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News Opportunities

Instagram Takeover Call Out – Creative Spaces

The Creative Spaces team are looking for young creatives who are from or live in Dumfries & Galloway to feature on their Friday Takeovers on Instagram Stories.

Project Overview

This project aims to provide a platform for creatives to showcase their work, share insights about their practice, and connect with a broader audience. By taking over our Instagram Stories for one day, creatives will have the opportunity to engage with our followers, highlight their portfolios, and promote their creative endeavours.

Objectives

Showcase Creative Work: Allow creatives to share images, videos, and stories of their projects.

Highlight Creative Practices: Provide insights into their creative process, tools, and techniques.

Promote Individual Portfolios: Direct followers to the creatives’ websites, online stores, or social media profiles to boost their visibility.

Build a Creative Community: Foster a sense of community among creatives and our audience by introducing them to diverse creative talents.

Scope of Work

Each person will: Take Over Instagram Stories for One Day: Post a series of stories showcasing their work and creative process.

Introduce Themselves: Provide a brief introduction, including their background, artistic journey, and current projects.

Share Creative Insights: Offer behind-the-scenes content, such as sketches, drafts, or work-in-progress shots, and discuss their creative methods.

Engage with the Audience: Respond to questions and comments from our followers throughout the day.

Promote Their Work: Include links and information on where followers can find more of their work, such as websites, online stores or social media profiles.

Fee

Fee: £50
Payment Terms: Payment will be processed upon completion of the Instagram Takeover.

Requirements

  • Aged between 16 – 30
  • Either from Dumfries and Galloway or currently working/living in Dumfries and Galloway

Deliverables

  • A complete series of Instagram Stories for the takeover day, including:
    ◦ At least 5-10 story posts showcasing creative work.
    ◦ An introduction to the creative individual.
    ◦ Insights into the creative process.
    ◦ Engagement with the audience.
    ◦ Promotional information directing followers to the creative’s portfolio.

Interested? Get in touch!

Please send an email to [email protected] with the subject ‘Instagram Takeover’, and a bit about yourself and your creative practice and we’ll be in touch.

What is Creative Spaces?

We are a Dumfries-based collective of young creatives, working with and advocating for our region’s young artists.

Situated in the heart of Dumfries, Creative Spaces collaborates with young creatives from across the region, providing young people with opportunities to engage in the arts. Whether it’s through events, workshops, mentorships, or our annual Associates Programme, we aim to enhance Dumfries and Galloway’s creative scene by offering free access to opportunities and paid commissions

Categories
News Project Updates

WRITE: A Community Anthology

Each month in the Stove Cafe, author Karl Drinkwater hosts ‘WRITE’ – a creative writing workshop. Sessions are guided by thought-provoking prompts, offering dedicated time for free-flowing expression. Afterwards, participants have the opportunity to share their creations within the supportive group, receiving valuable tips to enhance their writing skills and boost confidence.

Over the last year, participants have shared their workings that have been borne from prompts from WRITE. Read a selection of works below.


The Gift

Taking a break 

from his bench

the clock restorer’s

mind turned within wheels.

Absorbed in measuring

minutes and hours

how had he permitted

years 

to escape?

Was pride in precision 

simply an illusion 

of keeping time?

A young boy

gazed longingly 

at clocks

in the dusty window

as another child 

may have eyed                      

jars of tempting toffees

reckoning 

how many sweets 

could be gained

for clinking coins.

Fresh eyes 

eager to uncover 

secret workings

spy 

as

cogs mesh

pivots revolve

flywheels spin

coils unwind.

On an impulse 

the clock restorer 

beckoned.

An estimation made 

pocket money 

exchanged 

for a slate-cased clock

in want of renovation.

On the next impulse

the clock restorer 

lifted down

a box of parts.

A gift 

a wondrous trove 

of mechanical magic

awaiting discovery.

Boyhood

many 

intricate tasks 

ago.

A rhythm set 

to guide his tracks

the boy

though older now

still unpacks the box

selecting 

pieces

by name and designation.

Understanding 

the drive to impart 

knowledge

skills

art.

