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A New Chapter for The Stove

Matt Baker, Photographed by Coulson & Tennant

A New Chapter for The Stove as Matt Baker Steps Down as CEO in 2025

As we enter our 14th year, I’m writing to let you know about another major milestone for The Stove, as our co-founder Matt Baker stands down as CEO in summer 2025. This progression has been in planning for over a year between Matt and the Board. The Stove is constantly evolving, and the Trustees and the team are confident that this will be another positive process of change for us.

A small team from the Board have been working with Matt for about a year now in planning for this change. I’m delighted to tell you that we are not losing Matt; he will take on a new part-time role for The Stove as our ‘Prospector’*, continuing with the brilliant work he does for us in regional and national strategy and policy development, and working with prospective clients and funders to shape new work opportunities.

In co-founding The Stove, the challenge Matt set himself was to help establish a sustainable, innovative arts organisation embedded in his home region. As he says himself, ‘the final step in creating something is to step away to allow it to stand on its own and flourish’. With the incredible team we have built—you, our members, and all of our partners—we have the experience and skills, and we are ready and excited to embrace this new stage together in our evolution. We can assure all members that no significant change to the direction or operation of The Stove is anticipated; we will continue to serve the creative community and the wider communities of Dumfries and Galloway as we always have.

We are deeply grateful for the extraordinary contribution that Matt has made to The Stove, the region, and the country over the past 14 years, and delighted that his commitment to Dumfries and Galloway and the pioneering practice of creative placemaking will remain his focus. We are excited at the prospect of new adventures with Matt and all the new connections he will make for us.

The wonderful recent news of the award of multi-year funding from Creative Scotland means that The Stove is now in its third cycle as a national portfolio arts organisation, an incredible achievement for such a young and highly original organisation. This award was based on our business plan for 2025–28. The plan is built on the twin strands of (1) community-embedded creative practice, for and with the communities of Dumfries, and (2) regional creative placemaking and creative sector development. These two areas of work are based on the solid foundations of existing work and future innovation, and are underpinned by four areas of income generation, all of which are comprehensively supported through effective governance and working systems.  

We will now enter a short process of internal reorganisation and planning to refine the shape of our team and working systems. This is something in which everyone at The Stove has a voice, but we have planned things in such a way that the process should create as little disruption as possible within everyone’s busy schedules. The process will be enabled and supported by the constitutional changes we made in the past year and the well-embedded operations of the Board and senior leadership team, which we have all developed together. We will do our utmost to keep everyone informed throughout, and I am here for any queries—please do not hesitate to reach out

This feels like a big change in our Stove foundations. As you all know, Matt has been the leader of this special place. However, we’re confident about this next chapter, the new opportunities it will present internally and externally, and the fact that we won’t lose our wonderful Matt completely. As it is traditional to say at The Stove at times like these, ‘may it continuse on!’


Lynsey Smith
Chair of the Board of Trustees at The Stove


* A prospector company is defined as one that is a leader in its market and is driven by innovation and thought-leadership. Prospector companies are known for being entrepreneurial and investing a lot of time and effort to find new products and solutions. A prospector strategy is a business strategy that involves actively seeking out new markets and opportunities. It’s a competitive strategy that emphasises innovation and flexibility to respond to changing market conditions. A prospector seeks precious elements.

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News

The Stove Multi-Year Funding Award 2025-2028

We are delighted to share that The Stove has been awarded Multi-Year Funding by Creative Scotland for the period of April 2025–April 2028. We are honoured to be part of the national portfolio of cultural organisations in Scotland for the third time. This decision feels like a true affirmation of the work we do.

The significant growth of funded organisations in our region demonstrates how fundamental the arts are to life and work in Dumfries & Galloway. We are proud to stand alongside six other creative organisations in the region—DG Arts Festival, Upland CIC, CatStrand, Wigtown Festival Company, CAMPLE LINE, and Paragon Music—who are all making valuable contributions to the cultural, social, and economic well-being of Scotland’s communities.

