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Talking Showcase, favourite projects and recruitment with Creative Spaces Producer Mia Osborne

We chatted to our Creative Spaces Producer Mia ahead of the 23/24 Showcase taking place on the 28th of March. Hear more about the programme, her highlights of what this year’s associates got up to and what you can expect at the showcase!

Q. 1 – Can you give us a very quick summary of what Creative Spaces is?

Creative Spaces is a collective of young creatives aged sixteen to thirty who work with and advocate for the region’s young artists. We run a development programme every ten months where we hire in three emerging artists that work closely within the project and within the wider Stove.

Q. 2 – Can you tell us a bit about your role as Creative Spaces Producer?

So my role basically means that I support the associates throughout the ten months. So, I work with them closely, looking at their goals and their aims and what they want to get out of the programme and then help them develop the programme around that. I’m also there as the link between them as individuals and freelancers, and the Stove as an organisation. I work with them to develop different training and different opportunities that would be good for them as individuals, taking into account their creative practice and what they are like as creative freelancers. But, aside from that, I also work on the development of the programme in general and the engagement between Creative Spaces and lots of different organisations and partners.

Q. 3 – Who were the CS Associates this year?

“So the 23/24 group of Creative Spaces are: Martha Ferguson, who is a set designer, who works within production design. Sahar El-Hady, who is a theatre-maker and an actor. And, Korey Patterson who is an illustrator and musician.”

Q. 4 – What has been your favourite project that CS team have worked on this year?

“So, I think I’ve got two favourites from the year – although it’s really hard to pick because all of the projects have been amazing. One of them was the Muckle Mixer which was a freshers mixer that we did at the Dougie Arms. It was a really really good laugh and it got really really good engagement, and was an overall nice night. Quite different to that, was when we worked with Laurieknowe Primary over four days to delivery a series of small workshops with the primary school pupils around Wild Goose Festival. It was so lovely to work with primary school kids and watch how excited they got about geese!”

Q. 5 – Each of the associates is working on their own personal project that will be presented at the showcase. Can you give us a sneak peek of what they are working on?

“So I kinda want to leave a little bit of mystery, because they’ll be presenting fully what they have been up to at the showcase. But, what I’ll do is give you a couple of words, that I would say, describes what they are doing. So – Sahar: Discourse on immigration. Martha: Dystopian. And Korey: Robert the Bruce.”

Q. 6 – The CS team have been on quite a few adventures this year – where has been your favourite place that you visited?

“So it definitely has to be Bristol! We have been to a lot of really really cool places and seen a lot of amazing organisations, but, Bristol just completely topped it off. We had such a good time! We were so inspired and we left Bristol feeling like there was this new energy and I think it was a real turning point in everyone’s heads about not only what the team could do as individuals, but what Creative Spaces could do as an organisation in Dumfries. So, Bristol! One hundred percent.”

Q. 7 – What has been your highlight with the current round of associates?

“So my highlight has got to be working with such an amazing group of people. And, I mean, I say the same every year but, the team dynamic is always what makes you so energised. Every single person is so different but what they bring to the team is just so harmonious. Working closely with the Creative Spacers over the last ten months has been my highlight. It’s not been one singular instance, it’s been the whole thing!

Q. 8 – The 23/24 Showcase is on the 28th of March – what can people expect from it?

“So I know the term ‘good vibes’ is usually quite cringe, but, I actually think that the showcase is such good energy. It’s hard to explain – I mean obviously there is the literal explanation which is you are going to see people presenting what they do and what they are about, and it’s a culmination and celebration of young creatives. But, the energy in the room is just always almost meditative. You leave and everyone just feels so good! It’s so empowering, but it’s fun and it’s silly, but also quite laid back. It’s just really quite inspiring. I think everybody leaves with a sense of how we have a really cool thing happening here and let’s just shout about it!”

Q. 9 – And finally – CS will be recruiting the next round of associates later this year – what do you say to someone who is considering applying?

“The first thing I would say is definitely come to the showcase! We don’t put on the showcase specifically for recruitment, it’s not part of the application pack. But, I would say that you can definitely notice people who have come to the showcase in comparison to people that haven’t. They have way more context when it comes to the programme. I think it sets them up in good stead because they can really see what the showcase and Creative Spaces is all about. I think it makes people feel a lot more confident if they are starting the role when they have seen what the last year’s group have done. It also gives the opportunity to ask questions in real life.

