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Musings News Project Updates

WRITE!

The Open Hoose project that lets your imagination guide your hand.

Unsure what WRITE! is about? Author and organiser, Karl Drinkwater, responds to ten questions about his practice and the monthly creative writing workshop.

What is WRITE! all about?

Specific time set aside to be creative in a short and inspirational burst, surrounded by friends.

Which authors inspire you and your practice?

Rather than individual authors, it tends to be individual books which have some wonderful element that is worth studying to see how the writer achieved their effects. So I might be inspired by the style of The Road (McCarthy), or the scope of The Descent (Long), or the storytelling of The Shining (King), or the characterisation in Jane Eyre (Brontë).

What motivated you to start the group?

When I went on residential writing courses I learnt a lot, but it was often the sessions when we wrote silently to prompts that stuck with me or led to trying out new styles and ideas. I wanted to come up with a format focussing specifically on that feeling. 

How effective do you think writing can be as a form of expression?

It allows you to explore ideas, to be different people, to create something beautiful that may inspire others. To hold our lives up to the great magnifying glass and see them for what they are.

Can you tell us of a time that you were recently inspired to write creatively?

To be honest, as a full-time author, I tend to have my projects scheduled up to a year in advance. For me, the inspiration comes from setting out a plot full of conflict/drama, which has enough detail to provide guidance, but not too much to take away the fun of discovery as I fall through the page and write. 

What is your advice for overcoming writer’s block?

Planning. Without a structure, writer’s block will come and knock.

Where is your favourite place to visit locally to inspire creativity for writing?

I like writing and editing in a pub. The requirement is that it is warm, friendly, and does not have a distracting TV. So normally that would be The Dougie, Coach & Horses, Riverside Tap, or the snug in The Globe.

What do you see for the future of WRITE!

Well, a lot of that depends on The Stove! How can we reach more people? Can it spread across the whole county? (Some people travel a big distance to attend!) Could we run repeat sessions at a different day and time so more people have a chance to join in? I’d like to look at opportunities for publishing creative work from Dumfries & Galloway, open to all residents, not just those attending WRITE! (though obviously the latter would be a key audience for submissions!) Plus I have been working on ideas for a non-fiction book about the craft of writing, and some of the material I prepare for sessions could be my inspiration to get on with it!

Just for fun – what has been your favourite writing prompt shared during WRITE! And how did attendees respond to it?

Ah, there have been so many! I love seeing how the same prompt leads to totally different interpretations. Also, the Titles session (titles of books, stories, newspaper articles etc) was fun. We drew titles from a hat and used them as prompts. Some had been provided by attendees, and it was revealing to see where people’s imaginations went!

WRITE! is the creative workshop at The Stove that gives you the space to guide your imagination and transform it into writing.

Hosted by multi-genre author and editor Karl Drinkwater, WRITE! is designed to allow you to play with words and construct short or longer pieces of work, whichever you desire, and it is open to all abilities!

If you would like to attend the next WRITE! session, click here.

To learn more about Karl, and to visit his website, click here.

Open Hoose is a project at the heart of the Stove’s community venue. Ideas are given the space, time, resources and support of the Stove Network to launch ambitious projects to galvanise and gather our communities together. From climate cafes to bread clubs, jam nights and creative writing groups, Open Hoose offers an eclectic mix of different activities for everyone to take part in. Find out more about groups like this one on our Open Hoose page, here.

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Musings News Project Updates

Out of the Blue

By Alice Griffin

Last month, the Creative Spaces Team headed out on a ‘go see’ trip to Out of the Blue in Edinburgh. Situated in the heart of Leith, the old Drill Hall is home to a collection of artist studios, a café, exhibition & event space, and Out of the Blueprint.

Out of the Blueprint is a social enterprise print studio that uses Risograph and Gocco printing. As someone with experience using both processes before, I value the benefits of the low-cost, quick printing method, as well as the eco-friendly inks that are used. Overall, I was keen to learn more about how a print studio like this was created and continues to run.