The Stove, as it stands today, has evolved from a conversation in a bar in 2011 among a group of artists. Our hope then remains the same as it is now: to use creativity and the arts to shape the future of our town. Collaboration has always been at the heart of our vision, and we dedicate this recent success to everyone we’ve worked with—the community across the region, the incredibly talented network of freelancers, and, of course, our members.

We’ve taken time to publish our message of thanks and gratitude for Creative Scotland’s support out of respect for the many organisations across Scotland who have not received the outcome they had hoped for. We acknowledge the challenges that lie ahead for many of these organisations who undoubtedly invested a tremendous amount of time and energy into the application process. As we stated previously in our response to the closure of Creative Scotland’s Open Project Fund, we stand in solidarity with creatives everywhere, as well as with public and third-sector workers, and offer our support in any way we can.

Looking ahead to the next three years, with the stability provided by this funding, we are pleased to continue with our ambitious plans. The Stove’s original mission for Dumfries—enabling creativity and creative people to make a positive contribution to the town and surrounding communities—has now expanded into a region-wide endeavour. Over the next three years, we will focus on delivering community-embedded arts practices with the communities of Dumfries, as well as advancing regional creative placemaking and creative sector development:

We’d like to take this opportunity to acknowledge the continued support from all our much-valued funders and partners, who enable our ongoing mission for Dumfries & Galloway.

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Musings

Looking Back on 2024, Looking Forward to 2025

When we look back on 2024 from a distance in years to come, there is no doubt that for many, it will be remembered as a tragically difficult year, one marked by events beyond their control. From the heartbreaking loss of life and destruction in Gaza, Ukraine, and Sudan, to the relentless exploitation of populations by autocratic regimes in countries like Russia, Venezuela, and Zimbabwe, to the rise of divisive populist leaders spreading hate in the US, Hungary, Scandinavia, and Germany. The question we face now is whether this period will be remembered as a descent into deeper human self-destruction—or whether we can pull back from the brink. These are big and daunting questions—almost overwhelming when viewed from the perspective of our daily lives in a small corner of the world.

At The Stove, we’ve always approached such challenges by ‘digging where we stand’—focusing on making a positive impact within the world we can influence with the hope that multiple local efforts can, over time, connect and grow into something much larger. Our work is about involving people, connecting ideas, and using creativity to empower individuals to have a voice in the world around them, and to make positive change in their lives and communities. I believe this approach is foundational to pushing back against the rise of populism in our country, and perhaps it can serve as an example to others. Populism thrives on feelings of exclusion and disconnection—allowing manipulative leaders to exploit alienation and sow division. But we can resist this by doing the opposite: by including, involving, and creating opportunities for people to engage in positive change in the world around them.

These are big thoughts for the end of a tough year, but hopefully they can serve as a strong base for the new year. This requires collaboration and connection with other groups and individuals striving for a common goal. None of us can do this alone.

Looking back on 2024, I hope we can take pride in the small steps we are making in this big world. This year, we’ve hosted 264 public activities, reaching a total audience of 10,417 and engaging 6,835 active participants. We’ve also awarded 178 contracts to creative freelancers, totalling £187,000—42% of which were to people we had not commissioned before, and 31% to individuals under 25.

As we reflect on these figures and the impact of our work, we are reminded of the vital role that creativity plays in creating change. At our AGM earlier this month, we shared highlights from the past year and our ambitions for the year to come:

Looking ahead to 2025, like many Scottish arts organisations, we are awaiting Creative Scotland’s Multi-Year Funding decision at the end of January with a mix of nervousness and hope. Whatever the outcome, we’ll make the best of it and are excited about the key initiatives we’ve planned for the year ahead.

It just remains to say a huge thank you, from all of us at The Stove, to everyone we’ve had the pleasure of working with this year—whether a participant, a collaborator, a partner (local, national, or international), a Stove member or supporter, or a Trustee. We deeply value every connection and are continually inspired by the commitment and passion of all those we work alongside.

Wishing you all peace and happiness as we welcome the new year, however you choose to celebrate. Here’s to another year of positivity, collaboration, and mutual support.

