We got stuck straight into our first Creative Spaces project at the start of August, and I think I speak for all of us when I say we had a ball with it. We wanted our installation to examine the ideas of imposter syndrome in creativity and dissect what it is that makes a person creative. And so, the Inspiration Donation was born. It went through a couple of iterations before reaching its final form, but we were all dead chuffed with the final installation. We started off by going on a wee adventure to the local garden centres to check out clear containers (we did get briefly distracted by the fish on display at Heathhall Garden Centre) and had a roam about the Range to get the rest of our supplies together.
We worked together on four panels of collage to demonstrate how we hoped the final product would look – we experimented with creating stencils for these too, along with the ‘feed me’ stencils that went up on the walls. It was great to start working together on some artwork, it was a fun way of bonding and building each other up as a team. The installation went up with the help of Stovie & artist Katie Anderson, who offered her expertise and guided us through the process. We had some brilliant donations from the Stove team after we had added our own inspirational pieces in (some Blu Tack, a feather and a funky rock), such as a vintage toy car, a post-it note that read ‘Sparkle Baby’, and a map of the town.
Our Conversing Building project was a super fun introduction to our roles at Creative Spaces. It was my first opportunity to work collaboratively on a creative project with other young creatives, something that felt quite daunting at first is now something I’m looking forward to doing more of in the future.
James
The Conversing Building project pushed us straight out the gate to create something that represented us, and in turn our community in Dumfries. It helped us work as a team and realise where some of our strengths lie”
Sonah
Conversing Building was a really interesting jumping off point for our time with Creative Spaces. Working on this project taught us how we fit together as a team, and got the ball rolling with our style and approach.
Anna
Creative Spaces is a Dumfries-based collective of young creatives, working with and advocating for our region’s young artists.
Situated in the heart of Dumfries, Creative Spaces collaborates with young creatives from across the region, providing young people with opportunities to engage in the arts. Whether it’s through events, workshops, mentorships, or our annual Associates Programme, we aim to enhance Dumfries and Galloway’s creative scene by offering free access to opportunities and paid commissions.
Keep up to date with the Creative Spaces team on Instagram: @creative.spaces_
An update on the next phase of Stranraer’s waterfront development project by Maya Rose Edwards.
The Stove and Creative Stranraer have been commissioned by Dumfries and Galloway Council to use creative placemaking techniques to involve the local communities of Stranraer in the rethinking of the town’s waterfront spaces as part of a major regeneration effort following the ending of the ferry service to Belfast in 2011.
In November 2023 we commissioned artist Maya Rose Edwards as artist-in-residence for the waterfront – Maya’s brief was to use their creative practice to reach out to diverse communities in the town and seek their thoughts and ideas about the kind of waterfront they’d like to see for the town. This initial phase of the project was very successful – ending in a public festival day called Raising the Sails. We were delighted that DG Council have integrated a creative placemaking approach into the continuation of the One Waterfront project and we were able to bring Maya back to the town for a second stage of work. This is their first blog on returning to Stranraer.
Watch the Raising the Sails film by CT Productions HERE.
In the initial Harbour project we engaged with nearly 900 local individuals and 27 community groups to get people’s thoughts about the kind of waterfront they would like to see for the town. I am now homing in on one aspect of the proposals – a new area of ‘reclaimed’ land between the slipway and the East Pier which will be formed using the material dredged from Loch Ryan to make the harbour area deep enough for larger boats to use the marina.
Location of ‘Harbourland’ marked with X
Site specific research/concept realisation
My hope is that Harbourland will be a new piece of Scottish coastline built from the ground up using community ideas and creative inspirations taken from the locality. I have commenced the initial research process thinking about the nature of the land itself – the dredged Loch Ryan sediment. Sediment is an essential component of natural cycles and ecosystems it it acts as a constantly changing barrier between the ocean and coastal communities. I’ve been considering ways in which that ‘barrier’ can instead increase our access to the coast and our connection to the water itself. Turning the tide towards a future where the communities in Stranraer are more connected to their coastal culture and its ecosystems.
