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Everything is Rubbish and All Rubbish is Wonderful – Drop In

May 30 @ 2:00 pm 5:00 pm

James Gough – Personal Project Exhibition: ‘Everything is rubbish and all rubbish is wonderful’.

This debut exhibition will be a celebration of the unserious, and an opportunity to delve into the lost artist within us all. James draws inspiration from his own life experience and his works act as a light hearted social commentary. He often combines these ideas with cartoons or popular culture to create fun, engaging and humorous images.

Free Drop-in, no need to book

This event is part of our Creative Spaces Showcase Micro Festival. If you are aged 16-30, interested in the Creative Sector and are based in Dumfries & Galloway, make sure you come along to our Creative Spaces Showcase in Dumfries on the 30th May 2025.

66 White Sands
Dumfries DG1 2RS, Dumfries and Galloway DG1 2RS

Everything is Rubbish and All Rubbish is Wonderful

May 1 @ 5:30 pm 9:30 pm

‘Everything Is Rubbish And All Rubbish Is Wonderful’ is a celebration of the unserious and an opportunity to delve into the lost artist within us all 😀👍 xxx

Join James Gough, one of this year’s Creative Spacers, for the grand opening on Thursday 1st of May at The Coach and Horses Inn where we can chew the fat over a cold one and scran some canopies whilst we ogle at James’ pictures

AND @mirren___ will be supplying the sounds for the night with a live DJ set between 6:30pm – 9:30pm 🪩

If you can’t make it on the 1st, James will be hanging around at The Coach until Sunday the 4th so please come and say hi.

The exhibition will run until the 30th of May so you can still go and have a nosey of the artworks during The Coaches opening hours until then.

See you all soon :——)))

Free
66 White Sands
Dumfries DG1 2RS, Dumfries and Galloway DG1 2RS
Categories
Musings News

Martin Hamblen on wakeupand (2024)

Artist Martin Hamblen shares an insight about his current exhibition at The Stove Cafewakeupand (2024). This guest exhibition was commissioned by the Stove and is part of our Conversing Building Project.

By Martin Hamblen

When is an exhibition, not an exhibition?

Google ‘exhibition’ and the definition that drops down states “a public display of works of art or items of interest, held in an art gallery or museum or at a trade fair.” Conversing Building is not that.[1]

I was feeling sceptical about the project until I read about this year’s Artes Mundi prize winner, Taloi Havini. “An artist from a small Pacific Island who has found unexpected resonances with her work in the mountains […] of Wales […] Hyena (day and night) […] dominates the wall of the bustling cafe at Chapter Arts Centre.”[2]

Usually, an artist writes a statement to accompany an exhibition. But this, unusual business, demands questions: buildings? conversing? Obviously, bricks and mortar can’t talk so what does The Stove mean?

Late last century, curator Nicolas Bourriaud published a book called Relational Aesthetics. He defined the term as “artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.”[3]

So, the chairs are talking to the tables, the tables to the walls, the walls to the windows, the windows to the street. Sometimes, the process of thinking about asking a question, and anticipating answers, stops the question.

Scientists hypothesise. To misquote Yoko Ono and John Lennon, they imagine. At The Stove’s AGM the guest speaker, Dr. Duckie, introduced the concept of “Homemade Mutant Hope Machines”.[4] The key concept being, believing that better worlds are possible.

The words on the windows, talking to the street, read ‘Colonial Cartography’. Sign written in a font akin to Coca-Cola (a famous fizzy drink that may be made of cabbage and caffeine). Fizzy sounds nice and innocent. But the process of carbonation means adding carbon dioxide. Sound familiar?

The ‘art world’ appropriates languages from other fields. Biologically speaking, plants pioneer places. The first plant colonises. Then, there is a process of succession and an ecosystem evolves.

According to the Tate “intervention applies to art designed specifically to interact with an existing structure or situation, be it another artwork, the audience, an institution or in the public domain.”[5]

This aesthetic intervention aimed to consider Cafe Culture, in the context of conversing buildings. I asked: Can we imagine a future (2074) when warmer temperatures enable landowners to grow coffee in The Highlands? Also, can we imagine a world without carbonated cabbage juice? Is it possible? Poetically, of course.