Best Wishes,

Matt Baker, CEO, The Stove

Categories
News Project Updates

WRITE: A Community Anthology

Each month in the Stove Cafe, author Karl Drinkwater hosts ‘WRITE’ – a creative writing workshop. Sessions are guided by thought-provoking prompts, offering dedicated time for free-flowing expression. Afterwards, participants have the opportunity to share their creations within the supportive group, receiving valuable tips to enhance their writing skills and boost confidence.

Over the last year, participants have shared their workings that have been borne from prompts from WRITE. Read a selection of works below.


The Gift

Taking a break 

from his bench

the clock restorer’s

mind turned within wheels.

Absorbed in measuring

minutes and hours

how had he permitted

years 

to escape?

Was pride in precision 

simply an illusion 

of keeping time?

A young boy

gazed longingly 

at clocks

in the dusty window

as another child 

may have eyed                      

jars of tempting toffees

reckoning 

how many sweets 

could be gained

for clinking coins.

Fresh eyes 

eager to uncover 

secret workings

spy 

as

cogs mesh

pivots revolve

flywheels spin

coils unwind.

On an impulse 

the clock restorer 

beckoned.

An estimation made 

pocket money 

exchanged 

for a slate-cased clock

in want of renovation.

On the next impulse

the clock restorer 

lifted down

a box of parts.

A gift 

a wondrous trove 

of mechanical magic

awaiting discovery.

Boyhood

many 

intricate tasks 

ago.

A rhythm set 

to guide his tracks

the boy

though older now

still unpacks the box

selecting 

pieces

by name and designation.

Understanding 

the drive to impart 

knowledge

skills

art.

Polished

restored to working order

the slate-cased clock

marks 

progress.

At its centre

escapement 

locks 

frees 

locks

frees

locks

frees

whilst 

its heart

beats

encouragement 

motivation

belief.

Remembering an encounter with the clock restorer of Easton in Gordano, 1966.

© Jeanette Abendstern for and with Brian Leaver 


Resolution

Resolution, wake up, make a change.

“We can’t do nothing” is the sad refrain.

Oh oops the Tories got voted in again

But I’ll never vote to put our grandkids in chains

Make a resolution get political, be more critical

Stop being arthritical, intellectually paralytical

Enough of being cynical

Sitting doing nothing is just parasitical.

Here’s what will happen if we just leave be

Money will spend into politics to make money

More money more as they build a dynasty

Neo-lords raised up off our kids not being free

But the billionaires,

Their worst nightmares

Are angry stares, our righteous glares

As we organise, challenge and protest

Step up to demand what’s best

Loss and damage

Free school meals

Working lives less stressed

Win back some rights

Without worrying about arrest

They’re murdering Palestine

Our industries are in decline

It’s not all fine

So now’s the right time

So come on make a January resolution

Build a revolution

It’s the solution

Solve pollution

Draft a constitution

The House of Lords needs dissolution

Corporate criminals need retribution

If you do one useful thing this year

Decide to get your bum in gear

Talk politics to everyone without any fear

Because a better world really is just near

And the You that makes it happen is sat right here.

© Simon Jones


The Mountain

Early gleaming of the sun kissing that beautiful peak of the mountain,

Radiating its light like silver stars in the sky,

Catching the eyes and touching the hearts of millions,

Spreading profound joy and leaving a wonderful memory in hearts.

Viewing these beautiful peaks takes away all pain and suffering,

Warming your heart and making your day bright.

Borrowing your willing ears, it allows you to listen to that tranquil music,

Secretly asking you to smell that calm air as if you were touching stars.

Sometimes it makes you speechless and takes your breath away,

Cosseting you with its natural beauty and bringing you more peace.

Nothing can erase such beautiful memories that stole your heart away,

They remind you that they are still alive snuggling up to that mountain.

You remain deep inside the heart of it, full of great gratitude and deep affection.

They bring back the beautiful memories of the mountain,

Ever smiling and living in its eternal beauty.

A beauty of nature, of peace, and of serenity.

