As part of our ongoing Reel to Real cinema series, on Thursday 21st of April, we hosted a screening of Blueberry Soup, a documentary exploring the constitutional change in Iceland following the 2008 financial crisis, and the re-invention of democracy through the rewriting of the nations constitution.
Following the film screening, there was a Q&A with the films director, Eileen Jerrett via Skype live from Seattle.
The red cards had become popular during recent protests in Iceland following the Panama Papers release, and caused Eileen to begin her #messagestoIceland, sending supportive messages to those still pushing for constitutional change in the country.
Reel to Real is our regular cinema series of issue based and topic films, followed by open discussions, workshops and food share events encouraging our audiences to engage more indepth with some of the themes and topics discussed in the films screened.
Today our new friend and sign painting ninja Ciaran Glöbel led a group of Stove members in an inspirational workshop on the art of hand painted lettering.
An example of Ciaran’s work – you can see more at his website
Ciaran talks alphabets
There is a resurgence of interest in the traditional art of sign painting – this is partly because the sameness and ubiquity of computer generated plastic signage is wearing thin and partly because street artists (graffiti etc) are rediscovering the old arts of hand painted signage as a language for their work. Ciaran Glöbel is good example of this – he is a street artist who for the last two years has been making a living as a sign painter.
Letters by Elli, Ciaran + Jo, Katie, Lyndsay
Single stroke brush lettering practice
The day was rounded off with a public screening of ‘Sign Painters’ a movie which is a moving call to arms for artists to take to the streets and bring back the quality and originality of bespoke designed and hand made signage and street art.
‘I think every human being has the ability to alter their own environment with their bare hands.’ ……absolutely goddamn right!
Just imagine how different Dumfries High Street could look if all the independent traders had hand painted signage by local artists? #MakingDumfries
Thanks to Katie for organising everything and Ciaran for being so generous with his knowledge and having great banter
We have the use of the Scottish Festival of Architecture’s Travelling Pavillion all week – so we thought we’d take it on a wee tour of Dumfries. On Thursday 31st March you’ll find the pavillion in and around Lincluden and on the 1st April keep your eyes peeled in Lochside. These days are part of the Our Place project for NW Dumfries and mark the beginning of The Stove collaborating with locals in the area about future cultural activity in DG2.
If you are interested to find out more and/or be involved in the project – please get in touch at [email protected] or call 01387 252435
Week beginning 28th March sees the Stove welcome the Scottish Year of Architecture, Innovation and Design into our world with a series of events and activity, as the first part of an ongoing project, Making Dumfries. Over the course of the next few months, Making Dumfries will create opportunities to contribute to the development of a new vision for the town centre, with workshops facilitated by leading local designers and cultural groups, of which our events are the starting point of.
Square Go
Tuesday 29th and Wednesday 30th of March 10am – 4pm daily
Join the Stove alongside a team of local architects, artists and planners in creating a giant pavement drawing re-imagining the town centre – whatever your interests. How would you like to experience Dumfries in the future? As part of Square Go, the Glasgow Institute of Architects will set up the travelling pavilion, Eolas in the square which will be the HQ for our Square Go project, drop by and get involved.
If you are interesting in participating in the development of this project there are more details available here
Possible Scotland
Tuesday 29th and Wednesday 30th of March Lateral North’s touring project, Possible Scotland will visit Dumfries as it travels around Scotland in 2016 to support and work with the Square Go project. Join the team for an open workshop on Wednesday, from 2 – 5pm.
Scottish Scenic Route exhibition
28th March – 8th April
From the 28th of March, the Stove will host the Scottish Scenic Route exhibition, a project exploring the impact and possibility of small architectural interventions along Scotland’s key tourist routes.
Film Premiere
Tuesday 29th March 7pm
The premiere of a specially comissioned film by artist and filmmaker, John Wallace exploring the history and culture of Dumfries High Street. The screening will be accompanied by talks and discussions on the past and future of the High Street. All welcome.
Jo Hodges and Robbie Coleman were appointed as artists-in-residence to the Art_Inbetween project – they began their engagement with the project at the Art_Inbetween Summit and are now working with ideas formed at the event…..
‘We’re delighted to have been commissioned to make new work in response to the ideas and themes discussed at the Art_Inbetween Summit held at The Stove 25/26 Feb.
The cross sectorial summit brought together people working in ‘Inbetween’ places – towns, villages and other rural areas, to recognise, re-articulate and explore the distinctiveness of the contemporary rural arts scene and to share experience and knowledge. We went to the summit with the idea of keeping our minds open and listening, but the discussions were such, that it was hard to maintain a watching brief and we ended up getting fully stuck in.
