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The Stove Network Shortlisted for SURF Award

We love a good press release at The Stove…..

Dumfries Artists Collective, The Stove Network, has been shortlisted for the prestigious Scottish Urban Regeneration Forum (SURF) Awards for 2014. Launched in 2003, these awards have become the benchmark for best practice in urban regeneration in Scotland.

The Stove Network has been shortlisted in the Creative category, which highlights best practice in arts-based projects that contribute to local regeneration efforts. The Stove Network has been nominated for its pioneering work in placing the arts and culture at the heart of regeneration efforts in Dumfries and, in particular, for its ‘innovative and exemplary arts practice in the context of national cultural and economic strategy’.

Commenting, Stove Curatorial Team Member Matt Baker said, ‘It is huge for us and for Dumfries itself to be getting this national recognition for what is happening in the town.’

‘The Stove Network works in close partnership with other arts organisations locally, such as Big Burns Supper, Moat Brae, Theatre Royal, and Robert Burns Centre Film Theatre, as well as DG Unlimited. SURF understands about partnership and this recognition is for all of us. The public really began to notice a buzz about the arts in the town after Dumfries was shortlisted as Scotland’s Creative Place for 2014 – the Creative Dumfries project was a massive communal effort by everyone connected to the arts and regeneration in the town.’

‘Currently, we are unable to use our premises on the High Street whilst DGC carries out essential accessibility improvements. Unfortunately, these works have been subject to significant delays and this has curtailed the projects that we have been able to do over the last few months. However, we hope people will have seen the potential of our work through events like the Nithraid in September. We are gathering an amazing group of people around our organisation – so just imagine what we will be able to do when we are fully functioning at 100 High Street!’

In June, The Stove Network worked with more than 40 local groups and individuals to create a ‘people’s charter’ for the town, which they launched as part of Guid Nychburris celebrations. The launch included members of the public hurling wet sponges from the town fountain at giant banners that changed colour when wet to reveal the Charter.

15.BMX on Sands
BMX and skaters take to the Whitesands as part of Nithraid 2014

On September 13th, the artists staged the second running of their Nithraid event, which saw more than 4,000 people reveal the potential of the town’s riverside car parks as public space with an artist’s street market, roller skating, skateboarding, and BMX. Nithraid is a ‘dangerous sailing race’ in which sail-powered craft negotiate the river Nith from the Solway Firth into the centre of the town on the highest tide of the year.

The winners of the SURF Awards 2014 will be announced at the Radisson Hotel in Glasgow on 2nd December.

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Musings News Project Updates

News from the Band

From Ruth Morris

By far the most difficult part of the whole thing has been finding enough young musicians to take part. We had the idea of a Balkan style street carnival band. To sound like that, one needs a few brass/ woodwind instruments, which turn out to be like hen’s teeth in Dumfries and Galloway! However we have a few now, including a euphonium, a trombone, some clarinets and some saxophones. We also have fiddles, accordions, flute and percussion. So it should be very lively!

To hear it at it’s best, join the parade through Dumfries from 1.30pm this Saturday, or see the band perform the full piece on our stage on the Whitesands later in the afternoon.

Writing music for transposing instruments, eg clarinets, saxophones, euphoniums is full of interesting challenges. For example, if I want everyone in the room to play the note ‘C’, I have to tell fiddles, flutes, accordions etc to play ‘C’. But I have to tell clarinets and euphoniums to play ‘D’, and I have to tell alto saxophones to play an ‘A’. This can lead to confusion, as I’m sure you can imagine.

But once everyone has worked out what the notes are, it’s a truly wonderful sound, loud and powerful. For most of the people involved, this is a very different kind of music to what they normally play, so it’s a great opportunity for everyone to try something a bit different.

Writing it was a lot of fun. We usually start with an idea for a melody line, then once that has become fixed, find some nice chords that work with it. We often then record that, which gives something to try different harmony parts against. We adapt the parts to suit the players that are involved. We’re very pleased with how the Nithraid music has come out, it will work well for a parade.

Ruth Morris and Gavin Marwick are part of the Stove’s Nithraid team, working to develop and grow the procession that will see the salty coo carried through the streets of Dumfries and down to the riverside where it will take pride of place over the River Nith to welcome in the arriving boats. This year’s Nithraid takes place on Saturday, 13th of September. A dangerous dinghy race from Carsethorn upriver, the boats will arrive in the centre of Dumfries with the high tide at approximately 3.45pm. There is a lot going down on the Whitesands all afternoon, full details on our Nithraid page here.

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Musings News

The List of the River Nith

From Mark Zygadlo

Here’s
the rainbow scum
in the peaty puddle,
the floating wabbling moss
pressed to a trickle, to the stony sykes
and the burns with the overhanging alder banks,
the Marr, the Scaur, you know them all.
Plunge pools between the rocks
where something cold in the shape of a tiny fish
slimes to the stones and you dare not touch it,
innocuous though you are.
The falls and the places of the saved, the plains flood, bunds and bridges now, drains and stinking outfalls, rich weed and confluences, abbey ruins, mills, houses, fishing beats those who should and those who shouldn’t, lord bless us and slow us every one.