Polished

restored to working order

the slate-cased clock

marks 

progress.

At its centre

escapement 

locks 

frees 

locks

frees

locks

frees

whilst 

its heart

beats

encouragement 

motivation

belief.

Remembering an encounter with the clock restorer of Easton in Gordano, 1966.

© Jeanette Abendstern for and with Brian Leaver 


Resolution

Resolution, wake up, make a change.

“We can’t do nothing” is the sad refrain.

Oh oops the Tories got voted in again

But I’ll never vote to put our grandkids in chains

Make a resolution get political, be more critical

Stop being arthritical, intellectually paralytical

Enough of being cynical

Sitting doing nothing is just parasitical.

Here’s what will happen if we just leave be

Money will spend into politics to make money

More money more as they build a dynasty

Neo-lords raised up off our kids not being free

But the billionaires,

Their worst nightmares

Are angry stares, our righteous glares

As we organise, challenge and protest

Step up to demand what’s best

Loss and damage

Free school meals

Working lives less stressed

Win back some rights

Without worrying about arrest

They’re murdering Palestine

Our industries are in decline

It’s not all fine

So now’s the right time

So come on make a January resolution

Build a revolution

It’s the solution

Solve pollution

Draft a constitution

The House of Lords needs dissolution

Corporate criminals need retribution

If you do one useful thing this year

Decide to get your bum in gear

Talk politics to everyone without any fear

Because a better world really is just near

And the You that makes it happen is sat right here.

© Simon Jones


The Mountain

Early gleaming of the sun kissing that beautiful peak of the mountain,

Radiating its light like silver stars in the sky,

Catching the eyes and touching the hearts of millions,

Spreading profound joy and leaving a wonderful memory in hearts.

Viewing these beautiful peaks takes away all pain and suffering,

Warming your heart and making your day bright.

Borrowing your willing ears, it allows you to listen to that tranquil music,

Secretly asking you to smell that calm air as if you were touching stars.

Sometimes it makes you speechless and takes your breath away,

Cosseting you with its natural beauty and bringing you more peace.

Nothing can erase such beautiful memories that stole your heart away,

They remind you that they are still alive snuggling up to that mountain.

You remain deep inside the heart of it, full of great gratitude and deep affection.

They bring back the beautiful memories of the mountain,

Ever smiling and living in its eternal beauty.

A beauty of nature, of peace, and of serenity.

© Sherima Pradhan


Rubble Kings

Like the torch of a slow burn
your best days are done,
you may well blaze skylines –
we’ll rebuild with the bones of
you murdering tyrants!
hack hard at your roots purge your truth
when you waken at twilight

No frills, no thrills,
no pills for your ills

Join in, gut your own out as
bleeding rats raze your house,
vomiting secrets your conscience deleted
turned cheeks get smacked, mirrors crack
your bubbles burst
forlorn king of rubble and dust

no shimmers or glimmers
no breakfast no dinners

Our ancestors weeping while war
keeps repeating. Lost souls fast asleep,
their bodies smart, crawl and creep.
Yearning for drugs cut with violence,
washed down with radio silence

no home fires burning
empty guts churning

The stench threat of warlords unbothered
in Westminster’s corridors
by children in Palestine wailing in horror
flames fanned with fear,
Tory papers, online warriors …

No pills for your ills

No pills

For

Your ills

© Davey Payne


The Princess

Once upon a clear crisp evening, while I gazed upon the stars, white gleaming,
A lone, cold tear raced t’ward my chin, broken spirit.
My heart beat thudded beneath my breast, as I tossed all thoughts of my moral quest,
I slithered to bed for desperate rest and whispered “sleep a minute.”
“Blasted storm within my brain,” I muttered, “sleep a minute” –
Yet the storm raged on, broken spirit.

Retreating, I rose and paced my chamber, mind still racing in weary labour.
These stone walls ensnared my soul, broken spirit.
Desperate for release, locks dancing with the night’s breeze,
Turning towards the dark abyss, sighing “Please! I know my limit,”
Turret window dominating the land, I yelled out “I know my limit!”
Silence. Broken spirit.

