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Art_Inbetween as a Starting Point

Jo Hodges and Robbie Coleman were appointed as artists-in-residence to the Art_Inbetween project – they began their engagement with the project at the Art_Inbetween Summit  and are now working with ideas formed at the event…..

‘We’re delighted to have been commissioned to make new work in response to the ideas and themes discussed at the Art_Inbetween Summit held at The Stove 25/26 Feb.

The cross sectorial summit brought together people working in ‘Inbetween’ places – towns, villages and other rural areas, to recognise, re-articulate and explore the distinctiveness of the contemporary rural arts scene and to share experience and knowledge. We went to the summit with the idea of keeping our minds open and listening, but the discussions were such, that it was hard to maintain a watching brief and we ended up getting fully stuck in.

Artist Jo Hodges at Art_Inbetween
Jo Hodges at Art_Inbetween
Robbie Coleman (left) at Art_inbetween
Robbie Coleman (left) at Art_Inbetween

The workshops were open formats for conversations around; art as activism, the potential for creating new structures and ways of working in Inbetween places, strategies, communication and networking in rural contexts, cultural high streets and challenging traditional methods of evaluation. Download the Art_Inbetween Summit Pack

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In practice the workshops extended their reach to question the language and concepts that were used as starting points. There was much talk around what constituted ‘the rural’ and what that might mean for contemporary arts practice. Were new narratives / visions needed and what role could artists have in facilitating/creating these? There was a realization that there was a lack of clear definition around these ideas and terms and we’ve been left with an interest in delving deeper; what is it about this context that creates possibilities for new forms of art practice?

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Other recurring themes of interest to us were the discussions on democracy and participation and how art may make visible/curate/ engage with civic processes. This fed into the general consensus that art practices and processes can act as active agents in thinking about and creating positive social change. We were also interested in the conversations around working collaboratively using models of co-creation across sectors / disciplines and the need to take risks in order to move into new territories of practice with transformational possibilities.

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There was much talk around ideas of developing new models for evaluation of arts projects that were more relevant to the rural context and how evaluation could be built in as a creative element of any project rather than something to be done ‘later’. There was discussion about networks of various sorts and how vital they were in contributing to the resilience of ‘Inbetween’ arts practice.

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The second day was for more focused work with partner organisations from The Highlands, Wales and Northumberland. We were led in this by Sam Cassels who moved participants at a hair-raising pace using specific questions and provocations in order to quickly arrive at ideas for projects that had the potential for being developed further.

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The summit was buzzing with people, conversations and ideas. It was hugely successful as a forum to share and engage with the issues in contemporary ‘Inbetween’ art practice and attracted delegates with a wide and deep interest in the subjects at hand from a range of contexts across the UK. The structure of ‘less presentations – more open discussion’ allowed for conversations to develop and commonalities to surface and be articulated.

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From our point of view, as artists tasked with responding to the reach and vibrancy of these conversations, we are now starting to look for patterns, undercurrents, seams and overlaps. As a shared practice we don’t have a regular recurring methodology, but conduct conversations that evolve over time, gradually finding paths that lead us somewhere/nowhere. Currently we are at the beginning of that process.

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Since the summit we have found ourselves looking at our own practice (shared and individual) and have realized that it straddles the conventional rural/urban divide in ways that we had not considered before, an area that we will try and explore and articulate as part of this commission.

We have been left with a palpable feeling of excitement about ways of working outside the urban, centralized setting and the potential for developing this model of integrated working in ‘Inbetween’ places. Our challenge now is navigate a route within this enormously rich and evolving context.’

To contact Jo and Robbie – please leave a comment on this blogpost or email [email protected]

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Musings

Art and Politics at Art_Inbetween

Following on from last weeks Art_Inbetween summit, and reposted from Sarah Beattie-Smith’s blog, (visit it here to read the full report), some reflections from her attending the first day of Art_Inbetween:

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” “Don’t think of art and politics as separate parts of your life – you can do both”. These were the simple words of Katharine from The Stove in Dumfries that, in a few seconds, managed to make disparate bits of my life make sense. Our conversation took place at a thoroughly inspiring event – Art_Inbetween – at the newly refurbished Stove on Dumfries high street last week. Luckily for me, it was just one of a whole day full of provocative, compelling and exciting conversations with artists, performers, community workers and more.

