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Wild Goose Festival Returns with Soaring Success

The Wild Goose Festival returned for another year of inspiring and educational family-friendly activities and events. Read about our 2023 Festival below.

The Wild Goose Festival returned to Dumfries and Galloway this autumn, bringing with it a flock of exciting events and activities for all ages. The festival, which ran from October 19th – 29th, is inspired by the annual migration of geese to the Solway Firth.

Over the course of the festival, the public had the opportunity to learn about the incredible journey of these birds, as well as the diverse ecosystems and wildlife of Dumfries and Galloway. The festival also featured a variety of creative workshops, interactive storytelling sessions, and nature walks.

A Celebration of Nature, Creativity and Place

The Wild Goose Festival is not just about geese; it celebrates both the inspirational journey undertaken by our feathered friends and our deep connection with the natural world. 

This year’s family-friendly program aimed to engage communities through creativity, education, and play, building meaningful relationships and encouraging people of all generations to reconnect with their environment.

With events taking place throughout the region, from Stranraer across to Glencaple, the Wild Goose Festival saw an audience of around 4200 people celebrating the journey of the geese.

A Hub for Discovery and Creativity

This year’s Festival Hub opened its doors in a brand new location within the Loreburne Centre in Dumfries. The Hub served as an information point for the festival, as well as an accessible space where a variety of fun and creative activities was hosted.

At the hub, members of the public could engage with individuals dedicated to protecting our natural resources, unleash their creativity with artists, and delve into the fascinating world of wild geese, discovering why these birds make their annual pilgrimage to Dumfries & Galloway.

Around 800 people visited the Hub this year, to see the full programme of events that were available, click here.

A Festival for All Ages

The Wild Goose Festival’s family-friendly program cultivated meaningful conversation between generations and encouraged participants to reconnect with the environment around them.

From seasoned birdwatchers to curious newcomers, the Wild Goose Festival 2023 had a range of events for all ages and backgrounds. To view each of our 2023 events visit here.

A Focus on Environmental Awareness

Wild Goose serves as a powerful reminder of the importance of preserving our natural heritage. The conclusion of our 2023 festival Three Sisters – A Story from the Climate Future promoted this sentiment, premiering an immersive audio drama set in 2030 questioning how we will live under the impacts of climate change.

The Stove Networks creative response to this year’s festival was the Keep Looking Up Roaming Exhibition. This exhibition invited members of the public to observe the skies and consider our relationship with the non-human inhabitants of our everyday spaces. The artwork prompted new ways of observing our wildlife and how we impact it, and vice versa.

A Legacy of Inspiration

This year the Creative Spaces team worked with pupils from Laurieknowe Primary School to deliver a series of creative workshops on the migration of Geese and their relevance to the region. Learn more here.

As the Wild Goose Festival draws to a close this year, it leaves a legacy of inspiration and environmental stewardship of the unique biodiversity of Dumfries and Galloway.

The festival’s commitment to engaging communities through art, culture, and nature will continue in 2024.

Visit the Wild Goose Festival website here.

Categories
Musings News

Dystoveia – Dumfries’ First Escape Room

Hear about the Dystoveia Escape Room from the Creative Spaces Team. This project transformed Room 2 in the Stove into a dystopian escape room in August 2023. 

Why an Escape Room?

On one of the blessed sunny days in June, our creative producer Mia asked us two million-dollar questions: what kind of things do we like to do for fun? And how could we bring that to D&G? After a great creative session where each of the CS team individually mind-mapped our answers, we discovered a common thread between us: an escape room! Why did such a thing not exist here?

We initially thought this might be too ambitious an idea for a bunch of amateurs. However, a good friend of mine (shoutout to Seb Summers) kindly booked us a slot at his escape room in Glasgow. Our visit to Riddle Rooms, led to us learning a lot about what makes an escape room good and the mechanics behind it. The possibilities of what we could create ourselves seemed endless, so deciding our theme early was key for honing our ideas. This made us consider the room as an unravelling story as opposed to a random mixture of puzzles.

OUR CONCEPT:

Dumfries has fallen under the control of an oppressive regime. Your team of rebels have managed to infiltrate the high-security government control room and the town is locked down on red alert as they try to hunt you down. It is up to you to save the town in time and to escape before state officials discover you.

