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Instagram Takeover Call Out – Creative Spaces

The Creative Spaces team are looking for young creatives who are from or live in Dumfries & Galloway to feature on their Friday Takeovers on Instagram Stories.

Project Overview

This project aims to provide a platform for creatives to showcase their work, share insights about their practice, and connect with a broader audience. By taking over our Instagram Stories for one day, creatives will have the opportunity to engage with our followers, highlight their portfolios, and promote their creative endeavours.

Objectives

Showcase Creative Work: Allow creatives to share images, videos, and stories of their projects.

Highlight Creative Practices: Provide insights into their creative process, tools, and techniques.

Promote Individual Portfolios: Direct followers to the creatives’ websites, online stores, or social media profiles to boost their visibility.

Build a Creative Community: Foster a sense of community among creatives and our audience by introducing them to diverse creative talents.

Scope of Work

Each person will: Take Over Instagram Stories for One Day: Post a series of stories showcasing their work and creative process.

Introduce Themselves: Provide a brief introduction, including their background, artistic journey, and current projects.

Share Creative Insights: Offer behind-the-scenes content, such as sketches, drafts, or work-in-progress shots, and discuss their creative methods.

Engage with the Audience: Respond to questions and comments from our followers throughout the day.

Promote Their Work: Include links and information on where followers can find more of their work, such as websites, online stores or social media profiles.

Fee

Fee: £50
Payment Terms: Payment will be processed upon completion of the Instagram Takeover.

Requirements

  • Aged between 16 – 30
  • Either from Dumfries and Galloway or currently working/living in Dumfries and Galloway

Deliverables

  • A complete series of Instagram Stories for the takeover day, including:
    ◦ At least 5-10 story posts showcasing creative work.
    ◦ An introduction to the creative individual.
    ◦ Insights into the creative process.
    ◦ Engagement with the audience.
    ◦ Promotional information directing followers to the creative’s portfolio.

Interested? Get in touch!

Please send an email to [email protected] with the subject ‘Instagram Takeover’, and a bit about yourself and your creative practice and we’ll be in touch.

What is Creative Spaces?

We are a Dumfries-based collective of young creatives, working with and advocating for our region’s young artists.

Situated in the heart of Dumfries, Creative Spaces collaborates with young creatives from across the region, providing young people with opportunities to engage in the arts. Whether it’s through events, workshops, mentorships, or our annual Associates Programme, we aim to enhance Dumfries and Galloway’s creative scene by offering free access to opportunities and paid commissions

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News Project Updates

WRITE: A Community Anthology

Each month in the Stove Cafe, author Karl Drinkwater hosts ‘WRITE’ – a creative writing workshop. Sessions are guided by thought-provoking prompts, offering dedicated time for free-flowing expression. Afterwards, participants have the opportunity to share their creations within the supportive group, receiving valuable tips to enhance their writing skills and boost confidence.

Over the last year, participants have shared their workings that have been borne from prompts from WRITE. Read a selection of works below.


The Gift

Taking a break 

from his bench

the clock restorer’s

mind turned within wheels.

Absorbed in measuring

minutes and hours

how had he permitted

years 

to escape?

Was pride in precision 

simply an illusion 

of keeping time?

A young boy

gazed longingly 

at clocks

in the dusty window

as another child 

may have eyed                      

jars of tempting toffees

reckoning 

how many sweets 

could be gained

for clinking coins.

Fresh eyes 

eager to uncover 

secret workings

spy 

as

cogs mesh

pivots revolve

flywheels spin

coils unwind.

On an impulse 

the clock restorer 

beckoned.

An estimation made 

pocket money 

exchanged 

for a slate-cased clock

in want of renovation.

On the next impulse

the clock restorer 

lifted down

a box of parts.

A gift 

a wondrous trove 

of mechanical magic

awaiting discovery.

Boyhood

many 

intricate tasks 

ago.

A rhythm set 

to guide his tracks

the boy

though older now

still unpacks the box

selecting 

pieces

by name and designation.

