Support Us
Categories
Musings

The Land of the Salt Cow

From Tom Pow

The Salty Coo
The Land of the Salt Cow

THE OLD MEN TAKE THE SALT COW DOWN TO THE RIVER TO DRINK.

THE OLD WOMEN REMEMBER WHEN THE FIELDS WERE FULL OF SALT COWS.

THE YOUNG GIRLS WATCH AS THE BOYS LEAP OVER THE BACK OF THE SALT COW.

THE YOUNG MEN SADDLE THEIR SALT COWS IN PREPARATION FOR WAR.

THESE THINGS BEING SO, CAESAR SET OUT FOR THE LAND OF THE SALT COW.

Senes vaccam salsam ad flumen ut bibat ducent.

Aniculae quando vaccae salsae agros olim operiebant recordantur.

Puellae pueros qui super salsam vaccam salient vident.

Iuvenes parati bellum suscipere vaccas salsas sternent.

Caesar his rebus factis ad terram ubi vacca salsa habitat discessit.

Nithraid was conceived as a public artwork to activate the riverside in Dumfries during the summer of 2013, bringing new focus and drawing people down to celebrate the River Nith. Now in its third year, Dumfries is preparing to welcome sailors upriver to the heart of the town as Nithraid 2015 sails into town on Sunday, 2nd August. Nithraid is free and open to all, and last year saw crowds of 4,000 lining the banks to watch the winning boats cross the finish line. Find out more about this year’s Nithraid here.

The discussion is open, and we invite contributions to our artistic conversations. Whether you have been involved in Nithraid in previous years, are interested in the changing face of public art, or are curious about how a sailing race can also be an artwork, please get in touch via the comments box below. Alternatively, to send your contribution, please email [email protected].

Categories
Musings News

Vacca

From Mark Zygadlo

Nithraid’s Procession


Vacca! The strange case of the lost locative. The Cow, subject and object as symbol. After Bonum, and Beckett (ablative, or is it genitive?)

Vacca, (the)Cow nominative,
Vacca, Oh, Cow, vocative,
Vaccam, you cow, accusative,
Vaccae, of (the)cow, genitive,
Vaccae, to or for (the)cow, dative,
Vacca, by, with, from, or in (the) cow, ablative

Remember that? Of course, it would have been Mensa, table, when we of a certain generation of the modern era were learning the first declensions; female gender singular. The Latin primer, being an expression of the late classical form, omitted the locative case of colloquial or early Latin. Ah, that hushed and subtle tongue.

Oh, the locative, (vocative case, denoted by Oh… as in: Oh, Caesar… or an exclamation mark, as in: Christ! Look at the time…) the locative! It must not be forgotten for it describes the rightness of place and the infinite distance of one location from another. It was reserved for speaking of small islands alone in the Mediterranean; no archipelagoes here, no chains of thought, no Peloponnese or Balearics, no reefs, no connections to the mainland by causeways impassable at high tide, or bridges or small ferry boats. No, and no barren rocks.

The locative speaks of being separate, of being appropriately self-contained, and it can refer to being in the earth, to death and burial, that is, to humiliation. Or, to being at home, at the hearth, focum, foc, and being in the field or fields, when that had some meaning. Specific, you see, to a state of being in place, self-sufficient, separate, discrete. If they had thought of it then, on line, on the net, would be a perfect locative; in a state of separateness described by the place—the net.

Being in a State of Grace? The Cow’s case: (genitive surely; the case of the Salted Cow, but…) Our cow’s argument is locative.

Oh, Locative, (vocative) You obsolete case; you last fragile threads of pre-classical illumination, Be exhumed in this ritual

And roar your bovine craving at us for the case we are losing from the locative field. But, pitiless grammar will not bring the bull. You shall die fallow, unfertilized In the shallows.

Cleave then, oh beast, With your split hoof and state your case, Standing up to your classical canons in it. After all, This is the sharp season of your atomized shit. Homunculus eyes focus on a darker green field. Yes, pump it out, boys. More shit, more grass, more beef, more milk, more shit, more grass, More gas, yes. More, more, more. That is our locus, our focum vivendi, our domicile, And we are such classical agrarians. It is the locative case of Shit.