Following an in-depth storyline that unveils the secrets of Dumfries and the authoritarian regime, you and your team must work together to uncover hidden clues and solve a variety of puzzles to progress and beat the clock.

We wanted our participants to feel like they had stepped into a parallel universe, completely different to the town they knew. So, we blacked out the windows, turned on the AC, and set the scene with a distorted video of our mole (played by the talented Sahar) leaving instructions for the rebels (the participants). Without a huge budget to work with, we circulated our props list far and wide and managed to collect a lot of cool stuff that helped transform the room. Finishing touches like a doomsday timer, fake cobwebs, chains and hazard tape really pulled the room together.

What we hadn’t anticipated was how much of our planning time was taken up by logistics. Without any access to fancy tech, we had to come up with solutions (painful zoom trialling and walkie-talkies) to make the scenario feel as realistic as possible with close to zero in-person contact with the room. The timings of the room also required a lot of planning. Every participant in an escape room approaches the experience differently with unique problem-solving skills. In the end, Room 2 had transformed into a complex labyrinth of puzzles, where we made sure the room wasn’t too easy or too difficult to complete in the hour – something we discovered when trialling the room with different groups of people.

It’s time to escape…

Once the escape room was set up and ready to trial, we had two teams come and test the room for any bugs or potential problems that would cause any mishaps. The trials were successful for two reasons; it Identified what worked and what didn’t, and it revealed itself to be a fully-fledged legitimately enticing escape room.

The night we opened, all our participants were keen to get started and they all had brilliant positive feedback once they had escaped the room. Each team that participated were all enthusiastic and up for an evening of puzzles and hilarity which made each game as lively as the last. Whilst being informed of the room rules and the mission brief, it was clear that participants were becoming increasingly intrigued and excited to get started. Perhaps this was because the room’s particular story was unique to Dumfries/The Stove. With the aid of a lot of in-house equipment, we were able to create a convincing atmosphere which was as functional as it was aesthetically immersive. As the creators and facilitators of the evening, we had an enjoyable night. This felt fantastic, as we had come so far since our ambitious idea a couple of months previous. Since we had no major technical issues or mishaps, it was safe to agree it was a successful night. We felt like we had accomplished something great when there was a demand to potentially do it all again!

WHAT WE LEARNED…

Dystoveia was a very popular and successful event. With only eighteen spaces available (three groups of six) we didn’t have to do much advertising before it sold out, and we found that there were many friends and family who expressed interest after all the spaces had already been taken.

Once the groups had booked, in hindsight we could have gotten in touch earlier to tell them the time slot we wanted them to come in for. If we were to run this event again, we would also request contact numbers from those who signed up so we could communicate with them more easily.

We learnt that arranging the room and the puzzles took a lot more time than expected when we began constructing the space. We only gave ourselves a week which felt quite rushed, but thanks to the Stove team’s flexibility we were able to have two trial runs to iron out any mistakes or sticking points before the day of the event.

TOP TIPS

A free escape room in a town without any escape rooms was a brilliant idea, and it sold out very quickly! If you are looking to create an escape room from scratch, here are our learnings.

1.      Make use of resources online for puzzle ideas – there are lots of ideas out there, and many are cheap, low-tech and relatively easy to put together.

2.      Develop a strong back story, narrative and characters for the escape room – the fun in the experience is largely due to how immersive it is, try to completely transform the space.

3.      Do your research – visit at least one escape room with a group of friends/teammates and record what you learnt.

4.      Find people to help you with trial runs – you will learn a lot!

5.      Don’t put too many distracting decorations in the room – everything will be seen as a potential clue so make sure you do a deep clean and make sure nothing is in the space that you don’t want to be there.

Thank you to everyone who got involved with Dystoveia; from testing puzzles, lending décor to the space, to coming along to the event! It was a team effort, and we definitely couldn’t have done it without you!

By our 2023 Creative Spaces Team – Martha, Sahar & Korey.

Categories
Musings News Project Updates

Karl Drinkwater on WRITE!

The author, and host of the monthly creative writing workshop, shares what you can expect at a regular WRITE! meet-up.

“What goes on in a session of WRITE? Are there funny handshakes, grumpy faces, and writing snobs? I thought about coming but I haven’t ever written much.”


My experience of these sessions is smiling faces and laughter, people making friends, and just a shared joy of words. There’s no pretension, no criticism, no expectations of perfection. The people who’ve attended have been such a welcoming bunch that I love running the sessions!