© Sherima Pradhan


Rubble Kings

Like the torch of a slow burn
your best days are done,
you may well blaze skylines –
we’ll rebuild with the bones of
you murdering tyrants!
hack hard at your roots purge your truth
when you waken at twilight

No frills, no thrills,
no pills for your ills

Join in, gut your own out as
bleeding rats raze your house,
vomiting secrets your conscience deleted
turned cheeks get smacked, mirrors crack
your bubbles burst
forlorn king of rubble and dust

no shimmers or glimmers
no breakfast no dinners

Our ancestors weeping while war
keeps repeating. Lost souls fast asleep,
their bodies smart, crawl and creep.
Yearning for drugs cut with violence,
washed down with radio silence

no home fires burning
empty guts churning

The stench threat of warlords unbothered
in Westminster’s corridors
by children in Palestine wailing in horror
flames fanned with fear,
Tory papers, online warriors …

No pills for your ills

No pills

For

Your ills

© Davey Payne


The Princess

Once upon a clear crisp evening, while I gazed upon the stars, white gleaming,
A lone, cold tear raced t’ward my chin, broken spirit.
My heart beat thudded beneath my breast, as I tossed all thoughts of my moral quest,
I slithered to bed for desperate rest and whispered “sleep a minute.”
“Blasted storm within my brain,” I muttered, “sleep a minute” –
Yet the storm raged on, broken spirit.

Retreating, I rose and paced my chamber, mind still racing in weary labour.
These stone walls ensnared my soul, broken spirit.
Desperate for release, locks dancing with the night’s breeze,
Turning towards the dark abyss, sighing “Please! I know my limit,”
Turret window dominating the land, I yelled out “I know my limit!”
Silence. Broken spirit.

A moment later, a pitter patter, has someone heard my mournful chatter?
Is this it, are my prayers heard, restoring my broken spirit?
“Please god, my merciful master, I’ll repent to any pastor,
Free my soul from this disaster, with just one visit.”
I listened still and I listened sure, “just one visit,”
Nobody came – broken spirit.

The foreign noises, confused me still, as I peered out from my window sill,
Till the frayed ‘supper rope’ was cast before me, broken spirit.
I gathered the pot, rancid rotten veg – my lot.
Recoil on my face, excitement shot, rope returned to the captor, git!
How dare she imprison me in this perilous tower, my captor git!
To see out my life’s days, broken spirit.

Sitting still, engaged in siege, once a girl of bestowed prestige,
Till stolen from my family home, by a broken spirit.
Body against my chamber walls, sinking, I dreamed a peaceful thinking,
Of a prince, on a horse, armour clinking, rescued from the woeful pit,
Nonsense! He knows not that I’m here, in my woeful pit,
In my infertile sanctuary, with this, my broken spirit.

© Rosie Squires-Cowan


Castle of My Mind

Within my sanctuary, I am under siege,

Anxiety and stress – my only liege.

No guards on the gates, no lock on the door,

Most days I struggle to rise from the floor.

No battles raging across the plains,

Yet everyday crippling chest pains.

Outside boasts peacefully – calm and tranquil,

Inside, dark and flustered, consuming my pill,

Fire lit, body sheltered and warm,

Mind not protected from the torrid storm,

Food and water in plentiful supply,

No tears when I’m broken, cheeks are dry.

Family gathers to enjoy our suppers,

Failing to stay present, my mind scuppers,

No song or dance to raise the spirit,

Tortured by demons; Devil, Ifrit.

Begging the torment will be over soon,

Hoping screams fade to a lighter tune,

Peace will reign as it did before,

Pray, happiness return once more.

© Justin Squires-Cowan


Last Christmas – Excerpt

The 4×4 breathing technique isn’t working. She’s forced to rummage through her bag, grabbing at the various sheets of pills she always carries with her. Like a baby blanket. A safety net.

A cheeky valium or two just to take the edge off, she reasons.

Freya sashays her way to the train’s buffet carriage. Her eyes dance across the fridge doors and their shining contents, landing decisively upon the alcohol section. It is 11:11am. A frozen, snowy Monday. She averts the judging gaze of the woman behind the counter who makes a point of repeatedly looking at her watch, with cocked brows.

Message received, bitch.