Further Reading;


[1] https://thestove.org/projects/ongoing-projects/conversing-building/

[2] https://artesmundi.org/taloi-havini-wins-tenth-anniversary-artes-mundi-prize/

[3] https://www.tate.org.uk/art/art-terms/r/relational-aesthetics

[4] https://duckie.co.uk/dr-duckie/about-dr-duckie

[5] https://www.tate.org.uk/art/art-terms/a/art-intervention

Categories
News Opportunities Project Updates

The Stove’s Christmas Salon – Open Call for Artists


The Stove Cafe and Conversing Building invites artists and creative folk from Dumfries and beyond to submit artworks to feature as part of a Christmas selling exhibition.

Every year, our Cafe hosts a festive display and this year we’d like to use the space to support local artists and create additional space for the purchase of artworks during the festive season.

The exhibition will run from Tuesday 22nd November to Thursday 22nd December, open to the public during regular cafe hours at The Stove, Monday-Saturday’s, 9am-3pm.

We will host an additional evening as part of Dumfries Christmas Lights Switch On Friday, 25th November from 4pm.

How To Submit Artwork:

  • Artists may submit up to a maximum of two artworks per person.
  • 2D artworks should not exceed 60cm in any direction, and 3D artworks should not exceed 30cm in any direction.
  • Artworks must be dropped off during one of our scheduled drop off dates (see below), or by appointment only
  • Artists must complete a contacts form including BACS Bank Transfer information before leaving any artworks. These will be available during our scheduled drop off dates or by emailing [email protected].
  • Any unsold artworks must be collected on Monday 9th January 2023.

Artwork Drop Off Dates:

Artworks can be dropped off Tuesday, 15th November between 3pm and 6pm, or Wednesday, 16th November between 12noon and 4pm.

For more information drop an email to Public Art Lead Katie Anderson, [email protected].

*Conversing Building is an ongoing project at The Stove, that looks to activate spaces around The Stove through a variety of visual and public art projects and displays. For more info on the project visit our project page here.

Categories
News Project Updates

Solway to Svalbard

Solway to Svalbard is an immersive, multi-artform response to the spring migration of barnacle geese.

This unique piece of theatre brings together original music with cinematic visuals, evocative soundscapes, and live storytelling. Created by composer Stuart Macpherson, filmmaker Emma Dove and sound recordist Pete Smith the project was developed over the course of five years, enabled by support from Creative Scotland, PRS Foundation, Help Musicians UK, Tenk Traena AiR, Galleri Svalbard, DG Arts Live, The Stove Network, DGU and the National Theatre of Scotland’s Engine Room programme.

Forming part of Dumfries & Galloway’s Wild Goose Festival, which is produced by The Stove Network and held in Dumfries and surrounding areas, the festival unites key partners from the region in an exploration of nature, creativity, and place, Solway to Svalbard follows the migratory rough of Svalbard’s Barnacle geese from Southwest Scotland to the High Arctic and back. The final artwork is highlighted as this year’s finale event with the world premier will take place at the Loreburn Hall in Dumfries on Saturday 29th October.

“We have all put so much work into this project and I think we have really created something that not only gives audiences and insight into the geese’s journey but also the journey we have gone on as the friends in creating the work.”

Pete Smith – Sound Recordist

More About the Project

From their wintering site on the wetlands of the Solway Firth, through staging sites in Norway, to their breeding grounds in the High Arctic, the barnacle geese journey across shifting environments in search of food and safety. Following the geese on their journey were a team of three clunky humans who charted the flight path of these birds, encountering different communities along the way, seeking answers to their own questions of home and resources.

Solway to Svalbard is the culmination of the research, inspiration, documentation, ideas, thoughts, and feelings for these three collaborators and through their in-depth development, a richness of material has been generated that captures very special and intimate moments of the barnacle geese’s migration.

But where did is all begin?

“Fancy spending a couple of days filming and recording geese at the wetlands?” I don’t think any of us had any idea of the journey that we had just started when we got together for that initial reccie!”

Stuart MacPherson – Composer

The Solway Firth’ mudflats and coastal grasslands make up one of the largest intertidal habitats in the UK attracting tens of thousands of geese and other wildfowl and waders each autumn, the story of Solway to Svalbard stars here…

“Caerlaverock WWT was the first wildlife reserve I went to as a child. I remember ‘hiding in a hide’ and peeking out the small windows, looking at the vast numbers of grazing barnacle geese and listening to their noisy squabbling. It made a real impression on me, so, when Stuart first got in touch and asked me to come along on a recce for the project I jumped at the opportunity.”