Upon arrival, we sat down for a coffee and Johnny Gailey, the co-ordinator of the organisation. He detailed the journey that the social enterprise has been on in the last 28 years – starting as a modest gallery space on Blackfriars Street right up to its current home in Leith. OOTB also operate the Bongo Club, which acts as a revenue stream alongside it for the majority of its existence. In 2015, Out of the Blueprint expanded to the drill hall, and has now grown into a social enterprise, with any money that is made throughout the organisation going straight back into the project.

After chatting over a coffee in their warm, eclectic café, we headed to the exhibition space where Johnny showed us the selection of work that was for sale. He also explained some more about the binding facilities they use and how their current artist residencies worked. We all loved a zine called ‘Sun’ created by a young creative called Coocoora who completed a residency at the studio.

Next, we headed through to the print studio where Johnny introduced us to Beth Thompson, the print studio manager and editor of Counterpoint magazine (an independent Risograph-printed magazine). Beth explained how the Riso machines work and showed us some of the work that has been created at Out of the Blueprint.

Speaking with Beth was inspiring as her passion for Risograph was infectious and it was fascinating to see how artists from different disciplines understand and implement the process. A great example of this was a zine that we all loved titled ‘Drums and Silence’ created by Cal Mac, an artist working between sculpture, sound, print and video.  

Before we headed home, we were lucky to be able to see Maria Stoian’s exhibition of work in progress titled, ‘Forgeries’ that she created during her recent residency with Out of the Blueprint and pick up a couple of pieces from the gift shop.

This visit to Out of the Blueprint was so helpful for me to understand what possibilities there are for printmaking in Dumfries & Galloway. It’s exciting to see a sustainable, eco-friendly, and affordable print studio thriving and giving young people in the area the opportunity and resources to produce creative projects.

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Opportunities Project Updates

Creative Commission – What We Do Now: Lockerbie

WWDN: Lockerbie

(This Opportunity is Now Closed)

Lockerbie Old School (LOS) in collaboration with the Stove Network are seeking to commission a creative practitioner(s) to work with LOS, its board, and local partners in engaging the community through an arts project exploring themes of possibility, identity, and re-connection.

Fee: £3,500*

Time: Flexible. To be agreed in early stages of the commencement of the project.

*There is a separate production budget associated with the project for materials and other expenses.

The Brief:

The creative practitioner(s) will work in Lockerbie, based at their High Street location, and use their practice to develop a project/series of events/artwork which invites the involvement of local people. The creative practitioner(s) will lead this co-created process to inspire new connections between people in the town and through this for possible future identities for the town to emerge which can be part of LoS’s ongoing work for the local community to take charge of its own future.

Following the key themes of; Possibility, Identity, Re-Connection, the creative practitioner(s) will work with key partners, community members and the residents of the town, it is expected the creative practitioner(s) will connect with individuals and groups in skills-based activity and conversation to understand, interpret and explore the future identity of the town.

LOS are eager to collaborate with a creative practitioner with a ‘hands-on’ practice in textiles, design, or craft to engage the community in new skills, utilising a dynamic creative practice to inspire and awaken new perspectives, ideas and hopes for the future. The project, it is expected, may serve as a prototype for forthcoming arts and community activities involving the wider community locally and regionally.

The commissioned artist will work with the Stove Network and LOS in determining the direction and approach of the project through a research an development period agreed by all parties, outlining key interaction points and determining the most beneficial approach to realise the project’s aims.

WWDN: Lockerbie, contributes in part to the ongoing ‘creative place-making* network’ of Dumfries & Galloway entitled What We Do Now. A collaborative project placing creative practitioners with community anchor organisations across Dumfries & Galloway, working with communities in a co-created process to explore and develop imaginative possibilities for residents, communities, and groups across the region.

The project, initially funded by Culture Collective, is one within a national network of socially-engaged, community-based creative practice across Scotland. LoS alongside the Stove Network are eager to hear from practitioners with experience in community-embedded practice, workshop facilitation and production.

*We define Creative Placemaking as: a community led approach that uses creative activity to support collective decision-making and positive change for people and the places they live.

