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Catering Scoping Project for The Stove – Open Jar Collective

Outline of the Project

The aim of Open Jar’s work with The Stove Network was to gather ideas and viewpoints about the creation of a catering enterprise at The Stove. Following a period of targeted conversations with key stakeholders and pop-up engagement activities with the public, Open Jar Collective produced a report. This will now inform how the space is developed and used by the public and forms part of the tendering process to appoint someone to deliver the catering enterprise at The Stove. From December 2014 to February 2015, we surveyed the food businesses local to The Stove building, spoke to eleven individuals/groups, and ran a public “Feeding Creativity” event, attended by 20 people.

Identified Needs

By The Stove:

  • To provide a welcoming space that is a community resource, a hub for the arts community, and a space for people to share and connect.
  • To provide a flexible space that can be used for a range of events, workshops, meetings, or other ways of engaging people.
  • To ensure that the functioning of any café element in the space is operated autonomously.
  • A catering enterprise would serve as a stepping stone to the wider programme of The Stove and activities within the building—a way to signpost people.
  • An income stream as part of the social enterprise of The Stove Network Ltd charity, integrated into the charity’s activities.
  • A desire to offer something different with its own unique identity.
  • A desire for the approach to be ethical in terms of operation, production, and supply.
  • To connect to the wider aim of regeneration and attracting people into the town centre.
  • To engage with the street outside The Stove and activities in the square.

In the Meetings:

  • Training opportunities in the hospitality industry for college students.
  • Somewhere to go after 5 pm in the town centre.
  • Addressing the lack of activities for 14–21-year-olds in Dumfries.
  • For people to collaborate to rejuvenate the town centre.
  • To create a destination.

At the “Feeding Creativity” Event:

  • A place to meet and space for groups to hire.
  • Connecting with local food and food producers.
  • A platform for exchanging knowledge and produce between small-scale growing projects/allotments/community gardens.
  • Mindfulness around food—simple menu, good food, affordable prices, nourishing environment, and sharing tables/spaces.
  • A space that is accessible to young people.
  • Promotion of transparent and ethical buying.
  • Collaboration—supporting a range of local businesses.
  • Avoiding displacement of existing businesses—offering something distinct.

Opportunities

  • Goodwill and excitement surrounding The Stove and the new building’s potential.
  • Offering something distinct, as most places in the town centre are similar.
  • Collaborating with the college to cook food off-site.
  • Establishing a multi-functional arts venue to meet the needs of diverse groups.
  • Alcohol-free venue—responding to stricter drink-drive limits and creating a pub-like café atmosphere.
  • Experimenting with a waste food catering model.
  • Growing hub—connecting allotments, barter schemes, and knowledge exchange about growing.
  • Providing education on growing produce and cooking methods.
  • Bringing food production into the town.
  • Profit-sharing with pop-up guest chefs and food producers.
  • Creating a community within the building, which has its own momentum and attracts different audiences.

Challenges

  • Avoiding alienation of people who are not attracted by a specific focus, such as local food.
  • Maintaining quality as a priority.
  • Balancing social objectives like local, fairtrade, and ethical sourcing while generating profit.
  • Avoiding competition with other food businesses in the town.
  • Encouraging support for small, independent businesses over chains and multi-nationals.
  • Preventing burnout or lack of revenue for the operator within a year.
  • Creating a viable enterprise given limited space and kitchen facilities.

Considerations/Restrictions

Prep/Serving/Storage Area:

  • Limited space allows only basic preparation of drinks, cakes, and soup.
  • Pop-up event catering would need to happen off-site due to insufficient facilities for cooked meals.
  • Conversion of the courtyard space into dry storage is essential.
  • Permanent fixtures such as a double prep/washing-up sink, hand wash sink, coffee machine, and electrics for fridges are necessary.
  • Cold storage requirements include at least three undercounter fridges for milk, cold drinks, and food.
  • Space design should include a counter area for serving and preparation, with flexibility to reconfigure for events.