It was a breath of fresh air to drive over the hills to Dumfries last week, to listen to people from across Scotland and the rest of the UK talk about art as activism, about art in a rural context, the politics of artistic practice and the very real political barriers to cultural creation in this country. Art_Inbetween was described as “a summit on arts practice in rural regions” but brought out discussions much more diverse than the description suggests. A morning of conversations about Dumfries and Galloway and the creative thread that runs through the region was followed by workshops on topics as diverse as the structures in place to support the arts and the problems of a rural/urban definition for how seriously rural-based artists are taken.

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I was really heartened to hear the feedback from the different workshops at the end, all reaching the same conclusions. That capitalism, centralisation and an urban-focused economy are all deeply destructive and that we need greater democracy, participation and equality across the country if we’re to stand any hope of truly supporting the arts in D&G and beyond.

Throughout the day, it became increasingly clear to me that art and “the arts” more generally are not something separate from society. Indeed, to think of art in this way runs the risk of devaluing artistic practice and alienating many of the people who would benefit most from participating in it. If we’re to support the arts, through things like the Scottish Green Party’s Intermittent Work Scheme and protection for arts venues and studios, we must do so with an understanding that artistic endeavour is at the very heart of cultural life in Scotland. We must understand that art and politics are neither separate nor mutually exclusive, but bound up together.”

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News

Feedback – It’s a Real Thing

From Moxie DePaulitte – The Stove The Stove Herald

Throughout the year, we strive to stay connected with all our members and ensure that everyone has the opportunity to easily share their hopes, wants, and needs regarding the development of The Stove and the collective creation of a better Dumfries. Whether it’s more formally at the members’ Housewarming event, during Cultural Wayfinding sessions, over Tea with Moxie (yes, that’s still going strong if you’d like a chat and a cuppa!), at drop-in sessions, during live events, through the speechbubbles project, or even in casual encounters on the street—the core team is eager to hear your thoughts, suggestions, and ideas for moving forward.

Moxie at work at Guid Nychburris
Moxie at work at Guid Nychburris

The Stove has truly blossomed since opening its High Street doors earlier this year, and there are many more exciting adventures on the horizon. Here’s a quick recap of the ideas you’ve shared with us and how we’ve responded.

Spoken word and creative writing were high on people’s agenda, with many suggesting an increase in related events. In April, Open Mouth burst onto the scene, led by Sarah Indigo and Eryl Shields, who conducted performance and creation workshops with school students during the day. Its success has led to Brave New Words being developed into a regular Open Mic night at The Stove. The next session is this Friday, 30th October, and is open to everyone (whether musical or spoken word—Brave New Words welcomes all original writing). In the run-up to Christmas, several other word-based events are planned, including the Wagtongues Pop-Up Bookshop at the end of November. Additionally, there is an open-call out for new writing for exciting art installations in the closes of the town.

Brave New Words - poetry slam September 18th 2015
Brave New Words – poetry slam September 18th 2015

A number of conversations around food were sparked at the Housewarming event, perhaps inspired by the delicious chai tea made by Open Jar and the bannocks baking over the open fire in the square. Attendees were eager to explore the power of nourishment in all its forms, suggesting ideas such as gatherings; gardening experiments where people could learn how to grow and cook seasonal produce; cup return schemes for the café; as well as film evenings and talks centred around food and produce.

We’ve also been discussing community gardens, rewilding initiatives, and collaborations with groups across the region to provide opportunities for exploring the intersection of growing and art.

The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)
The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)

The latter was explored during our recent film season at The Stove, where films such as Moo Man, Vanishing of the Bees, and The Lunchbox were accompanied by inspiring talks and equally delightful, relevant treats.

We also hosted an incredible talk by Alice from Social Bite, who shared their journey of building an amazing network of sandwich shops from scratch, which help the homeless get back on their feet and into work.

Work has begun on The Stove Café, which will provide a vibrant meeting place in the heart of Dumfries and serve as a base for further creative exploration of how we think about, grow, distribute, and cook food. The tender was won by Angela and Colin Green, and we are very excited to see the opportunities this new development will bring.

