Wednesday, 23rd March 2022 marked two years since the first covid19 lockdown in the UK, a moment to reflect on the journey we have all made over the past two years, and the changes that have impacted all of our lives.
To mark this moment, The Stove hosted a series of events over the course of the week Charting Two Years of the Atlas Pandemica project. Atlas Pandemica took place from Summer 2020 to early 2021, and saw ten artists projects working with communities across Dumfries and Galloway and the direct impacts on them as a result of the pandemic.
The project culminated in the publication of a new Atlas, a series of Maps to a Kinder World, with each project contributing a map to help guide us in the next steps we all take. Atlas Pandemica also includes additional documents sharing future ambitions and research developed through the project, all of which can be found on our Atlas Pandemica webpage.
Our Charting Two Years events included:
The Cafe at the End of the World, hosted by Robbie Coleman, Jo Hodges and guest Joe Woods as part of the Distance: Proximity: Loss project.
Conversations were hosted around care and the work of unpaid carers hosted by Annie Wild and Emma Jayne Park.
A memorable guided walk around the Spring Fair was supported by TS Beall including a shot on the waltzers!
An official oak tree planting and writer’s readings afternoon at Dumfries Museum, featuring JoAnne McKay and Karen Campbell, with one of Karen’s stories inspiring the planting of an oak tree.
The Atlases have also been installed in the form of a temporary exhibition in the Dumfries & Galloway Council HQ building on English Street, and The Stove Cafe.
Alongside this, a limited number of print edition Atlas Pandemica’s are being gifted to influential and inspiring people up and down the country. We hope that the impact of the Atlas Pandemica project will continue to live on long after the conclusion of the individual activities.
This March sees the artists involved in the public art project, Atlas Pandemica, host series of events to launch the Limited Edition Atlases. The launch coincides with the 2nd anniversary of the first Covid Lockdown on 23rd March 2020.
Details for each of the four public events are below:
The Cafe at the End of the World
22 March 2022
Join Atlas Pandemica artists Robbie Coleman and Jo Hodges and interdisciplinary researcher Joe Wood for tea and cakes and a discussion about how we might respond to the end of things.
Has Covid changed our view of how we live and can we use what we have learnt about grief and loss to explore and respond to the climate emergency and the fragility of the systems we live within? Can the holistic outlook of the hospice movement and ideas like ‘total pain’ or a‘palliative present’ be used to frame wider environmental challenges in our terminally ill ecosystems and provide a framework to respond to anthropocentrism, hyper-individualism, relentless economic growth and the cult of technology? When we are faced with widespread species extinction, extreme weather events and loss of habitats and homes, are there new ways of thinking that might give us a more meaningful basis for our actions?
It’s a Fair History.. A walkthrough the March Fair
23 March 2022
The Spring Fair returns to Dumfries after a 3-year absence. Did you know the last time the March fair was cancelled was during the outbreak of World War II? Learn some fair history and meet some of the Showpeople who travel to Dumfries from across Scotland to make it happen.
Artist T S Beall and Showperson and Dumfries Fair Organiser Raynor Cadona will lead a walk through the fair and along the banks of the Nith, stopping at sites relevant to Dumfries’ fairs – past and present. Attendees will have a chance to meet some of the Showpeople who have operated in Dumfries for generations.
Inspired by one of Karen Campbell’s short stories in her Atlas Pandemica collection ‘Here Is Our Story’ Dumfries and Galloway Council Community Assets Supervisor Brian McAviney alongside Elaine Murray, Council Leader and Rob Davidson, Depute Leader will plant a ceremonial oak tree at Dumfries Museum on 25th March at 2pm.
As part of the public ceremony Karen will read from her collection and JoAnne McKay will read from her Atlas Pandemica project ‘What Remains’. Judith Hewitt (Museum’s Curator East) will receive an Atlas Pandemica atlas on behalf of Dumfries Museum.