A moment later, a pitter patter, has someone heard my mournful chatter?
Is this it, are my prayers heard, restoring my broken spirit?
“Please god, my merciful master, I’ll repent to any pastor,
Free my soul from this disaster, with just one visit.”
I listened still and I listened sure, “just one visit,”
Nobody came – broken spirit.

The foreign noises, confused me still, as I peered out from my window sill,
Till the frayed ‘supper rope’ was cast before me, broken spirit.
I gathered the pot, rancid rotten veg – my lot.
Recoil on my face, excitement shot, rope returned to the captor, git!
How dare she imprison me in this perilous tower, my captor git!
To see out my life’s days, broken spirit.

Sitting still, engaged in siege, once a girl of bestowed prestige,
Till stolen from my family home, by a broken spirit.
Body against my chamber walls, sinking, I dreamed a peaceful thinking,
Of a prince, on a horse, armour clinking, rescued from the woeful pit,
Nonsense! He knows not that I’m here, in my woeful pit,
In my infertile sanctuary, with this, my broken spirit.

© Rosie Squires-Cowan


Castle of My Mind

Within my sanctuary, I am under siege,

Anxiety and stress – my only liege.

No guards on the gates, no lock on the door,

Most days I struggle to rise from the floor.

No battles raging across the plains,

Yet everyday crippling chest pains.

Outside boasts peacefully – calm and tranquil,

Inside, dark and flustered, consuming my pill,

Fire lit, body sheltered and warm,

Mind not protected from the torrid storm,

Food and water in plentiful supply,

No tears when I’m broken, cheeks are dry.

Family gathers to enjoy our suppers,

Failing to stay present, my mind scuppers,

No song or dance to raise the spirit,

Tortured by demons; Devil, Ifrit.

Begging the torment will be over soon,

Hoping screams fade to a lighter tune,

Peace will reign as it did before,

Pray, happiness return once more.

© Justin Squires-Cowan


Last Christmas – Excerpt

The 4×4 breathing technique isn’t working. She’s forced to rummage through her bag, grabbing at the various sheets of pills she always carries with her. Like a baby blanket. A safety net.

A cheeky valium or two just to take the edge off, she reasons.

Freya sashays her way to the train’s buffet carriage. Her eyes dance across the fridge doors and their shining contents, landing decisively upon the alcohol section. It is 11:11am. A frozen, snowy Monday. She averts the judging gaze of the woman behind the counter who makes a point of repeatedly looking at her watch, with cocked brows.

Message received, bitch.

A hard stare and smirk as she pays. Returning to her seat, she washes the pills down with a pre-mixed can or two. Or was it three? Either way, despite all that, by the time the train pulls in, she feels electric. Feels…silly.

***

She squeezes her way through the bustling crowds, out of the frosty hustle of King’s Cross Station and into The Black Phoenix, she is struck by the warmth, laughter and stale tobacco lacing the air. Years of spilt Chardonnay and ale, trodden deep into the paisley carpet. She somewhat trips in across the threshold, for the uncharacteristic fact she is wearing heels today. For him. She stamps and shakes the snow from herself. Her eyes, searchlights seeking.

Is he here? Breeeeathe.

Her heart is racing. Her cheeks burn a horny shade of fuchsia.

I can always blame it on the cold.

She’s never been subtle. Shit at poker. She’d named her face ‘Judas’ in the mirror one messy night, years ago in some stranger’s bathroom. She takes in the festive glow of the twinkling lights draped around the bar and windows. George Michael’s ‘Last Christmas’ croons through the speakers, weaving its way between loud cackles and hushed chats. A smile slithers across her lips.

So this is why they call it the silly season. Ha.

She bites her lower lip. Silly is an understatement.

The heat pumping throughout the cosy pub feels especially luxurious, considering the whipping cold outside and the crippling recession which has stifled the country with its cost of living. Old friends with grand bellies sit around small wooden tables, chuckling with nostalgic glee. The knitted sleeves of xmas jumpers wipe froth from whiskered chins.