Pete Smith – Sound Recordist

The development process of this project has encompassed research trips to the High Arctic, writing and filming sessions in the wetlands of the Solway Firth, writing residencies in Scotland and Norway, pop-up musical performances in Caerlaverock Castle and a work in progress performance in a working man’s club in Dumfries for the National Theatre of Scotland’s ‘Just Start Here’ festival. 

Wide-shot panoramic footage of their journey evokes the scope and scale of the landscapes they travel through with close up environmental detailed shots. An immersive textured sound design weaves field recordings of the geese. Recorded interviews and stories recounted by local people in the Arctic and the Solway comment upon our integral but often forgotten interconnectedness with the natural world and the reality of environmental change on us all. An original score written as a response to the different environments and habitats weaves through the show. At the heart of the work – Stuart, Pete and Emma’s personal story – their account of navigating these people, places and landscapes and how their time with the geese changed and shifted their perspectives. 

“When Stuart approached me to work on Solway to Svalbard, I felt an immediate connection to the piece. I naively imagined setting up my camera down on the Solway Firth and patiently waiting for skeins of geese to fly in perfect formations overhead. The reality really was much more of a wild goose chase – a lesson in our limits as clunky humans stuck to the ground, as well as an incredible journey of discovery of the places, habitats and people that are connected by the barnacle geese and their round trip to the high arctic.”

Emma Dove – Filmmaker

Image by Stuart Macpherson

Solway to Svalbard is a work about the natural world, our relationships with it. We’re currently living in a moment where a radical reconsideration of our relationship to our planet is required, and as gentle, tender, and intimate as the work is – it has never felt more urgent or necessary.

Audiences will learn about the geese, their habitat – what is changing and why that’s important. The barnacle geese are a conservation success story to celebrate but they are also an indicator species – their shifting behaviours and journeys pointing to rising temperatures and climate change.  Above all, Solway to Svalbard is a work about feeling and connection. Immersed in the sights and sounds and movement of the geese and orchestrated by live music – audiences will be invited to feel their own interconnectedness with the natural world.

Solway to Svalbard is a live performance incorporating original orchestral music, film screening, and unique audio design. BSL interpreted, tickets for the premier of Solway to Svalbard are on sale now.

Categories
News Opportunities Project Updates

OPEN HOOSE – Call out

Ours is an open hoose, 

The Stove is delighted to launch the Open Hoose once again.

After a successful pilot between January to March 2022, where we worked with our community to realise 10 new projects and events ran with, for, by and about Doonhamers.

Open Hoose is a project at the very heart of the Stove’s community venue work. Working with us, new (and established) community-led, grassroots projects are given the space, support, resource, and training to take even the most radical of ideas to the next level. From bread-making groups, to LGBTQIA spaces, Climate activism and creative writing, Open Hoose is a supported project, tailored exactly to fit the individual (or group’s) aims. 

Working with the Stove’s creative, production, café and technical teams, new initiatives are trialled and developed through our community venue programme. We have been able to provide free meals and drinks service, technical support, creative development and partnerships to help give ambitious ideas the space, time, support and encouragement they need to develop. 

It’s pretty vital to what we do. We believe wholeheartedly that our culture is nourished from the grassroots, not from the top down. That’s why our motto ‘Grow your own culture’ is intrinsic to just about everything we do here, and Open Hoose is at the core of this. 

A few examples of what we’ve been able to support 

FAQs

Can anyone apply to the Open Hoose?

Absolutely! We want to hear from as many people as possible. So whether you’ve never been to a Stove event or consider yourself a true Stovie, it doesn’t matter. We’re interested in you, your idea and why this opportunity is right for you. 

Can a group that’s already established apply?

Yes. It doesn’t have to be a new idea. Established groups that are already working are encouraged to apply. So whether you’d like to have your activity in the town centre or could do with some support to try out something new, we’re all ears. 

How many projects will be taken forward?

We want to be as flexible as possible with the type of support we might be able to offer. With our current cohort, we have identified spaces within our monthly programme for new Open Hoose projects to be considered, but we’re also open to hearing ideas that may not require the space, from podcasts to street art. 

How do you consider proposals?

We take a broad and open view of the type of project we’re able to support. Though some key considerations are worth bearing in mind before submitting:

How does the project seek to engage with the community?

Is there a cause or activist drive behind the idea?

How realistically to support something given our current capacity and resources. 

Get applying! 

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