I’ve also been thinking about oysters. The Loch Ryan oyster beds are a rare and unique feature of this coastline, and something of great pride for the communities of Stranraer. Oysters themselves are natural dredgers, with each individual oyster filtering over 50 gallons of water per day. Once an oyster attaches to a bed, it grows and forms around the surface it attaches to. It’s like starting a rubber band ball, the oyster needs an initial surface to attach to, but once they start growing, they can transform an artificial reef into a natural one. The question I am asking myself is – how can we act like the oyster to build an infrastructure that benefits both the toon and the coastal biodiversity? What are the types of ‘surfaces’ that communities in Stranraer can attach to and make their own? How can harbours and sea walls become landmarks of heritage value for communities of the future?
With this site-specific research underway, I’ve began to combine the visual languages of the geologic coastal sediment and the organic processes of the oyster bed to develop sketches of landforms, tributaries and coastlines for the Harbourland proposal.
Co-design and collaboration
With initial sketches starting to take shape, I then began to meet with local folk, organisations and marine researchers who were key partners within Phase 1 of the Harbour project for their input. We have all sat down around a large acetate map and plotted might be needed within this new piece of Stranraer. Some of the feedback included practical requirements for community events, lighting, recycling and growing facilities, etc, all of which have been drawn up and incorporated within the wider design.
As a part of the co-design process, I am putting together a programme of creative engagement activities and events to further inform the proposal for Harbourland and provoke the imaginations of those who have not yet been reached by the project. The commencement of this programme is now underway, with the first interactive installation due to take place at this year’s Oyster Festival.
Harbourland polling station
Oyster shells were historically used as the first ever ‘ballot cards’ during the early days of democracy in Ancient Greece. Communities would cast their shells to announce/denounce happenings within their towns and villages. At this year’s Oyster Festival, the talented guys at the Rhins Mens Shed and I have created the ‘Harbourland polling station’ to bring this tradition back to modern-day Stranraer.
During the Festival, the shells of millions of oysters consumed over the weekend are collected for re-distribution back into the Loch. These shells then form the basis for new growth and the continuation of the native beds. This year before their redistribution, the empty shells will be collected to form a part of an interactive public consultation for ‘Harbourland.’ This 3-metre polling station will hold large clear box sections, within which people will cast their shells in vote for specific features they’d like to see on the land – much like your little blue tokens at Tesco! This data will be recorded to further inform the design proposal and initiate important conversations about what matters to people most. From interactive play structures to a sheltered place to sit and bide a while – this will be the first and most public opportunity to engage in the co-design process.
Siltcrete trials
I will also be undertaking several material trials. I have been working with the form of the Oyster shell as a sculptural reference point, exaggerating its topographical layers to create tiered island structures. These forms also reference harbour staircases, where ecological growth can be tracked through tidal fluctuations.
I have been experimenting with use of the Loch Ryan seabed aggregate (a mixture of Grey Wacke, shale and Red Sandstone) for use within sustainable building materials, leading me to create ‘Siltcrete’. I have been researching the many ways in which architects, sculptors and engineers have been developing organic material composites towards a sustainable future. Due to the rich mineral content of the dredged seabed, the incorporation of this material into the foundations of Harbourland should greatly improve the biodiversity we’re hoping to achieve.
From hand carved sculptures cast in silicone to form a mould, I have been creating ‘Siltcrete Harbours’ from a mixture of cement, local beach sand and coastal aggregate. I have formed a relationship with marine biologists at the Solway Firth Partnership who have offered to formulate a report at the end of the installation period to track the ecological growth in the harbour, on the siltcrete and within this topographical form. This should form a key piece of research within the wider proposal for Harbourland.
Siltcrete experiments installed on the harbour steps
Until next time
Over the next few months as we move into Autumn, residents of Stranraer should expect more opportunities to engage in the Harbourland proposal programme, beginning with a sandcastle competition on Agnew Park beach on Saturday 28th September. All participants will receive a free ‘Stranraer Oyster Bucket’ inspired by the topographical sculptural trials. Over the course of the afternoon, we will fill the coastline with a community oyster bed of inspired organic structures! Prizes will be available, see poster below for further details.