A ruddy faced barfly calls out:

‘Oi oi, Captain, another, eh? Good lad,’ as he proudly slams his empty pint glass down. A leathered wink and a discreet stumble. Glasses clank loudly as they collide, amber contents splashing and spilling out.

© S.J. Wildling

Read the full short story here.


Through The Stars Dumfries

You can see Dumfries from the Moon. On trips to the observatory decks I would point the large lens telescope towards the Southern part of Scotland and have a better look at what we left over. Others who were crammed here in the living centres would use the time they bought to look at the parts of history they wished they had visited. My Grandfather and I would often study the old images of the town stored via projections from the company data packs. Grandfather would always show me the pictures he had saved of the place our family came from. We couldn’t take them too far away from the Grid though, stray from the network and the company would delete them regardless of payment. The charge for reactivating any memory was too much for most, myself included. Most of the images stored in the Grid were constructed from various accounts and memories of those who had left us. The ones Grandfather and I had were real though, at least to me.

The first thing I always noticed about them was the sky. Sometimes it was a bright, radiant blue but mostly it seemed to settle on a dull grey. The main thing was that it was there. No glass above your head, no sealed domes to control the atmosphere, just an expansive sky you can look up to at any time. The people would walk places without the constant connection to the Grid to monitor everywhere they were going.

On the last visit to the observatory deck I asked my Grandfather about going back to Dumfries.

“Very dangerous” he replied.

© Cameron Phillips

Read the full short story here.


Hosted by multi-genre author and editor Karl Drinkwater, WRITE! is designed to allow you to play with words and construct short or longer pieces of work, whichever you desire, and it is open to all abilities!

If you would like to attend the next WRITE! session, click here.

To learn more about Karl his website, click here.

Categories
News

The Stove Board of Trustees: Why We Are Proposing Changes to The Stove Constitution

Chair of the Board of Trustees, Lynsey Smith writes – 

On Tuesday 12th November all Stove members are invited to an Extraordinary General Meeting to discuss and vote on a single resolution – to update the Articles of Association (aka. the constitution) of The Stove, as recommended by the Board of Trustees.

So, why are we doing this? Back in September 2023, the board set up a working group to review the governance of the organisation including the Articles of Association.

The three key reasons behind taking a fresh look at how the organisation was working at board level was threefold:

  • Awareness that certain relevant policies and legislation at national level had changed since we last reviewed our Articles of Association (2017) and we wanted to ensure our Articles were compliant with policies/legislation that could be relevant to The Stove.
  • A desire for more joined-up working between the board of trustees and staff – particularly in the context of the evolving practice of The Stove and the need to diversify income sources (e.g. through earned income) to best utilise the skills offered by the board and facilitate greater speed of decision-making 
  • A desire to look at the working processes of the board more generally in the context of coming to the end of the first decade of The Stove’s existence.

The working group has carefully and thoroughly discussed issues and options for change, researched best practice examples and consulted with relevant organisations working in the field. Having agreed with the whole board that the changes we wished to make would require changes to the Articles of Association for The Stove we engaged the services of specialist charity lawyers Lindsays from Edinburgh. Lindsays have supported the board to best express the desired changes within best charitable practice and produced a new set of Articles of Association. The new Articles have now been assessed and passed by the Office of the Scottish Charity Regulator (OSCR) and formally adopted by The Stove Board of Trustees at their meeting of 2nd September 2024 to be recommended to the Stove membership as the Articles of Association for the Company at an extraordinary general meeting where members can vote on this recommendation.