Cow! (Vocative) You are sacrificial, you see? To the modus, (modo, to or for the way, dative case) to the modus, While the grammar of thought, the rules of understanding Are wiping this island from the charts. But some pre-classical urge, some visceral memory knows An identical ritual killing takes me too. Letting go so much for the sake of so it is a sacrifice alright, And we, in our improved datives, are sensible of thy gift, oh Cow, And preserve thee, black and leathery, from a hook somewhere We can no longer quite describe.

Salt beef, my life. Oh, holy shit.

Salt beef at Blum’s on the Whitechapel Road, And the long walk home through the pre-classical period When we were emergent, Or what passed for young, and understood where we were. But Blum’s, oh my dears, is gone. It was, not is And in its place, I leave my dybbuk. For we too are ephemera, Singing our hearts out In the locative case.

Nithraid was conceived as a public artwork to activate the riverside in Dumfries during the summer of 2013, bringing new focus and drawing people down to celebrate the River Nith. Now in its third year, Dumfries is preparing to welcome sailors upriver to the heart of the town as Nithraid 2015 sails into town on Sunday, 2nd August. Nithraid is free and open to all, and last year saw crowds of 4,000 lining the banks to watch the winning boats cross the finish line. Find out more about this year’s Nithraid here.

The discussion is open, and we invite contributions to our artistic conversations. Whether you have been involved in Nithraid in previous years, are interested in the changing face of public art, or are curious about how a sailing race can also be an artwork, please get in touch via the comments box below. Alternatively, to send your contribution, please email [email protected].

Categories
Musings

Poem Thing.

From Stan Bonnar


Image: Oriel Marshall – Nithraid 2013.
Poem Thing.

Here it is—informal, but from the heart of me.

This is what I’m thinking: we must not lose the deep meaning of Nithraid. After all, we sweated blood to get this far. We must affirm Nithraid in the flow of world art with every action. That is our responsibility to art and to people.

The main point, of course, is to show Dumfries to the wide world as a place where things are happening. But if we are to show the art world that socially engaged public art is the way to go, then we must show them that we have resolved the problem of the redundant art object.

Here it is: the cow, the cow delivery system, the Nith, the we the people, the thing of things!

What are we saying?

We are saying that this cow thing is alive and well and living in Dumfries!

It was once a linguistic object, but here and now, it is a liberated thing.

The reason it’s liberated is because we gave the art object the voice of a thing, and that thing is everything!

The Dumfries Nithraid cow is the thing of our imagining.

It is what we are and always were.

We are the Nithraid thing.

Nithraid is the liberation of the object once known as ‘cow’.

First, we cover it in salt because salt imbues and confirms the cow as a once-object standing in reserve of our existence (for our use as required).

But then, as the cow sinks into the River Nith, we, the people, sing a mooing song... moo... moo... moo...

The salt is washed away to reveal the new, precious thing in the context of things. And this act deconstructs and disrupts the limitations of our own object-centric thinking.

Nithraid was conceived as a public artwork to activate the riverside in Dumfries during the summer of 2013, bringing new focus and drawing people down to celebrate the River Nith. Now in its third year, Dumfries is preparing to welcome sailors upriver to the heart of the town as Nithraid 2015 sails into town on Sunday, 2nd August. Nithraid is free and open to all, and last year saw crowds of 4,000 lining the banks to watch the winning boats cross the finish line. Find out more about this year’s Nithraid here.

The discussion is open, and we invite contributions to our artistic conversations—whether you have been involved in Nithraid in previous years, are interested in the changing face of public art, or are curious about how a sailing race can also be an artwork, please get in touch via the comments box below. Alternatively, to send your contribution, please email [email protected].

Categories
Musings News Project Updates

Reclaim The High Street – Sign Language

It’s interesting how obsessions grow. A current obsession is for signs—hand-painted and homegrown. We’ve been holding onto our sign-free frontage: The Stove, now under new management, is becoming a growing, changing space in the town.

The face of our high streets and their signage has, of course, changed dramatically with the introduction of mass-produced, nationwide branding. The loss of independent retailers has also transformed the landscape and language of our streets.

Also appearing in our social media stream this week is the phenomenon of ‘ghost-signs‘: the remnants of old signs, shops, businesses, and brands—gone and almost forgotten within our urban landscapes. At first, we couldn’t identify too many in the Dumfries-scape, but upon closer inspection, we are starting to notice them cropping up around town.