We are eager to hear from anyone interested in hosting groups in the early evening. For example, we have a regular Craftivism (Creative Activism) workshop starting on 28th October. These sessions aim to encourage people to linger a little longer after the shops close and further our commitment to breathing new life into the town centre.

The Craftivism workshops also align with other ideas raised by members. Many expressed interest in forming Skill Sharing groups and engaging in Mindfulness initiatives. Craftivism promotes both and we hope it will serve as a catalyst for other Skill Sharing/Skill Swap events.

It was also suggested that we take The Stove beyond the building and engage in more projects across the region. One such project saw The Young Stove working with school-aged children in the woods near New Galloway. They ran a workshop called Survival Art School and later gave the youngsters a tour of their show at Gatehouse of Fleet. Another example was the co-production of EAFS—a wonderful off-grid adventure in the grounds of Morton Castle. Among its many magical aspects, EAFS encouraged the sharing of food as a means of human connection and engagement, evoking a primal need to break down modern social barriers and foster friendships and communication around shared nourishment.

Rajasthan heritage Brass Band at The Stove
Rajasthan heritage Brass Band at The Stove

People asked for drumming, and what a line-up we gave them! Not only did we fill the day with the incredible Rajasthan Heritage Brass Band—bringing smiles to everyone they encountered—but we also hosted an evening workshop with local drumming groups. This spectacular session brought the community together in a loud and joy-filled way.

Looking ahead, the future vision for Dumfries includes suggestions for giant water slides, Segways instead of Orange Bike Schemes, permanent block parties, adult ball pits, and drive-in cinemas. It’s clear people want to feel the love returning to the town centre.

Phrases such as:

  • “Let’s celebrate what we have and what we can be rather than focusing on what we don’t. We are a vibrant town with vision. Work together to make it happen.”
  • “Keeping Dumfries’ heritage but being more upbeat and welcoming to new things.”
  • “Convert dead shops into flats = get people back into town.”
  • “Use empty shops as art galleries/installations – artists get work shown, town gets colourful, vibrant art instead of empty shops full of litter.”

have been echoed repeatedly. While perhaps less thrilling than foam bowling alleys, these suggestions are far more tangible and provide a solid starting point for meaningful change.

Regeneration has clearly begun, with many commenting on the positive difference The Stove has already made to the High Street—but much more remains to be done.

We’ve had inspiring public sessions working with Lateral North to explore how interventions and Cultural Wayfinding can help develop Dumfries, making it more welcoming and easier to navigate—just as has been achieved in other towns. There’s even more to come, including an event surrounding Norway House next month.

Since its creation, the building has taken on a variety of roles. It has been a messy creative space for The Young Stove and other artists, an exhibition venue, and a site for workshops, meetings, gatherings, and music gigs. It has welcomed a broad mix of people from diverse walks of life, which makes us very proud. It has also become a hub for exchanging ideas—a place where inspiration is shared, where ideas can be brought and nurtured to grow.

Radio DMC
Radio DMC

Music has been another hot topic for members and the public, and we have been developing a music strand since The Stove began through our Dumfries Music Conference. Since 100 High Street opened, this has continued to grow through partnerships with local music groups such as Small Town Sounds, Music Plus, and Electric Fields. These collaborations have led to fantastic gigs showcasing local talent, including Rudi Zygadlo, MØGEN, and Mark Lyken. You can even learn guitar at The Stove now with lessons from guitar teacher David Bass.

Other topics raised in discussions include:

  • Partnerships with the Crichton Campus – exciting news to come on this in February.
  • Fast Public Broadband – a big thanks to Ailsa for making The Stove the first business in the town centre with fibre-optic broadband.
  • Space for Screenprinting – we are supporting Upland and Maklab in their efforts to establish a facility at Maklab’s premises on the High Street.
  • Classes in IT and Film Editing – our digital making suite will soon be taking bookings, so watch this space.
  • Support for Research Projects into Environmental Issues – The Stove was the base for the recent Environmental Art Festival Scotland. Stay tuned for ArtCOP Scotland @ The Stove in early December.
  • More for Young People in the Town – The Young Stove continues to flourish and is now integrated into nearly everything we do.
  • Be Part of Making Dumfries Better – The Stove remains a space for people to come together, debate, and take positive action for the town. We are actively involved in discussions about the Whitesands and have exciting news about significant improvements to the High Street.
'Not to Be Sold Separately' an exhibition by Young Stove
‘Not to Be Sold Separately’ an exhibition by Young Stove

So, let us know what you think! Book in with Moxie for a cuppa, send an email, or drop our Herald a line on Facebook. The Stove is ever-evolving, and its quiet energy is building all the time—so get in touch and let’s see how we can sail together into the next phase.