The significant changes to the Articles of Association can be summarised as follows:

  1. Assertion of control of the company by the ‘community of benefit’. This has always been at the core of rules and working of The Stove and some slight changes are required by changes to Community Empowerment legislation to ensure we are fully compliant should we wish to use this legislation for example to initiate a Community Asset Transfer. Our area of community benefit is (and always has been) Dumfries and Galloway (D+G). The proposed change is to make it a rule of The Stove that a minimum of 75% of our membership is ordinarily resident in D+G. Currently 80% of our 637 members are resident in D+G.
  2. To add a fifth charitable object (NB ‘the Community’ refers to D+G):
    1. to promote the arts, including drama, dance, music, literature, poetry, painting, film making, photography and sculpture and other art forms and areas of artistic endeavour, and in particular (but without prejudice to the generality of that aim) with a view to the involvement of local communities within the Community;
    1. to collaborate and form partnerships with individuals or organisations to benefit the Community through the arts; 
    1. to support community initiatives within the Community using the arts;
    1. to use the arts to promote the benefits of social welfare of the inhabitants of the Community, without regard to age, disability, gender reassignment, marriage and civil partnership, race, religion and belief, sex and sexual orientation; political, religious or other opinions; and 
    1. to promote best practice and advance policy around creative community arts for the benefit of the Community.

This is to reflect the considerable work that The Stove is doing to advance the field of community arts practice at regional, national and international level and how this work benefits the region of D+G with new funding streams, commissions and career opportunities

  • Change the term of tenure for Trustees. Currently there is no maximum term for people to serve as Trustees. The new Articles assert that Trustees can serve a maximum of two 4 year terms, should they wish to serve for a second 4 year term members would vote on this at the AGM. People could put themselves forward for election to the board of trustees having served two terms only following a full year after the conclusion of their second term.
  • Provision for Executive Trustees to join the board. To support better joined up working between the board, the staff and members, the new Articles allow a limited number of Executive Trustees (staff members) to be board members. To get the best of both worlds (‘joined-up working’ and ‘community control’) very strict rules are in place to ensure all working processes of the board are, at all times, controlled by a majority of Non-Executive (voluntary) Trustees – for example the quorum for board meetings now includes the requirement for a majority of Non-Executive Trustees to be in attendance and conflict of interest processes are in place, meaning that staff can never be involved in decisions over their own employment etc.
  • Clarification of process for members putting themselves forward to join the Board of Trustees. The new Articles make provision for members to suggest themselves as Trustees of The Stove at any time.

Having gone through a year of research, consideration and advice, The Board of Trustees unanimously recommends these changes to members of The Stove Network and we look forward to welcoming you to the General Meeting on 12th November. If you would like to attend, please RSVP by Friday 8th November so that we have an idea of numbers and can ensure we can accommodate everyone comfortably etc.

Best wishes

Lynsey Smith. Chair of the Board of Trustees

Categories
News Opportunities

In the Braw Midwinter: Exhibition Open Call for Submissions

Exhibition dates: 21st November – 21st December 2024

We’re inviting artists, makers, and creatives of all kinds from Dumfries & Galloway to showcase your talent in our cosy Stove Café this festive season. Whether you’re a painter, printmaker, jeweller, or craftsperson—this is your chance to share (and sell!) your work as part of our Midwinter Exhibition.
 
From unique artworks and handcrafted items to festive cards, decorations, and creative twists on holiday traditions—we welcome it all. This is an opportunity to brighten the season with your creations while supporting local artists in the lead-up to the holidays.


Our Midwinter Exhibition will run from Thursday, 21st November to Saturday, 21st December, with pieces available for purchase during our regular cafe hours (Monday–Saturday, 9am–3pm).

How To Submit Artwork:

  • Artists may submit up to a maximum of two artworks per person.
  • 2D artworks should not exceed 60cm in any direction, and 3D artworks should not exceed 30cm in any direction.
  • Artworks must be dropped off during one of our scheduled drop off dates (see below), or by appointment only
  • Artists must complete a contacts form before leaving any artworks. These will be available during our scheduled drop off dates or by emailing [email protected].
  • Any unsold artworks must be collected on Monday 6th January 2025.


Artwork Drop Off Dates:
Artworks can be dropped off on the 18th and 19th November, between 11am-5pm.


*Conversing Building is an ongoing project at The Stove, that looks to activate spaces around The Stove through a variety of visual and public art projects and displays. For more info on the project visit our project page here.