A hard stare and smirk as she pays. Returning to her seat, she washes the pills down with a pre-mixed can or two. Or was it three? Either way, despite all that, by the time the train pulls in, she feels electric. Feels…silly.

***

She squeezes her way through the bustling crowds, out of the frosty hustle of King’s Cross Station and into The Black Phoenix, she is struck by the warmth, laughter and stale tobacco lacing the air. Years of spilt Chardonnay and ale, trodden deep into the paisley carpet. She somewhat trips in across the threshold, for the uncharacteristic fact she is wearing heels today. For him. She stamps and shakes the snow from herself. Her eyes, searchlights seeking.

Is he here? Breeeeathe.

Her heart is racing. Her cheeks burn a horny shade of fuchsia.

I can always blame it on the cold.

She’s never been subtle. Shit at poker. She’d named her face ‘Judas’ in the mirror one messy night, years ago in some stranger’s bathroom. She takes in the festive glow of the twinkling lights draped around the bar and windows. George Michael’s ‘Last Christmas’ croons through the speakers, weaving its way between loud cackles and hushed chats. A smile slithers across her lips.

So this is why they call it the silly season. Ha.

She bites her lower lip. Silly is an understatement.

The heat pumping throughout the cosy pub feels especially luxurious, considering the whipping cold outside and the crippling recession which has stifled the country with its cost of living. Old friends with grand bellies sit around small wooden tables, chuckling with nostalgic glee. The knitted sleeves of xmas jumpers wipe froth from whiskered chins.

A ruddy faced barfly calls out:

‘Oi oi, Captain, another, eh? Good lad,’ as he proudly slams his empty pint glass down. A leathered wink and a discreet stumble. Glasses clank loudly as they collide, amber contents splashing and spilling out.

© S.J. Wildling

Read the full short story here.


Through The Stars Dumfries

You can see Dumfries from the Moon. On trips to the observatory decks I would point the large lens telescope towards the Southern part of Scotland and have a better look at what we left over. Others who were crammed here in the living centres would use the time they bought to look at the parts of history they wished they had visited. My Grandfather and I would often study the old images of the town stored via projections from the company data packs. Grandfather would always show me the pictures he had saved of the place our family came from. We couldn’t take them too far away from the Grid though, stray from the network and the company would delete them regardless of payment. The charge for reactivating any memory was too much for most, myself included. Most of the images stored in the Grid were constructed from various accounts and memories of those who had left us. The ones Grandfather and I had were real though, at least to me.

The first thing I always noticed about them was the sky. Sometimes it was a bright, radiant blue but mostly it seemed to settle on a dull grey. The main thing was that it was there. No glass above your head, no sealed domes to control the atmosphere, just an expansive sky you can look up to at any time. The people would walk places without the constant connection to the Grid to monitor everywhere they were going.

On the last visit to the observatory deck I asked my Grandfather about going back to Dumfries.

“Very dangerous” he replied.

© Cameron Phillips

Read the full short story here.


Hosted by multi-genre author and editor Karl Drinkwater, WRITE! is designed to allow you to play with words and construct short or longer pieces of work, whichever you desire, and it is open to all abilities!

If you would like to attend the next WRITE! session, click here.

To learn more about Karl his website, click here.

Categories
News Project Updates

Off The Margin with The Stove Network and WWDN Digital

WWDN Digital works with community groups and organisations to set up and run digital spaces, host collaborative programmes, and create shared online resources to increase communities’ access to technology and training in digital media skills. As part of its launch, The Stove Network hosted Off the Margin, a micro-festival celebrating Dumfries’ print heritage.

In this age of digital media outlets and information sharing, Off the Margin delved into the print heritage of Dumfries and investigative journalism more broadly.

As part of this programme, The Stove’s Artistic Director Martin O’Neill sat down for an insightful discussion with a panel of speakers whose expertise ranged from the history of investigative journalism to Riso printing techniques and working in the former news and print spaces of Dumfries’ high street.