That brings me on to the second thing which would be – don’t be afraid to reach out! We’re a really nice group people and we love hearing about people who want to apply and having a chat with folk that have any sort of questions about the application process or about the programme in general.

The third thing would be don’t read the application pack and think ‘oh my goodness, maybe this doesn’t fit with me’. The Creative Spaces programme is so special because it really fits around the individual. The special thing about the past few years is every year has been different and everybody’s individual experiences has been different. Because, we work so closely with the individual through mentoring and through one-to-ones, that we can really adapt what the programme does for you based on your personal needs and goals.”

The Creative Spaces Showcase is taking place from 7:00pm – 10:00pm on Thursday the 28th of March. Hear from guest speakers from Dumfries & Galloway who work in the creative sector, learn more about the Creative Spaces programme and how to get involved and enjoy live performances!

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Musings News

Celebrate International Women’s Day with the Stove

This March, join us at the Stove as we celebrate International Women’s Day 2024 with programmed events by, for and to celebrate women!

On the first of March we are kicking off our short series of #IWD events with a screening of Wildfire; part of our Reel to Real programme.

Reel to Real: Wildfire (March 24th):

This powerful film explores the complex bond of sisters Lauren and Kelly, navigating loss, trauma, and community secrets set on the Irish border.

The film is triple F rated in that it is written and directed by women and features significant women on screen; and in this case all three by writer/director Cathy Brady.

Doonhame Queens: Open Mic Poetry & Pamphlet Launch (March 8th):

On March 8th (this year’s official #IWD!), join us for an evening of powerful words and heartfelt expression at Doonhame Queens.

We will be celebrating the launch of ‘Mucky Pup’, a pamphlet of poetry by Elieen H Irvine. Edited and put forward by Susi Briggs, the Galloway Scots Scriever of the National Library of Scotland.

Doonhame Queens will also feature an open mic. Whether you’re a seasoned poet or just starting out, come share your work in a supportive and encouraging atmosphere.

Dumfries Women’s Signwriting Squad: Monthly Meet-Up (March 9th):

Our final event in our #IWD mini-series is our March edition of Dumfries Women’s Signwriting squad. This monthly meet-up is a space for women of all ages and backgrounds to learn and practice sign writing. It’s a fun and interactive way to develop a new skill, meet new people, and build a supportive community. No prior experience is necessary, so come with an open mind and a willingness to learn!

So, mark your calendars! International Women’s Day is just around the corner, and we can’t wait to welcome you to the Stove. What stories will be shared? What voices will be heard? Let’s connect, empower, and raise awareness for gender equality.

Categories
Musings Project Updates

Creative Spaces takes Bristol

During January, the Creative Spaces team took a trip to Bristol on their final ‘go-see’ trip of the year. The purpose of this trip was to meet with representatives from a variety of creative and cultural organisations in Bristol, particularly those that work with young and emerging creatives. The following article is a round up of their time in Bristol and reflections from the trip.

Korey

Meeting with Rising in Bristol – Watershed Venue

Rising is a Community Interest company and non-profit creative agency. They strive to cater/influence/support young creatives and artists under 30 within the city. With a fundamental goal to make creative facilities more accessible and lucrative for artists, Rising shares a lot of similarities with the Stove Network. The Creative Spaces team had a fun, light hearted conversation with members from the Rising team – Jess, Syd and Euella in their part time workspace – Watershed. We found ourselves relating to each being in a company whose focus is to bring young people in the community to a creative space to socialise, learn and interact.

Being from a smaller town I naturally assumed that Rising had a bigger issue on their hands since their operation was based in the big city. But their obstacles were more or less the same, especially concerning outreach and engagement. It was comforting to know that a city wide organisation doesn’t automatically guarantee anything in terms of the engagement numbers or the progress of development in the relative local creative sector. One thing we bonded on was the phenomena known to Rising as “The Returners”- young creatives who leave for university with the intention of staying away to then return with the desire to change or make a difference in their hometown. The Rising team we met were impressed and inquisitive about the Stove Network and Dumfries and Galloway’s creative output and compared their format with the Stove’s. Rising has what they like to call “Pollinators”, who are creative mentors/tutor/instructors who pollinate the city . The details of the Creative Spaces programme definitely left an impression on them as they were actively taking notes. To go to a meeting such as this was an eyeopener because I almost thought of us (being representatives for The Stove Network) were going to be asking all the questions and looking to them for advice but, instead it was a completely mutual experience where each team got an equal share of useful information and a compulsion to work together at some point.