Categories
News Project Updates

Maya Edwards: Harbourland Phase 2

Context

Maya was recommissioned for Phase 2 of the Harbour project in July-November 2024 to continue their creative engagement process toward developing a community design concept for the new piece of dredged land within the Waterfront re-development. Alongside gathering local insight for the co-design process, Maya hosted a programme of events and engagement at Creative Stranraer to test ideas and continue engaging people in the creative vision for the future of the town under the regeneration.  Visit Harbour Project Phase 2 Blog Update 1 here to read the first chapter of Maya’s journey. 

Harbourland is an Opportunity to Make a Whole New Part of Stranraer. 

As part of the process of extending the marina, some dredging must take place to make Loch Ryan deep enough for larger sailing boats. Within the plans for One Waterfront a new area of land will be created next to the East Pier using the material dredged from the loch. I’ve been working with local people to imagine what this new area of land could be:

‘The safest harbour is a world between land and sea. Harbourland is an ecosystem – a place to witness and protect many forms of life and provide a space for them to survive, thrive and connect with one another.  It is place that belongs to everyone and somewhere that will show the best of Stranraer to visitors. Harbourland asks: ‘how can we act like the oyster and build an area that benefits both people and the coastal biodiversity? What are the types of ‘surfaces’ that communities in Stranraer can attach to and make their own?’ 

Harbourland Polling Station Results 

If you came down and joined the thousands of tourists and celebrators at this year’s annual Oyster Festival, you may have come across the Harbourland polling station. As mentioned in the previous update, Oyster shells were historically used as the first ever ‘ballot cards’ during the early days of democracy in Ancient Greece. This year, I worked with the Rhins Mens Shed to create an interactive installation to bring this tradition back to modern-day Stranraer to inform the Harbourland consultation. Using the data gathered from countless conversations with local people, community organisations and from Raise The Sails Festival in April, I collated the main hopes for Harbourland into 5 key categories: 

  • A sheltered place to sit and bide a while,
  • Tidal rock pools for coastal wildlife
  • A place to share stories of Stranraer
  • A space for community events and festivals
  • Interactive play structures. 

Over the weekend, nearly 400 people cast their oyster shells to vote on what they would like to see as part of Harbourland. The oyster shells that are typically gathered for redistribution back into the loch were instead used to facilitate important conversations about the communities hopes for the future of the town, before making their way back to the water. We had older residents keen for interactive play structures so that they could ‘share the town with their grandchildren’ and ‘give them a reason to visit,’ along with younger generations of nature enthusiasts who were terribly excited at the prospect of tidal rock pools in Stranraer. 

A landslide amount of votes for tidal rock pools was the outcome of the initial consultation as seen below. All of the information gathered from the Harbourland Polling Station is being fed directly back into the Waterfront regeneration. 

Sandcastle Competition 

At the end of September, I staged the Great Stranraer Sandcastle Competition on the shores of Agnew Park. I designed bespoke Stranraer sandcastle buckets inspired by the topographical oyster forms that I’ve been working with for participants to take home for future days by the Loch. 

Sandcastle competitions are an ancient tradition for coastal communities, an excuse to spend time down by the water and exercise the creative potential of natural materials. We’re hoping to create a future waterfront that is a place where families want to gather and to feel more connected to. Stranraer’s waterfront regeneration is set to transform the town in new and exciting ways, and we’re keen for these designs to be co-created  to ensure a future landscape that reflects the needs of all communities – both human and sea species!  

Following from my ‘Siltcrete’ experiments, there’s a strong intention to make use of the dredged materials from Loch Ryan in the plans for the new piece of land in creative ways that benefit the unique natural environment. The competition gave people of all ages the opportunity to take part in co-designing future structures of the coast, to be inspired by the shapes of their local ecology, and to build ambitious sand sculptures down on a mostly disused shoreline. 

Over 70 people came down to take part and Stranraer beach was transformed with people coming together to play and find inspiration from their native oyster beds. The landscape was soon transformed into a mass display of everyday creativity and celebration of local site-specific ecologies. Teams won prizes from categories including ‘best sportsmanship’ and ‘most imaginative concept’, and as ever, the creativity of Stranraer’s community didn’t disappoint. Some of the sand sculptures included the story of Esmerelda the lost mermaid, Oysterland castle, Ailsa Craig and her lighthouse, and a whale who loved smarties! By the time the tide was returning, the coastline was covered in hundreds of oyster forms, reminiscent of a community made oyster bed. 

