Over 15th and 16th November, The Stove Network led a two-day event in the Bakers Oven on Dumfries High Street to talk to people about bold new plans for the town centre. Midsteeple Quarter is an innovative way to encourage people to live back in the town through a community-led company developing a section of the High Street as a live/work quarter. Over the past year The Stove has consulted with members of the community and a consensus has emerged that re-populating the town centre is a major part of any plan to bring new life back to the High Street.
Chapter One at The Baker’s Oven, Dumfries.
Over the last year we have noticed a real shift in attitudes – in the past people tended to look to the Council to do everything. Now the conversation has changed to ‘what can we do ourselves?’. This is a very positive change and one that has been confirmed by the number of local groups becoming part of the Midsteeple Quarter project – these include: Loreburn Community Council, Third Sector D&G, Unviversity of West of Scotland, NHS D&G, Crichton Institute, Upland, MakLab Dumfries and many more including the Council.
The Bakers Oven became a lively project hub over the 15th and 16th November, featuring a pop up living room, discussions and workshops. It also featured the exhibition, ‘People’s Dumfries’; a collection of Dumfries inspired artworks, including models of buildings within the town by Frank Brown. The Bakers Oven also played host to in house writer and Stove Curatorial Team Member, Martin Joseph O’Neill. Through the night of the 15th November, Martin spent 12 hours writing as part of ongoing project – Midnight Moonlight Smalltown Rain. Words and thoughts appeared in real time on the windows of the Bakers Oven. Come dawn, the story was complete.
Over 100 people signed up to ‘The Dumfries Pledge’ in support of community development in the town and people also shared their stories of old Dumfries and contributed to the vision for a Midsteeple Quarter. Suggestions included a focus on the Whitesands as a tourist destination and entry point to the town, affordable live/work premises in the town centre to encourage new enterprises, bringing services like healthcare and education into the town centre and more of a focus on the history of the town, with Tour Guides and History Tours throughout the region.
People’s comments and plans from the exhibition will be on show in the Stove Café from Tuesday 29th November for the town to continue to comment and get involved. The project recently received a boost at the beginning of this week with news of seed funding from The Scottish Government’s Activating Ideas Fund. This will allow the local community’s ideas to be taken to the next stage of reality and The Stove building will continue to be the information point for the project. Anyone interested in contributing or signing up to the Dumfries Pledge is encouraged to drop in or get in touch with The Stove – [email protected].
Both birds and humans have migrated for millennia, whether seeking more abundant food, or more favourable climates. Some of these journeys are regular and temporary, others more permanent, perhaps due to catastrophe or dreams of a achieving a better life elsewhere.
Currently Europe is seeing a huge influx of migrants and –stoked by the vitriol of a malicious press and an ugly political mood – it’s becoming alarmingly commonplace to consider our fellow human beings as pests, no matter how urgent their need for shelter and security. Our individual and collective capacity to help them remains largely unfulfilled.
Perhaps it would be useful to imagine a scenario where we are the migrants – climate change predictions (irrespective of whether it’s a natural cycle or mans interference at the root cause) suggest there won’t be many decades before this becomes a reality. Arguably it already is, with people displaced from their homes from the increasingly damaging floods we experience in the UK.
In Flight itself depicts both birds and people; in the end we are the same, following evolutionary paths birthed in the stars. Fluttering on the wind, lit by the sun and moon, refreshed by the falling rains, the intermingling of the white birds and the people offers a prayer of peace and love to our family in need across the globe.
The location of the installation is an unused close in Dumfries and the first work will be to clean it, to prepare a welcoming space for the flock. Experimental and expressive, the artwork will only fully take shape upon completion.
In Flight will take place during our Chapter One event on Tuesday 15th and Wednesday 16th November, in a nearby close. For details of where to find the work drop into the Bakers Oven and ask for directions. Full details about Chapter One available here
In Flight has been created by artist and photographer Morag Paterson. More details about her work available here
Over the last 8 months The Stove has been part of a major community-led project within Dumfries to take positive action to create a new, beating heart in centre of the town. This initiative has gone through a series of working titles including: ‘#MakingDumfries’ and ‘Living on the High Street’ (search these terms in our website and social media and the detailed story will emerge) – but for now Midsteeple Quarter is the title that most of the diverse partnership involved in the project will recognise.
Midsteeple Quarter re-imagines a strip of empty shop buildings on Dumfries High Street as a community-run mixed development of live-work/ education/ enterprise/ social spaces.