One aspect of Risings’ format that sparked our interest was their membership system that recruits once a year. We took personal interest in their approach to engaging with their members – having one-to-one mentorship meetings with a member of the Rising staff, invites to exclusive events, and access to Risings own and partnered paid opportunities, most of which would be detailed in their weekly newsletter for members.

Then we wandered over to the Aardman studio building where Martha was scheduled to meet Peter Lord. The rest of us sat blissfully in the lobby where there was so much to look at and admire, such as a genuine Oscar award for Wallace and Gromit: Curse of the Were Rabbit, along with Baftas, Models and figures from Aardman films, and books filled with sketches and rough drafts of storyboards and character designs. The building was very inviting inside and looked like a brilliant place to punch in and out of each day. It was inspiring to think that real people were involved in these very real jobs inside this building and that it’s not in some distant Hollyweird land that appears to be a closed club.

Martha

Aardman Studios Tour

On our first morning, Mia gave me the very exciting news that Peter Lord of Aardman Studios may potentially be able to speak to me as I have an interest in working in Film & TV. I tried not to get my hopes up as he has an incredibly busy schedule… but after staring at my phone all day, I received a call!

We checked out nearby Spike Island as we patiently waited for 4pm to stroll over to Aardman Studio. The lobby was like a mini exhibition in and of itself, with a giant Shaun the Sheep model, a cabinet displaying an Oscar and Bafta trophies, and cartoon office props at the reception desk.

Having a personal tour of the game design office, the various animation studios and even some hot sets by Peter Lord himself was surreal. I was shocked to learn that animators are essentially actors who carefully manipulate the limbs of clay models in response to recordings by the voice actors. I was also shocked to see how many cameras are on set – something that is required to ensure each frame is shot from two positions for 3D productions.

Each location was bursting with memorabilia and original props from sets I grew up watching and confirmed how much I wanted to be part of this world. I had the chance to pick the brains of veteran animators and modellers and discuss everything from their typical day, to the way work processes were being affected by new technologies and AI.

It was particularly refreshing to see how hands on the work is at the studio despite how large scale the productions are. Learning that the analogue methods of stop-motion animation could not be replicated by CG work made me optimistic that the hands-on creative process that drew me to the industry will hopefully be protected.

Sahar

Arnolfini Arts Centre

On the Friday, we went to check out Arnolfini, an international centre of contemporary arts located on the picturesque harbourside. We started off by looking around the exhibition they had on, ‘Eregata’ by Ethiopian artist Elias Sime. There was a vast installation of ceramics and a lot of his art incorporated found objects, electrical parts and discarded wires woven into large tapestries and 3D sculptures.

Martha and I  then joined in with a weekly Women’s Craft Club held at Arnolfini in partnership with Bristol Refugee Festival. We enjoyed a chilled out time making jewellery with women from lots of different backgrounds, each absorbed in their own craft project.

The team then met with Keiko Higashi, Head of Engagement, in the cafe at Arnolfini and talked about what we get up to at The Stove. It was great to see the strengths of the Creative Spaces program through her eyes and be able to discuss different strategies on a level pegging with someone who had so much professional experience.

She shared a bit with us about what she does in her role and the history of the building. She talked about the challenge she is currently working on – diversifying their exhibitions. They have a huge amount of foot traffic in the building but their actual engagement is much less when you discount people coming in to use the cafe/toilets as not everyone is there to interact with the exhibition. It was really interesting to hear about challenges from her perspective of having a huge building in the middle of the hustle and bustle of a city centre, and it made me reflect on the similarities and differences with our reality at home.

After our morning at the art centre, we went to the nearby Bristol Old Vic, which is the English speaking world’s oldest continuously working theatre. They had an fun interactive exhibition on sound design for theatre, Foley art, and the use of analog tools in theatre to create gunshots and other sound effects. I liked the way they designed the exhibition, with interactive displays, buttons on the wall you could press to hear audio recordings of actors doing vocal warm ups, and machines you could use to make rain and thunder sounds. It made it feel like we were backstage designing the sound effects for a show!

In our free time we walked around St Nicholas market, saw a bit of street art, and walked to Millennium Square for a Wallace & Gromit themed escape room, ‘The Great Escape’. We also got to visit a cool area of Bristol called Stokes Croft and sat in The Canteen, a venue that has free live music and locally sourced vegan food.

