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The Stove and Midsteeple Quarter at Edinburgh International Culture Summit

Summit team photo of all international Culture Ministers attending (43) and speakers at the conference…’Where’s the Stovie?’

The Edinburgh International Culture Summit happens every two years and is a part of the Edinburgh Festivals month in August. This years summit took place on 22-24th August and The Stove (inc Midsteeple Quarter) was delighted and honoured to be ask to address one of the break-out sessions of the conference.

The Summit takes place in the parliament at Holyrood and is chaired by the Presiding Officer of the Scottish Parliament – Ken Mackintosh MSP. Our First Minister attended the first day and gave a speech of welcome to delegates where she highlighted the growing world status of Dundee as a cultural destination. The programme includes public sessions with keynote speakers – but also private break-out sessions where ministers are able to discuss new ideas without fear of being quoted in teh media. It was one of these sessions that featured The Stove’s Matt Baker, who gave a 10 minute presentation on how artists had been involved in community-led regeneration in Dumfries and then sat on a panel discussion with representatives of the Altofest from Naples and the Head of Arts and Culture from Google – the Panel was chaired by Martin Rose of the British Council.

One of the break-out panel discussions at the Summit – not the one involving The Stove, but same format

The overall theme of the Summit was ‘Culture – Connecting Peoples and Places’ – this was developed in three themes (one each for the three days) ‘Culture in a Networked World’, ‘Culture and Investment’ and ‘Culture and Wellbeing’. The Stove was part of the ‘Culture in Networked World’ theme and our Policy Round Table was ‘Re-imagining and Re-connecting to Culture’ – during which Matt had to tell the assembled Ministers that the word ‘culture’ is banned in The Stove – as it just serves to exclude so many of the people in our local community.

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News

Lowlands Writer in Residence

The Stove Network is delighted to announce the appointment of poet Stuart. A Paterson in the post of writer-in-residence as part of their new Lowland project which looks to create a living story of Dumfries over the next three years by placing professional writers within the community to reflect a town in an important place in its history. Former BBC Scotland Poet in Residence, Stuart commented:

‘I’m delighted to become writer in residence for the Stove’s Lowland project for the next three months. Putting creativity and art at the heart of Dumfries’s town centre regeneration is an exciting thing in which to be involved. Poetry and art ought to be accessible and enjoyable for everyone, no exceptions, and relevant to the place it’s in. I’m really looking forward to engaging with the people of Dumfries to create and share ideas of what we want our town to be, to produce work which will make folk smile, think and feel they’re part of, not apart from.’

Lowland is a project to help connect people with literature activity in the town and help contribute to an evolving series of installations, artworks, readings and events which will stimulate and grow creative responses of what it is to live in Dumfries right now. Working alongside community groups and other town related activity, Lowland hopes to ignite Dumfries’ creative ingenuity in the written word and highlight a town at a peak of ambition and creativity.

Lead artist, Martin Joseph O’Neill of the project commented:
‘It’s a really amazing opportunity to be able to not only support our local professional writers over the next few years in different ways, but is also is an opportunity for people with an interest in reading and writing to break through. With the Stove’s Brave New Words open mic events growing month after month, this is a chance to really make our mark, showcasing emerging and professional writers on the national stage in an innovative and exciting way.’

For further information on the Lowland project email [email protected] or pop along to Brave New Words, hosted every last Friday of the month at the Stove, 100 High Street

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Musings News

Lowland | Building a contemporary narrative of Dumfries town

Lowland
Building a contemporary narrative of Dumfries town
by Martin O’Neill

“I wrote about what was around me. But some people are so daft they don’t understand that writing about Prestwich is just as valid as Dante writing about his Inferno.” Mark E. Smith

A friend sent me this quote around the time of Fall front man and debauched hero Mark E. Smith’s death. It was a photo of the quote crudely written in sharpie. A cardboard epitaph by a postbox, adorned with flowers left to wilt. It reminded me of the sad street-lit shrines we see by the side of a road, marking a life cut-off too quickly by a road traffic accident. As if his death in the city was just as tragic. That his legacy should be marked in cardboard felt a fitting tribute to a man who dwelled between genius and joker.

At the time, I’d been going through a lot in my own practice – how much what surrounded me affected my own unconscious ranting – that first stage before actually forming something which might be deemed as poetry or art, and how much my own sense of place lead me to its final form.

Whether it was in the worlds unveiled in a hospital waiting room, or a past reflected in the walls of St. Andrew’s church. These worlds of words which when stringed together created in me that place always real and half-imagined like a dream, rippled from the walk of a day through the High Street, by the river or upward to the museum, the omnipresence of Burns carved in stone or engraved in a window, fogged by the rising smoke of a cigarette, his work obscured only in the presence of a poorly painted portrait.


These places that resonated on the page, and for which I couldn’t have explored the other parts, hidden from view. And it was the same for most every other writer I met in this town. They wrote what was around them, so as to peer further into themselves and understand better the lives of others.

There came a point, whilst compering Brave New Words which is now fast approaching its third year, growing in excellence, audience and value every month thanks only to those who contribute, and the communities which have grown from this that I was struck how important the living word, and its profound connection to place was.

With that, it seemed important to examine our current sense of belonging, through a platform engaging professional writers and artists, responding in their chosen practice, a contemporary account of Dumfries. It struck me that the hierarchy of writers was marked by death, and that their shadowed legacy was inscribed in the minds of those ‘in the know’, or on a white tomb, or in the pages of a tourist brochure and that little infrastructure existed to engage current writers to engage in the intricacies of writing place. What with the weight of a bard carved into marble.

To connect with our communities through the arts is the Stove’s ethos. To see that our opinions, thoughts, emotions and lives matter and to break down whatever barriers exist between culture and community is pivotal to creating a town everyone can be part of. And the form of the written word is just as valuable as any other form by which to do that.

With that, came Lowland. A 3-year project conceived and delivered by the Stove Network. It seeks to place writers at the core of the Stove’s and local community’s activities to reflect and celebrate a town in a transitional phase of its history. Generating a contemporary narrative of place, by interacting with and responding to activity in the town through the written word. The central idea of Lowland is to generate an evolving narrative through a series of engagement opportunities and outputs, whether a song, a book, a map, or a play – these outputs will create a collage of work and output that will form the backbone of our future activity.

Launching with a writer-in-residence, the project hopes to create a valuable strategy for literary activity in the town and seeks to work with our community, our partners, artists and other writers to reflect the varying perspectives of the place we call home in new and inspiring ways.

With this, and the continued presence of Brave New Words, is where we build a legacy not formed by marble but by people, and the stories, which weave between the bricks of our buildings and the voices in the streets.

For further information on Lowland, please contact [email protected]

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News

Lochside Public Art Project: New Artists!

Following our recent call out for artists to work on two new commissions as part of the Lochside Public Art Project, we are delighted to introduce the artists that were selected! The application process was highly competitive, with a variety of brilliantly different artists applying from across Scotland to work on the project.

The Lochside Public Art Project consists of four separate projects, two currently ongoing, and these two new projects that are just starting, all four will be completed by the end of the year. The project has been created by The Stove Network in partnership with DGHP, (Dumfries and Gallloway Housing Partnership) to create new permanent artworks as part of their new housing development, The Meadows, in Lochside, North West Dumfries.

Our call out was for two separate commissions:

Corners and Offcuts
A commission to look at ‘left-over’ and ‘in-between’ spaces around the new housing development, that can create interesting places for residents to pause, and can utilise some of the underused parts of the site. For this project we have commissioned Susheila Jamieson and James Gordon, artists and stone carvers based in the Borders, and have previously worked on Summerhill’s Land Art project. More about their previous works available online here

‘Jamieson and Gordon are a design company specialising in creating public and socially engaged art installations in the UK and abroad. Susheila Jamieson is a professional sculptor and arts educator, and James Gordon, a landscape designer, also sculpts. We produce commissioned artworks in consultation with local communities. Cultural heritage and other aspects of place are often a starting point for developing ideas. Much of our work is abstract and is often inspired by the wider landscape and aspects of nature. Past commissions include work for Woodland Trust Scotland, Newcastle City, East Lothian, South and North Lanarkshire, Clackmannanshire and Dumfries and Galloway councils, Sustrans and various housing associations.We use materials that enhance or reflect the environment including Corten steel, green oak, stone, galvanised steel, ceramic, bronze and glass. Our work is unique, robust and intended for outdoors.

Developing designs for artwork is often undertaken in conjunction with community/stake holder groups, and we enjoy working with and running workshops for varied groups including schools and adults.

We are delighted to have been selected to create new work for Lochside. We have worked in Dumfries before and know that different areas of the town have different identities. We are keen to create work that reflects and celebrates the unique character of DG2.   The artworks will be “carved in stone” and we are looking forward to working with the local communities of Lochside and Lincluden to develop ideas and designs. “Taster workshops” are being planned where local residents can come and try stone carving and tell us what they would like to see incorporated into the artwork – these will be advertised on the Creative Futures facebook page, and in the North West Dumfries area.’

Susheila Jamieson and James Rachan – new artists for the Corners and Offcuts commission!

Signs and Symbols
Our second commission, Signs and Symbols looks to create a new visual presence across the Meadows site, taking inspiration from the wildlife and environment of the surrounding areas, the new housing styles, and ideas from local residents. For this project we have commissioned Glasgow based Design by Zag, graphic design company ran by Kat Loudon and Kirsty Geddes. More about their previous work available online here

‘Design by Zag, run by Kat and Kirsty, is a design company based in SWG3, Glasgow. As trained graphic designers, we have a strong focus on research which we use to formulate ideas, drive concepts and create relevant and meaningful projects.

We are delighted to be have been selected by the Stove Network and DGHP to work on the Signs and Symbols commission. We look forward to meeting the people of Lochside to create this piece of work for the local area.’

Kat and Kirsty of Design by Zag: new artists for the Signs and Symbols commission!
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Musings

Beyond Burns

From Dr Gerard Lee McKeever
I was delighted to have the opportunity to run an event at The Stove in Dumfries in February. They are a really exciting arts network who have been a driving force in revitalising Dumfries town centre in recent years, part of a much broader flowering of cultural activity in the region.

Gerry McKeever introsducing 'Beyond Burns' at The Stove
Gerry McKeever introducing ‘Beyond Burns’ at The Stove

 Beyond Burns was an evening of poetry and talks about literary Dumfriesshire & Galloway, past and present – the first event funded by my British Academy Postdoctoral Fellowship. It was an opportunity to engage with the local public, aiming to inspire thinking about other literature connected to the region around the time of Robert Burns, as well as more contemporary writing.

Beyond Burns Galina Walls

After an opening talk in which I surveyed some of the early fruits of my research, I was delighted to give the stage over to three local poets: Hugh McMillan, author of many books and pamphlets including Not Actually Being in Dumfries (2015) and McMillan’s Galloway (2016); Liz Niven, widely published in Scots and English and recently the editor of I’m Coming With You (2017); and Stuart A. Paterson, the latest BBC Scotland Poet in Residence, who has a new collection titled Looking South (2017). All three poets gave performances featuring a mix of their own work, other local poetry and reflections on the literary history of the region, with particular stress on issues including place, gender and language.

beyond-burns-stove-dumfries-gwalls-20180222-069

‘Knowledge Exchange’ and ‘Impact’ in academia have acquired the off-putting quality of all buzzwords. But literary scholars are among those best placed to engage with wider audiences. I’ve been really heartened at the response my project has had from the local community over the past six months. It’s clear that there is a significant wellspring of local knowledge and enthusiasm for eighteenth and nineteenth-century subjects. Through my involvement with the Oxford University Press edition of Burns at Glasgow, I was introduced to some creative ways of tapping into the massive public interest in Burns. Certainly no other D&G writer has his profile, but there is a real appetite for the wider literary-historical landscape here.