Annie Wild’s Atlas Pandemica project explored the life experience of unpaid carers during the pandemic and the significant role this group of people play in supporting the economy and society. People with any form of caring responsibility are invited to come and take part in a facilitated discussion in a friendly environment on their experiences during the pandemic. All welcome – occasional carers, former carers, paid carers, and people who aren’t sure if they are carers or not.
The Atlas Pandemica project ran from June 2020 until November 2021 when it was featured in COP26 in Glasgow.
Atlas Pandemica is a compendium of 10 projects led by creative people, each investigating a different theme highlighted by life during the COVID pandemic. Projects worked directly with people in Dumfries and Galloway, focussing on the impacts and the learning from the community’s experience of the evolving pandemic.
The Project was conceived and is managed by the team at The Stove Network and curated by Matt Baker and Robbie Coleman. The project was supported by Scottish Government’s ‘Supporting Communities Fund.’
The project now has been published as a limited-edition Atlas which comprises a set of 10 maps, each of which presenting one of the Atlas Pandemica projects as a map to a kinder world.
All of the Atlas Pandemic Maps can be viewed here.
The Atlases
The work of the 10 artists who worked with communities impacted by the Covid pandemic has been published as a set of ten ‘Maps to a Kinder World’ within a special limited edition of 50 Atlases. The Atlases are being presented to people and institutions that Atlas Pandemica believe will make good use of them in taking forward some of the positive lessons learned during the last two years. Watch out for coverage of the Atlases being presented around the country.
The Committee for Constitution, Europe, External Affairs and Culture is currently examining future directions for funding culture in Scotland. The Stove gave evidence to the committee on 16th September and this blog builds on the themes developed in our evidence and the evolving conversation about the role of culture and creativity in society as a whole – a conversation given extra focus and urgency in the context of Covid and Climate Change.
Culture & Wellbeing The Stove Network Evidence Session on Constitution, Europe, External Affairs and Culture Committee 16 September 2021
In periods of lockdown during the pandemic, creative practitioners filled many of the gaps created by the withdrawal of local authority services for people with additional support needs. In my own area, I have many, many stories of the extraordinary efforts of creative people during this time and of the positive impacts on clients and patients, some of whom experienced creative practice for the first time and have made progress that has astonished their carers. Similar stories are perhaps more widely known in education, with creative and cultural organisations and individuals providing physical and digital resources to support home-schooling.
Could the pandemic result in the widening of attitudes to education among parents/students and of outcomes for people with additional support needs and chronic health conditions?
These examples are part of a wider phenomenon through which myriad examples of arts practice embedded in communities came to the fore in Scotland, developed through local support networks during the pandemic. These can be added to the many community-led initiatives and social enterprises that have been started by a cultural project or the involvement of artists in local activism. The key connecting aspect of all these examples is the direct participation of people – people using creativity as a tool to change their own circumstances and/or the places around them, people being involved in shaping and making their own culture, rather than passively consuming culture that has been made for them.
Investing in Cultures The Stove Network Evidence Session on Constitution, Europe, External Affairs and Culture Committee 16 September 2021
Perhaps it is time to ask a fundamental question about the way we do culture in Scotland? Could we consciously support a culture of participation and popular ownership of culture as a key part of our national toolkit towards a just transition from both Covid and Climate Change?
It might be useful to look back at how we arrived at the current model we have inherited for the public support for culture. There are very interesting parallels with the pandemic in this regard. 80 years ago, another national crisis caused us to look anew at culture: during World War II people participating in and making their own culture was a vital factor in maintaining morale. This was recognised in the formation of the Council for Encouragement of Music and the Arts (CEMA) in 1940 which had two distinct strands of activity: one supported people to participate directly in the making of their own culture, whilst the other supported professional practitioners to create cultural work and events for the public. The participatory strand was very successful with projects such as the ‘Travelling Musicians’ programme which in 6 months started 244 amateur choirs and 37 new orchestral groups.