Last Day

We did a heritage walk around the streets of Bristol city centre, viewing some of the iconic street art, graffiti and murals, and stopping in to see the cathedral and the historic Bristol Central Library. We visited a board game cafe on the Christmas Steps for some inspiration for the Vennel, and finished off our trip by touring some charity shops and the Bristol Museum.

On reflection, visiting Bristol was inspiring and motivating as we were each left with a positive sense of envy. To bring what a place like Bristol has to Dumfries feels achievable. It was great to see positive spaces being held for young creatives to connect with each other. With a renewed motivation from our trip, we feel we can bring more vibrancy and youth-led creativity to our town.

By our 23/24 Creative Spaces Team Korey, Martha & Sahar.

The 2024 Creative Spaces Showcase is taking place on the 28th of March! Keep an eye on the CS socials for updates.

Learn more about Creative Spaces here.

Categories
News Project Updates

Wild Goose Festival Returns with Soaring Success

The Wild Goose Festival returned for another year of inspiring and educational family-friendly activities and events. Read about our 2023 Festival below.

The Wild Goose Festival returned to Dumfries and Galloway this autumn, bringing with it a flock of exciting events and activities for all ages. The festival, which ran from October 19th – 29th, is inspired by the annual migration of geese to the Solway Firth.

Over the course of the festival, the public had the opportunity to learn about the incredible journey of these birds, as well as the diverse ecosystems and wildlife of Dumfries and Galloway. The festival also featured a variety of creative workshops, interactive storytelling sessions, and nature walks.

A Celebration of Nature, Creativity and Place

The Wild Goose Festival is not just about geese; it celebrates both the inspirational journey undertaken by our feathered friends and our deep connection with the natural world. 

This year’s family-friendly program aimed to engage communities through creativity, education, and play, building meaningful relationships and encouraging people of all generations to reconnect with their environment.

With events taking place throughout the region, from Stranraer across to Glencaple, the Wild Goose Festival saw an audience of around 4200 people celebrating the journey of the geese.

A Hub for Discovery and Creativity

This year’s Festival Hub opened its doors in a brand new location within the Loreburne Centre in Dumfries. The Hub served as an information point for the festival, as well as an accessible space where a variety of fun and creative activities was hosted.

At the hub, members of the public could engage with individuals dedicated to protecting our natural resources, unleash their creativity with artists, and delve into the fascinating world of wild geese, discovering why these birds make their annual pilgrimage to Dumfries & Galloway.

Around 800 people visited the Hub this year, to see the full programme of events that were available, click here.

A Festival for All Ages

The Wild Goose Festival’s family-friendly program cultivated meaningful conversation between generations and encouraged participants to reconnect with the environment around them.

From seasoned birdwatchers to curious newcomers, the Wild Goose Festival 2023 had a range of events for all ages and backgrounds. To view each of our 2023 events visit here.

A Focus on Environmental Awareness

Wild Goose serves as a powerful reminder of the importance of preserving our natural heritage. The conclusion of our 2023 festival Three Sisters – A Story from the Climate Future promoted this sentiment, premiering an immersive audio drama set in 2030 questioning how we will live under the impacts of climate change.

The Stove Networks creative response to this year’s festival was the Keep Looking Up Roaming Exhibition. This exhibition invited members of the public to observe the skies and consider our relationship with the non-human inhabitants of our everyday spaces. The artwork prompted new ways of observing our wildlife and how we impact it, and vice versa.

A Legacy of Inspiration

This year the Creative Spaces team worked with pupils from Laurieknowe Primary School to deliver a series of creative workshops on the migration of Geese and their relevance to the region. Learn more here.

As the Wild Goose Festival draws to a close this year, it leaves a legacy of inspiration and environmental stewardship of the unique biodiversity of Dumfries and Galloway.

The festival’s commitment to engaging communities through art, culture, and nature will continue in 2024.

Visit the Wild Goose Festival website here.

Categories
Musings News Project Updates

Creative Spaces – Laurieknowe Workshops

In the run-up to Wild Goose Festival 2023, the Creative Spaces team worked with pupils from Laurieknowe Primary School to deliver a series of creative workshops on the migration of Geese and their relevance to the region. We would first like to say a huge thank you to Laurieknowe’s P4 class and both teachers who were brilliant to work with!

