masts.

The ship masts were to replicate an old galleon ship, used for trading in the 1700’s. We then began to extend this narrative out by introducing reworked old seaman’s recipes and orientating our soundscape around water, grainy sounds and symmetrical patterning. We also wanted to give context to the projected video, and so thought that having the source for the images on site in an ‘obelisk’ type structure that people could sing into in order to create patterns themselves would be compelling; creating an immediate connection between creation and content.

Despite it looking like the event might have to be called off due to the Scottish summer in full flow, the event went ahead as planned. The ship sculpture provided an intriguing backdrop to people (and the occasional animal) singing and howling into the microphone, often watching patterns emerging as they would do so.

The feeling of old seafaring was enhanced by the provision of the some of the only kinds of food and drink that would last on voyages- in this case those being hard, salty biscuits; along with homemade ginger beer.

We also enjoyed the workshop we hosted earlier on in the day, where we were able to give people an up-close experience of Cymatics, from one of its original methods- bowing of metal plates with a violin bow; to one of its more recent related developments of the plate being driven by a loudspeaker. ___

Nithlight was a commission as part of Nithraid 2019, led by artists Emily Tough and Philip Mairs. The commission was supported by The Holywood Trust.

All image credits: Jamie Thomson, see his Facebook page here for details.

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Musings News

My Time at The Stove

by Ellen Mitchell

As I’m approaching the end of my wonderful journey at The Stove, I want to reflect on my time here and how it has influenced me and my career, and brought me in to the position I find myself in today. I feel privileged to have been a part of a group that has made such huge strides to integrate art in to Dumfries and really helped to shape the town’s future in the most positive way.
In 2015 I was working as a Modern Apprentice at D&G Council’s Film Office. I was informed that I could spend the final year of my apprenticeship working for an external organisation and immediately my mind landed on The Stove. I had admired their work up to that point and was really inspired by their ethos, which at its core was a desire to connect the community through creative means and ignite a positive change in Dumfries.
My first day in June 2015 was an experience I’ll never forget. That was because of the arrival of the Rajasthani Brass Band at The Stove that day, dancing and making music in their incredible vibrant, colourful costumes. I was asked to photograph the event, and as I watched stovie members, children and the band dancing out in the street I knew I was going to have a great adventure ahead of me.

Initially my role at The Stove was to support events and help with administration. The first major project I helped to coordinate was Nithraid 2015. Nithraid is an annual festival which aims to celebrate the town’s relationship with the River Nith by holding a boat race down the river. I worked alongside the event producer booking stalls, marketing the event and managing volunteers.

I had been working for The Stove for several months when they were approached by Queen Margaret University looking for people working in the arts to fill spaces on their MA in Arts & Festival Management up in Musselburgh. Although I had no formal qualifications up to this point, the Stove team encouraged me to apply and I was very surprised when offered a spot on the course. This was a huge moment for me, as I had always considered myself non-academic. It was a time I look back at now to see a change in my self-confidence and belief in my own abilities growing.


An element of the course was a group project to produce a marketing strategy for The National Library of Scotland’s new exhibition. Within the group I handled the visual components of the strategy, and attempted to create a logo for the exhibition. I approached a graphic designer friend and asked him for the basics on Illustrator so I could attempt to make the logo properly. Following that project I spent weeks teaching myself adobe software and design online. I had found something that was creative, that I felt I could understand well and become good at!

As I was approaching the end of the first year of university, I started to reflect on where I wanted to see myself going with my career. My apprenticeship had also ended and I was getting up at 5 every Friday to travel up to Musselburgh, I wanted to make sure I was doing it for the right reasons. I found myself drawn more and more to spend time learning about design, and studying just seemed to get in the way of that. I made the very difficult decision to finish the year, and not return.

Over this time I had contributed more and more to The Stove’s design work creating posters for events, and they invited me to continue to work there one day a week as an in-house graphic designer. I must thank stovies hugely for taking this risk as it truly gave me the push to pursue graphic design as a viable career choice.

I have continued to work part time as The Stove’s designer since, pushing myself to learn to be creative and expressive in design working on many different projects. I had to find work elsewhere to pay the bills, first as a marketing assistant, most recently as a designer for a local print shop, and I have just been offered a job as a full time graphic designer at a local company.

I must say that had I not been working for such a supportive organisation as The Stove, I wouldn’t have found myself on a journey that started with me teaching myself graphic design, and having a full time role as a designer less than three years later.

