“Back in October I got the chance to take part in Parking Space set up by the Stove and Sleeping Giants. Such a great weekend meeting all the people there, having a great time skating and filming and just soaking up the good times. The whole idea that every level you went down was a new event to watch and take part in really made it for me. Here’s some stills from a video in the works from the event I filmed with Mutual Motion.”
Watch Callum’s short film created as part of Parking Space here:
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Keep up with Callum and his film and photography work online:
Mark and I are about five weeks in to our residency with The Stove. One London taxicab and twenty-four conversations in said taxicab later, and we’re starting to get a feel for the place…
A little bit of background on that. We had heard that The Stove was planning to hold their AGM in an underground car park… Ok then. But not just an AGM, in fact this usually empty car park will be filled with games, projections, skateboarders, a cinema… Ok then…
These are the sort of wild off-hand statements that we have become accustomed to expect at Stove meetings, in amongst chat of salty coos and wooden-spoon themed offerings to gypsy kings. Hang on a minute; what’s a salty coo? Well, after a little more explanation, we are beginning to grasp the nuances of the rich, diverse and genius ways that The Stove Network is engaging with a town in flux and a wide geographical area with a rich and beguiling history.
We came away thinking, firstly, “These guys are bloody brilliant” and, secondly, “What can we do in an underground car park in 2 weeks time?”. As mentioned in the last blog, we wanted to find a way to start exploring the theme of human migrations and find a way to get people chatting about home – the good bits and the not so good bits.
What sort of warm, friendly and familiar space could we create within an underground car park? The sort of space where people feel happy to open up and chat? The sort of space where we can set up all of our kit and record these conversations in an unobtrusive way? The sort of space that somehow keys in with the themes of “home” and of “travel”…?
A mad week of logistical grafting later and the taxicab arrived, driven all the way up from Chingford in Essex by a lovely chap called Wullie J, and was given a whirlwind makeover in time for its Parking Space debut.
We weren’t sure what to expect, both of the wider Parking Space event and our small part within it. We agreed we would be happy if 5 or 6 people came in for a chat and so were absolutely delighted to have a total of 24 folks through the shiny black doors within 2 days, each with their own different story to tell. Each visitor marked the places that they spoke about on a map of D&G and we plan to follow up some of these places to film during our residency.
In terms of the wider event, the space was bubbling with activity as curious visitors slowly made their way down through each level of the car park, lured by the unusual sounds that ricocheted and tumbled together through the space, invitations to street games, dancing lights and projections upon pillars and walls, not to mention the people hurling themselves in to the air mounted upon small wooden chariots [skateboards]. A feast for the senses.
A few of our visitors in the Gab Cab
To be privy to the AGM side of things was also fantastic for us. The personal value upon which everyone present felt for the organisation (and for each other’s work) was palpable, much of which was expressed through talks and images and emerged further through the Public Art discussion facilitated by Dot to Dot Active Arts and The Open Jar Collective, fittingly chatted over a plate of hot stovies and a glass of wine. A really valuable evening to be a part of.
We’ve lots of ideas and inspiration to explore over the next few months and we are planning an Artist Talk in December to share some of these. We will also be talking about some our work to date, sharing some of our “Hame” work in progress (including some Parking Space rushes…) and screening our previous film, Mirror Lands.
Strange yellow circles appeared in car parks around town
Clues began to emerge elsewhere and on social media
Meanwhile in a basement under Greyfriars Church other painting was going on
On Friday 17th October the Stove members and other members of the public gathered on Level Four of the underground NCP car park for the Annual General Meeting of The Stove Network
Hannah Brackston and Alex Wilde of Open Jar Artists Collective and Stephen Pritchard of Dot To Dot Active Arts led the discussion that followed the formal business of the AGM
The Stove Network Board worked hard
Stan and Cara thought hard
Craig Patterson from Burns Cafe served Stovies from the back of a pick-up
The Doonhame Derby Doll Usherettes arrived
Crucial chat
Everyone helped convert the space into a cinema
Eating popcorn whilst watching ‘How to Start a Revolution’
The next day people played street games on the top deck of the carpark
The skaters were busy on Level 1
On Level 2 ‘Mirrorlands’ by Mark Lyken and Emma Dove was showing on two walls simultaneously
On Level 3 was Mark and Emma’s ‘GabCab’ in which people were filmed talking about where they would like the taxi to take them
Emma Dove operating ‘GabCab’
Entering level 4
Where Alice Francis made popcorn
…and Max Fox made hot chocolate
Parking Space cinema – screening ‘Shell’
Screening of movies by Mutual Motion (films made by local skaters)…watched by local skaters
Parking Space – by The Stove Network and the people of Dumfries
Lead Artist: Katie Anderson
Stove Artist Team; Matt Baker, Hannah Brackston, Moxie DePaulitte, Doonhame Derby Dolls, Emma Dove, Dumfries Skaters, Alice Francis, Max Fox, Andy Jardine, Mark Lyken, Will Levi Marshall, Debs McDowall, Mutual Motion, Stephen Pritchard, Colin Tennant, John Wallace, Ailsa Watson, Alex Wilde
Photography: Cate Ross, Colin Tennant, Galina Walls
Thanks to: Members and Board of The Stove Network, Stuart and Sean at NCP, SHAX, Speedy Hire
Howdy, my name is Mark Lyken and I’m an audio and visual artist who until very recently, 10 days ago in fact, was based in the sunny South Side of Glasgow. Regular collaborator – artist filmmaker Emma Dove – and myself have moved down, lock, stock and barrel full of equipment to Dumfries to begin a joint six-month public art residency for the lovelies at the Stove Network. We’ll be posting regular rambling updates, sharing discoveries and hopefully stimulating discussion over the course of our time here.