The general format for a session is that people turn up and chat over a hot drink (and maybe cake), welcomed by the lovely Stove team. Then we get started and usually I get everyone to say their name, and maybe I make that into some kind of game related to the theme of the session.


Then we’ll move on to some thoughts relating to the writing topic or subject that I’ve picked for the night. We’ve had sessions discussing myths and legends; how to describe places or people; the importance of friends; beginnings and endings; and many more. Usually I’ll have questions or quotes to prompt discussion, and to give ideas. People take part as much or as little as they like. It’s fine just to listen!

The WRITE! ‘Writing Board’ at the session on ‘Place’.


That’s when we get to the main part, where we all do some writing related to the theme. I’ll usually offer a few options and some prompts, then we have 20 minutes to write whatever takes our fancy. It doesn’t even matter if it’s nothing to do with the theme – the key thing is that it is a chance to let our imaginations
free and write something that might never have appeared on paper (or screen) otherwise. It can be prose, or poem, or dialogue, or word lists, or doodles, I don’t care.


At that point we usually split into groups and everyone has the opportunity to read out some or all of what they wrote, if they wish. It’s totally optional, but everyone should have the chance. We never need to apologise for how rough it is: it’s accepted that it is an unedited idea. All that matters is the potential, and
we approach the readings and chat as if we are all good friends, supporting each other (which is actually what we are!)


And that’s it. Nothing crazy. Just a situation that encourages creativity, and an opportunity to give ourselves the time to enjoy it. If you don’t create the opportunity, nothing will happen.


It doesn’t matter if you’ve never written before, or you’re the world’s best author. We’re all equal in that room. We all have our own thoughts, our own voices, and that’s what’s so fascinating. Give ten people the same prompt, you get ten different creations. I love that.

WRITE! is the creative workshop at The Stove that gives you the space to guide your imagination and transform it into writing.

Hosted by multi-genre author and editor Karl Drinkwater, WRITE! is designed to allow you to play with words and construct short or longer pieces of work, whichever you desire, and it is open to all abilities!

If you would like to attend the next WRITE! session, click here.

To learn more about Karl, and to visit his website, click here.

Open Hoose is a project at the heart of the Stove’s community venue. Ideas are given the space, time, resources and support of the Stove Network to launch ambitious projects to galvanise and gather our communities together. From climate cafes to bread clubs, jam nights and creative writing groups, Open Hoose offers an eclectic mix of different activities for everyone to take part in. Find out more about groups like this one on our Open Hoose page, here.

Categories
Musings News

Stoicism

Ahead of Creative Space’s mindfulness month, team member Jenna Macrory shares her thoughts on using Stoicism as a method of mindfulness for creating.

Note: Each of the following points could be an essay in its own right. It was extremely challenging whittling down such an expansive way of thinking into a few points. Although I’m an avid fan of Stoicism I am no expert. What I do not what the following text to be interpreted as is me preaching an approach to being creative (although I hope you do find elements of it you can employ in your own life). This is simply an account of how I use this thinking in my own practice

.

As a teenager, I used to wish there was a way to know how to make the “right” decisions. I would get incredibly overwhelmed and often burnout because of the pressure I placed on trivial matters. Then I encountered Stoicism, an ancient school of philosophy emerging in the third century B.C.

Initially developed by the Greeks and expanded on by the Romans this approach to life became incredibly beneficial for me because it provided a set of logical rules to live my life by. Stoic teachings made sense of the difficult times and provided me with a way to navigate life’s complexities. As I’ve progressed through my musical career I find myself turning to the ancient teachings as a way to navigate a highly competitive sector.

One of the most common misconceptions about Stoicism is that it is simply about remaining stoic. Rather than being concerned with enduring hardship Stoic thinking is about facing these difficulties head-on by identifying what is, and what is not in your control. Roman Orator Cicero offers the analogy of an archer shooting an arrow to aid us in comprehending this:

“Take the case of one whose task it is to shoot a spear or arrow straight at some target. One’s ultimate aim is to do all in one’s power to shoot straight, and the same applies with our ultimate goal. In this kind of example, it is to shoot straight that one must do all one can; none the less, it is to do all one can to accomplish the task that is really the ultimate aim. It is just the same with what we call the supreme good in life. To actually hit the target is, as we say, to be selected but not sought.”

