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Tag: Environmental Art

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Musings Project Updates

Glaciers in the Stove Cafe

FORTUNA | FOGGYDOG | CHILD’S | SOCKS | DENNISTOUN | ANT HILL | BYRD | LEONARDO | DECEPTION | CREVASSE | PINE ISLAND | POLAR TIMES | SHAMBLES | SHARK FIN | UTOPIA | ZEPHYR | ROSE VALLEY | MYKLEBUSTBREEN | KUTIAH LUNGMA | KING OSCAR | SUN | SALMON | SILVERTHRONE | RADIANT | CHAOS | CROWFOOT | FOX | GREY | HELHEIM

There are 178,000* glaciers currently around the world. How many of them can you name?

People name things for lots of reasons; to claim ownership, to map, to locate, to commemorate or congratulate, to know or mark a time, or a place or a landscape.

In the naming of things we gain familiarity. It is easier to image a glacier called Foggydog, than one without a name.

If we can’t name them, how will we miss them when they are gone?

At the moment, 10% of land area on Earth is covered with glacial ice, including glaicers, ice camps and ice sheets. Glacial ice store about 69% of the world’s fresh water, if all land ice melted, sea level would rise by approximately. 70 metres worldwide.

Glacial ice often appears blue when it becomes very dense. Years of compression gradually make the ice denser over time, forcing out the tine air pockets between crystals.

Since the early 20th Century, glaciers around the world have been retreating at unprecedented rates. Many are retreating so rapidly that they may vanish within a matter of decades. Glaciers are considered among the most sensitive indicators of climate change as they are so affected by long term climatic change such as precipitation, mean temperature and cloud cover.

In the Stove cafe as part of our Christmas decorations, we have christened over 80 of our festive baubles ceremoniously after some of our favourite glacier names, alongside the co-ordinates so you can look them up yourself. Pop in for a closer look.

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News

Borderlands II – Journeys to the Ice Age

Borderlands II was a two day conference, including an amazing peat coring at Kirkconnel Flow, organised by Stove member and environmental artist Kate Foster, with delegates arriving from Northumbria and Cumbria, The Borders and D&G, as well as further afield.

The peat coring, led by Dr Lauren Parry, was a time travelling experience back to the Ice Age through the samples of peat and eventually down to boulder clay, six meters down in the depths of the bog.

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The second day was spent in the Stove, including exhibition and talks given by a range of speakers including story teller Malcolm Green, Dave Pritchard on wetlands, and Nadiah Rosli’s focus on Peatlands of South East Asia.

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Image: The corer used for the Peat Coring workshop, accompanied by artwork by Kate Foster
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Musings News

Quest 3 at SUBMERGE

“Quest” is an ongoing environmental project by artist Jan Hogarth, exploring our relationship with the environment, land, and water. Jan’s working practice grows out of a deep love of the land (in the broadest sense of the word—by “land” I mean water, trees, animals, mountains, etc.), an empathy for it, and a deep desire to heal it. Jan has been working with Sheila Pollock, a practitioner in the healing arts for over 30 years, and invites others who love the land to become involved in the environmental art quests.

In Celtic tradition, healing wells, springs, and the sources of rivers were thought to possess sacred and healing properties.

“Quest” explores rituals and the truths behind them to create and invent new environmental art rituals aimed at healing the environment. The idea of searching for the source of the Nith originated from a local rumour that the Lynors of Dumfries Guid Nychburris took spring water from the source of the Nith and carried it with them when they rode the boundaries of the town. My friend Sheila, who has been working in the healing arts, and I went in search of the source of the Nith, which is located at Dalmellington in Ayrshire. Instead, we found an environmental catastrophe in the form of open-cast mines and landfill sites, with no access to the source due to the activities of the open-cast mine operators. It was shocking—how could this river be healed when its source serves as an example of how we take from the land without empathy for our energy consumption? This seemed to act as a metaphor for the wider issue of climate change. The problem lies with us—our lack of love for non-human life and our lack of reverence for nature, water, and the land.