P.S. If you’re ever wondering what’s happening at The Stove, please check our Events page, or look back at what’s been going on via our Blog page.

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News

Our Foundation Gathering

The ‘Foundation Gathering’ always sounded more like a cheesy Sci-Fi convention than an art event… The Stove’s ‘Foundation Gathering’ has now landed on Earth, complete with dry ice (or was that just folks breathing in the ‘bracing’ conditions?) and wobbly flying saucers.

More than 60 folks turned out on Wednesday – drawn by an invitation to come and be part of the future of the arts in the region by shaping the idea of a membership that will be at the heart of the organisation’s operation and decision-making.

Phil Jones (Business Development Manager) gave a welcome and defined The Stove as a project with the potential to be at the vanguard of a new genre of arts provision in Scotland – a social enterprise that aims to provide means for residents of Dumfries to play an active part in the future of their town.

Phil describes The Stove as ‘two things: 1) A Building – a fully accessible arts resource for the general public and creative practitioners… and 2) An Organisation – delivering participative public arts projects and undertaking commissions in the region and nationally

One of The Stove’s founding members, Colin Tennant, then gave a brief illustrated presentation of the work completed by the group to date and their plans for the future. To date, The Stove has delivered a highly successful programme of public arts events including ‘First Foot’ (part of Big Burns Supper 2012), ‘Punkin’ the Jubilee’ (Guid Nychburris 2012), and the Dumfries Music Conference – which brought industry professionals to the town to explain the contemporary digital music scene to the region’s young music entrepreneurs.

In 2013/14, The Stove will refurbish and open premises at 100 High Street as a public arts centre, complete a sculpture commission in Creetown, and work as one of three local partners delivering the inaugural Environmental Art Festival Scotland.

For the main part of the evening, Andrew Lyon of the International Futures Forum led a workshop that got people started working in small groups to make sculptures from a pile of recycled materials. Andrew’s organisation works to find creative ways of thinking about the future, and he asked groups to build a sculpture that illustrated the ideas and hopes they had for what The Stove could do for themselves and the wider community.

An amazing outpouring of creativity ensued, and groups then explained to others what their sculptures represented. Andrew Lyon then skilfully gathered all these ideas together into a creative discussion about how The Stove could operate as a democratic organisation with a membership, a board, and a ‘curatorial committee’. A general discussion followed, and 43 people signed up as the initial members of The Stove.

Membership is open to everyone and is free – if you would like to be a part of this innovative experiment in building a collaborative creative organisation for Dumfries and Galloway, then please send an email to [email protected], and you will be sent a membership form.

The first Stove AGM is set for mid-May 2013, where the members will be invited to elect a board to run the organisation on their behalf.

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News Project Updates

What Did Bill Drummond Say in Dumfries?

World-renowned contemporary artist Bill Drummond was in Dumfries last week where he presented a performance lecture called ‘Why Andy Warhol is Shite’. Eaglesfield filmmaker John Wallace was there that evening, but was ejected from the venue at Mr. Drummond’s insistence that his work not be recorded in any way.

Below is Wallace’s account of his attempts to discover the truths Bill Drummond was sharing with Doonhamers last Thursday night:

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News Project Updates

Andy Wightman Is in Town

We at The Stove are feeling a bit like all our Christmases have come at once – so many of our favourite people are in town… today sees the arrival of Andy Wightman!


Many of you will know Andy as ‘Scotland’s foremost land rights campaigner’ – but he is so much more than that – a genuine polymath, Mr. Wightman is one of the most inspirational speakers on the subject of how everyone can change the world by getting involved in the places that are important to them.

Most recently, Andy Wightman appeared in Anthony Baxter’s documentary about Donald Trump’s controversial golf course in Aberdeen – You’ve Been Trumped.



Andy will be speaking on the ‘Political Geography of Scotland’s Commons’ on Friday at The Stove.

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