While examining the current landscape in Scottish grassroots print and journalism, the panel tackled how communities, creatives, and journalists can reclaim their agency while navigating an era marked by an increasingly divided mass media and heightened public scrutiny regarding the accuracy and biases of printed media. This discussion revealed insights and sparked a hopeful community discussion on the potential future of print, media, and journalism in Dumfries and Galloway.

The discussion directly followed a screening of film-work Imprints in Time by Artist John Wallace, documenting the master printmakers and enduring machinery still in use at Solway Print while uncovering the printing heritage of Dumfries town centre.

The panel comprised of Judith Hewitt (Museums Curator East for the Dumfries and Galloway Council), Johnny Gailey (Out of the Blueprint Project Manager), Karen Goodwin (Investigative Journalist and Co-Editor of The Ferret), Pete Fortune (Doonhamer* and Printmaker), and John Wallace (Artist & Filmmaker).

Each panellist brought unique and specialised knowledge into the discussion. Hewitt shared her expertise on the unique history of early print protest, bringing to life Doonhamers’ struggles and lived experiences in the late 18th and early 19th centuries. From historical accounts of the Kings Arms (now Boots) to outlining how individuals used print to protest food inequalities, Hewitt brought with her a wealth of knowledge that leaves you returning for more. Out with the panel, she oversaw the exhibition ‘Fighting for Justice: Strikes and Protests in Dumfries 1770-1920’ as part of the Off the Margin period.

Gailey brought over a decade of experience in printmaking and youth engagement to the conversation, underlining the importance of teaching young people this skill and providing them with the means and opportunities to grow their confidence and creativity. At Out of the Blueprint, the eco-studio he co-manages in Leith, Edinburgh, he specialises in Japanese printing techniques such as RISO,
GOCCO, and provides mentorships for young artists. They offer affordable, sustainable, and ethical print services for the local community and reinvest all profits to support young people through residencies, publishing support, training, and education initiatives.

Goodwin works as a journalist and a co-editor for The Ferret, a media co-op where she reports extensively on social affairs and health inequalities. While on the panel, she highlighted the importance of community-owned news for tackling media bias and misinformation. Outside The Ferret Goodwin has written for many Scottish and UK broadsheets, magazines, and online platforms, including the Sunday Times and the Guardian, reported for BBC Scotland’s Disclosure, and has worked on other radio and film projects. She is currently writing and co-hosting the podcast ‘Sheku Bayoh: The Inquiry’.

Fortune’s working life began in the printers of Dumfries, having grown up in a golden thread family line of Doonhamer printmakers. Pete Fortune brings a vivid, real-life account of the industry, capturing his apprenticeship and the vibrant characters and community of the town at the peak of the printing era. He rounded the discussion out by proposing the lifelong fellowships that printmaking can craft. Fortune moved on in his career to become a social worker and is now a writer of memoirs and short fiction.

Wallace, the artist behind Imprints in Time, brought to the panel a career that expands across multiple disciplines, from installation work to filmmaking. His work delves into human relationships with constructed and natural environments, emphasising the idea of ‘insider art’, allowing locations that personally connect to the artist to be central to a film’s narrative. Inspired by the fusion of technology and the environment, Wallace incorporates live and historical data sources to craft the responsive, dynamic audiovisuals found in Imprints in Time and all his installation spaces.

‘Off the Margin Micro-Festival’ ran between March 22nd and 23rd, 2024, as part of the What We Do Now Digital Media Festival.

*A Doonhamer is a colloquial term to describe someone who is born and bred in Dumfries

Categories
News Opportunities

We Are Looking for Freelancers

As a dynamic organisation with a diverse range of projects across the region, we’re always eager to collaborate with talented freelancers. Whether you’re a photographer, graphic designer, communications expert, project manager, technician, or possess other specialised skills, we want to connect with you.

Our work is primarily based in Dumfries & Galloway, so we’re particularly eager to connect with freelancers from the region—whether we’ve worked together before or you’re new to us. If you’ve recently reinvented yourself or expanded your skillset, we’d love to hear from you. Even if you’re not based in D&G but are available for work in the region, we encourage you to reach out.

To join our freelancer database, please fill out the form linked via the button below: