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‘This Machine Destroys Tyrants’: Dumfries, Print, and the Future of Community-Led Journalism

Rhiannon Davies of Greater Media

By Martin Joseph O’Neill

A few weeks ago, we hosted an event at the Stove called The Gaither Inn – a kind of open invitation to sit with an idea: What would it take to build a community-led publication in Dumfries?

We were joined by two brilliant guest speakers – Rhiannon Davies, founder of Greater Govanhill, and Judith Hewitt, curator and local historian – who helped us explore both the roots and future of grassroots media in Dumfries and beyond.

The evening was packed. Ideas were flying. It felt as though something was beginning – or perhaps picking up from where we had left off.

The Future

Let’s be honest: the future feels rather grim lately. Climate breakdown, inequality and a world run by billionaires can leave us feeling as if we are drifting further from control. But perhaps the future is not so distant. Maybe it is not even all that abstract – it may simply be the outcome of what we build (or do not build) now.

I like to think of it like this:

Imagine rowing out to sea. You are facing the land – your history, your memories – as you move away from it. The shore becomes blurrier, but you still carry what it has given you. You cannot see what lies ahead, yet your boat is strong. You have packed water and supplies, and you have learned how to read the sky. The future is unknown, but it is not unreachable. The direction you take depends on how well you have prepared and whether you are paying attention.

What Does This Have to Do with Print?

Quite a lot, actually. Dumfries has a history of shaping its own story and using words, print and collective knowledge as a means to connect, challenge and organise. And it is not always a history that people are aware of.

Here are a few things I did not know until recently – and perhaps you did not either (thank you, Judith):

Dumfries: Print Town

  • 1715: The Dumfries Mercury became the first newspaper published in Scotland outside the central belt.
  • 1750: Dumfries is recognised as one of just 15 official “Print Towns” in Scotland – on the leading edge of print culture.
  • 1830s: Dumfries print workers formed the Typographical Union – one of the country’s earliest trade unions. Their work was not just about ink and type – it was about connection, fairness and voice.
  • 1838: A local procession rolled through town with a flower-covered printing press on the back of a cart. On it, a banner read: “This machine kills tyrants.”

There were libraries, reading rooms, the Mechanics’ Institute at Nith Place and a culture of people sharing papers, passing them hand-to-hand, and reading them aloud in workshops and kitchens.

Henry Duncan, founder of The Dumfries & Galloway Courier in 1809, is remembered for creating one of the earliest examples of service journalism – a newspaper made not to stir scandal or sell ads, but to serve its people. He even has a statue in the town.

Henry Duncan Statue, Church Crescent | Image Credit: Kim Traynor 

The point is—Dumfries knew how to talk to itself: how to debate, record, reflect, and imagine.

And I think we still can.

So We Asked: What Could a Dumfries Publication Look Like?

After hearing from Rhiannon and Judith, we invited the room to break into editorial teams and design what a new community-led publication for Dumfries might be.

Constructive Journalism:
A form of reporting that focuses on context, solutions, and potential progress — not just problems. It aims to inform while also empowering and engaging the public.

A Diagram explaining ‘Constructive Journalism’
A Diagram Explaining ‘Constructive Journalism’ in More Detail.


Solutions-Based Journalism:
Journalism that investigates and reports on how people are responding to social problems — focusing on what’s working, how, and why, without ignoring challenges.

A Diagram explaining ‘Solutions Journalism’.
A Diagram explaining ‘Solutions Journalism’ in More Detail.

Here’s what they came up with:

Shared Values

  • Rooted in place: The river, the ridge, the land – not just a backdrop, but part of the story.
  • Many Dumfrieses: Georgetown, Lochside, Maxwelltown, the town centre, the places on the edge. Dumfries isn’t one identity – it’s a gathering of them.
  • Welcoming, but with gaps: People in Dumfries are kind, but not everyone receives the same welcome – especially asylum seekers, young people and older folk. How do we create something where everyone sees themselves?
  • Tell the good stuff too: Instead of always reacting to vandalism or decline, why not report on what’s working? Who’s doing good work? What’s bringing people together?

One popular idea was to organise the publication into three parts:

Past

  • Invite people to share stories and snapshots of Dumfries life.
  • Run intergenerational interviews – young people asking older people real questions, for example:
    • “What was your first job?”
    • “Have you ever vandalised anything?”
  • Let memory guide us – not to dwell, but to ground.

Present

  • Address local issues: housing, racism, flooding, and public space.
  • Ask: What’s being done? What’s needed? What’s worth celebrating?
  • Include event listings and practical information.

Future

  • Create a “dream dump” where people can send in their literal or imaginative dreams for the town.
  • Invite people of all ages to describe what Dumfries could be.
  • Include deeper dives into issues, comparisons with other places, or real‑world examples of people trying something new.
Other Ideas
  • Community Newsroom: A drop‑in space where people can come and share what they believe should be discussed.
  • Platforming underheard voices: Create space and support for those who often feel excluded from civic life – asylum seekers, people without stable housing, and young parents.
  • Youth‑led Journalism: Flip the script. Support young people to report on what matters to them and how they see the town.
  • Supporting groups to tell their own story: Enable local charities, community campaigns, and neighbourhood projects to speak in their own voice.
So What’s the Point of All This?

This isn’t just about ‘making a magazine’. It’s about offering people a way to see themselves in the story of Dumfries – and to see each other. It’s about moving beyond the idea that only certain people “get to” speak or be heard. It’s about creating something that reflects real lives and provides a space for people to imagine what comes next – together.

What’s Next?

This summer, we’re getting ready to launch something new at The Stove – a space in the town centre where print, design, stories and civic imagination can come together. We don’t know exactly what it will look like yet, but we’re hoping it can be part news desk, part ideas lab and part open studio. We’re also hoping it will be one way for us to start talking – and listening – differently as a town.

If you’re curious, have an idea or simply want to be part of the conversation, come and find us. We’ll be here.

Categories
Musings News

Creative Scotland Open Fund Closure and the Public Funding Environment

A Gathering of Young Creative Freelancers at the Creative Spaces Showcase 2023 | Photo by Kirstin McEwan

A Joint Statement by CEO, Matt Baker and Board Chair, Lynsey Smith.

The Stove team and board of trustees were deeply shocked to learn this week of the imminent closure of Creative Scotland’s Open Project Fund for individual creative practitioners. The richness and diversity of the culture created in Scotland ultimately depend on individual practitioners. As a country and a culture, we are profoundly impoverished and damaged by the shutting off of this key source of support for the creation of artistic work and the survival of artists.

We’d like to express our committed solidarity with the freelance creative sector and, in particular, with people who have been developing projects for funding that now will not be able to proceed – this is a heartbreaking and existential situation for everyone who works in the creative sector.

The Stove sees itself as part of the regional support structure for the creative and community sectors in Dumfries & Galloway – if any of our members need help in progressing a project impacted by this decision, or have questions/ideas about what is going on and how to respond, then please do contact us, and we’ll do all we can to help.

We feel that it is important for all of us in the creative sector to stick together during these very difficult times. Moreover, we should stand in solidarity and work collaboratively to support all other sectors—Education, Communities, Local Authorities, Health, etc.—who find themselves in a similar predicament. What we are facing is the potential decimation of every aspect of our society that relies on public funding.

Two weeks ago, the Scottish Government announced that it could only guarantee to honour funding commitments that were legally binding; all others must be considered under question. This stance was prompted by the financial settlement imposed by the UK Government, which is announcing a similar stance regarding its own financial position. A narrative of resource scarcity persists across all levels of government, affecting us all—whether it be in healthcare, our children’s education, transport, or our cultural lives.

We must continue to fight for the value of culture and creativity at every opportunity—it is, we believe, the lifeblood of communities and an essential, uplifting force for good in individuals’ lives. However, we must also endeavour to form alliances and support networks with our workers across all sectors affected by this public funding crisis. If we all stand together it will be harder to pick us off group by group.

The Stove has worked tirelessly over the years to advocate for increased public investment in culture and creativity. We have pioneered new visions and approaches, contributed to numerous consultations, lobbied politicians, and spoken at Holyrood. At every opportunity, we emphasise the significance of culture within communities, particularly in a rural setting, and propose ideas for developing new revenue streams to bolster the prosperity of freelancers in Dumfries & Galloway—the foundation of our cultural life here.