The archer can do everything within his control to hit the target, from strenuous training to the selection of adequate weaponry but despite this, there are still variables once the bow leaves the arrow. The shooting of the bow is in the archer’s control but the arrow colliding with the intended target is never guaranteed. This is extremely relevant for the majority of creatives in our modern world.

When I release a song there are many factors within my control including the sound of the track and the marketing but alas this does not guarantee the commercial “success” of the song. The number of times my song is streamed or shared is not something I control even though I have aimed for my personal goals. I have selected my target but it is not sought after.

This brings us to my next point, who are you making your art for? To illustrate this point I would like to reference the Byzantine Military Commander Belisarius. Born in 500 A.D., Belisarius accomplished a plethora of notable military conquests in his life including recapturing Rome following the demise of the Western Roman Empire. One would expect a commander of this calibre to be adorned with military accolades but contrary to this Belisarius was condemned by the paranoid emperor that ruled over him. Emperor Justinian the first grew suspicious of Belisarius and his achievements were underwritten by bad politics which eventually led to him being tried and convicted for conspiring against the Emperor. The irony of this is that Belisarius had the opportunity to cease the throne multiple times but he chose not to. He identified that this was not his path, it was not his work and he took pride in the career that he did have. He showed up, he did his job and he expected nothing more.

Despite historians and scholars criticising Justinian’s treatment of Belisarius, according to records, he was not one to complain about his poor treatment. Although extreme examples of Stoic values such as this are not uncommon in the Classical Era, they are highly applicable to the situations many artists find themselves in. Belisarius was able to bypass the negativity associated with his circumstances because he was simply doing his job. He identified that not only did he not have control over how the Emperor may treat him but he knew that any additional praise that resulted due to his conquest was simply a bonus. This is how creating art should be.

Interpreting the Stoics it becomes evident that the purpose of creating music or any art form is not to receive praise. Any praise received is a bonus.

Believe in your art and make art that is true to you and your ego will get out of your way.

It is very easy to say all of this but from my experience with Stoicism, it is an intense philosophy to live by. It is not as easy as just being the best version of yourself it is naive to think it is this simple. Life often gets in the way but that is okay, it is okay to stumble and falter when we are trying to be better, and we can see this depicted by one of the world’s most prominent Stoics Marcus Aurelius:

“When jarred, unavoidably, by circumstance, revert at once to yourself, and don’t lose the rhythm more than you can help. You’ll have a better group of harmony if you keep on going back to it.”

New Year resolutions are the perfect antithesis of this quote. Too many of us are familiar with the process of setting an overly ambitious goal which will leave us disheartened when we inevitably give up because we are unable to incorporate our new goals into our lives in a healthy manner. Rather than reprimand ourselves for this, Aurelius conveys that this will be unavoidable at times and that is okay. But we should not give up. We should go back to our goals and approach them in a manageable way. Before utilising Stoicism in my practice I would spend long days at my computer making music before getting frustrated because I had not produced any quality work. This would result in long hiatuses from music-making which would make returning to composing incredibly daunting. Now instead of pressuring myself into long sessions, I dedicate two or three hours every night to making music. It is a healthy part of my schedule although I do also have a social life which does often result in socialising during this time. Although I am strict with my music-making when I miss a session I do not get frustrated at the fact I have not composed that day. Rather I recognise this, reflect and set the intention to compose the following day.

Despite history repeating, we tend to disregard the teachings of civilisations that came before us. Stoicism has guided many people since ancient Rome through life and as long as humanity remains it will continue to guide many more generations. Although Stoicism has been adopted by a variety of people it still seems absent in the creative industries. Through implementing Stoicism into your creative endeavours there is an opportunity to supercharge your art practice while becoming resilient to the mental strains of life. 

How do you cope with the stress associated with being creative? Next week Creative Spaces launch their block of workshops on mindfulness. We’ll be launching this block of workshops with an open discussion on mindfulness next week (Thursday 3rd) at in The Stove Cafe from 7pm. If you’re under 30 and would like to attend you can register below:

For information on all our Creative Spaces Mindfulness Events check out our events here.

