This November, in partnership with Historic Environment Scotland, Creative Spaces presents: A Doonhamer’s Guide To The End of The World.
This series of events runs alongside COP26, the global climate conference that brings together climate experts from around the world. Hosted this year in Glasgow, COP26 will see decisions made that will change the path of the planet and humanity in the face of climate change.
On Thursday 4th November 7pm – 9pm, the team will be opening the series with a public discussion around climate change and the planet. If you’re under 30 and passionate about the environment, or are looking to learn more about climate change and COP, come along and help fuel the conversation.
The second event in the series, on Saturday 13th November 12pm – 3pm, is an afternoon of environmental talks at the historic Caerlaverock Castle. A bus will be leaving from The Stove at 12noon, so if you’re interested in attending this event, reserve a ticket here to confirm your place. You’ll be treated to an environmentally friendly (and delicious) lunch and refreshments when you book a ticket. Warm jackets and waterproof shoes are recommended!
Ever wondered what a zine is or how they are made? For the third event the Creative Spaces Team are running a zine making workshop in The Stove cafe on Thursday 18th November from 7pm – 9pm. Come along and learn how to make your own zines, or work on a contribution for the eco-zine the team are working on together. Zines are self-published and grown from a D.I.Y. making history – come along and let your creative energy flow for the evening!
For the last event in the series, Creative Spaces in collaboration with Dumfries Women’s Sign Writing Squad, are running a protest sign making workshop. Prepare to stand up for the planet in style. Join the team in The Stove on Thursday 25th November, 7pm – 9pm, they’ll bring the paints – you bring the passion.
Each autumn, tens of thousands of wild geese arrive in Dumfries & Galloway after their long migration, some travelling over 2,700km to reach the region. This mass gathering of geese, including barnacle, greylag, brent and Greenland white-fronted geese, flock to Dumfries & Galloway each year, making our region one of the best places in the UK to see such a variety of geese.
As part of the 2021 Wild Goose Festival, we want to celebrate the beauty and wonder of our visiting geese, as well as the vast photographic talent found in our region. This competition is open to professional and amateur photographers from or based in Dumfries and Galloway.
To enter the competition, please send us:
Your chosen photograph (any nature/environmental themed photo taken in Dumfries and Galloway);
Your name;
Your email (so we can get back to you);
Your age;
Where the photo was taken;
And one or two sentences about your image.
Please enter the competition using this Google Form, where you will be asked for the above information: Link to enter here.
The deadline to enter is midnight on 11th October 2021. The top 10 finalists’ photographs will be displayed at the Wild Goose Festival Closing Gala on the 23rd October 2021, where a winner will be announced.
With the creative industries growing at four times the rate of the UK average1, it is perhaps a surprise that the age-old tropes of art school haven’t yet disappeared. For many students, the decision of whether or not to go to art school is a nuanced debate – one which undoubtedly isn’t given enough airtime at schools or colleges across the country.
The concept of ‘art school’ and what actually goes on there is still seen as pretty mysterious and aloof (all art students will know the struggle of trying to explain how your degree requires significant work, time and skill just like any other degree). And as the stereotypes build and build it is easy to forget how reliant we all are on the arts and what your individual future in the arts could look like… like can you make money or are we all doomed to the ‘struggling artist’ trope forever?
But even once we are over the hurdles debating the mere importance of the arts industries and the potential for growth within an arts related job, there is still a question as to whether art school is the way to go about achieving these ambitions. Do you a need a fashion degree to be a designer? Or a degree in painting to be a painter? And what does a degree in fine art actually mean?
The impact of the arts is constantly minimised (anyone still remember Fatima the ballerina ‘whO’s NExT JOb cOulD BE iN CyBer’?)2. What is often overlooked is the transferable skills which you accumulate as you hone your craft within your degree.
Hopefully, you will get to become a magnificent painter following a degree in painting and printmaking. But also, you’ll learn creative problem solving, verbal and visual communication methods, responding to briefs and deadlines, emotional resilience, collaborative working… the list is endless!
