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Bill Drummond in Dumfries

‘Why Andy Warhol Is Shite’

In 1973, Bill Drummond was coming to the end of his first academic year at Liverpool School of Art. He was studying painting. He loved painting. He wanted to spend the rest of his life painting. But something was troubling him. He thought that even if he became a successful painter, or even a great painter, all it would mean was that his paintings would hang on the walls of a rich man’s apartment in New York.

The young and idealistic Drummond instinctively felt that this was not what art should be about. He put down his paintbrush, walked away from the easel, and out into the streets of Liverpool, in the hope that he could discover a way of making art that… The rest of his professional life to date has been about trying to work out what the “that” might be.

Some months before he laid down his paintbrush, he had visited the first Andy Warhol retrospective in the UK. It was at The Tate (Britain). The exhibition had blown him away. But over the next twelve months, what had initially done the blowing began to trouble him. The troubling progressed to the point where he thought what Andy Warhol represented was everything that was wrong with art in the world at that time.

Mr Drummond is standing in the Penkiln Burn (near Newton Stewart) with a salmon and bluebells.

All the first-year fine art students were expected to write a 4,000-word history of art essay on a topic of their choice. This essay was to be handed in by the end of the first academic year. Although he had a title for the essay, he was unable to put more than a few unconnected words on the page.

Most of the several hundred thousand words that Drummond has written and published since the summer of ’73 have been a continuation of this uncompleted essay. What he hopes to present in Dumfries will be a 45-minute performance lecture based on where he is at with the essay at the moment. The working title is, as it was then, the now rather naïve: “Why Andy Warhol is Shite.”

You can be part of the audience for Bill’s lecture ‘Why Andy Warhol Is Shite’ by coming to Greyfriars Church at 6 pm on Thursday, the 8th of November (free).

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Inspired by Dumfries

The Dumfries and Galloway Standard has had its reporters out and about:

“It wouldn’t be the first town you’d think of if you were asked to name a fashion hotspot of the world. But thanks to visual artist Lisa Gallacher, a collection of bespoke pieces created and inspired by Doonhamers and their town will be exhibited here next month.”

Fabric based in Paling’s Window by Lisa Gallacher

TRDM: Dumfries is one of eight creative projects specially commissioned by the artists’ collective The Stove for their exhibition InBetween: Dumfries. The project will culminate in a collection of “Dumfries Inspired” made-to-measure garments being shown at The Stove’s base on the town’s High Street throughout the beginning of November. The Dumfries-born, internationally acclaimed artist has collaborated with ten local residents from all walks of life to create an item of clothing, representing what the town means to them.

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Inbetween: Dumfries

Arts Events in the Week of 5-10 November

The artist collective The Stove has put together a week-long programme that celebrates Dumfries and offers people the chance to be part of the future of their town. Six specially commissioned art projects will be presented in public spaces, accompanied by public performances and talks from leading thinkers, as well as film screenings and concerts.

Highlights include:

‘Why Andy Warhol is Shite’ – A performance lecture by international artist Bill Drummond.

Street Shrines – New work around Dumfries by one of Scotland’s leading street/public artists, Mike Inglis.

Greyfriars 1 – The world premiere of Suzanne Parry-John’s song cycle about the Nith and the launch of artist Lisa Gallacher’s bespoke clothing collection.

Nithscoping – Environmental artist Hannah Brackston invites an investigation of Dumfries’ river.

Also, look out for Marion Preez’s blue ‘Frames’ around the town, and whatever you do – don’t miss ‘The Lost Supper’, a simultaneous voyage back in time and into the future, with great food!

What’s even better is that it’s all free!

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An Update and an Invitation

The Stove committee has been pushing forward on all fronts over the past year, and we would like to invite you to a catch-up meeting on Wednesday, the 5th of September at 7 pm at The Stove building.

At this meeting, we will report back on progress with the building and projects and discuss the future structure of The Stove as an arts organisation. The Stove began as an open invitation and opportunity for D+G practitioners; we’d like to discuss ideas we have for sustaining this ethos into the future and are eager to involve as many of you as possible in these discussions.

Some of you may also be aware that we have been commissioning artworks to accompany a two-week-long programme of public arts activity in and around Dumfries at the start of November. Artist Mike Inglis was awarded one of The Stove’s Inbetween commissions; Mike is one of Scotland’s leading street artists and will present a short illustrated talk on the 5th of September about his practice and what he has planned for the November events.

Utopian Junk Dreams

Kirsty Whiten: Centaur
Fraser Grey: Explosion
Martin McGuinness: Landscape
Mike Inglis: Spaceboy and the No. 9 Junk Dream
Rab Choudhry: Coins

We will also be introducing a two-day symposium we are presenting in November, where invited speakers will address issues surrounding the identity of contemporary market towns in the UK: ‘Place, Sustainability, and Future Culture’ in Dumfries on 8th and 9th November.

We hope you can join us. If so, please RSVP via [email protected] with the text ‘Stove Meeting Wed 5 Sep’ in the subject line.

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TRDM: Dumfries

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