Now the thing about residency applications is that at the point of writing it’s dangerously easy to suggest relocating for the duration of a project largely because the part of your brain that deals in that kind of reality is sporting sunglasses and sipping Mojitos, quietly confident that it’s highly unlikely your application will be successful. This is the same part of your brain you’ll find waving it’s metaphorical arms in a blind panic when you get a call from Matt Baker actually offering you the gig.
I’m joking of course, (mostly…) in actual fact the move down the road went like clockwork and by Saturday afternoon we were unpacking the very last box, chucking a tent, torch and radio in the car and heading for the Sanctuary 2014 event at Galloway Forest Dark Sky Park. Although we were a bit knackered post-move it was a really inspiring event with a relaxed vibe, sound-tracked over the course of 24hrs by a multitude of different roving radios all tuned into The Dark Outside FM broadcast from the hill top Murray’s monument.
All the different models of radio being carried around added very interesting modulations and directionality to the music being received. You might for instance walk past a stationery boom box with decent bottom end with your own trebly handheld radio and become a momentary human high pass filter as you moved in and out of someone else’s earshot, Doppler effects abound – in short, marvelous. There is something about listening to (largely) electronic music when surrounded by very large swathes of nature (or better yet a forest if you happen to have one handy) that seems very fitting. I know it works equally well in urban environments but I do love a bit of electric with my organic. I imagine this is why wooden paneling on synthesisers just feels so damn right.
But I digress…. Personal highlights for us was catching Jeff Barrow of Portishead fame, along with fellow Drokk band member Ben Salisbury, playing a short live performance (that slotted into a ten minute space in the Dark Outside FM playlist) in front of Robbie Coleman’s circular blue neon “enclosure” sculpture (with added dive-bombing bats.) Throughout the night Glasgow label Broken 20’s TVO Orchestra and Erstlaub, along with friends and audience members, performed a partly improvised, partly self-generating set from 10pm to 6am. Yup, that’s 10pm to 6am. Unfortunately it was a cloudy night so you couldn’t see the stars but that didn’t make the location and the event any less epic. Roll on the EAFS Environmental Arts Festival in 2015.
So, down to business. “Who the hell are you two and what are you doing here?” Well, our collaborative practice involves film, music, sound art, painting and sculpture, which gives us a number of ways to respond to an environment, place or situation. At the core of our work is an interest in exploring relationships to place. Our most recent work – “Mirror Lands” a film and sound installation for the “Imagining Natural Scotland” initiative – explored the delicate balance between nature, industry and rural life on the Black Isle in the Highlands. This piece focused around the local area of the University of Aberdeen’s Lighthouse Field Station in Cromarty, finding radically different relationships to place even within that small geographical stretch. During our short time here to date, we have found that events and connections seem to be spread across a much wider area and we have been wondering how that might affect peoples over arching ‘sense of belonging’.
We have always had a vicarious relationship to Dumfries and Galloway through a large circle of friends in Glasgow originating from D&G. What seems to single this bunch out from other friends, other than a worrying tendency for fire poi, is a stronger than average connection with home. Whether that is simply popping “down the road” for the weekend or just in general conversation, home seems to be ever-present. We are at the very beginnings of our project but the idea of migrations to and from Dumfries feels like an interesting starting point.
What drew us to the Stovies in the first place was their refreshingly broad definition of public art and true to that initial impression our remit for this project is wonderfully open, the only real proviso being that the work should be relevant to the people of Dumfries. Our process is a very intuitive and socially engaged one and we work best when there is time to gather as much material as possible and see what emerges.
Whatever form our research and final work takes, it will debut at the opening of The Stoves HQ and Creative Hub at 100 High Street Dumfries, once renovations are complete next year.
It feels like we have arrived at a very exciting time and we hope we can add to this growing buzz. More project-specific guest blog posting to follow and hopefully see you at the Stove’s “Parking Space” event on the 17th and 18th of this month.
Saturday 4 May at 6.00pm The Stove Arts Collective presents a programme of short films by and about local (or local-ish) art and artists.
InBetween Dumfries: As part of a national project exploring the role of the arts in shaping the future of market towns led by The Stove in collaboration with The University of Newcastle, five artists worked in and around Dumfries during 2012 to create works that examined place, identity and belonging. This 15-minute film details the works created by Mike Inglis, Hannah Brackston, Suzanne Parry-John, Marion Preez, and Lisa Gallacher, with commentary by the artists.
Stonypath Days: Shot on 8mm film in 1973, this film by Professor Stephen Bann of Bristol University gives a rare insight into the early period of Little Sparta, the artist’s garden created by Ian Hamilton Finlay and his wife Sue at Stonypath in the Pentland Hills. Accompanied by a four-minute interview with their son Alec Finlay and contemporary views of the garden commissioned in 2012 by TATE Media.
The Eskdalemuir Harmonium: A US-built harmonium is disintegrating in a farmhouse near Lockerbie. An intimate visual exploration of a much loved but decaying instrument accompanied by an interview with its current owner, this short film by sound artist and filmmaker Chris Dooks is the result of his repeated ‘pilgrimages’ to visit the dying device. Booking info: Robert Burns Centre Film Theatre, Mill Road, Dumfries DG2 7BE – www.rbcft.co.uk Ticket prices £6.30 (£4.70 conc) available from Box Office (01387 264808) or on the door.
By some oversight we mananged not to post John Wallace’s fine First Foot film on The Stove blog when it first came out…..so here it is (with apologies to all you who like things in chronological order)