If you want to find out more about the Harbourland proposal programme or the context of the project, please contact Maya on [email protected]
The Stove and Creative Stranraer have been commissioned by Dumfries and Galloway Council to use creative placemaking techniques to involve the local communities of Stranraer in the rethinking of the town’s waterfront spaces as part of a major regeneration effort following the ending of the ferry service to Belfast in 2011.
In November 2023 we commissioned artist Maya Rose Edwards as artist-in-residence for the waterfront – Maya’s brief was to use their creative practice to reach out to diverse communities in the town and seek their thoughts and ideas about the kind of waterfront they’d like to see for the town. This initial phase of the project was very successful – ending in a public festival day called Raising the Sails.
Watch a film of the festival below, created by CT Productions.
At the end of June our Artistic Director Martin O’Neill and our Marketing Officer Erin Aitchison travelled over to Callan in Ireland to visit Workhouse Union. This trip is part of a year-long learning exchange between Workhouse Union and The Stove to share organisational practices, knowledge, and experience with creative placemaking. Read Erin’s account of the trip below.
The Workhouse Union and Stove Team – Image by Luke Brabazon
In June, I ventured overseas with our Artistic Director Martin to Callan in Ireland to visit Workhouse Union. Workhouse Union is a community co-design and creative placemaking organisation that supports the development of inclusive, meaningful, positive places and communities.
Workhouse Union Building – Image by Luke Brabazon
When I was asked if I wanted to be part of the exchange, I was ecstatic. This trip provided an excellent opportunity to use and share all I have learned about Creative Placemaking since joining the Stove, as well as learn first-hand from Martin throughout the week.
We arrived in Callan, a rather small town 11 miles South of Kilkenny, in the evening on Monday the 17th of June. We had flown over to Dublin from Glasgow and enjoyed a quiet coach journey from the airport straight to Callan – a feat in public transport that Scotland could take some notes from!
We were greeted by Workhouse Union’s Creative Director, Rosie Lynch, who walked us up the High Street, picking out interesting snippets of Callan’s history as we wandered to our accommodation. During our trip, we stayed with Rosie’s lovely mum Heather and we are very thankful for her hospitality and kindness throughout our visit.
Sharing & Learning
After a good night’s sleep and some breakfast, the real fun started. Tuesday was a day of exploration as we were given a tour of Workhouse Union. The team is situated in a wing of Callan Workhouse, a gorgeous listed building, that is also used as studio space for artist Ciaran Murphy, alongside a garden that was managed by Camphill Callan. WHU has an office, library and research room, and a screen printing studio ‘Print Block Callan’ – that we were able to see in action later in the week.
A quick afternoon trip to the sunny Kilkenny
We met team members Noortje Van Deursen, (Creative Producer & Co-Design Facilitator), and Alice Bowler (Community Co-Design Facilitator) as we chatted about our roles and how we each operate in our respective organisations. The explorative theme of the day continued in the afternoon when we were given a tour of Callan and told more about the network of art organisations and collectives that operate in the town. We visited KCAT Arts Centre; a multi-disciplinary centre that fosters creative ambition and professional development for those working in the arts. We toured the artists’ workshop spaces, meeting some of the artists in residence on the way, and watched the construction of a new exhibition that was opening that Friday by Jason Turner.
KCAT Arts Centre
On Wednesday, we had a day of shared learning with the WHU team and answering questions that ranged from how we action administrative procedures, to embedded Creative Placemaking in Scotland and Ireland. We were joined by Mark Girling, WHU’s Administrator, who joined us at the Stove earlier this year as part of the exchange. Afterwards, we stopped for lunch stop at the gorgeous Fennelly’s coffee house before getting stuck back in to sharing processes and experiences with the team. My highlight of the trip was on the Wednesday evening, when WHU hosted a Midsummer pot luck supper. At the supper we were introduced to the wider creative community in Callan; from artists to photographers, to theatre makers. It was a wonderful evening of sharing creative experience and feeling the embedded sense of community Callan has.