Design/Fit-Out:

  • Balancing the café brand with The Stove’s aesthetic vision.
  • Serving drinks and food in compostable paper plates/cups due to space constraints.
  • The integration of an industrial dishwasher and china serving ware would require additional staff and storage space.

Further Thoughts

Sourcing/Pricing Policy:

  • Balancing local/fairtrade sourcing with affordability to avoid being seen as a niche market.
  • Defining “local,” “ethical,” and “sustainable” clearly in the tender document.
  • A “preferred supplier” list could include producers such as Loch Arthur for cheese, Earth’s Crust for bread, and Greencity Wholefoods for dried goods.
  • Seasonal vegetable soups could showcase local produce and provide a good profit margin.
  • Maintaining competitive prices for quality meat, cheese, and bread may be challenging.

Catering Scoping Project for The Stove – Abridged version to accompany Catering Tender

Original version by Clem Sandison, Alex Wilde and Hannah Brackston

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Musings News Project Updates

Reclaim The High Street – Sign Language

It’s interesting how obsessions grow. A current obsession is for signs—hand-painted and homegrown. We’ve been holding onto our sign-free frontage: The Stove, now under new management, is becoming a growing, changing space in the town.

The face of our high streets and their signage has, of course, changed dramatically with the introduction of mass-produced, nationwide branding. The loss of independent retailers has also transformed the landscape and language of our streets.

Also appearing in our social media stream this week is the phenomenon of ‘ghost-signs‘: the remnants of old signs, shops, businesses, and brands—gone and almost forgotten within our urban landscapes. At first, we couldn’t identify too many in the Dumfries-scape, but upon closer inspection, we are starting to notice them cropping up around town.

This one on Buccleuch Street—double-layered signs? Does anyone have any idea what these signs may have been, or know of any other good sites around the town? If so, please get in touch!

Where are we going with this? That, of course, is all to be revealed. Guid Nychburris Day is fast approaching, and over the next week, the town will be gearing up for the annual festivities on the 20th of June.

We will be holding a hands-on, sign-themed event and workshop during our first Saturday Drop-In. Drop by between 12 noon and 4 pm on Guid Nychburris Day and get involved! It will be suitable for all ages and abilities, and participation is free.

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News

Rajasthan Drops-In

SAMSUNG CAMERA PICTURES
Image Credit: Graeme Robertson

Every Tuesday at The Stove is Drop-In Day. Yesterday, we had some very special visitors all the way from India—the Rajasthan Heritage Brass Band, no less! The band were in the region courtesy of our friends at DG Arts Festival, who asked if they could spend an afternoon with The Stove and host a workshop in the evening.

Quite a day at The Stove… bring on some more! Another Drop-In next week—are you coming?

Photos courtesy of Brian Pritchard, Ellen Mitchell, and Graeme Robertson.

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Musings News Project Updates

Beyond Doubt Into Love

What would Dumfries say?

Sometimes things start small.

Thank you Lauren!!

Whilst working with the Young Stove to imagine what The Stove could become, this thought arose: The Stove would undoubtedly have quite a lot to say. But what about the rest of the town? If the old buildings in Dumfries could speak, what stories would they tell?

If the old brig would speak, what stories would it tell?

Would it shout loud, or whisper quietly to a neighbour? We thought it best to ask around.

Responses are flooding in, and orange speech bubbles are floating around town. (What would Rabbie say, sitting with his view of the High Street?) Which places have the loudest voices? Voices began to pour in thick and fast, helped along by Herald Moxie and a band of merry Young Stovies.

Want to see more speech bubbles? A selection is available here.

Which speech bubbles could we stand up for? Which voices could we wear?

There comes a time when it is wise to call in an expert. Our expert on hand was the talented and patient printmaker and artist, Sarah Keast. An island of calm amidst the apparent chaos, The Stove was like a ship sailing through a wild afternoon of frenzied T-shirt printing.