Creative Spaces team talking to the Primary class using a map

The first day Creative Spaces went into the primary school we were pretty nervous. We had a plan but were also prepared to be flexible as we didn’t know what to expect from the class. The P4s were really excited to see us and paid close attention as we introduced ourselves and showed them a short video about bird migration. When we asked them questions afterwards, they were all eager to put their hands up and show off their recall skills. We started to see their different personalities shine through and were reassured by the energy of the class – they were so ready to learn about geese! 

The next task was map-based. We put a big world map onto each of the 3 tables in the classroom and worked in groups to identify the places where the different species (Barnacle, Greenland White-Fronted, Light-Bellied Brent, and Pink Footed Geese) breed. The first challenge for the kids was spotting Scotland (it’s tiny!) and then understanding that the geese fly hundreds of miles to get here from Iceland, Greenland, Svalbard and Canada even though it’s only a few centimetres on the map. We gave them little card cutouts of geese that they could move around the map – some of the kids’ geese were much more interested in flying to Africa and South America than following their usual migration patterns. 

After learning a lot in the classroom about where the geese in Dumfries come from, when and why they come and go, and the challenges they face on their long journeys, we relocated to the hall for an active break. We had come up with a loose concept for a game, where we held up the flags for different countries that the kids had to ‘fly’ between. A few of them played different risks such as predators (foxes, eagles, badgers), wind turbines, bad weather etc. The ‘geese’ had to make it safely to their destination (Scottish flag) without being caught by a ‘risk’, otherwise they would join the obstacles in the middle of the hall. They had a blast with this active learning, amongst the noise and chaos, and enjoyed the challenge of running in V formations like the geese fly. 

Active Break to learn more about geese.

We then went back to the classroom for a drawing activity. Each child received a comic strip template designed by Korey and drew/coloured in the story of the wild geese migration. They were really impressed by Korey’s ability to draw a goose and were queuing up to get his help with it. This seemed to be the recurring theme of the day, with everyone asking Korey to tie their shoelaces as they left at 3 o’clock! It was an all-around successful afternoon, and we went home feeling very tired but encouraged. 

Before starting Day Two, the team were slightly daunted by the task of engaging the class for an entire day about geese and incorporating more research-based lessons. These nerves immediately disappeared when recapped what the class had learned from the previous session and realised how much they had remembered from only one afternoon. 

We decided to dedicate the morning to teaching the class about Goose habitats – what they need to nest and to protect themselves from various dangers. In groups, the kids designed beautiful three-dimensional habitats out of coloured paper and freestanding elements arranged inside shoeboxes. We then moved on to the computers so that the class could complete some further research and fill out their ‘Goose Facts’ booklets.

Colouring in geese cartoon strips

This helped the kids differentiate the different goose species that come to D&G and put all their findings in one place. Just before lunch, we switched things up and held a goose-making workshop where the kids had the choice of dressing our pre-made chicken wire geese in newspaper scraps or making miniature tinfoil geese. What was most impressive was watching the pools of PVA glue and mountains of newspaper scraps disappear and the classroom return to its previous state in a matter of minutes before the lunch bell. 

In the afternoon, we decided to put the kids’ learning to the test with a newsreader task complete with costumes. Finally, we brought in our goose expert extraordinaire Hagen Patterson, to answer all the questions the kids had come up with over the past two sessions. They loved having their burning questions answered and it was hilarious watching the Q&A go off track with a couple of questions (shout out to the pupil who asked which goose was the tastiest to eat). However, the highlight was definitely Hagen’s true-to-life goose calls which showed the class a fun, tangible example of the differences between the various geese species they were learning about. 

We felt a great sense of achievement after the second day as we achieved a better flow between the various lesson plans and felt genuine excitement from the class about geese migrating to our region.

A very magnificent goose!

On Thursday the 12th of October the Creative Spaces team headed into Laurieknowe Primary School for the final time. The class were just as excited to see us, and the feeling was mutual. During the third visit, the team felt more comfortable and at ease with the P4 class. The lessons were well received and as the kids had familiarized themselves with us, they were genuinely engaged, and the lesson continued at a good pace.

The lesson of the day was centred around Scots language and poetry with the theme of Geese. Mia grabbed the class’s attention immediately with a self-written Scots Poem about Geese visiting Dumfries. At this point, it was interesting to see which Scottish words the kids already knew or didn’t know. This was a great way to introduce some Scots Words to the pupils’ developing vocabulary.