With art school in particular, it is arguably not the end result of the degree which makes the choice ‘worth it’ – but the art school method of thinking it can instil in you, the acquiring of potential contacts, the widening network of opportunities and access to facilities that is developed during an art student’s academic career.
The chance to be immersed with like-minded people and having the time and space to fully concentrate on learning your craft (or even finding your craft) is one of the many great allures of art school. The permission to experiment, and the safety to fail, while working on projects for the sake of projects (and, for the most part, not commission or money) is an opportunity that’s not frequently available outside of an art school setting. But that doesn’t mean it’s the only way to go!
One of the many beauties of the arts is that there’s not one path for everyone. We all find ourselves clambering around, finding our way, losing our way, or deciding to set up camp halfway down the path for a while because we just like the view.
Ultimately… to art school or not to art school? You decide. But hearing about other people’s creative pathways and understanding the paths available will always be a good starting point.
Join in and continue this discussion at our first event of the ‘So You Wanna Go to Art School?’ programme! Book a place at our panel discussion happening on Thursday 2nd September 7-9pm at The Stove, Dumfries or tune into the livestream via our YouTube channel:
By Jenna Macrory, Creative Producer of Creative Spaces
The stereotype of the tortured artist is ingrained in Western culture. With this trope remaining so pervasive for such a length of time the archetype of the tortured artist has adapted with society over time. With the societal perception of mental illness changing, how has the relationship between creativity and suffering progressed over time?
Historically, mental illness and creativity have always been closely associated. In ancient Greece, madness was perceived as a state of other-worldliness. Madness to the Greeks could be interpreted in two ways: divine or demonic.* Demonic madness was seen as bad and therefore perceived in a negative light similar to how mental health is often stigmatised today.
Conversely, divine madness is a spiritual pursuit that permits an individual to act out with conventional societal standards. For the ancient Greeks, creativity was derived from this subversion of social norms. In other words, creativity comes from madness, albeit a specific type of madness but for numerous centuries creativity and madness have remained intertwined.
Few things have remained as prominent through human history as the trope of the tortured artist. Spanning centuries and infecting every single medium of art, prominent creatives appear to use suffering to their advantage.
Author Sylvia Plath channelled her depression into her only novel The Bell Jar; Louis Wain’s paintings of anthropomorphic cats transformed into psychedelic subjects upon his descent into schizophrenia; Kurt Cobain publicly professed his battles with mental health through many of his songs. The list of creatives battling with mental illness goes on but this alludes to a link between creativity and mental health particularly considering that this trope has remained over centuries.
As such a culturally pervasive topic, recent decades have seen the rise of studies investigating mental health in creatives. Despite the empirical evidence of a link between creativity and mental disorders, several studies have exhibited little to no link between the two.
Creative professions proved no more likely to suffer from psychiatric disorders according to a study involving 1.2 million Swedish citizens.** Contrarily studies that do exhibit higher rates of mental disorders show only a marginal difference.*** With the link between creativity and mental illness seeming arbitrary, why has the archetype of the tortured artist remained?
Although creativity itself does not correlate with mental wellbeing, many artists find themselves in conditions that allow psychiatric disorders to manifest. A passion to create leads many artists into situations that can be mentally straining such as low-paying career paths, job instability, or substance abuse.
This sentiment is reinforced by figures suggesting that as many as 60 percent of workers in creative industries spoke of having suicidal thoughts. Although the sole act of being creative does not denote an individual to madness, the environment and social networks we are part of contribute to our psychological wellbeing.
While the tortured artist trope was conceived from the concept of a suffering introspective soul, recent years have seen the narrative of this trope shift. The tortured artist is no longer tormented by an inward pain, the suffering of an artist is now amplified by an economic climate that makes living as an artist increasingly difficult.
Despite this shift, the stereotype of the tortured artist will remain although as we continue to witness the gradual destigmatisation of mental health we can address the issues at the core of this trope. As a result, we can begin to move away from this romanticised image of the tortured artist toward a healthier stereotype.
As humanity progresses how will the tortured artist stereotype change? How will changes to the wider society impact on this persona? Will the art economy, already struggling in a post pandemic world plunge more creatives into mental instability?
If you have any thoughts on these and you are under 30 you can join Creative Spaces for our conversation around the tortured artist persona at 7pm, 8th July. For more information and to book a space please click the link below: The Tortured Artist Stereotype: An Open Conversation
* John Matthews, Creativity and Mental Illness: Exploring the ‘Tortured Artist’, https://www.vacounseling.com/tortured-artist/. ** Simon Kyaga, Mikael Landen, Marcus Boman, Christina M Hultman, Niklas Langstrom, Paul Lichtenstein, Mental illness, suicide and creativity: 40-year prospective total population study, https://pubmed.ncbi.nlm.nih.gov/23063328/. *** Stephen A. Stansfeld, Jenny Head, Farhat Rasul, Occupation and mental health: Secondary analyses of the ONS Psychiatric Morbidity Survey of Great Britain, https://www.hse.gov.uk/research/rrpdf/rr168.pdf.
Welcome back Dumfries. This month we’re ready to open our doors once again with a month-long programme of inspiring events from conversations to workshops, creative activities and talks alongside the long-awaited return of our monthly film night Reel To Real, as well as the unmissable Brave New Words. We want to be extra safe as we navigate our way back into the world of live events so the way of doing things is a little bit different. First of all, you’ll need a ticket. You can see the full list of events here, so if you’d like to attend, you’ll need to book your place. And we’re not out of the woods yet so we’ll have some extra safety measures in place when you arrive, to protect everyone in our community.
This month it’s all about testing new activity. We want to see how we can have a blended approach to our live events. So whether that’s a mix of live streaming to walks outdoors, we want to play with new ways of coming back together, that’s both safe and creative. Who knows, some of it might stick. So why not join us as we retrace our steps back to the world of live events…
Dumfries Fountain Project
The Dumfries Fountain Project goes live this month with the first of our workshops with writer JoAnne McKay, and a conversation evening exploring the history and heritage of the fountain!
Creative Spaces
Creative Spaces welcomes you back to our blended model of bi-monthly workshops we shall be exploring the link between mental wellbeing and creativity through the concept of the Tortured Artist.
Brave New Words
You heard us right, it’s back! We’re going live on the last Friday of the month, in The Stove Cafe and The Stove Network’s Youtube channel.
Reel to Real Cinema
This month we are discussing film and food in The Stove Cafe with filmmaker Zev Robinson, and his short film The Glasgow Diet
From the back: Jenna Macrory (Creative Spaces Producer), Leanne Bradwick (Associate Artist), Jodie Barnacle-Best (Associate Artist) and Rachel Shnapp (Associate Artist).
From blueprint100’s consultation and development period, came Creative Spaces – providing opportunities for emerging artists under 30 to have the support and funding to explore and enhance their creative practice, while building professional confidence and developing a network of peers.
After promoting these opportunities and fine combing an extremely talented pool of applicants, we’ve now curated our own trio of Associate Artists, who introduce themselves below…
Meet the Team
Jodie Barnacle-Best
I’m Jodie…
While I’m wrapping up my Masters right now, I’m about to start honing in on my main practice in fashion knitwear (though, more generally speaking, I’m really excited by experimenting with colour and material!).
Most of all, I’m eager to start steering my practice more towards community-making/workshopping and interactive fashion making: demystifying the fashion space and encouraging connections between the clothing and the wearer.
Leanne Bradwick
I’m Leanne…
I am a travelling jewellery artist who makes narrative jewellery in my self-converted van that I live in and call home. I studied jewellery and silversmithing at Uni between 2014 and 2017, before going on to work within the industries in Birmingham’s jewellery quarter.
I’ve now moved to Dumfries and Galloway to begin my own practice of narrating folklore stories through silver coin pendants, which I’ll be selling alongside little books to keep the tales alive!
Rachel Shnapp
I’m Rachel…
I’m an early-career filmmaker and artist creating works across a variety of genres. In my practice, I aim to get as close as possible to subversive or hidden narratives – creating socially engaged, stylised films that tell lesser-known stories.
I am really looking forward to contributing to The Stove, and I’m excited for what lies in store.
Thanks Jodie, Leanne and Rachel, we’re thrilled to have you join the Creative Spaces team.
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