I will miss every part of life at The Stove, however I don’t feel as though I am leaving because without a doubt I will be there as much as I can be as a Stove Member, witnessing the amazing progress they are making for our town through projects like the Midsteeple Quarter.

Thank you again to Team Stove!

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News

National Culture Strategy Consultation Event

On Thursday 6th September, the Stove Network hosted public consultation session on the Draft Culture Strategy by Scottish Government, aiming to encourage individuals to contribute and generate group discussion on the way culture and creativity is part of our society and community.

Since the beginning of 2018, the Scottish Government has been consulting with the people of Scotland on their ideas and aspirations for a National Culture Strategy. This is not simply about the ‘arts’, rather it includes heritage and cultural activity of all kinds and aims to build an understanding of the value of culture as something that should play a part right across the spectrum of society. At the end of June this year, the Scottish Government published a draft of the Cultural Strategy and have asked people to comment on it and contribute ideas for practical activity that will put the Strategy into real and useful action for communities.The consultation event was a great success and it was very useful to be able to discuss certain issues with such a diverse and committed group of colleagues. The event began with an introductory talk by Gwilym Gibbons who is currently CEO of the Crichton Trust and previously has headed up major cultural projects in Perth and the Shetland Islands. Following Gwilym’s introduction, attendees were invited to take part in two facilitated workshops; one looking at the content of the draft strategy and the other to gather ideas for ways that the Culture Strategy could be delivered practically in our region and beyond.

We have now prepared a document for you to view with notes from the discussions. These notes are just the interpretation of the conversations made by the scribes. The Stove will not be attempting to represent the views expressed at the meeting in our submission to the official Consultation. Rather, we will be making our own submission (which may mirror some of the views expressed) and we encourage everyone else to do the same.

Download the document here: Culture Strategy Consultation Event at The Stove Network

Download the official Stove Network response here: Official Stove Response

More information and how to submit your own views can be found here: https://consult.gov.scot/culture-tourism-and-major-events/culture-strategy/

If you have any further questions please do not hesitate to get in touch!

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Musings News

The MooCoo Collective: Nithraid 2017

Blog post written by (and with thanks to) Jimmy Russell

Nithraid 2017’s Viking theme continues The Stove Network’s broader exploration of historic and current Nordic cultural influence in Dumfries & Galloway. In support of this Moovement Coollective (MooCoo) will be leading a procession of community groups with the Salty Coo through the town to meet the boat race and a Viking encampment at Mill Green. MooCoo is a newly formed performance trio comprised of Agnė Zdanavičiūtė, Jimmy Russell and Leo Marsh, three young artists living and working in Dumfries. The three members of MooCoo each bring something unique to the group.

clowning
Inspiration for the MooCoo team comes in the form of CIRCA, the Clandestine Rebel Clown Army

Leo is a costume maker and performer who has worked with Oceanallover and often contributes to Brave New Words. Their work is rooted in vulnerability and connection, exploring topics such as sense of self and belonging through the lenses of gender and sexuality.
Jimmy is a researcher, writer and performer who has worked on the Our Norwegian Story and Lost Chronicles of Gallovidia projects, while regularly reading at Brave New Words. His interests lie in history, community empowerment and costume design, all of which find some outlet with Nithraid.
Agnė is a recent graduate in environmental science at the Crichton who is fascinated by public art interventions and wants to learn how to organise and deliver a performance. She also wants to challenge peoples’ ways of thinking and give something to Dumfries.

Nithraid coo

For the procession MooCoo are fusing Viking lore with clowning sensibilities to create a spectacle at the river festival that combines heritage with silliness. In preparation we are coordinating different community groups that will process with us, including the Sandside Garden Apaches and Galloway Longfhada Vikings, as well as musicians and our fellow clowns. Our troupe of MooCoo clowns are benefiting from training by experienced rebel clown Lance Goodey from Glasgow who is delivering sessions at The Stove and Sandside Community Garden over two weekends.

During Nithraid 2017 we want to challenge the popular imagery of Vikings as bloodthirsty marauders with the reality that their presence in Galloway represented a surprisingly peaceful coexistence between different peoples. Rather than perpetuate the narrative that overseas invaders threaten our way of life, we wish to highlight the cultural exchange that did and still can exist in our homeland, not least with Norse folk. That is why our slogan for Nithraid 2017 is ‘We Come In Peace’.

Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!
Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!

