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Orphaned Limbs – In Residence

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A week long residency followed by performance by dance collective Orphaned Limbs exploring connections and notions of ‘home’, When in Roam. The residency included live music performance from musician Ross Whyte, and open performance workshops.

Working alongside Orphaned Limbs, ‘stovies interactive’ Michael Sullivan and Donna Winter were commissioned to make responsive work alongside the When in Roam project.

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The Stovies Interactive kept a video diary, available to view online here

The performance itself, a mixture of projection, dance, spoken word and sound took place across both floors of the Stove, followed by a Q&A with the performers and artists involved.

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This commission was supported by:
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cooncil
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Musings Project Updates

As Above So Below

From Ivor Gott

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“Hey Ivor, it’d be pretty neat if you could write a blog to tell us about your project for nithraid” announced Katie Anderson excitedly at the last Young Stove meeting. The first thing that went through my mind upon hearing these words was “CRIKEY!! How on earth am I ever going to explain this to the general public?” . . . After much careful consideration, i have come to the conclusion that the best approach would be to just tell the truth.

So here goes. . .

It all started with a pirate ship, a great big pirate ship. A great big pirate ship made out of recycled plastic bottles. . .  So how did i get from a pirate ship to two pyramids or should i say tetrahedrons, a chrome unicorn and an art performance based loosely around the concept of enlightenment. The truth of the matter is I didnt get there on my own. The pirate ship was a snap decision made during a meeting with my stove mentor Denise Zygadlo.  i was feeling under immense pressure to make some sort of decision on the project, at this point it had been two weeks since the commission had started, and my initial idea, although perfect for the dock park site (where nithraid was originally intended to be) was just not going to work on mill green. . . “come on Ivor” My inner voice urged. . . “what are you going to do? It must be good, no better than good, It must be fabulous!” . . . so before i had even properly thought about it i found myself telling denise that i might make a pirate ship out of plastic bottles.

This idea then grew from a pirate ship into a viking long boat, inspired by a workshop held at stove that evening. However this was not to remain the case for very long. After a few meetings with my fellow creatives the Mad Jackals (Majikals) the idea of making a viking long boat was starting to seem pretty tiresome. I just couldnt get excited about it. It wasn’t a reflection of me nor was it a reflection of my wonderfully creative friends. . . Then it just came to me i said. “We need to make a pyramid and float it down the nith!!” . . . “We have to have a unicorn inside the pyramid!!” . . . the words of a mad person? Yes, probably.

At this point there was myself, sophie and michael at the studio. You could feel the collective excitement crackling between our minds. I started scribbling ideas down.  it MUST and I repeat MUST include the mer-ka-ba, rainbow smoke, flash grenades, horned elementals . . . i was really getting away with myself, credit to Sophie and Michael they were running with me, we were organic and free, if not a little overly optimistic.

The next day I met with my little brother. We were sat in the queensberry, and i was expressing anxiety over the size of the project as it stood. Conor very often being the voice of reason, is somebody who i consult when mashing around creative ideas. He is himself a creative, but where I go off on tangents and allow my concepts to grow bigger than my mind can handle, he has a real skill for reducing it down and keeping it real. i can always trust him to tell me the truth, and to be realistic. . . “one question?” he pondered with his eyebrow raised ” How are you going to do this in 2 weeks?” . . .

I knew he was right. The idea had to change again, and it had to change fast. More of the jackals were arriving at this point. ideas were being thrown around, the ideas were coming thick and fast –

“time capsule” . . . ” Did you say time capsule. . .

