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The Salty Coo Procession 2019

From Jordan Chisholm

“Wow! Nithraid 2019, you really were something else. I can’t quite believe I have to let go of you now; your procession has taken up many of my daily thoughts over the past few months.

This year you were unique, a little bit of a chancer, very salty and many of us learnt something new from you whilst asking important questions along the way.

I began to conceive the idea of the Nithraid 2019 procession when I was feeling inspired by what it means to “belong” alongside the want to work with different communities. I hoped for the procession to become a celebration of what Dumfries and Galloway has to offer, whilst creating a space for people to meet and connect with those they haven’t before. It is easy to believe that nothing ever happens here and question what there is to celebrate – but I believe that together we can do so much, so let’s try it.

Throughout June to the end of August, with support from the Blueprint100 team and The Stove Network, we contacted over 100 community groups from Dumfries and Galloway (yes, there really are that many!) encouraging them to make a banner in celebration of who they are, with a hope that they would then walk in our procession and become a part of the day. We had great fun throughout these workshops, and although challenged by the summer holidays, we met many new faces, conversed with people of all ages, heard many fascinating stories and connected with one another in a way that we wouldn’t have been able to before, whilst spreading the word about Nithraid and our Salty Coo.

“Pagan” means belonging or relating to a modern religion that includes beliefs and activities that are not from any of the main religions of the world (for example, the worship of nature). When I discovered this, I was keen to take this idea in to the procession. Imagine what the worship of community could look like. Imagine community as a religion. One which owns its own magic and is inclusive of all. I began to think more about where our beliefs come from, what Dumfries’ beliefs are, rituals and blessings; that is where much of the vision came from.With salt at the heart of this year’s overall Nithraid theme, it felt right to use this material as the source of action for the performers in the procession. Salt has many attributes, including being used for healing and sanctuary. Together, we spread salt throughout the high street in an offering of protection and safety for all our communities. Worshiping the place many of us call home. The 2019 Nithraid procession became a subtle disruption to a normal Saturday morning in Dumfries Town Centre. One which made people look twice as they walked on by. A moving image, a ritual, a blessing, a memory, an ephemeral moment, a discovery, many hearts and one community.

This experience was a huge collaboration from the very beginning to the very end and could not have been made possible without all those involved, including community groups, The Stove Network team, performers, musicians, costume designers, make-up artists, Salty Coo carriers and volunteers. I will never forget it.

Community is about doing something together, that makes belonging matter. We are community.

Here is the salt and here is the coo, let the river have its due,

Here is the salt and here is the coo, let the river have its due,

Here is the salt and here is the coo, let the river have its due.”

Jordan Chisholm is an artist and a current member of the blueprint100 curatorial team.

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News

Orphaned Limbs – In Residence

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A week long residency followed by performance by dance collective Orphaned Limbs exploring connections and notions of ‘home’, When in Roam. The residency included live music performance from musician Ross Whyte, and open performance workshops.

Working alongside Orphaned Limbs, ‘stovies interactive’ Michael Sullivan and Donna Winter were commissioned to make responsive work alongside the When in Roam project.

When in roam Menu2

The Stovies Interactive kept a video diary, available to view online here

The performance itself, a mixture of projection, dance, spoken word and sound took place across both floors of the Stove, followed by a Q&A with the performers and artists involved.

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This commission was supported by:
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cooncil
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Musings Project Updates

As Above So Below

From Ivor Gott

“Hey Ivor, it’d be pretty neat if you could write a blog to tell us about your project for Nithraid,” announced Katie Anderson excitedly at the last Young Stove meeting. The first thing that went through my mind upon hearing these words was, “Crikey! How on earth am I ever going to explain this to the general public?” After much careful consideration, I’ve come to the conclusion that the best approach would be to just tell the truth.

So here goes…

It all started with a pirate ship. A great big pirate ship. A great big pirate ship made out of recycled plastic bottles. How did I get from a pirate ship to two pyramids—or should I say tetrahedrons—a chrome unicorn, and an art performance loosely based on the concept of enlightenment? The truth is, I didn’t get there on my own. The pirate ship was a snap decision made during a meeting with my Stove mentor, Denise Zygadlo. I was under immense pressure to come up with a decision for the project. At this point, it had been two weeks since the commission began, and my initial idea, although perfect for the Dock Park site (where Nithraid was originally intended to be), just wasn’t going to work at Mill Green.

“Come on, Ivor,” my inner voice urged. “What are you going to do? It must be good—no, better than good—it must be fabulous!” So, before I’d even thought it through properly, I found myself telling Denise that I might make a pirate ship out of plastic bottles.

This idea evolved from a pirate ship into a Viking longboat, inspired by a workshop held at The Stove that evening. However, this didn’t remain the case for very long. After a few meetings with my fellow creatives—The Mad Jackals (Majikals)—the idea of making a Viking longboat was beginning to feel tiresome. I just couldn’t get excited about it. It didn’t reflect me or my wonderfully creative friends.

And then it just came to me. I said, “We need to make a pyramid and float it down the Nith! We have to have a unicorn inside the pyramid!” The words of a mad person? Yes, probably.

At that point, it was me, Sophie, and Michael in the studio. You could feel the collective excitement crackling between us. I started scribbling ideas down. It must—and I repeat, must—include the Mer-ka-ba, rainbow smoke, flash grenades, horned elementals… I was really getting carried away. Credit to Sophie and Michael—they were running with me. We were organic and free, if perhaps a little overly optimistic.

The next day, I met with my little brother in the Queensberry. I was expressing anxiety over the scale of the project. Conor is often the voice of reason and someone I consult when mashing around creative ideas. He’s a creative too, but where I veer off into tangents and allow my concepts to grow bigger than I can handle, he has a knack for reducing it down and keeping it real. I can always trust him to tell me the truth and be realistic.

“One question?” he pondered, eyebrow raised. “How are you going to do this in two weeks?”

I knew he was right. The idea had to change again—and fast. More of the Jackals were arriving at this point. Ideas were flying thick and fast.

“Time capsule…” Did you say time capsule?

That’s perfect. The Mer-ka-ba… As above, so below… We’ll make a time capsule, and it’ll be in the shape of an inverse tetrahedron. Of course, we’ll need a non-inverted tetrahedron too. Ah, it’s perfect. There’ll be two tetrahedrons. The unicorn stays, and so does the rainbow smoke.

To maintain some mystery about the performance and workshop, I’ll stop there. But in a nutshell, that’s how an idea that first birthed itself as a plastic bottle pirate ship evolved into an exciting, interactive art performance loosely based on the theme of enlightenment. We look forward to seeing you all on Sunday when all will be revealed.

One thing I’d like to say before I get back to putting the finishing touches on everything is this: although this commission was applied for as a solo project, it’s been a collaborative effort. I often find collaboration much more exciting than working alone, and I’m lucky to have the most fabulous team of creative individuals in my life. We are The Mad Jackals. They think we’re mad, but we know we’re majickal.

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