In a predictably ridiculous fashion we’ll invoke the Nordic creation myth of Auðumbla: a primeval cow who nourished herself by licking salty glacier, which slowly released Búri, the first Norse god and grandfather of Odin. In turn Auðumbla’s milk nourished Ytar, a being whose body was used by Odin and the other gods to fashion Midgard, the realm of men. This story depicts creation as an ongoing and participatory process, a fitting message for Nithraid, which highlights the centuries old relationship between the river and Dumfries.

Clowning is something that has interested all three of us for some time. It seemed an interesting method of animating this myth and challenging typical tales of Vikingly violence. By adopting the dynamics of clowning – curiosity, engagement, presence, wonder – we want to inject a sense of fun and friendliness into local Viking lore, and invite people to question what they think they know about Norse-Gallovidian relations. The Nithraid procession will harness vulnerability to create a performance which is responsive to interactions and which blossoms in joyful, surprising directions.

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Musings

everybody is just a human being

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

Jordan Chisholm is a student at Royal Conservatoire of Scotland studying Contemporary Perfomance Practice. She is currently doing a placement at The Stove and writing a blog about her experience with us – this is her first post..

Jordan (with blue hair) performing in the Salty Coo performance (Nithraid 2016) she co-designed and produced with Dillon Colthard
Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard for The Stove’s Nithraid 2016. Photo Kirstin McEwan

When I was thinking about where I wanted to do my placement for third year – I had no doubt in my mind that I wanted to do it in Dumfries. I moved to Dumfries, in 2012, when I was seventeen years old. When I left school, I had a university offer to do Criminology but I wasn’t entirely sure if this is what I wanted to do. My mum has stayed in Dumfries for around fourteen years and it was decided that I would move in with her, to be in a new environment with no one I knew.

I’d visited Dumfries many times at the weekends and over school holidays but living there on a daily basis was something extremely different. I wasn’t sure how I felt about the town. As an ‘outsider’ coming from Edinburgh; I felt as though I really did not belong in this beautiful space and I could not explain why. I guess this was something internal and I spent most of my first year living in Dumfries travelling back to Edinburgh; there was something I was not prepared to let go and starting a new life was not as simple as I had anticipated.

Time passed and I began to open my mind. I met new people and started to do new things. I began to explore Dumfries in a new way; it was like a playground – full of magic, wonder and uncertainty. I still feel much of that uncertainty today – over four years later. However, I am not scared by this anymore; instead it inspires me and it always leaves me wanting more.

Dumfries changed me. It changed the way I look at things, it changed my opinions, it gave me a platform to do things I never thought I was capable of doing, it gave me something to be passionate about, it allowed me to learn about myself and who I could be, it shaped my future, my hopes and my dreams; Dumfries changed my life. But could I change Dumfries?

When I think about what I may want to do in the future; giving something back to Dumfries is at the top of my list. You see, in this misunderstood town, where there may not be very much to do, there are hundreds of people who all share the same love and understanding of what this space really is. Dumfries has a strange pull to it; and this pull is of upmost importance to the future of the town. We have to work together to allow people to feel proud of where they come from – to make them want to stay. This is what I want to be a part of. A part of the regeneration of Dumfries through art, creativity and sheer hope. I want Dumfries to give everyone what it gave to me, and I don’t want them to have to look very hard to get what they are looking for.

The Stove Network is situated in the centre of Dumfries. It is a fully accessible public arts space/facility/resource for the population of the town and the wider region. It is a support network that creates opportunities and connections for the creative community and integrates with the local economy and wider society. One of The Stove’s aims is to use the arts to engage and empower people for themselves, the places they live and society at large. This aim is vital to my own learning and development; I knew that this was where I had to be for placement. I wanted to know how they manage to do what they do in a town that says no much more than it says yes. I wanted to live and breathe their commitment to the Dumfries community and I wanted to be around people who share the same desires as I do; who can show me how to make a positive difference with an understanding of the quality in process as well as the product.

Although I knew why I wanted to be at The Stove, I was still extremely nervous on my first day and I did not know what to expect. It reminded me of my earlier ‘outsider’ feelings but I pushed these to the side and arrived with no expectations as to how my first week may turn out.

I was met by curator, orchestrator and public artist; Matt Baker. The motivation for Matt’s work is to have an effect in the place for which it is made. I find it comforting and reassuring having the opportunity to be mentored by someone who vocalises that they became an artist to change the world.

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