#iImages by Luke Brabazon
On our last full day of the exchange, we took part in Printblock’s ‘Maker’s day’. ‘Maker’s Day’ is for experienced textile printers to bring a project and use the studio facilities with support and advice from studio technician Michelle McMahon.
Although Martin has experience with screen printing, this was my first time trying it out. The design that we went with was a graphic made up of various images that I had captured over our trip. Martin had sketched elements from them and compiled them all into one graphic.
We printed our design onto fabric first – learning the intricate mechanics of screen-printing from Michelle before graduating onto tote bags. Whilst printing and chatting with the other attendees, you again got a sense of the engaged community Workhouse Union has created in their corner of Callan and beyond.
To summarise my experience of the learning exchange, it is clear that Callan is a place where creativity flourishes thanks to the community spirit that appears to permeate everything that is happening there. I could see so many examples of creative placemaking, and community-led engagement that I have learned from and taken back to our team in Dumfries. I’m looking forward to seeing the relationship between our organisations grow and adapt over the next year and beyond.
We asked our Creative Spaces 23/24 Alumni to reflect on their experience completing the programme. Lastly we have Sahar El-Hady, read about her experiences as a spacer below.
Sahar speaking at the 2024 Creative Spaces Showcase
Having made my home in Dumfries in 2021, just as in-person events were beginning to bounce back after the pandemic, I was very quickly introduced to The Stove Network by my new friends and became a keen supporter of their activities. It was a pleasant surprise to find young people and vibrant community events in such a rurally dispersed region, and the connections I made through this engagement made me feel immediately at home in what was then a very new environment for me. I began to see a future for myself here and am lucky enough to have found the means and networks to be able to stay.
Sahar at Creative Spaces Event – Draw Me Like One of your Dumfries Girls
After attending last year’s Creative Spaces Showcase, a friend encouraged me to apply for the Associates programme. I was inspired by Jodie Barnacle-Best’s talk about her “wiggly life path” and saw in it similarities to my own trajectory, having graduated with a master’s in Science to then start work in the creative industries. I thought, why not do this for 10 months while I’m working part-time, put these questions about my career direction to rest once and for all, and then get a proper full-time job which uses my degree after it’s done?
Looking back now, I can only laugh at the thought of me being happy in a 9-5, five day week job without creativity or change for the rest of my life. In fact, I now relish the openness of my freelance days more than I could have imagined when I started Creative Spaces. Not only has repeated exposure to a large number of full-time artists across the region dispelled the stigma around “unreliable income” and the myth of “the struggling artist”, I’ve also made leaps and bounds in accepting my own creative ambitions and surrounding myself with the people and support who will help me to pursue my dreams – who I’ll surely need to lean on all the more now that I’ve hit the ground running.
As well as providing a great group of new friends, and multiple paid opportunities to use your creativity, the structure and support of Creative Spaces was just what I needed at this point in my life. Monthly mentoring meetings with the experienced and kind-hearted DJ McDowell, absorption into the non-hierarchical and multi-talented Stove Team, and dedicating two days a week to freelance creative projects until it becomes habit, all have nurtured my creative practice from a tiny seedling hiding under a rock to a sunflower in bloom.
I’ve always been someone who doesn’t know what they want but has a growing list of things they don’t want to be or do. Now, thanks to Creative Spaces, I am (at the advanced age of 26) firmly on the path towards what I want to do, due to the simple yet priceless resource of being given the time and encouragement to think about it. For this, I will always have the amazing Stove Team to thank, so huge love and gratitude to each and every one of you – I promise you’ll not be getting rid of me or my Pam au Latte café order anytime soon!
Written by Sahar El-Hady
Situated in the heart of Dumfries, Creative Spaces collaborates with young creatives from across the region, providing young people with opportunities to engage in the arts. Whether it’s through events, workshops, mentorships, or our annual Associates Programme, we aim to enhance Dumfries and Galloway’s creative scene by offering free access to opportunities and paid commissions.