The river Nith's tidal bore seen at Glencaple. Image available in the Dumfries Museum collection
The river Nith’s tidal bore seen at Glencaple. Image available in the Dumfries Museum collection

Now here’s a river that flows both ways twice a day, here’s a river with a bore, here’s a river of great salmon and otters in the town centre, here’s river that worked, here’s a river that sent a thousand swanskin gloves in a single ship, here’s a river that’s been trained and straightened, blasted, dredged, bridged, forded, made electricity, turned the town mill. It’s the replying torrent that floods the town and carries off the eroded hills, it fills and empties with millions upon millions of tons of seawater twice a day and here’s a benign stream of clear tea stained water with islands and ducks and white flowering weed.
Here are the docks and wharves o’ergrown, the flattening merse, the ooze, the whetted wind that opens the distance to the sea. This is the sea. The Nith is a constant with darkness laying along its meandering silty bed. No day is the same yet…

The Rise of Denmark in full sail on the River Nith. From the collection of the Dumfries Museum
The Rise of Denmark in full sail on the River Nith. From the collection of the Dumfries Museum

Mark Zygadlo is part of the Stove’s Nithraid team, developing the boat race itself and this year has also been working to create a large installation in the centre of the River Nith. This year’s Nithraid takes place on Saturday, 13th of September. A dangerous dinghy race from Carsethorn upriver, the boats will arrive in the centre of Dumfries with the high tide at approximately 3.45pm. There is a lot going down on the Whitesands all afternoon, full details on our Nithraid page here.

Categories
Musings News Project Updates

‘Making Dumfries’ – a new Charter

Members of The Stove Network are gearing up for Guid Nychburris again. We have been involved in the festivities for the last 2 years and are finding it a brilliant opportunity to work with and talk to people in Dumfries about the future of the town.

Recently we have been inspired by some of our researches into local movements of people working together to make the places that they live in better by thinking creatively and taking practical measures like pooling skills.

Guid Nychburris celebrates the granting of a Royal Charter to the Burgh of Dumfries in 1395. We thought it would be interesting to speculate about the sort of Charter the people of Dumfries might grant themselves for the future prosperity of the town.

For absolute clarity…this idea of a popular Charter is NO way ‘official’ – it will have no formal status at all…it has not been ‘commissioned’ in any way. A group of local artists just thought this could be an interesting contribution to the conversation about the future of the town.

We plan to launch the Charter on Guid Nychburris Day (21st June) – getting people to help us ‘unveil’ it in a typically Stoveish manner and offering people special memorial copies that they can also add to and edit as they choose.

We are getting in touch now to invite you to contribute to the new Charter – our idea is that the Charter should focus on people and what is important to quality of life… to paraphrase the US constitution ‘ Each Citizen covenants with the whole people and the whole people covenants with each Citizen that all shall respect certain principles for the common good.’

The Stove already has long standing partnerships with groups and individuals working in these areas – over the next couple of weeks we will be asking people to help us come up with a phrase (20 words max) for their particular area of interest that we can add to the new Charter.

We propose that the Charter begins with the statement that:

We promise each other that our making together will be shaped by these values, for the common good

  • Our idea is that this opening is followed by a series of statements about how the town regards the following:
    • Young People
    • Diversity
    • People with disabilities
    • Enterprise and opportunity
    • Culture and creativity
    • Heritage
    • Environment
    • Belief
    • Civic society and local democracy

This is also a completely open invitation to anyone with an interest in this project to take part….please either leave a comment at the bottom of this post, drop us an email at [email protected] or contact us through Facebook or Twitter.

Also let us know if you are interested to be involved in being part of the project team to bring all this to fruition for Guid Nuychburris Day and beyond

We are not intending crediting individual contributions on the Charter itself – but we would hope to list everyone involved as part of the project documentation. Please include with your contribution the way you would like to be credited or a confirmation that your contribution should be anonymous

Categories
Musings News

Guid Nychburris and beyond

The Stove’s focus is growing towards Guid Nychburris Day, and our upcoming events to co-incide with Dumfries’ annual Riding of the Marches Day. This will be our third year presenting work as part of the annual festivities, and with each year our fascination with the history behind it grows. 

Lochmabengate Port – we’d like to know a bit more about the gates and customs arising from the Guid Nychburris route, any suggestions?

 Guid Nychburris Day has been held near annually since 1932, but it’s origins lie further back when King Robert III granted Royal Burgh status to the town in 1186. But where has the festival we see today grown from? From where and when have each of the customs, important figures been added to the event? 

Although there are other March Riding traditions across the border and beyond, each having grown it’s own unique customs and traditions – and we’ve been thinking slightly further afield at the origins of tradition in community based and led festivals: 

From the ancient and obscure, such as Ottery St Mary’s Flaming Tar Barrels tradition: part of their annual carnival on the 5th November. “The exact origins are unknown but probably started after the gunpowder plot of 1605. Various alternative reasons suggested for burning barrels have included fumigation of cottages and as a warning of the approach of the Spanish armada.” 