Empty properties on Dumfries High Street (above) re-imagined as a vibrant mixed development
The project began with the #SquareGo events in March 2016 which saw The Stove taking over Fountain Square in Dumfries to ask local people how they would like to see the Town Centre re-invent itself for a new era when market towns like Dumfries will not be dominated by retail.
People marked their ideas in chalk directly onto the paving of Fountain Square
The main themes identified at #SquareGo were displayed in The Stove Cafe for 2 months for further discussion and additions
Repopulating the town centre was one of the strongest themes identified by the #SquareGo project
In the same week as #SquareGo John Wallace’s documentary ‘A House on the High Street’ was premiered at The Stove.
The film inspired local resident John Dowson to convene a meeting of stakeholders in the town centre to see if a practical action plan could be agreed to take forward the ‘re-populating’ idea. NB ‘slum’ clearances in the 1960’s emptied the centre of Dumfries with people re-locating to the housing estates at the edges of the town – now less than 1000 people of a total town population of 40,000 live in the town centre and John and his wife are effectively the last remaining residents of the High Street itself.
The initial meeting identified the run of empty buildings on the High Street starting from Bank Street and running up past the Midsteeple as the location for a core ‘block’ that could establish a new pattern of inhabitation and uses for the High Street and start the re-population of the centre.
Midsteeple Quarter marked in red
Artists impression of a mixed live-work development (indicative only)
A core aspect of the project is for local people to literally take back ownership of their town centre. Currently most of the buildings are owned by Pension Funds and other corporate ‘absentee landlords’ – these owners have no stake in the town beyond the relative value of the assets on their balance sheet. New legislation is being passed by the Scottish Government that will grant powers to community groups to take ownership of underused assets in their area – the Dumfries initiative was written up on the Common Space web platform as part of the Common Weal’s ‘Our Land’ festival in August 2016
Around this time The Stove Network established itself as the Community Development Trust for the town centre of Dumfries and was accepted as a full member of Development Trust Association of Scotland – see here for the definition of a Development Trust. The Stove then became the gathering point and lead organisation for a diverse community partnership that supported the idea of the Midsteeple Quarter and were playing a positive part in making the project a reality:
The Stove Network, Loreburn Community Council, Third Sector Dumfries and Galloway, University of the West of Scotland, Crichton Institute, Dumfries and Galloway Chamber of Commerce, MakLab, Dumfries and Galloway Council, D+G College, Loreburn Housing Assc, NHS, South Scotland MSPs, Dumfries and Galloway MP, Prominent local individuals and professionals
The vision for the project was further developed through a Visioning Session attended by 28 people representing the stakeholders listed above.
Stakeholders Gathering 6th October 2016 at The Stove
The Stove Network then circulated and action plan for group which had the priorities of:
Interacting with the Local Plan being developed by Dumfries and Galloway Council for Dumfries – to build in special conditions for the Midsteeple Quarter, enabling mixed development to be supported by statutory processes
Holding an national Architectural ‘ideas competition’ for Midsteeple Quarter to shape an identity for the project that local people and other stakeholders could get behind
Formation of a Community Benefit Company for the project that would be able to offer Community Shares to local people to fund the purchase and development of under-used properties in Midsteeple Quarter
Taking ownership of the ‘Bakers Oven’ building (from Dumfries and Galloway Council) in the Midsteeple Quarter and developing this in partnership with University of West of Scotland as an enterprise and education hub with residential accommodation above
The Stove Network has created drawings to define the idea of the Midsteeple Quarter – these have been shortlisted in the Futuretown Scotland competition run by Scotlands Towns Partnership. The drawing were done by Dion Corbett an recent graduate of Strathclyde University who has returned home to Dumfries to build her career here and is working at The Stove.
On 15th and 16th November, the Midsteeple Quarter project will be occupying the Bakers Oven building for local people to see progress and talk about their ideas and ways to be involved in making this vital project for the town come to fruition. Details about this ‘Chapter One’ event are – here
For more info about the project, and/or you’d like to get involved, please contact Matt Baker at matt<at>thestove.org
September brought Our Norwegian Trail to life with the most recent Mapping Event.We scribbled, played, discussed and stitched Our Story into creation on a beautiful sunny day despite half of our team being struck down by one of those Autumn bugs.
Large chalk drawings are always fun!We had lots of young helpers join in our antics outside on the pavement as well as a few inquisitive chats and walks down memory lane.
Artist Deirdre Nelson joined us over the two days with large printed squares of Dumfries.Embroidery silks at the ready she helped passers by stitch significant places in Dumfries’ Norwegian history as well as other personnel significance onto our maps.We are looking forward to welcoming her back to continue – and maybe tidy up slightly some of our own attempts – for the next ONS event STORY on the 10th, 11th and 12th of November, come join us!