Jo Hodges at Art_Inbetween
Robbie Coleman (left) at Art_Inbetween
The workshops were open formats for conversations around; art as activism, the potential for creating new structures and ways of working in Inbetween places, strategies, communication and networking in rural contexts, cultural high streets and challenging traditional methods of evaluation. Download the Art_Inbetween Summit Pack
In practice the workshops extended their reach to question the language and concepts that were used as starting points. There was much talk around what constituted ‘the rural’ and what that might mean for contemporary arts practice. Were new narratives / visions needed and what role could artists have in facilitating/creating these? There was a realization that there was a lack of clear definition around these ideas and terms and we’ve been left with an interest in delving deeper; what is it about this context that creates possibilities for new forms of art practice?
Other recurring themes of interest to us were the discussions on democracy and participation and how art may make visible/curate/ engage with civic processes. This fed into the general consensus that art practices and processes can act as active agents in thinking about and creating positive social change. We were also interested in the conversations around working collaboratively using models of co-creation across sectors / disciplines and the need to take risks in order to move into new territories of practice with transformational possibilities.
There was much talk around ideas of developing new models for evaluation of arts projects that were more relevant to the rural context and how evaluation could be built in as a creative element of any project rather than something to be done ‘later’. There was discussion about networks of various sorts and how vital they were in contributing to the resilience of ‘Inbetween’ arts practice.
The second day was for more focused work with partner organisations from The Highlands, Wales and Northumberland. We were led in this by Sam Cassels who moved participants at a hair-raising pace using specific questions and provocations in order to quickly arrive at ideas for projects that had the potential for being developed further.
The summit was buzzing with people, conversations and ideas. It was hugely successful as a forum to share and engage with the issues in contemporary ‘Inbetween’ art practice and attracted delegates with a wide and deep interest in the subjects at hand from a range of contexts across the UK. The structure of ‘less presentations – more open discussion’ allowed for conversations to develop and commonalities to surface and be articulated.
From our point of view, as artists tasked with responding to the reach and vibrancy of these conversations, we are now starting to look for patterns, undercurrents, seams and overlaps. As a shared practice we don’t have a regular recurring methodology, but conduct conversations that evolve over time, gradually finding paths that lead us somewhere/nowhere. Currently we are at the beginning of that process.
Since the summit we have found ourselves looking at our own practice (shared and individual) and have realized that it straddles the conventional rural/urban divide in ways that we had not considered before, an area that we will try and explore and articulate as part of this commission.
We have been left with a palpable feeling of excitement about ways of working outside the urban, centralized setting and the potential for developing this model of integrated working in ‘Inbetween’ places. Our challenge now is navigate a route within this enormously rich and evolving context.’
To contact Jo and Robbie – please leave a comment on this blogpost or email [email protected]
If you have been passing the Stove over the past couple of weeks, you may have noticed Simon Harlow’s team of artists and makers are very much installed on the ground floor making final preparations towards the regular opening of The Stove, from Monday 29th of February.
From the 29th, The Stove will be open Monday to Saturday, 10am – 5pm, including drop-in information point and cafe space on the ground floor. The cafe at the Stove will be run by Angela and Colin Green, who will continue to run their current business, Mrs Green’s up the street. The Stove will offer a place to drop in, meet, exchange and find out about current events and activities as well as a space to enjoy hot drinks, cakes and lunches. We hope that if the cafe is successful that we can extend opening hours to include more evening provision, and the space will also support our evening events – such as Brave New Words and Reel to Real Cinema, which will continue.
Plate designing and food discussion workshop with the Open Jar Collective
The drop-in space will function as a place to visit to find out about the Stove and our upcoming programme, as well as a location for workshops, meetings and small scale activities. More details on this space will be announced online, or drop by from the 29th of February to find out more.
The first floor will continue as our project space, with pop up events, workshops and activity taking place. Find out more about our programme here
The second floor is made up of our own digital suite, workshop, and small offices, currently rented out by the LGBT+ Group, Blueprint100, several local artists and guitar teacher David Bass.
If you would like to find out more about how you can use the stove cafe and drop in space, for projects, ideas or events find out about how to submit ideas to us here
Final tweaks to the new designs for our cafe furniture, being produced in partnership with Maklab
The refurbishment of the Stove cafe and interior is being led and created by Simon Harlow of Silo Design and Build. Based in Glasgow, Simon was selected from our design commission call out, and has led an exciting process exploring how to design a functional and beautiful space, using a range of local materials and skills. More about Simon and his design practice available online here
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