To the more modern adaptations – take the Edinburgh Beltane Fire Festival (coincidentally this week) for example, which only started up in 1988 but harks back to the celtic Beltane festival that traditionally took place at this time of year. At what point do these events go from being a bit of fun to a ‘venerable tradition’? 

A shortlist of some of the curatorial team’s favourite festivals: 

The Baby Jumping Festival 
Or, “El Colacho” dates back to 1620 and is a Spanish ritual involving men dressed as the devil in red and yellow jumpsuits paired with modern running shoes, jumping over babies born in the previous twelve months; thought to bless the newborn children and remove original sin, preparing them for a life on God’s true path. 


Burning Man 
Which needs little introduction, but sees the creation of a temporary community for a week each year in Nevada’s Black Rock Desert. “The Burning Man organization (Black Rock City LLC) creates the infrastructure of Black Rock City, wherein attendees (or “participants”) dedicate themselves to the spirit of community, art, self-expression, and self-reliance. They depart one week later, leaving no trace.” 

Up Helly Aa 
Although first appearances may suggest a harking back to ancient Viking celebrations, Up Helly Aa is actually a relatively modern – having grown out of wild Christmas holiday celebrations. The current form, including guizing and torchlit procession was first introduced in the around 1870.  

Holi 
The Hindu festival celebrating the end of Winter and the arriving Spring – sees social rules and expectations relaxed in India, “Social barriers are broken as people of all ages, genders, castes, and wealth gather together and celebrate the festival. In fact, it is said that one can get away with almost any kind of behavior on the day of Holi by saying “bura na mano holi hai,” or, “don’t mind, it is Holi.”

Palnackie Flounder Tramping Championships 
Naturally, we couldn’t miss out the more local eccentric festivals. Palnackie’s Flounder Tramping Festival has been missing from the calander the past few years, but rumour has it is due to make a comeback this year. It was the brainchild of villager John Kirk, who on a sunny summer afternoon in 1973, offered a bottle of whisky to the person who could catch the biggest flounder. 


And so back to Guid Nychburris. As we delve into the history of the town’s Charter and Seal, the importance of the flag and the many gates and keys along the route as well as the roles played out by the Cornet, Lass and entourage – all the pieces that add to the sense of tradition and occasion – get in touch with us!

Categories
Musings News

The Regeneration of Dock Park

The Stove set up temporary residence one afternoon last week in the newly regenerated and renovated Dock Park as part of the ongoing festivities celebrating the park’s clean face. In anticipation of this year’s Nithraid, we took to the river – send massed flotillas of paper boats downstream and out to the Solway. 

The boats were christened after famous links to the Park’s history including: 
The Great Pedalo (Kirpatrick MacMillan – inventor of the bicycle and honoured by the footbridge) 
The Dragon Slayer (.. St Michael’s Bridge at the top of the park)
The Tweed Rose (Rosefield Tweed Mills on the opposite bank) 

The Rosefield Mills featured as part of one of Lisa Gallaher’s pieces made for TDRM: Dumfries during InBetween Dumfries. Working with local artist Evelyn Gray, Lisa produced a tweed coat incorporating Evelyn’s sketches of the mills…


 The two week long youth festival coinciding with the school holidays was envisioned to shape how the park as a public space could be used by the good folk of Dumfries, and the re-instate the park within the psyche or awareness of the town, as opposed to a periphery space. 

With the park’s Victorian history, could a new fashion for a contemporary promenading culture be re-invented?

promenade (ˌprɒməˈnɑːd) 
 — n 1. chiefly ( Brit ) a public walk, esp at a seaside resort 
2. a leisurely walk, esp one in a public place for pleasure or display 
3. ( US ), ( Canadian ) a ball or formal dance at a high school or college 
4. a marchlike step in dancing 
5. a marching sequence in a square or country dance 

 [C16: from French, from promener to lead out for a walk, from Late Latin prōmināre to drive (cattle) along, from pro- 1 + mināre to drive, probably from minārī to threaten] 


On walking around the park, The Drying Ground particularly caught my interest – as Glasgow City Council looks to impose new rules on the use of their public parks, with Drying Grounds clearly outlawed: 

” 11.1 No one shall in any park, except with the prior written consent of the Director: 

 (f) hang linen or other material, beat, shake, sweep, brush or cleanse any carpet, rug, mat or other article. “

The full list of proposed banned activities includes organised sports, gatherings of more than 18 people, walking more than 4 dogs and outdoor education – a full and interesting article on the A Thousand Flowers blog.

The importance on non-commercial public spaces, and their benefit to town and city life not just in terms of regenerating the surrounding areas but also in creating spaces (and therefore towns) where people want to be is discussed by Animal Behaviourist turned City Planner for NYC, Amanda Burden in her recent TED talk (available here) 

As groups like the Incredible Edible‘s continue to promote and grow a greener vision for the town, how can the parks play an active role in this? How do these public spaces become once again instilled as part of the townscapes’ sense of self? As 100 High Street remains closed for the time being, do keep an eye out for the Stove in exile throughout the town over the next few months, and if this great weather continues, we can maybe reconvene our meetings in the park.. 

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