Thats perfect. the mer-ka-ba. . . As above so below. . . We’ll make a time capsule and we’ll make it in the shape of an inverse tetrahedron. . . of course we’re going to need a non-inverted tetrahedron too. . . ahhhh its perfect. . . there will be two tetrahedrons. . . the unicorn thats staying, the rainbow smoke has to stay too. “

In order to maintain some mystery about the performance and workshop I’m going to stop there, but in a nutshell thats how an idea that first birthed itself into consciousness as a plastic bottle pirate ship evolved into an exciting interactive art performance based loosely around the theme of enlightenment. We look forward to seeing you all on sunday, when all will be revealed. . . One thing i’d like to say before I get back to putting the finishing  touches on everything is that this commission although applied for as a solo project has been a collaborative effort, I often find collaboration so much more exciting than working alone, and have the most fabulous team of creative individuals in my life. We are the Mad Jackals because, they think we’re mad, but we know that we are majickal.

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News Project Updates

HAME. New work by resident artists Mark Lyken & Emma Dove

We’ve been artists in residence with The Stove for 5 months and are now in to the final month before our film and sound installation HAME opens on 2nd May as part of The Stove’s Open House series of events to mark the launch of 100 High St.

HAME explores relationships to Dumfries and Galloway through the words of those who call it home. During our time working here we have been very privileged to record conversations with over 45 people throughout D&G and guided by these conversations have gathered footage around the area from our trusty Black Cab, chauffeured by the excellent Will Marshall. Our experience, perspectives and knowledge of D&G has gradually mutated and transformed through these conversations and our own explorations.

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Filming at the Dalveen Pass. Images © Will Marshall.

We have been recalling when we first moved here from Glasgow, following the Sat Nav to our house, exploring our own street and seeking directions to the shop. Journeys through the unfamiliar have gradually become dotted with reference points – places we’ve passed through, stopped to film or interview someone. Names of towns and villages that previously floated in an imaginary space now slot in to their geographical location. Buildings, bridges, trees and rivers that were once void of meaning now sprout stories and conjure images.

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A few of the significant places marked by interviewees.

Through the process of filming and recording whilst journeying through the area we have become more acutely aware of its rhythms and the interconnecting threads of feelings, memories and knowledge of those living both within it and thinking on it from afar.

We have heard stories of everything from ancient stone markings in Eggerness to hiding places at Annan harbour to recollections of a Palmerston football match in 1958. There have been childhood dens, daredevil antics and trees that sprouted chocolate biscuits. Grub-collecting hot spots, smelly spots and “J” spots. Bad corners, best views, secret beaches and spooky ruins.  Sunday mass in a chip shop, raves in a woodland, and the 2am ‘accidental’ purchase of a stretch limo in a pub. We’ve learned how to appropriately pronounce ‘Kirkgunzeon’ ‘Caerlaverock’ and ‘Red Cola’, have finally worked out the parking system in Dumfries and we now know how to find anyone’s house in D&G (over the wee bridge, round the bend and up the hill).

Interview with Denise & Mark Zygaldo
Interview with Denise & Mark Zygaldo

As ever, the more we explore, the more questions arise, layers of perspectives overlap, clash and muddle, and the more we realise we do not know. Yet through this has developed a kinship and a care. And this seems to be the binding thread connecting everyone that we have spoken to. Everyone, in one way or another, genuinely cares.

Perhaps what has most surprised us though is how the process of the last few months has changed our own perspectives so much so that we now feel at home here ourselves and are on the look out for a place to stay beyond the project (you know the place – over the wee bridge, round the bend and up the hill?).

We hope you can make it along to the opening of HAME, 2nd May and look forward to seeing you there!

Emma & Mark
Dalbeattie, March 2015
Previous project blog posts:
New Stove Artists in Residence. Guest Blog Alert
Taxi to Dumfries? 

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News Project Updates

Parking Space: Level Up

From Callum Davidson

“Back in October I got the chance to take part in Parking Space set up by the Stove and Sleeping Giants. Such a great weekend meeting all the people there, having a great time skating and filming and just soaking up the good times. The whole idea that every level you went down was a new event to watch and take part in really made it for me. Here’s some stills from a video in the works from the event I filmed with Mutual Motion.”