We have championed the D&G Cultural Strategy and invested considerable time and resources into fostering the development of new mechanisms. These mechanisms, derived from this strategy, aim to inject additional income into the local creative economy. In 2023-24, we offered 180 individual commissions to local freelancers, collectively valued at over £200,000. Like many other organisations, we await news of our core funding from Creative Scotland. This week’s announcements underscore the complexity of these decisions and the importance of collaborating with our freelance community to devise a better system for everyone. Everything is interconnected, and our actions are inextricably linked.

We stand in solidarity with creatives everywhere and with public and third sector workers. Together, we must forge a better way to ensure that each individual is valued and supported within our society.

Categories
News

Scottish Cultural Manifestos for 2021

The excellent Culture Counts organisation has just launched their Cultural Manifesto ahead of the 2021 Holyrood Election.

You can read it here

They have also started a page where they are gathering all other Cultural Manifestos being produced at this time

Particularly interesting, we think, to see ‘Place’ right at the top of the Culture Counts manifesto, given our recent experiences of connecting with different Scot Govt departments and agendas – Place looks to be a shared platform where ‘culture’ can definitely show its worth as a vital ingredient of building a healthy and inclusive society.

Categories
Musings Project Updates

Trying to keep to ‘creativity as usual’ during lockdown

Guest Post by community artist & Blueprint100 Member, Kirsty Turpie

I was invited by the Blueprint100 team at the beginning of the year to run the Tuesday night Open Studio sessions. Blueprint has always been supportive of new ideas and giving young artists opportunities to try things out so they were happy for me to bring something new to the table. This was a series of talks about ‘Buildings that housed vibrant artist communities’. Of course The Stove is a building that houses a vibrant artist community but I wanted to explore with the Blueprint100 members, similar vibrant communities from history and from around the world, to see what we could learn from them and be inspired by. So we did just that.

Open Studio Model Making Workshop with Thomas Logan

However in March just as I was about to hold the third talk and Open Studio, dun dun dun…we all know what happened next, Scotland went into lockdown and it was no longer possible to continue the sessions. So being creative and innovative folk, we decided to continue online (after all it was the new craze to go online!). Along with Katharine Wheeler of The Stove Curatorial Team and Stove IT and website whiz, Robbie Henderson, we created Online Rooms on the Blueprint100 website to offer members a place to go to stay involved, inspired and entertained.

I came up with four different rooms: talks, opportunities, creative pastimes and a members’ gallery. It felt really exciting to be able to continue what I’d started for Open Studio, but in a new format. It also provided an opportunity to add new sections to the website that would be really beneficial to members on top of doing the talks. I contacted the Blueprint members and asked them if they would like to exhibit their work in the members’ gallery and had a great response. It has always excited me how much young creative talent there is in Dumfries and Galloway, so to be able to help them to promote their work and show others a taste of the wonderful folk that come along to Blueprint felt great.

Online Rooms Promotional Graphic
A Promotional Graphic for Online Rooms which illustrates the layout of the main page

At the start of lockdown when I was setting up Online Rooms, I also found a lot of great resources on the creative websites that I follow on how to survive as an artist during lockdown. These resources included lists of remote job opportunities, funding options and general ways of keeping inspired and entertained. This was something that I thought would be really helpful for Blueprint Members so included it on Online Rooms.

For the talks on Online Rooms I shied away from doing live videos and went for pre-recorded. This not only took off the pressure for myself but gave everyone at home the option to pop on to the website and watch it whenever they liked. The talks that I did were about the Chelsea Hotel in New York, Outsider Artists, Artist Collectives and a Viewers Choice talk. So they were similarly about vibrant artist communities. I’m a big fan of watching documentaries so I tend to delve in to art interests in that way in my spare time, but doing these talks made me watch more of them, more often and do more reading too which was really enjoyable. I get so inspired and motivated by hearing about other artists and creative communities and I hope Blueprint100 members do too.

I’d definitely recommend making time every so often to look for some YouTube videos about your favourite creative interests, as it can lead you down new paths and find out new things about the art world that you never knew. I always felt motivated and inspired after doing the research, so I would suggest it as a great remedy to fixing creative blocks!

Overall I hope that the talks and resources on Online Rooms have helped Blueprint100 members to stay motivated, inspired and enthusiastic about creativity during lockdown.

This post was written by Community Artist & Blueprint100 Member, Kirsty Turpie

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