Korey Patterson, presenting at the Creative Spaces Showcase
We asked our Creative Spaces 23/24 Alumni to reflect on their experience completing the programme. Next up is Korey Patterson, read about his experiences as a spacer below.
Creative Spaces Showcase 2024 – Image by Owen Davies
The Creative Spaces Programme is responsible for igniting my Illustration career. I wouldn’t have otherwise had the time, resources or support network to initiate the beginning steps of becoming a professional freelance Illustrator. It wasn’t my original plan for the outcome of the programme, but it became a necessity for me after realising that illustration was something I could develop into a feasible career path.
My time at The Stove filled me with confidence in my unique abilities and prepared me for working in the Creative freelance world as well as the general business world. I’ve gained necessary experience in fields I didn’t consider relevant before, and I’m very grateful for those opportunities.
Korey drawing a goose for Laurieknowe Primary Pupils
Having the time and funding specifically was one of the most useful elements of the Programme as I am much more considerate to the dedication of personal development and training/practice in Illustration. I have also been given lucrative opportunities for me to utilise my illustration during (and now after Creative Spaces) which has been a direct consequence of being an associate. Without this opportunity, I would have never deemed my skills worthy enough to start a career in Illustration, but now I have solid confidence that I am deserving of a chance to prove I’m the best person for the job.
I heard about the role through word of mouth and I was encouraged to apply from friends and family, the job sounded class and I would have been dispirited if I didn’t get it. But I got selected for an interview which was a fun and great experience. If I was nervous for anything, it was how I was going to get along with my potential colleagues. But that was quickly dispelled during my interview and within the first few weeks working with Sahar, Mia and Martha. It might sound cliche but I genuinely feel like I have made friends out of my colleagues within the Creative Spaces team. From being anxious to know if we’d all click, to having dinner at each others houses, was a natural development that I’m really glad happened but not entirely unexpected giving just how well we worked as a team and the warm and pleasant nature of each of them.
The role is a lot of fun, because of the people you work with but also the type of jobs you’re responsible for whilst working as an associate. Programming events is an electric atmosphere as it starts with just throwing fun and interesting ideas around and trying to not get too excited and ahead of yourself over. Then when you have more serious responsibilities, you have a plethora of people there to guide you through what is expected of you. I felt like, the Creative Spaces team were so keen to all be on the same page all of the time, there were no moments when I felt behind on any projects or that I wasn’t up to speed on anything Mia, Martha and Sahar knew.
Korey sketching Devine Tension for Creative Spaces event – Draw Me Like One of our Dumfries Girls
Surplus to the fixed duties of the Creative Spaces programme, I was frequently giving side tasks and projects to help with from other members of the Stove team. For me, this was a form of encouragement and chance to hone my creative practice within a professional environment. This I feel was a direct response to identifying my personal ambition of developing my Illustration – which was a consequence of being in the Creative Spaces programme and Stove environment. There was a period where I was struggling to overcome the feeling of imposter syndrome which seems natural whilst being amongst so many artists and creatives. However, my mentoring sessions with DJ McDowall gave me the confidence in my abilities and reminded me that my practice is unique to other illustrators. The mentoring sessions are such a valuable asset to the programme and we all benefited from them immensely whilst working at the Stove.
Korey’s Personal Project
My goal before applying was to become a competent freelancer by the end of the programme. Since the position has ended I’ve been commissioned to do live illustration for multiple organisations around the local area. This is something I would have never had the confidence to do before applying to Creative Spaces. I will state that the programme is responsible for these work opportunities which all count toward building Korey Patterson Freelance Illustrator.
Written by Korey Patterson
Situated in the heart of Dumfries, Creative Spacescollaborates with young creatives from across the region, providing young people with opportunities to engage in the arts. Whether it’s through events, workshops, mentorships, or our annual Associates Programme, we aim to enhance Dumfries and Galloway’s creative scene by offering free access to opportunities and paid commissions.
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