Despite this success, in 1946 CEMA was restructured as the Arts Council of Great Britain and support for participation in culture was discontinued with the first Chairman of the Arts Council declaring: ‘It is about the best not the most. The principle is we support professional artists. That’s our obligation. And our second obligation is to enable others to appreciate, understand and benefit from that’
Substantially, this is the way things have continued to the present day.* We, as a society, have come to understand culture as something that is professionally produced for others to enjoy.
It is a leap I know, but imagine how different life could have been in our communities and for our arts sector had we continued to support participation in the making of culture? Our way of thinking about learning, health, inclusion and empowerment in our communities might be very different. I’d like to propose that we use this moment of resetting with Covid to make a bold step as a country and to use culture as enabler and connector across multiple sectors in our society. Could we imagine something like a national Cultural Investment Programme supporting the mass participation in culture as a vital building block for a wellbeing society as part of an essential re-set after Covid?
It’s important to stress from the outset that this new approach to culture would be additional to the traditional support for the professional production of culture not instead of. In practice there would be expansive synergy between the two approaches to supporting culture in Scotland, with cross-fertilization in funding across organisations, projects and practices and opportunities for individuals to develop portfolio careers across different forms of practice.
Such a programme would be an integral part of our Covid/Climate transition and delivered through a partnership approach with Health, Education, Economic Regeneration and Community Development. It could be thought of as similar to the way in which Sport is supported – where one funding strand supports participation in sport (as part of wellbeing) and another funds elite sport…or like the distinct support paths for applied research and pure research in academia.
Developing this new strand of cultural support would start by bringing together existing experience and excellence in arts in education, health and community development (e.g. Arts in Education Recovery Group, Arts Culture Health and Wellbeing Scotland, Creative Scotland Place Dept, Culture Collective, Creative Communities) to work with the various other sectors and across budget strands such as the Place Based Investment Programme.
Future Vision for Culture The Stove Network Evidence Session on Constitution, Europe, External Affairs and Culture Committee 16 September 2021
Core elements of Scotland’s Cultural Investment Programme (SCIP) could include:
(NB ‘artists’ is used as a collective term to include: musicians, performers, dancers, visual artists, writers, designers, filmmakers, producers)
Education – artists in residence in schools, the Room 13 model, the Sistema model
Health and Wellbeing – social prescribing, artists in healthcare settings (eg ArtLink), wellbeing groups
Community Development – artists embedded in communities – supporting the growth of new initiatives and groups e.g. bringing unheard voices into community planning for longer term investment
Community-based Organisations – to become hubs supporting a population of local freelance artists (and associated creative disciplines) to work in the SCIP. Organisations also promote partnership working and develop new initiatives/projects. Many of these organisations will be community-based arts organisations, working across both strands of support for culture
National Network – to link and support community-based organisations and freelancers to share capacity, experience, skills and resources.
Skills and Training Programme – for artists and associated creative disciplines to work within SCIP settings and deliver ongoing professional development.
Action Research – as part of the roll-out of SCIP, with a remit to monitor progress, share best practice and identify effective synergies with existing cultural infrastructure.
Joined up working/funding across diverse sectors at national Government/Agency and Regional levels
We already have brilliant experience nationally of this kind of work across the board in education, health and communities, the principle of this vision would be to pool experience and resources across different fields and agendas to make a commitment, as a country, to a long-term, innovative and joined-up approach to building a wellbeing economy – using culture.
Chapter One – Image, Kirsten McEwan PhotographyOpen Hoose – Image, Colin Tennant
Artists and the diversity/sustainability of the cultural and creative workforce is central to the idea of such an investment programme. Artists would be employed on Fair Work principles to work as artists within the settings described, this is not ‘artists as social workers’ rather a commitment to genuine co-production with communities and regular local contracts will give new opportunities for artists to develop their own individual practices and grow new collaborations with other artists through the national network.
Local hubs, community participation, arts in education settings and fair work principles will also create the conditions for people from diverse backgrounds to enter the cultural and creative workforce and support all creative people with multiple opportunities to develop careers and creative practices.