Sheila has worked with Jan on the Quests project, focusing on the energy of water and its places, and exploring how to lift that energy and raise its vibration. Through dowsing, there is evidence that the vibration of the water she worked on during Quest 1 was raised, and that improvement has been sustained. The Nith presents a significant challenge due to its source in an open-cast mine. Sheila and Jan will be discussing this on Thursday evening at the Stove as part of their work.

Jan’s install in preparation for SUBMERGE

Quest is part of SUBMERGE, an exhibition featured in ArtCOP Dumfries, running daily from 10:00 am to 5:00 pm until Saturday, 12th December.

Jan and Sheila will be discussing Quest as part of A Question of Scale

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Musings News

For the Love of…Sphagnum

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An extract from SUBMERGE artist Kate Foster’s most recent blog post. To read the post in full visit her blog here.

Kate joined in our recent craftivism workshops, wearing Sphagnum on her sleeves (more on that here), inspiring a love of moss blog post.

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Living with water is vital around the Solway, and I’m discovering that Sphagnum is a kind of aqueous superhero. A single Sphagnum moss consists of a strand of water-holding cells, which can collectively form raised bogs many metres deep, over thousands of years.

Complete raised bogs are now rare. Dogden Moss in the Eastern Borders and Kirkconnel Flow to the west of Dumfries offer glimpses of what the landscape in Southern Scotland might have looked like before bogs were drained and excavated. As I begin a tour of mosses, I have come across the equivalent of mountain-top removal inflicted upon them. My eye is becoming attuned to tawny strips on the low horizon.

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‘This human-made drainage ditch has been dammed, a recent reversal of policy. Peatland Action is a restoration programme co-ordinated by Scottish Natural Heritage: the reasons to conserve peatbogs are beautifully laid out in the National Peatland Plan. Importantly, peatbogs sequester carbon and are sinks for atmospheric carbon. This process is starting in the blocked ditch at Kirkconnel, as Sphagnum strands start a slow and steady occupation.’

Kate has been working with Nadiah Rosli on her recent work Peatland Actions, which is part of our SUBMERGE exhibition. SUBMERGE runs daily from 10-5pm until Saturday evening, 12th December.

Kate and Nadiah will be speaking as part of our Question of Scale event on Thursday, 10th December from 6pm

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News Project Updates

The Lands of EAFS

The Environmental Art Festival Scotland (EAFS) is an international biennial showcasing contemporary art practice within the landscape.

The Lands of EAFS extended from the main festival village site at Morton Castle out into the Lowther Hills in South West Scotland and were mapped for the festival by Andrew McAvoy. Artworks, installations, guided walks, and expeditions invited visitors to venture into the landscape, make new discoveries, and explore alternative routes. One of the festival’s themes, focusing on journeys and migrations, encouraged visitors to experience varied forms of transport—from horse and kayak to foot travel. EAFS shuttle buses transported visitors to different points, fostering new ways of engaging with the Lands.

This is what they found.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, collaborating with the brilliant Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

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News Project Updates

EAFS – People

The Environmental Art Festival Scotland 2015—an international biennial of contemporary art practice in the landscape—ventured off-grid into the wilds of the Lowther Hills in South West Scotland. This two-day festival was based at Morton Castle near Thornhill and explored themes of generosity and hospitality, journeys and migrations, as well as foolishness and playfulness as ways of understanding the world. The weekend featured art installations and experiments, walks, talks, performances, and campfire discussions.

EAFS served as a hub for gathering, meeting, and discussion in the open air. During the day, visitors embarked on walks and adventures into the landscape. In the evenings, they returned to the festival site to share discoveries made during their explorations and to gather around the EAFS campfires. Conversations ranged from navigating new futures to contemplating death and the unknown, tracing local watercourses to exploring innovative approaches for tackling global climate change.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, in collaboration with the brilliant Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

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