Understanding 

the drive to impart 

knowledge

skills

art.

Polished

restored to working order

the slate-cased clock

marks 

progress.

At its centre

escapement 

locks 

frees 

locks

frees

locks

frees

whilst 

its heart

beats

encouragement 

motivation

belief.

Remembering an encounter with the clock restorer of Easton in Gordano, 1966.

© Jeanette Abendstern for and with Brian Leaver 


Resolution

Resolution, wake up, make a change.

“We can’t do nothing” is the sad refrain.

Oh oops the Tories got voted in again

But I’ll never vote to put our grandkids in chains

Make a resolution get political, be more critical

Stop being arthritical, intellectually paralytical

Enough of being cynical

Sitting doing nothing is just parasitical.

Here’s what will happen if we just leave be

Money will spend into politics to make money

More money more as they build a dynasty

Neo-lords raised up off our kids not being free

But the billionaires,

Their worst nightmares

Are angry stares, our righteous glares

As we organise, challenge and protest

Step up to demand what’s best

Loss and damage

Free school meals

Working lives less stressed

Win back some rights

Without worrying about arrest

They’re murdering Palestine

Our industries are in decline

It’s not all fine

So now’s the right time

So come on make a January resolution

Build a revolution

It’s the solution

Solve pollution

Draft a constitution

The House of Lords needs dissolution

Corporate criminals need retribution

If you do one useful thing this year

Decide to get your bum in gear

Talk politics to everyone without any fear

Because a better world really is just near

And the You that makes it happen is sat right here.

© Simon Jones


The Mountain

Early gleaming of the sun kissing that beautiful peak of the mountain,

Radiating its light like silver stars in the sky,

Catching the eyes and touching the hearts of millions,

Spreading profound joy and leaving a wonderful memory in hearts.

Viewing these beautiful peaks takes away all pain and suffering,

Warming your heart and making your day bright.

Borrowing your willing ears, it allows you to listen to that tranquil music,

Secretly asking you to smell that calm air as if you were touching stars.

Sometimes it makes you speechless and takes your breath away,

Cosseting you with its natural beauty and bringing you more peace.

Nothing can erase such beautiful memories that stole your heart away,

They remind you that they are still alive snuggling up to that mountain.

You remain deep inside the heart of it, full of great gratitude and deep affection.

They bring back the beautiful memories of the mountain,

Ever smiling and living in its eternal beauty.

A beauty of nature, of peace, and of serenity.

© Sherima Pradhan


Rubble Kings

Like the torch of a slow burn
your best days are done,
you may well blaze skylines –
we’ll rebuild with the bones of
you murdering tyrants!
hack hard at your roots purge your truth
when you waken at twilight

No frills, no thrills,
no pills for your ills

Join in, gut your own out as
bleeding rats raze your house,
vomiting secrets your conscience deleted
turned cheeks get smacked, mirrors crack
your bubbles burst
forlorn king of rubble and dust

no shimmers or glimmers
no breakfast no dinners

Our ancestors weeping while war
keeps repeating. Lost souls fast asleep,
their bodies smart, crawl and creep.
Yearning for drugs cut with violence,
washed down with radio silence

no home fires burning
empty guts churning

The stench threat of warlords unbothered
in Westminster’s corridors
by children in Palestine wailing in horror
flames fanned with fear,
Tory papers, online warriors …

No pills for your ills

No pills

For

Your ills

© Davey Payne


The Princess

Once upon a clear crisp evening, while I gazed upon the stars, white gleaming,
A lone, cold tear raced t’ward my chin, broken spirit.
My heart beat thudded beneath my breast, as I tossed all thoughts of my moral quest,
I slithered to bed for desperate rest and whispered “sleep a minute.”
“Blasted storm within my brain,” I muttered, “sleep a minute” –
Yet the storm raged on, broken spirit.

Retreating, I rose and paced my chamber, mind still racing in weary labour.
These stone walls ensnared my soul, broken spirit.
Desperate for release, locks dancing with the night’s breeze,
Turning towards the dark abyss, sighing “Please! I know my limit,”
Turret window dominating the land, I yelled out “I know my limit!”
Silence. Broken spirit.

A moment later, a pitter patter, has someone heard my mournful chatter?
Is this it, are my prayers heard, restoring my broken spirit?
“Please god, my merciful master, I’ll repent to any pastor,
Free my soul from this disaster, with just one visit.”
I listened still and I listened sure, “just one visit,”
Nobody came – broken spirit.

The foreign noises, confused me still, as I peered out from my window sill,
Till the frayed ‘supper rope’ was cast before me, broken spirit.
I gathered the pot, rancid rotten veg – my lot.
Recoil on my face, excitement shot, rope returned to the captor, git!
How dare she imprison me in this perilous tower, my captor git!
To see out my life’s days, broken spirit.

Sitting still, engaged in siege, once a girl of bestowed prestige,
Till stolen from my family home, by a broken spirit.
Body against my chamber walls, sinking, I dreamed a peaceful thinking,
Of a prince, on a horse, armour clinking, rescued from the woeful pit,
Nonsense! He knows not that I’m here, in my woeful pit,
In my infertile sanctuary, with this, my broken spirit.

© Rosie Squires-Cowan


Castle of My Mind

Within my sanctuary, I am under siege,

Anxiety and stress – my only liege.

No guards on the gates, no lock on the door,

Most days I struggle to rise from the floor.

No battles raging across the plains,

Yet everyday crippling chest pains.

Outside boasts peacefully – calm and tranquil,

Inside, dark and flustered, consuming my pill,

Fire lit, body sheltered and warm,

Mind not protected from the torrid storm,

Food and water in plentiful supply,

No tears when I’m broken, cheeks are dry.

Family gathers to enjoy our suppers,

Failing to stay present, my mind scuppers,

No song or dance to raise the spirit,

Tortured by demons; Devil, Ifrit.

Begging the torment will be over soon,

Hoping screams fade to a lighter tune,

Peace will reign as it did before,

Pray, happiness return once more.

© Justin Squires-Cowan


Last Christmas – Excerpt

The 4×4 breathing technique isn’t working. She’s forced to rummage through her bag, grabbing at the various sheets of pills she always carries with her. Like a baby blanket. A safety net.

A cheeky valium or two just to take the edge off, she reasons.

Freya sashays her way to the train’s buffet carriage. Her eyes dance across the fridge doors and their shining contents, landing decisively upon the alcohol section. It is 11:11am. A frozen, snowy Monday. She averts the judging gaze of the woman behind the counter who makes a point of repeatedly looking at her watch, with cocked brows.

Message received, bitch.

A hard stare and smirk as she pays. Returning to her seat, she washes the pills down with a pre-mixed can or two. Or was it three? Either way, despite all that, by the time the train pulls in, she feels electric. Feels…silly.

***

She squeezes her way through the bustling crowds, out of the frosty hustle of King’s Cross Station and into The Black Phoenix, she is struck by the warmth, laughter and stale tobacco lacing the air. Years of spilt Chardonnay and ale, trodden deep into the paisley carpet. She somewhat trips in across the threshold, for the uncharacteristic fact she is wearing heels today. For him. She stamps and shakes the snow from herself. Her eyes, searchlights seeking.

Is he here? Breeeeathe.

Her heart is racing. Her cheeks burn a horny shade of fuchsia.

I can always blame it on the cold.

She’s never been subtle. Shit at poker. She’d named her face ‘Judas’ in the mirror one messy night, years ago in some stranger’s bathroom. She takes in the festive glow of the twinkling lights draped around the bar and windows. George Michael’s ‘Last Christmas’ croons through the speakers, weaving its way between loud cackles and hushed chats. A smile slithers across her lips.

So this is why they call it the silly season. Ha.

She bites her lower lip. Silly is an understatement.

The heat pumping throughout the cosy pub feels especially luxurious, considering the whipping cold outside and the crippling recession which has stifled the country with its cost of living. Old friends with grand bellies sit around small wooden tables, chuckling with nostalgic glee. The knitted sleeves of xmas jumpers wipe froth from whiskered chins.

A ruddy faced barfly calls out:

‘Oi oi, Captain, another, eh? Good lad,’ as he proudly slams his empty pint glass down. A leathered wink and a discreet stumble. Glasses clank loudly as they collide, amber contents splashing and spilling out.

© S.J. Wildling

Read the full short story here.


Through The Stars Dumfries

You can see Dumfries from the Moon. On trips to the observatory decks I would point the large lens telescope towards the Southern part of Scotland and have a better look at what we left over. Others who were crammed here in the living centres would use the time they bought to look at the parts of history they wished they had visited. My Grandfather and I would often study the old images of the town stored via projections from the company data packs. Grandfather would always show me the pictures he had saved of the place our family came from. We couldn’t take them too far away from the Grid though, stray from the network and the company would delete them regardless of payment. The charge for reactivating any memory was too much for most, myself included. Most of the images stored in the Grid were constructed from various accounts and memories of those who had left us. The ones Grandfather and I had were real though, at least to me.

The first thing I always noticed about them was the sky. Sometimes it was a bright, radiant blue but mostly it seemed to settle on a dull grey. The main thing was that it was there. No glass above your head, no sealed domes to control the atmosphere, just an expansive sky you can look up to at any time. The people would walk places without the constant connection to the Grid to monitor everywhere they were going.

On the last visit to the observatory deck I asked my Grandfather about going back to Dumfries.

“Very dangerous” he replied.

© Cameron Phillips

Read the full short story here.


Hosted by multi-genre author and editor Karl Drinkwater, WRITE! is designed to allow you to play with words and construct short or longer pieces of work, whichever you desire, and it is open to all abilities!

If you would like to attend the next WRITE! session, click here.

To learn more about Karl his website, click here.

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News Opportunities

In the Braw Midwinter: Exhibition Open Call for Submissions

Exhibition dates: 21st November – 21st December 2024

We’re inviting artists, makers, and creatives of all kinds from Dumfries & Galloway to showcase your talent in our cosy Stove Café this festive season. Whether you’re a painter, printmaker, jeweller, or craftsperson—this is your chance to share (and sell!) your work as part of our Midwinter Exhibition.
 
From unique artworks and handcrafted items to festive cards, decorations, and creative twists on holiday traditions—we welcome it all. This is an opportunity to brighten the season with your creations while supporting local artists in the lead-up to the holidays.


Our Midwinter Exhibition will run from Thursday, 21st November to Saturday, 21st December, with pieces available for purchase during our regular cafe hours (Monday–Saturday, 9am–3pm).

How To Submit Artwork:

  • Artists may submit up to a maximum of two artworks per person.
  • 2D artworks should not exceed 60cm in any direction, and 3D artworks should not exceed 30cm in any direction.
  • Artworks must be dropped off during one of our scheduled drop off dates (see below), or by appointment only
  • Artists must complete a contacts form before leaving any artworks. These will be available during our scheduled drop off dates or by emailing [email protected].
  • Any unsold artworks must be collected on Monday 6th January 2025.


Artwork Drop Off Dates:
Artworks can be dropped off on the 18th and 19th November, between 11am-5pm.


*Conversing Building is an ongoing project at The Stove, that looks to activate spaces around The Stove through a variety of visual and public art projects and displays. For more info on the project visit our project page here.

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News

Dumfries in Concertina

In September 2024, as part of our Conversing Building project, we invited artist and Stove member Emily Tough to create an artist’s book celebrating moments of everyday life. Read Emily’s account of the project below.

The Stove Network’s Conversing Building is an ongoing project, supporting creative dialogues whilst activating spaces in and around The Stove building on Dumfries High Street. 

My response was quite a literal one, to involve and document the surrounding shops, shop keepers, people, and everyday moments. These drawings were taken on site, mostly throughout July and August ‘24, to start building up an illustrative impression of our high street. I think it’s important that we consider ourselves as part of a whole, and it’s all these people and interactions which make up a town centre. 

In my opinion, it’s the shop keepers who are the custodians of the place. Who generate the want for people to come into the town, who manage the upkeep of the buildings, and who also create their own communities. Keeping an eye on their regulars through the ‘how are you?’(s) which are given over the counter. 

I’ve had such a wonderful time getting to know people and the town centre through these drawings. Really enjoying the little moments, such as Eddy helping his friend go to the bank several times in a row. Or watching Leah at Flourish discuss community asset transfer with a visitor from Aberdeen. 

I’ve really appreciated the opportunity to show work in such a busy, used space, as is the Stove Cafe. I’ve had a lot of people this past month tell me they’ve seen and enjoyed my work. It’s been useful to have a friend who works in the cafe, who also features in the publication, as she’s given me little updates on the interactions people have had with it. 

I’ve had a few people ask me for postcards of some of these Dumfries views. It’s something I’ll look into, and hopefully have the chance to go out with my sketch book and record more of our town. 

I hope people have enjoyed seeing themselves, or people and places they know, in these drawings. 

Thank you to Katie Anderson at The Stove Network for this wonderful commission & to the kind people who let me draw them. 

Written by Emily Tough (@weagreeoneggs)

Conversing Building is an ongoing project, supporting creative dialogues whilst activating spaces in and around The Stove building on Dumfries High Street. Conversing Building began in 2017 and is supported by The Stove’s Public Art lead. The project invites local groups, artists, and collectives to share displays, exhibitions, activities, and interactive artworks within the Stove’s public spaces – including The Stove Cafe, stairwells, and exterior walls and spaces.

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News

The Travelling Gallery Returns to D&G

Travelling Gallery, a contemporary art gallery on a bus, is back, bringing its third season to Dumfries and Galloway this October. 

The Gallery will visit three sites across the region, featuring Repair Café, a 16 mm film by Scottish artist and filmmaker Helen McCrorie. The film was co-created with the residents of Strathearn in Perthshire as part of the Scotland-wide Remembering Together project, which aimed to bring ‘collective acts of reflection, remembrance, hope and healing to communities across Scotland’ in the years following the COVID pandemic. 

When asked about McCrories’s exhibition, Edinburgh Council Culture and Community Convener Val Walker said, “[The exhibition] promises to be an insightful exhibition that will inspire us all to reflect on the inequalities that were compounded by the pandemic, and the different ways we made our way through with creativity and connection. 

In partnership with the What We Do Now Network and The Stove, they will be visiting: 

The film engaged people of all ages through creative workshops, asking them to recall what helped them both during the pandemic and beyond. It weaves hand-drawn animation and footage of beloved community spaces with oral histories and evocative music by local school pupils and musicians. The soundtrack features a special arrangement of the song Strathearn by Carolina Oliphant, Lady Nairne of Strathearn, a contemporary of Robert Burns.

Exhibited alongside the film are a number of additional works that reveal some of the processes and thinking behind its making, including an interactive display with 16mm film reels, a colourful abstract animation and an atmospheric sound work.

McCrorie has also collaborated with Glasgow-based illustrator Annabel Wright to produce several drawings that bring to light more of the personal stories shared during the project: some sad, scary, or poignant, some hopeful, funny, or surreal. The work expands further upon the spectrum of insights and experiences from this time.

The gallery is free to visit and open to all. Visit Travelling Gallery website for more details.

Categories
News Project Updates

Off The Margin with The Stove Network and WWDN Digital

WWDN Digital works with community groups and organisations to set up and run digital spaces, host collaborative programmes, and create shared online resources to increase communities’ access to technology and training in digital media skills. As part of its launch, The Stove Network hosted Off the Margin, a micro-festival celebrating Dumfries’ print heritage.

