Support Us
Categories
Musings News

Lowland | Building a contemporary narrative of Dumfries town

Lowland
Building a contemporary narrative of Dumfries town
by Martin O’Neill

“I wrote about what was around me. But some people are so daft they don’t understand that writing about Prestwich is just as valid as Dante writing about his Inferno.” Mark E. Smith

A friend sent me this quote around the time of Fall front man and debauched hero Mark E. Smith’s death. It was a photo of the quote crudely written in sharpie. A cardboard epitaph by a postbox, adorned with flowers left to wilt. It reminded me of the sad street-lit shrines we see by the side of a road, marking a life cut-off too quickly by a road traffic accident. As if his death in the city was just as tragic. That his legacy should be marked in cardboard felt a fitting tribute to a man who dwelled between genius and joker.

At the time, I’d been going through a lot in my own practice – how much what surrounded me affected my own unconscious ranting – that first stage before actually forming something which might be deemed as poetry or art, and how much my own sense of place lead me to its final form.

Whether it was in the worlds unveiled in a hospital waiting room, or a past reflected in the walls of St. Andrew’s church. These worlds of words which when stringed together created in me that place always real and half-imagined like a dream, rippled from the walk of a day through the High Street, by the river or upward to the museum, the omnipresence of Burns carved in stone or engraved in a window, fogged by the rising smoke of a cigarette, his work obscured only in the presence of a poorly painted portrait.


These places that resonated on the page, and for which I couldn’t have explored the other parts, hidden from view. And it was the same for most every other writer I met in this town. They wrote what was around them, so as to peer further into themselves and understand better the lives of others.

There came a point, whilst compering Brave New Words which is now fast approaching its third year, growing in excellence, audience and value every month thanks only to those who contribute, and the communities which have grown from this that I was struck how important the living word, and its profound connection to place was.

With that, it seemed important to examine our current sense of belonging, through a platform engaging professional writers and artists, responding in their chosen practice, a contemporary account of Dumfries. It struck me that the hierarchy of writers was marked by death, and that their shadowed legacy was inscribed in the minds of those ‘in the know’, or on a white tomb, or in the pages of a tourist brochure and that little infrastructure existed to engage current writers to engage in the intricacies of writing place. What with the weight of a bard carved into marble.

To connect with our communities through the arts is the Stove’s ethos. To see that our opinions, thoughts, emotions and lives matter and to break down whatever barriers exist between culture and community is pivotal to creating a town everyone can be part of. And the form of the written word is just as valuable as any other form by which to do that.

With that, came Lowland. A 3-year project conceived and delivered by the Stove Network. It seeks to place writers at the core of the Stove’s and local community’s activities to reflect and celebrate a town in a transitional phase of its history. Generating a contemporary narrative of place, by interacting with and responding to activity in the town through the written word. The central idea of Lowland is to generate an evolving narrative through a series of engagement opportunities and outputs, whether a song, a book, a map, or a play – these outputs will create a collage of work and output that will form the backbone of our future activity.

Launching with a writer-in-residence, the project hopes to create a valuable strategy for literary activity in the town and seeks to work with our community, our partners, artists and other writers to reflect the varying perspectives of the place we call home in new and inspiring ways.

With this, and the continued presence of Brave New Words, is where we build a legacy not formed by marble but by people, and the stories, which weave between the bricks of our buildings and the voices in the streets.

For further information on Lowland, please contact [email protected]

Categories
Musings News

Brave New Words: Blueprint100 Takeover

Brave New Words Celebrates with a Blueprint Takeover, Millions Dead
by Chauncey Milquetoast

The night of the 27th was one of debauchery, excess and – at the hands of the host – violence. There was also some rather lovely poetry and music and…misc.
The night marked a change from what was usually expected, thanks to a bunch of youths running the show this time instead of that guy what usually does it.

Hosted by the absurdly abrasive Brandan Braslin and his Phantom House Band (one dude), the night began innocuously enough before descending into surreal, Lynchian chaos.There was more variety than ever with acts performing a cacophony of poetry, prose, musical numbers and stand up comedy. It’s impossible to pick a highlight, as each act was as wonderful as the one that preceded it, except for one profoundly unpleasant man in a hideous floral shirt.

The only downside was that, for the fourth time, my request for Dead Kennedys fell on deaf ears. Perhaps I should ask a musical act next time instead of literally every poet. Live and learn.This was also a particularly inclusive night where everyone was made to feel welcome – with only one heckler this time, which I believe is a new record, plus it was a member of staff so it doesn’t even really count.

The finale consisted of our host providing a final monologue before disassembling himself into minute, complex geometrical shapes and dissolving into the ether, while the house band grew to a gargantuan size before rampaging through the town centre.Overall it was a good night. I’d say…twelve out of a possible thirteen stars.

Categories
News

BNW Big 2nd Birthday

Brave New Words Big Birthday 2

Brave New Words celebrates its second birthday at the Stove on the 29th of September at 7PM with an apocalyptic showcase and open mic of new words spoken and sung. Featuring the launch of a brand new zine entitled Not Safe for Work.