If you have a place or a memory that relates to Dumfries’ Norwegian Story please do get in touch, we are keen to make this story truly Dumfries’.
We are coming to the end of working on the Art_Inbetween commission and it’s been a fascinating process. The outcome is a work called PRESENCE which is a set of cards to be used as ‘A divining tool for journeys through the restless territories and blurred boundaries of art in the social or public realm’ the cards are a creative tool to explore and reveal aspects of a project or practice and to provoke discussion and exploration.
Background
PRESENCE is a research led response to some of the questions that arose during the Art_Inbetween Summit held at The Stove Network earlier in 2016. The summit attempted to describe the distinctiveness of an evolving ‘rural’ contemporary arts practice with an emphasis on social/participatory/public art across the UK and our starting point was to try and understand this distinctiveness. What are the differences between rural arts practice and projects in urban settings with similar intentions or processes?
During the research phase, we worked with a number of artists, curators and producers using a word card process to explore core features of practice and context. These conversations were interesting and delved into territories that were slippery and shifting, we felt this area had more to offer to a wider audience. We began to work with the idea that practice was perhaps more important and distinctive than location and so the work began on developing PRESENCE; a method to explore and open up projects and practice that could become a companion on creative journeys, a navigational aid that could help understand and articulate the aims, methods and values of a project or practice. There are 16 CARDS, each exploring a core element of practice. Each card has a number of questions on the reverse. We suggest picking one or more card at regular intervals through a live project (or project development) and letting the questions lead into conversation and discussion.
The Cards
We see the cards as a ‘divining tool’ in the process of making creative work. They cannot be used to navigate the straightest, fastest route through a project or process but provide different positions to view the route from. They are not instructions or a model to build a project around and have no opinions about the best way to conduct a project – each project (and artist) is unique. Their role is to prompt, disrupt habits, to revisit assumptions and reassess progress and to re-excite artists and collaborators about their work and provide a tool for exploring projects and practice.
We have tried to create a process that will result in a series of overlapping views from different positions (The points of interest in situated or social practice are not stationary and two dimensional, but three dimensional and moving, sometimes through time as well as space) This compound eye allows us to examine the same issues from different positions and so learn different things from each viewpoint.
Open Source Future
PRESENCE is an open source project: all questions, concepts and card designs can be challenged, refuted or replaced. Our version is a starting point from which new sets can be constructed specifically tailored to a project or practice. A website is in the process of being set up that will include all design tools and templates to allow people to easily make new sets and upload their designs for others to use.
Huge thanks to everybody who contributed to the summit and to those who have helped with the development of PRESENCE.
If you are interested in getting a set of the PRESENCE cards – please contact [email protected]
An exhibition of original artwork and poetry by inmates from HMP Dumfries opened on 3rd October at The Stove, Dumfries. Organised by emerging artists’ platform, blueprint100 and curated by local artist Morgan Hardie, the exhibition included creative contributions ranging from oil on canvas, pastels, watercolours, ink drawings, as well as a selection of written work.
An example of work from one of the inmates at HMP Dumfries.
John Oates, Learning Centre Manager at HMP Dumfries, commented, “The Learning Centre at HMP Dumfries has an ethos in which we try to encourage positive learning and positive learning outcomes, including equality, tolerance, inclusiveness and development of community spirit. Through creative practices, we aim to enhance self-esteem and break down cultural barriers; in short, we want to positively change lives.”
The Learning Centre at HMP Dumfries regularly hold celebrations of learning achievement, and the Captive Art 3 Exhibition was a chance for the prisoners to gain public recognition for their achievements, through the attendance of invited guests from the local artistic and educational community. Local SNP member, Joan McAlpine, and Oliver Mundell MSP were amongst those present at the opening of the exhibition, as well as Andy Huntstone, the Deputy Governor at HMP Dumfries. The inmates also had the opportunity to display and sell their work at a recent Creative Art Exhibition at HMP Dumfries, with the proceeds from all sales going to a nominated local charity.
Captive Art 3 Exhibition Launch at The Stove Network.
One prisoner commented, “All year long, the poets and artists at HMP Dumfries look forward to this particular event, as it allows us the opportunity to show the positive work that we can produce. The Creative Art Exhibition this year was much bigger and more inclusive than before, and gave those outside the prison walls the chance to see first-hand that there is creativity and enthusiasm to be found inside. Art in its many forms has inspired those in custody to express themselves and contribute to their rehabilitation.”
Inmates at HMP Dumfries with their exhibition work.
Captive Art 3 will continue to be on display in The Stove Café until 19th October.
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