Beyond Burns Galina Walls Stuart Paterson
Stuart A Paterson
Beyond Burns Galina Walls
Liz Niven
Beyond Burns Galina Walls
Hugh McMillan

Engaging with three contemporary writers has also been a refreshing way of developing my thinking. Liz, Stuart and Hugh are all poets with a keen interest in the historical, geographical and political issues around living and working in this part of Scotland, with its unique perspective on local, national and global contexts. Further collaborations have already been mentioned – it’s great to reach beyond the traditional confines of scholarly research and participate in what is an optimistic moment in the region’s arts scene.

Beyond Burns Galina Walls

Beyond Burns was well-attended and closed with a Q&A session, before an after-hours writing workshop for keen attendees. The response to the event has been brilliant – I hope that it has helped to stimulate some new conversations about this rich literary history ­– including but also beyond the legacy of Burns.

Credit to Galina Walls for the photos from the evening.

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Musings

Guerrilla Localism in Dumfries

Maureen Farrell's letter in the Standard earlier this month
Maureen Farrell’s letter in the Standard earlier this month

We were inspired recently by a letter in the local Standard newspaper from Maureen Farrell, looking at some of the locally-led community projects and initiatives kicking off in Dumfries and calling for a push from agencies and larger organisations in the region to join a new movement of locally inspired positive change for Dumfries.

For those who missed it in the paper on 6 February, we’ve decided to reproduce it here.

Thank you, Maureen!

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Having just enjoyed the delights that the Big Burns Supper brings to my hometown of Dumfries, I have realised that here is a home-grown success story, conceived by a local person, Graham Main, and brought to life by hundreds of volunteers.

It brings the town to life in the dead of winter, but as well as entertaining us, it most importantly brings money and people into our region.

Kirstin McClure Rowe and Leah Halliday are working on a project to bring artists, makers, and producers of crafts to the High Street to assist them in marketing their produce, but especially to revive the High Street. By having a variety of talented people show their wares, they hope to offer a range of unique products and help to market Dumfries as a town that people will want to visit.

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At the moment, Save Rosefield Mills is holding community consultation meetings to explore how we might rescue the beautiful mill in Troqueer that overlooks the River Nith. Luke Moloney, Mark Zygadlo, and Sheila Cameron are leading the battle. It would be such a failure if we let our heritage rot away. Again, it is a local initiative led by local people.

Rosefield Mills

The Stove is facilitating an attempt to bring housing and other services back to the Midsteeple Quarter. Matt Baker and fellow activists are leading this community-led initiative, which would help in repopulating our wonderful Georgian High Street architecture.

Belle Doyle is leading an attempt to improve the rail connections between Dumfries and the Central Belt with the Dumfries Railway Action Group. This would not only improve our access to Glasgow and Edinburgh, but it would also bring people flooding into this area.

These are all examples of local people doing it for themselves. These initiatives have sprung up now because people are tired of seeing the town of Dumfries fade away. We deserve something better.

There has been a lot of criticism of Dumfries and Galloway Council for not doing more, but we have to remember that local government is being hammered by austerity and is struggling to fulfil its legal duties in the fields of education, social work, litter collection, planning, etc.

Today I read an article by Aditya Chakrabortty about the regeneration of Preston, a town in Lancashire which had problems similar to our own. Preston turned its fortunes around by spending locally. They call it ‘guerrilla localism’. [You can read the article in full here.]

The local council, National Health Service (NHS), and other big-spending organisations were persuaded to spend whatever monies they received from government in their local area, keeping the money circulating there and bringing more employment to the town and its surrounding area.

They did this by breaking down contracts that had to be tendered into amounts that local firms could provide. This increased the number of local people who were in employment; they, in turn, spent their money locally, and the town and surrounding area prospered. By having the courage to take the initiative, local councillors in Preston rescued their town from fading away into obscurity. Why not Dumfries and Galloway, I thought.

I believe the examples I have outlined show that we have the people locally who are prepared to work energetically to make things happen. Now we need the local council, NHS, and other agencies that are centrally funded to examine what they do with the considerable amount of money they do receive and make it work for Dumfries and Galloway.

‘Guerrilla localism’ could turn around the fortunes of Dumfries and Galloway.

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