Brave New Words – Image, Kirstin McEwan PhotographyCharter 14 – Image, Colin Tennant
Important initiatives such as Culture Collective and Creative Communities have already grown from the National Culture Strategy. The Culture Strategy makes an incredible opportunity for Scotland to use these as foundations around which we can attract people and practices and build a world-leading initiative that puts culture and the cultural workforce right at the heart of the effort to build a country based on wellbeing and climate justice.
*the Community Arts movement of the 1970s and 80s is one amongst few notable exceptions along with individual projects within the fields of health, education and community-based practice in recent years.
Welcome back Dumfries. This month we’re ready to open our doors once again with a month-long programme of inspiring events from conversations to workshops, creative activities and talks alongside the long-awaited return of our monthly film night Reel To Real, as well as the unmissable Brave New Words. We want to be extra safe as we navigate our way back into the world of live events so the way of doing things is a little bit different. First of all, you’ll need a ticket. You can see the full list of events here, so if you’d like to attend, you’ll need to book your place. And we’re not out of the woods yet so we’ll have some extra safety measures in place when you arrive, to protect everyone in our community.
This month it’s all about testing new activity. We want to see how we can have a blended approach to our live events. So whether that’s a mix of live streaming to walks outdoors, we want to play with new ways of coming back together, that’s both safe and creative. Who knows, some of it might stick. So why not join us as we retrace our steps back to the world of live events…
Dumfries Fountain Project
The Dumfries Fountain Project goes live this month with the first of our workshops with writer JoAnne McKay, and a conversation evening exploring the history and heritage of the fountain!
Creative Spaces
Creative Spaces welcomes you back to our blended model of bi-monthly workshops we shall be exploring the link between mental wellbeing and creativity through the concept of the Tortured Artist.
Brave New Words
You heard us right, it’s back! We’re going live on the last Friday of the month, in The Stove Cafe and The Stove Network’s Youtube channel.
Reel to Real Cinema
This month we are discussing film and food in The Stove Cafe with filmmaker Zev Robinson, and his short film The Glasgow Diet
As part of Atlas Pandemica, local artist Peter Smith is seeking local people to become ‘gardeners’ in the town.
‘Beauty in the Broken’ is a project which has been commissioned by The Stove as part of ‘Atlas Pandemica: Maps to a Kinder World’, which uses creative ways to chart the changes that have happened around us recently and to try and navigate the way forward into a more hopeful and shared future.
Peter Smith is a Dumfries based artist who works in fields of interactive art and wood-based sculpture and design.
Peter has created a series of Zen Gardens that will be placed around the town and is looking for a people to volunteer to tend the gardens over the three weeks they are in situ.
The project looks at the way in which Covid-19 may have broken us, but there is always an opportunity to repair in a new, beautiful way. We don’t try to hide these breaks and damage, but we repair our town and community – creating something unique and powerfully beautiful.
Peter sees this project as a social ‘Kintsugi’ – a method of repairing broken things in a way that embraces flaws and imperfections – worked out through the mindful practice of rock gardens.
The gardeners will regularly tend a set of sand and rock gardens throughout Dumfries every morning for 10-20 minutes. Rocks are placed on the field of sand and rakes are used to mark patterns and shapes into the sand. They will then be left for the day and a new design created the following day.
This opportunity is open to anyone – you do not need to have any gardening experience or experience in the creative industries. The gardens will go live over a 3-week period, from 18th January to 7th February 2021. The only requirement is availability every morning for 10-20 minutes during the 3-week period and to be able to carry some hand tools. The project looks to include a diverse mix of people from the local community.
If you would like to volunteer or for further information, please email [email protected].
The deadline to get in touch is Monday 14th December at 12 noon.
For more information on Atlas Pandemica, please click here.
Thank you to everyone who took some time to visit Elsewhere last weekend, it filled us with hope to see the town again from fresh perspectives and in new lights.
The first of our images from the weekend are now available, thanks to photographer Kirstin McEwan.
If you weren’t able to attend in person, much of the wonderful work we included as part of Elsewhere is available to view online, see a selection of links below.
Elsewhere was supported by Dumfries and Galloway Council’s Regional Arts Fund.