In this age of digital media outlets and information sharing, Off the Margin delved into the print heritage of Dumfries and investigative journalism more broadly.

As part of this programme, The Stove’s Artistic Director Martin O’Neill sat down for an insightful discussion with a panel of speakers whose expertise ranged from the history of investigative journalism to Riso printing techniques and working in the former news and print spaces of Dumfries’ high street.

While examining the current landscape in Scottish grassroots print and journalism, the panel tackled how communities, creatives, and journalists can reclaim their agency while navigating an era marked by an increasingly divided mass media and heightened public scrutiny regarding the accuracy and biases of printed media. This discussion revealed insights and sparked a hopeful community discussion on the potential future of print, media, and journalism in Dumfries and Galloway.

The discussion directly followed a screening of film-work Imprints in Time by Artist John Wallace, documenting the master printmakers and enduring machinery still in use at Solway Print while uncovering the printing heritage of Dumfries town centre.

The panel comprised of Judith Hewitt (Museums Curator East for the Dumfries and Galloway Council), Johnny Gailey (Out of the Blueprint Project Manager), Karen Goodwin (Investigative Journalist and Co-Editor of The Ferret), Pete Fortune (Doonhamer* and Printmaker), and John Wallace (Artist & Filmmaker).

Each panellist brought unique and specialised knowledge into the discussion. Hewitt shared her expertise on the unique history of early print protest, bringing to life Doonhamers’ struggles and lived experiences in the late 18th and early 19th centuries. From historical accounts of the Kings Arms (now Boots) to outlining how individuals used print to protest food inequalities, Hewitt brought with her a wealth of knowledge that leaves you returning for more. Out with the panel, she oversaw the exhibition ‘Fighting for Justice: Strikes and Protests in Dumfries 1770-1920’ as part of the Off the Margin period.

Gailey brought over a decade of experience in printmaking and youth engagement to the conversation, underlining the importance of teaching young people this skill and providing them with the means and opportunities to grow their confidence and creativity. At Out of the Blueprint, the eco-studio he co-manages in Leith, Edinburgh, he specialises in Japanese printing techniques such as RISO,
GOCCO, and provides mentorships for young artists. They offer affordable, sustainable, and ethical print services for the local community and reinvest all profits to support young people through residencies, publishing support, training, and education initiatives.

Goodwin works as a journalist and a co-editor for The Ferret, a media co-op where she reports extensively on social affairs and health inequalities. While on the panel, she highlighted the importance of community-owned news for tackling media bias and misinformation. Outside The Ferret Goodwin has written for many Scottish and UK broadsheets, magazines, and online platforms, including the Sunday Times and the Guardian, reported for BBC Scotland’s Disclosure, and has worked on other radio and film projects. She is currently writing and co-hosting the podcast ‘Sheku Bayoh: The Inquiry’.

Fortune’s working life began in the printers of Dumfries, having grown up in a golden thread family line of Doonhamer printmakers. Pete Fortune brings a vivid, real-life account of the industry, capturing his apprenticeship and the vibrant characters and community of the town at the peak of the printing era. He rounded the discussion out by proposing the lifelong fellowships that printmaking can craft. Fortune moved on in his career to become a social worker and is now a writer of memoirs and short fiction.

Wallace, the artist behind Imprints in Time, brought to the panel a career that expands across multiple disciplines, from installation work to filmmaking. His work delves into human relationships with constructed and natural environments, emphasising the idea of ‘insider art’, allowing locations that personally connect to the artist to be central to a film’s narrative. Inspired by the fusion of technology and the environment, Wallace incorporates live and historical data sources to craft the responsive, dynamic audiovisuals found in Imprints in Time and all his installation spaces.

‘Off the Margin Micro-Festival’ ran between March 22nd and 23rd, 2024, as part of the What We Do Now Digital Media Festival.

*A Doonhamer is a colloquial term to describe someone who is born and bred in Dumfries

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