And still, we printed on. We ran out of T-shirts, made a quick T-shirt run, printed more T-shirts, and ran out of ink before the afternoon was through—printing nearly 140 T-shirts in just four hours. The Young Stove proved themselves to be an unstoppable tide of creative energy.

Beyond Doubt Into Love may well be a T-shirt for a moment in time. One thing’s for sure: they are a rare and precious commodity, created by our community. If anyone has a large men’s in neon pink, we’ve had a request for one.

This is less of an end and more of a beginning—keep an eye out for speech bubbles. Once you start noticing them, they tend to pop up all over the place…

#GetDumfriesTalking

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News Project Updates

HAME. 2nd-16th May 2015

By Gerard McKeever

gerardmckeever.co.uk

It’s easy to forget just how extraordinarily important the places where we live are. They are our frame, our point of reference, and a huge portion of the real detail of life. This capacity of the land to shape us takes on a special dimension when we have either lived somewhere for a very long time or spent the early years of our life there. I was born in Upper Nithsdale and spent the best part of two decades in the area before leaving for the city. It is a familiar narrative: the draw of study, work, and a faster pace of life. Yet, as a creative person, I am increasingly aware of the influence of D&G on my thought processes—a language of place through which much of my work is communicated. Because of this, and because of a longstanding ambition to return to the region, Mark Lyken and Emma Dove’s recent Hame installation for The Stove Network resonated with me.

Perhaps one reasonable working definition of art could be: a community talking to itself about itself. This was a fascinatingly literal instance of that process, with audio clips of people discussing their relationships contextualised against meditative imagery of the area. Seeing the places we know celebrated and examined in this fashion makes them more real and more vital. It is a process of validation through which both the bonds and the divides in our community are exposed. The installation made us question which voices were included and which were not—whose particular home was being offered a platform?

On a formal level, the piece made use of the suggestive space of 100 High Street, succeeding in creating a feeling of audience participation through its non-linear looseness. At the risk of overstating the point, wandering through the multiple levels of the installation captured something of the jagged, contingent nature of our existence in place. If and when the piece is transposed into a linear production, it will undoubtedly be engaging but very different, precisely calibrated as it was to radiate from the town centre. Lyken and Dove guided us through a mixture of voices that spoke with the random authority of community. From recollections of a previous era to the impressions of youth, for two weeks, The Stove became an open archive of shared experience. Just as ‘hame’ doesn’t quite mean the same as ‘home’ to me, all the small details and nuances of life in D&G carry a particular shading. It was this peculiar quality of rootedness that the installation articulated so well. Fortunately, Hame was also too stylish to fall into the traps of tourist information or museum exhibits that a piece of its nature might otherwise face.

The Stove is a commendable effort to further invigorate a growing community of creative people in and around Dumfries and, in doing so, contribute to the revitalisation of the town centre. As one of the many young locals living elsewhere but with half an eye on home, I find projects like this encouraging. Alongside the growing number of music festivals in the region, the successes of Spring Fling and other arts events, D&G seems to be building towards a creative critical mass—a blossoming that is being noticed on a national level. Perhaps we don’t need to look so far away after all if we have these things at hame.

Images © Colin Tennant

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News

Under New Management

Our friends at Dumfries and Galloway Council joined in the #OpenHouse spirit at The Stove today and suggested a wee public event to officially sign over the lease of 100 High Street to The Stove Network.

A genuine act of faith in seeking alternative futures for the town on behalf of our Council—fair play to them!

Signatories from left David Smith (Chair of The Stove Network), Alex Haswell (Director Community and Customer Services), Councillor Ted Thompson (Provost of Dumfries)
Signatories from left David Smith (Chair of The Stove Network), Alex Haswell (Director Community and Customer Services), Councillor Ted Thompson (Provost of Dumfries)
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