DSC_0224_lowres

Over the past two years Brave New Words has been a staple event in the town center attracting emerging writers, performers, singer/songwriters, comedians and even magicians It has showcased the biggest names in the spoken word and poetry scene both locally and internationally and continues to run workshops with schools and community groups on creative writing and performance.

bnw-7

Organizer Martin Joseph O’Neill says ‘It’s been an incredible two years, with some amazing talent on show from all ages and backgrounds. I’m looking forward to what the next year has in store.’ This year its celebrating with an all-out ‘end of the world’ theme and inviting the public to perform or attend in what is set to be a night not to be missed.  Entirely free, Brave New Words is held every last Friday of the month at the Stove in Dumfries.

bnw-5
Categories
News

Big Burns Supper at the Stove

Last week, The Stove Network ran as the town centre hub for this year’s Big Burns Supper Festival, hosting a variety of events over the 10 days, as well as being the base for the very first D-Lux Festival of Light.

The Big Burns Supper festivities kicked off on Sunday with the annual Carnival. This year, blueprint100 team members created giant skeletons of celebrities and artists lost in 2016. Among these were David Bowie, Prince, Muhammed Ali and Carrie Fisher.

Dead Famous Carnival

On Wednesday, we hosted ‘Being Made in Dumfries’; an opportunity to see the next crop of local creativity before anyone else as local playwrights, writers, musicians and artists presented their ‘work-in-progress’ to an audience for the first time. Martin Joseph O’Neill, writer and Curatorial Team member here at The Stove, began the evening with a discussion of his second artwork in a series entitled ‘Midnight Streetlight Smalltown Rain’; an interactive installation which ran during the week as part of the D-Lux Festival of Light.

IMG_7059

The following evening, Holywood actor and D&G resident Gary Lewis hosted a special screening of the blackest of Glaswegian comedies – Orphans, starring Lewis and directed by Peter Mullen. The screening was followed by a Q&A with Gary. We had a great chat including the long and circuitous route getting started in acting, the value of independent film making, the uncertain future for film making post Brexit, and the most beautiful Scottish landscapes to work in.

To conclude our week of Big Burns Supper events, the Stove’s monthly open mic night had a special edition with ‘Brave New Words for the Bard’. The night was open to writers, performers and musicians with words spoken or sung to present their work in front of a live audience. The performances ranged from Brave New Words regulars and local young musicians Kate Kyle and Elia Davidson, as well as newcomers sharing their poetry and stories. Brave New Words will return at the end of this month with a special love themed evening.

Categories
News Project Updates

Brave New Words Celebrates First Birthday!

Brave New Words once again returned to The Stove, on Friday 30th September, for a special night celebrating the first anniversary of this monthly platform for new writing, spoken and sung. The night consisted of an extraordinary mix of performance by local poets and songwriters, featuring film, music and a specially commissioned performance from local artists Michael Sullivan and Lee McQueen.

BNW Birthday

To celebrate their first birthday, Brave New Words teamed up with blueprint100 to create a special zine for the night. Blueprint100 held various workshops throughout the month of September, in which previous participants of the open mic night submitted their original poetry and artwork to be part of the zine. The zine is currently available in The Stove Café for a small donation, with all proceeds going towards The Sindigo Foundation.

EPSON MFP image
Brave New Words zine.

Martin O’Neill, who runs Brave New Words, commented, “The past year has been incredible, we’ve seen people grow more confident with each month, heard some of the most inspiring poetry and played host to dynamic people, workshops and ideas. We were really pleased with the amount of people that came along to be a part of Brave New Words, and we would like to thank all the participants for contributing, as well as anyone who picked up a zine and donated money.”

The open mic night is part of our mission to bring vibrancy to evenings in the Town Centre. Through various performances, the event aims to challenge stigmas and stereotypes, whilst offering support to those willing to make a positive and impactful change in their home town and beyond. Over the past year, Brave New Words has held workshops with community groups, the general public and schools, in which they aim to celebrate diversity, and understand creative writing. They have also had the opportunity to host some of Scotland’s biggest names in the spoken word scene, voyaged to festivals, created multi-disciplinary installations and uncovered some incredible talent right here in the heart of Dumfries.

BNW Birthday
Jamie Court performing at Brave New Words

Brave New Words will return to The Stove on the 28th of this month for a special Halloween Spectacular open mic night.

To take part and for more information on events, please email [email protected].

Categories
News

The Stove goes to Electric Fields

This years Electric Fields festival saw a series of pop up Stove activity from commissioned work by Ailie Rutherford, art installations from Stove member Kirsty Turpie, a pop up Brave New Words tent and a gang of the Stove’s sign painting team who hand painted nearly 60 signs for the festival village.

People Pavillion

Ailie Rutherford and Laurence Payot‘s People Pavilion popped up at various points throughout the festival, a roam people-constructed structure that danced it’s way around the site, creating temporary intimate spaces before dispersing through the crowds..

People Pavillion
img_1717

Kirsty Turpie‘s mad marble run maze was on-site throughout the weekend:

img_1736

The Brave New Words tent ran both days of the two day festival, featuring a mix of local and national acts performing in our intimate and cosy teepee tent, organised by regular Brave New Words organiser and curatorial team member Martin Joseph O’Neill.

img_1734

In the run up to the festival itself, The Stove’s workshop room turned into a sign painting factory, where a steadfast team worked through the weekends to prepare new signs for the festival site.

img_1020
img_1679
img_1675

Huge thank you to our various teams of volunteers and supporters who helped out with various Stove themed projects, from sign painters, to pavillion dancers, performers, poets, and artists – and big up to the Electric Fields festival team for putting together a great weekend at Drumlanrig (extra points for perfect weather conditions!).

Skip to content