So, using words provided (and explained) by us, and some useful goose facts, the children were then prompted to write their own poems. They did brilliantly and it was a great pleasure to help translate regular English words into Scots for the kids. That in particular was something they were all excited about, and even though it wasn’t mandatory, all the pupils stuck to writing about Geese.

The brilliant poems were available to view at the Wild Goose Festival Hub in the Lorebrune Centre during this year’s festival. Towards the end of the day, we also finished off our miniature goose sculptures with some coloured pens and got some great results, which were also displayed in the WGF Hub.

By the 2023 Creative Spaces Team.

Learn more about the Wild Goose Festival here.

Visit the Wild Goose Festival website here.

Categories
Musings News

Travelling Gallery Visits Dumfries & Galloway

Travelling Gallery, a contemporary art gallery in a bus in collaboration with The Stove Network, will be bringing its latest exhibition, Take Care, to Dumfries & Galloway this November.

The exhibition is a group show featuring artists such as Uma Breakdown, Gwenan Davies, Ellie Kyungran Heo, Laura Wilson, and Joy Baek, along with the Sculpture Placement Group. Take Care explores our relationship with non-human things that we care for in our often isolated society.

The artworks showcased in the exhibition explore a wide range of mediums and subjects. For instance, Laura Wilson‘s new video, “You would still almost expect to find it Warm”, focuses on the intimacy of baking, presenting fresh dough as a living organism that is alive with yeast. In contrast, Ellie Kyungran Heo‘s moving image work, Plantarians: appendix, delves into our care of house plants and questions “Why is it that we place a plant in a pot, constricting its ability to grow and occupy physical space?”.

Continuing our relationship with non-human things, artist Uma Breakdown presents their video game Animal Agency, the multi-layered click and point game invites the player to work with animal-like creatures to move between a number of rooms and spaces. Gwenan Davies’ paintings then explore our ‘in-between’ times as she observes the ritual and social function of the coffee break, turning a sea of abandoned coffee cups into a surreal landscape.

Artist Uma Breakdown has created a video game called Animal Agency, which continues the exploration of our relationship with non-human things. The game is a multi-layered click-and-point adventure, where the player works with animal-like creatures to move between a number of rooms and spaces. In addition, Gwenan Davies’ paintings capture our ‘in-between’ times by observing the ritual and social function of the coffee break. She turns a sea of abandoned coffee cups into a surreal landscape, creating a unique perspective on our daily routines.

Finally, Travelling Gallery is collaborating with Sculpture Placement Group (SPG) to exhibit the sculpture, Here, My waiting by Joy Baek, from their Loan scheme. The SPG Loan scheme works with artists to extend the life cycle of artworks that are currently in long-term storage, allowing people to care for and enjoy an artwork, often outside of a gallery context. 

Finally, Travelling Gallery is collaborating with Sculpture Placement Group (SPG) to showcase the sculpture titled “Here, My waiting” by Joy Baek, which has been borrowed from the SPG Loan scheme. This scheme aims to prolong the lifespan of artworks that are currently in long term storage. It enables people to appreciate and take care of the artwork, sometimes outside of a traditional gallery setting.

Graham Rooney, Operation Director at The Stove Network shared the following:

“We’re thrilled to be partnering with the travelling gallery on its tour of Dumfries & Galloway. Connecting people and places through creativity is fundamentally at the heart of what we aim to do here at The Stove, and this project is a fantastic example of where we can support access to the arts in an exciting and meaningful way.”  

Travelling Gallery will be visiting the following venues, in partnership with The Stove Network:

  • Wednesday 1st November – Outside Stranraer Library, North Strand Street (Supported by Creative Stranraer)
  • Thursday 2nd November – YMCA, Lochside Dumfries (Supported by LIFT D&G) 10 am – 4 pm
  • Friday 3rd November – The Lockerbie Old School, 10 am – 4 pm

The gallery is free to visit, and everyone is very welcome. 

As well as visiting Dumfries and Galloway, the Travelling Gallery has toured the following areas:

Stirling University, in partnership with Stirling University 

West Lothian College, in partnership with West Lothian College

North Ayrshire, in partnership with North Ayrshire Council 

East Ayrshire, in partnership with East Ayrshire Council 

South Ayrshire, in partnership with South Ayrshire Council

Inverclyde, in partnership with RIG Arts

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