Harbour Hub Takeover 

As the final installation within this latest phase of the Harbour project, I will be feeding back all of the community ideas, events and interventions that have taken place so far, and what there may be to look forward to in the next stage.  This will take the form of a Harbour Takeover in the Creative Stranraer Hub (23 King Street). 3 display boards will detail each stage of the project, along with the initial design principles for the new piece of reclaimed land highlighted through creative consultation. 

Alongside the 3 display boards themselves, there will also be a window screening of underwater footage commissioned by the SCAMP (Solway and Marine Partnership) project to captivate passers-by as our evenings begin to get darker. The film by the Newton Stewart Sub-Aqua Club and John Wallace documents the underwater world of the of the Solway Firth and gives us an insight into some of the ecosystems that we are aiming to foster through Harbourland.  Huge thanks to the Community Re-Use Shop for their donation of a TV! 

The final aspect of the takeover is a community boat report created by artist and consultant Anne Waggot-Knott. Anne was our researcher/recorder/reporter in Phase 1 of the Harbour project and has been embedded within the project since its conception. The Community Boat Reports are interactive, informative documents which are designed to be folded up into the perfect paper boat. These are available for all visitors to read, build and take home. 

Come and visit the Harbour Takeover from October 16th through to November 11th at Stranraer Creative Hub. 

Until Next Time… 

If you want to find out more about the Harbourland proposal programme or the context of the project, please contact Maya on [email protected]

If you want to read more about the Creative Placemaking strategies currently taking place in Stranraer, please visit the What We Do Now resource written by Shawn Boden here.

Categories
News

Dumfries in Concertina

In September 2024, as part of our Conversing Building project, we invited artist and Stove member Emily Tough to create an artist’s book celebrating moments of everyday life. Read Emily’s account of the project below.

The Stove Network’s Conversing Building is an ongoing project, supporting creative dialogues whilst activating spaces in and around The Stove building on Dumfries High Street. 

My response was quite a literal one, to involve and document the surrounding shops, shop keepers, people, and everyday moments. These drawings were taken on site, mostly throughout July and August ‘24, to start building up an illustrative impression of our high street. I think it’s important that we consider ourselves as part of a whole, and it’s all these people and interactions which make up a town centre. 

In my opinion, it’s the shop keepers who are the custodians of the place. Who generate the want for people to come into the town, who manage the upkeep of the buildings, and who also create their own communities. Keeping an eye on their regulars through the ‘how are you?’(s) which are given over the counter. 

I’ve had such a wonderful time getting to know people and the town centre through these drawings. Really enjoying the little moments, such as Eddy helping his friend go to the bank several times in a row. Or watching Leah at Flourish discuss community asset transfer with a visitor from Aberdeen. 

I’ve really appreciated the opportunity to show work in such a busy, used space, as is the Stove Cafe. I’ve had a lot of people this past month tell me they’ve seen and enjoyed my work. It’s been useful to have a friend who works in the cafe, who also features in the publication, as she’s given me little updates on the interactions people have had with it. 

I’ve had a few people ask me for postcards of some of these Dumfries views. It’s something I’ll look into, and hopefully have the chance to go out with my sketch book and record more of our town. 

I hope people have enjoyed seeing themselves, or people and places they know, in these drawings. 

Thank you to Katie Anderson at The Stove Network for this wonderful commission & to the kind people who let me draw them. 

Written by Emily Tough (@weagreeoneggs)

Conversing Building is an ongoing project, supporting creative dialogues whilst activating spaces in and around The Stove building on Dumfries High Street. Conversing Building began in 2017 and is supported by The Stove’s Public Art lead. The project invites local groups, artists, and collectives to share displays, exhibitions, activities, and interactive artworks within the Stove’s public spaces – including The Stove Cafe, stairwells, and exterior walls and spaces.

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