Categories
Musings News

Accessibility and Inclusion, Reflections: Winston Denerley

Guest Blog Post by Winston Denerley

Over the past few months Winston has been working with the Stove team, and particularly the Creative Spaces and Soap Box projects to help us explore how to make our programming more accessible for the D/deaf community. We’ve learned a lot and really enjoyed having Winston as part of the team, and are looking forward to the conversations going forward!

Still of the BSL version of the Learn page available on our website here

“It was a really interesting start to my time with the Stove Network. I was proposing a project consisting of a Deaf Hub/Festival within the Kirkcudbright Arts and Crafts Festival. Due to complications with COVID-19, this had to be delayed and put on the back burner. While speaking with Katharine Wheeler about this project idea, she mentioned the Stove’s need to be more accessible, aware and inclusive of people with disabilities. Because of my lived-in experience of the deaf community, current studies of British Sign Language and passion for inclusivity, we felt as though I would be able to fulfil the organisation’s need to be more inclusive.

Over my short time working (remotely) for the Stove Network, I have really enjoyed being the voice for people that need it and invoking necessary change. To do this I have created British Sign Language interpretations of the website, contributed to meetings, been involved in a successful panel on Inclusive Communication and held an ‘Accessibility in the Arts’ conversation on the 28th of May. Both the panel and the conversation had a diverse mix of organisation representatives and disabled people allowing for important discussions to be had about access in the arts industry. In the panel discussion, I was a part of the team answering questions about my own experiences, however with the conversation I was a host asking questions and prompting responses from the speakers. I really enjoyed playing both roles as speaker as well as host and look forward to hosting/being involved in future conversations and discussions about important issues!

Screenshot from some of the content that went out on the Creative Spaces social media accounts in relation to the Accessibility in the Arts conversation

It has been really interesting to see a somewhat closed off industry learning to be more inclusive and accepting of different types of people. Through this, I have begun to wonder the significant changes that could be made to the world if all businesses, organisations, and corporations understood their lack of awareness and inclusivity and took large strides to change this. By doing this, some groups may no longer feel as though it is society that disables them because they are given the vital support they need. 

My mind is brimming with new ideas and projects, so I am excited to see what the future holds working with an exciting and constantly developing organisation that has all the right intentions. Conversations discussing important issues, content aimed at different audiences with different needs, project development support and so much more – the future looks bright!”

Categories
News

Feedback from the Stove’s Annual Gathering

Missed out on our AGM last month? We’ve got you covered with recordings of the two presentations shared during The Stove’s Annual Gathering. First up, a review of the past 12 months from Matt Baker (Orchestrator) and Katharine Wheeler (Partnerships and Development), featuring (approximate!) closed captions:

The second presentation looks forward to the year ahead, from Martin O’Neill (Artistic Director).

Also as part of our AGM we hosted a series of short members conversations reflecting on some of the key findings from our membership survey carried out last year. We wanted to take the opportunity to share some of the ideas that came out of these five really interesting sessions.

  • a creative exploration of night time culture
  • a debating club
  • a debating club for Disabled Access
  • Digital recording of live events at The Stove to allow more inclusion for audiences who can’t attend in person
  • More making spaces – we need to move from attics to aircraft hangers to realise our potential
  • Signposting good practice nationally and internationally in social/community arts
  • Digital recording of live events at The Stove to allow more inclusion for audiences who can’t attend in person
  • Use technology to reach across distance
  • Make a statue of Ailsa in Fountain Square
  • Stove learning: Don’t just tell people stuff, support them with the means to do it themselves
  • Access to IT skills development and recording of activities
  • See our towns and villages in D+G as mini-cultural hubs Its good for Stove to be more regional, but don’t forget about Dumfries, there is still a lot of work to be done doon hame
  • Analysis of the population in comparison to our current engagement reach – elderly inclusion 
  • Intergenerational working  particularly within the medium of movement
  • ‘Access to Choice’ – diversity in how to access events and activity
  • bringing in Community Learning and Development expertise available locally into the Stove team
  • grow ‘night-time culture’ in the town centre
  • bring some of the ‘positives’ discovered during the past year into future activity 

There were loads of brilliant conversations between the 75 attendees, and we were sorry to not have longer to open up the space to hear from friends, members and Stove supporters after such a long period away from the Stove building, but hope that we can continue these soon!

You might notice that our website has had a bit of an upgrade to reflect our programme this year, so to explore more of our current and upcoming projects visit: home page, and Soapbox.

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