 

Watch Callum’s short film created as part of Parking Space here:

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Keep up with Callum and his film and photography work online:

Twitter: @MutualMotion

Facebook here

Tumblr: http://mutualmotion.tumblr.com/

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Musings News Project Updates

Trading Journeys: Part Two

If boats aren’t your thing, and you like a more measured pace, keep your eyes open for Alice Francis, who is travelling with her horse and making a three-day trip to Wigtown from Auchencairn.

As they travel, Alice will be creating a standard that will form the head of the Wigtown Trading Journey’s procession that will take place on Saturday afternoon. She will also be recounting the story of Billy Marshall, who supposedly lived for 120 years in southern Scotland and always claimed to be the “King of the Gypsies.” He was also referred to as the “Caird of Barullion.” Caird refers to a skilled gypsy, and it originates from ceardon, meaning a skilled worker who practices some trade or handicraft. Barullion is the name of a range of hills in the county of Wigtownshire in the council area of Dumfries and Galloway in southern Scotland. Another so-called title of his was “King of the Randies.” The word “Randies” in this context may refer to a type of macho, virile man who despised all rule and authority.

Billy Marshall is buried in Kirkcudbright, and his grave features the curious crossed spoons on the reverse.

The crossed spoons may possibly represent a wish for his people that they may never go hungry, while the coins at his gravesite might have been left with a good luck wish. Originally, they were left for a poor travelling gypsy to be able to buy another meal. The spoons probably represent horn spoons, which have been popular in Europe and Scandinavia as far back as medieval times and were also popular with the Vikings. Horn spoon making has been a tradition among gypsies since the 1600s and possibly had been a labour of love for Billy Marshall.

If you find that you have a hidden talent for spoon playing, bring that new talent along to Wigtown on Saturday; it’s bound to come in useful!

For more details on the Stove Network’s Trading Journeys, head across to our project page [here].

Trading Journeys has been created as part of the Wigtown Book Festival.

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Musings News Project Updates

News from the Band

From Ruth Morris

By far the most difficult part of the whole thing has been finding enough young musicians to take part. We had the idea of a Balkan style street carnival band. To sound like that, one needs a few brass/ woodwind instruments, which turn out to be like hen’s teeth in Dumfries and Galloway! However we have a few now, including a euphonium, a trombone, some clarinets and some saxophones. We also have fiddles, accordions, flute and percussion. So it should be very lively!

To hear it at it’s best, join the parade through Dumfries from 1.30pm this Saturday, or see the band perform the full piece on our stage on the Whitesands later in the afternoon.

Writing music for transposing instruments, eg clarinets, saxophones, euphoniums is full of interesting challenges. For example, if I want everyone in the room to play the note ‘C’, I have to tell fiddles, flutes, accordions etc to play ‘C’. But I have to tell clarinets and euphoniums to play ‘D’, and I have to tell alto saxophones to play an ‘A’. This can lead to confusion, as I’m sure you can imagine.

But once everyone has worked out what the notes are, it’s a truly wonderful sound, loud and powerful. For most of the people involved, this is a very different kind of music to what they normally play, so it’s a great opportunity for everyone to try something a bit different.

Writing it was a lot of fun. We usually start with an idea for a melody line, then once that has become fixed, find some nice chords that work with it. We often then record that, which gives something to try different harmony parts against. We adapt the parts to suit the players that are involved. We’re very pleased with how the Nithraid music has come out, it will work well for a parade.

Ruth Morris and Gavin Marwick are part of the Stove’s Nithraid team, working to develop and grow the procession that will see the salty coo carried through the streets of Dumfries and down to the riverside where it will take pride of place over the River Nith to welcome in the arriving boats. This year’s Nithraid takes place on Saturday, 13th of September. A dangerous dinghy race from Carsethorn upriver, the boats will arrive in the centre of Dumfries with the high tide at approximately 3.45pm. There is a lot going down on the Whitesands all afternoon, full details on our Nithraid page here.

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