This one on Buccleuch Street—double-layered signs? Does anyone have any idea what these signs may have been, or know of any other good sites around the town? If so, please get in touch!

Where are we going with this? That, of course, is all to be revealed. Guid Nychburris Day is fast approaching, and over the next week, the town will be gearing up for the annual festivities on the 20th of June.

We will be holding a hands-on, sign-themed event and workshop during our first Saturday Drop-In. Drop by between 12 noon and 4 pm on Guid Nychburris Day and get involved! It will be suitable for all ages and abilities, and participation is free.

Categories
Musings News Project Updates

Beyond Doubt Into Love

What would Dumfries say?

Sometimes things start small.

Thank you Lauren!!

Whilst working with the Young Stove to imagine what The Stove could become, this thought arose: The Stove would undoubtedly have quite a lot to say. But what about the rest of the town? If the old buildings in Dumfries could speak, what stories would they tell?

If the old brig would speak, what stories would it tell?

Would it shout loud, or whisper quietly to a neighbour? We thought it best to ask around.

Responses are flooding in, and orange speech bubbles are floating around town. (What would Rabbie say, sitting with his view of the High Street?) Which places have the loudest voices? Voices began to pour in thick and fast, helped along by Herald Moxie and a band of merry Young Stovies.

Want to see more speech bubbles? A selection is available here.

Which speech bubbles could we stand up for? Which voices could we wear?

There comes a time when it is wise to call in an expert. Our expert on hand was the talented and patient printmaker and artist, Sarah Keast. An island of calm amidst the apparent chaos, The Stove was like a ship sailing through a wild afternoon of frenzied T-shirt printing.

And still, we printed on. We ran out of T-shirts, made a quick T-shirt run, printed more T-shirts, and ran out of ink before the afternoon was through—printing nearly 140 T-shirts in just four hours. The Young Stove proved themselves to be an unstoppable tide of creative energy.

Beyond Doubt Into Love may well be a T-shirt for a moment in time. One thing’s for sure: they are a rare and precious commodity, created by our community. If anyone has a large men’s in neon pink, we’ve had a request for one.

This is less of an end and more of a beginning—keep an eye out for speech bubbles. Once you start noticing them, they tend to pop up all over the place…

#GetDumfriesTalking

Categories
Musings

Members Profile: Melissa Gunn

Following on from Tea with Moxie, our herald, she has become interested in the many different kinds of members in The Stove Network. She’s been catching up with and speaking to various members, and we’ll be introducing one every Friday over the next wee while.

This week, it’s the turn of Melissa Gunn!

Melissa is a full-time Business Lecturer, part-time radio presenter, and all-round promoter of local music. She has lived in Dumfries all her life and presents the Thursday Night Showcase on community radio station Alive 107.3, a show entirely dedicated to promoting Dumfries & Galloway musicians and gigs. She also runs Small Town Sounds, a small project that uses local music to raise money for local charities. Melissa also did a radio show as part of last weekend’s Radio DMC.

What drew you to The Stove? I love the whole concept of The Stove because it has the potential to bring together such a wide range of art ‘genres’. I am hugely passionate about local music and was pleased to see that The Stove classified music as an ‘art’. I wanted to be a part of The Stove to try to raise the profile of our local music scene.

Share your hopes and dreams for The Stove. I hope it will be all-inclusive and help put Dumfries & Galloway on the map when it comes to creativity.

Which film changed your life? The Crow – I was totally obsessed with it as a teenager.

What keeps you in and around Dumfries? My job, my hobbies, my friends, my family, the fresh air, and the beautiful scenery.

What makes you feel alive? Listening to amazing music with fantastic company and great conversation. And Berocca.

Where were you when you saw your favourite sunset? Eden Festival.

What’s your dream for the arts in D&G? I want it to be more accessible and for there to be something that appeals to everyone.

What’s your favourite piece/event that you’ve produced? I co-organised the Small Town Sounds CD launch (as well as the creation of the CD) back in October 2013. Small Town Sounds is a charity CD featuring local musicians, and every penny raised goes to local charities. To date, it has raised around £1,700.