About Lockerbie Old School:

The Lockerbie Old School Community Hub (LoS) are an anchor organisation for change within the town of Lockerbie and the DG11 postal region, aiming to put local people at the heart of regeneration efforts for their town. The Trust is run by a Board of volunteers who are working towards a number of significant projects in Lockerbie. Having been successful in gaining ownership of the former Academy through a Community Asset Transfer they have advanced plans to develop a not for profit but financially viable Community Venue where the people of Lockerbie can gather, learn and grow as a community. LoS are in the process of acquiring a permanent base on the High Street. It is intended that the space be a test-bed for future activity and will feature a community workshop space as well as act as a ‘front door’ to the Lockerbie Old School project for the local community to engage in.

How to Apply

To apply please send the following before 5pm, Wednesday 15th December 2022

  • Letter of Interest. This should tell us why you are interested in the commission, why you think you and your practice are suited to this opportunity and give us an outline idea of how you might approach the project if you were successful (NB we are NOT looking for fully formed project proposals at this stage – we are committed to arts practice whereby a project is formed by being in a place and working with the people there)
  • CV. This should tell us about your personal history, your experience and to date and give us an idea of the skills that you have.
  • Up to 5 examples of previous work. If you do not have 5 don’t worry – we are committed to making opportunities for people at all stages of their career, this is exactly the kind of thing we can discuss in an initial chat. We are looking for you to show us what you do in the way that you are most comfortable and happy with and can accept submissions in weblinks, photo files, sound files, or physical works (though please don’t send us original artworks!).

Please send your application to [email protected]

Submissions should not exceed 10MB in size. If you want to send or deliver a physical submission our address is: The Stove, 100 High Street, Dumfries DG1 2BJ

Selection Process

We are keen to hear from practitioners at all stages of development and from all disciplines. We’d encourage anyone interested in finding out more about the opportunity to get in touch for an initial informal chat – particularly people at earlier stages of their careers as we can explain more about what is involved in a project like this and what to include in an application. Please email [email protected] and we’ll arrange a time to talk (BSL interpretation is available)

It’s important that our people reflect and represent the diversity of the communities and audiences we serve. We welcome and value difference, so when we say we’re for everyone, we want everyone to be welcome in our teams too. Wherever you’re from, and whatever your background, we want to hear from you. We will accept applications from anyone and everyone who feels they have the skills required to fulfil this role.

OPTIONAL EQUAL OPPORTUNITIES FORM

Categories
Opportunities Project Updates

Call for Consultant: Community Garden and Food Growing in Stranraer

(This Opportunity is Now Closed)

The Stove Network is seeking applications for a consultancy commission to develop a long-term plan and funding applications for the future of the Unexpected Garden in Stranraer.

Timeline

It is hoped that the consultancy commission will be completed within the first three months of 2023.

Fee

A fee of £3000 (inclusive of VAT) is offered for this commission. Reasonable expenses will be reimbursed at negotiated rates and an allowance is also held for any production costs required

Context and Brief

We are seeking an experienced consultant to support the development of the Unexpected Garden in Stranraer ensuring that it has a life well into the future. Stranraer is currently undergoing an exciting period of change and development and already the Unexpected Garden has demonstrated the potential to play a central role in Stranraer’s revitalisation. Significant cultural, economic and social initiatives are underway in the town and there is an ambition for community food growing and education to be a connecting thread in a future Stranraer. The commissioned consultant will:

  • Consult with project partners who have expressed a desire to be part of managing and running the Unexpected Garden (currently approx. 8 established, local, Third Sector groups)
  • Consult with other ongoing regeneration initiatives in the town (eg Stranraer Marina Project and George Hotel redevelopment). Currently a town-wide community place planning (Creating Stranraer) exercise in underway, led by Stranraer Development Trust. The Unexpected Garden is a significant part of the emerging Place Plan.
  • Develop long-term vision for the Unexpected Garden that is aligned with local/national strategy for food security/net zero. This vision will also include a proposed governance/operating structure with financial projections and a programming/development plan that supports the needs and aspirations of project partners.
  • Research funding sources for the future of the Unexpected Garden, develop a fundraising/income strategy and complete funding applications which, if successful, will ensure the initial implementation of the development plan for the garden.

The commission will be managed by The Stove Network and the consultant will work alongside the Community Gardener who will support consultation with project partners on the ground and contribute to the development of the development plan for the Unexpected Garden. Funding applications will be made through project partners Stranraer Development Trust. Additional garden expertise will be available through the project’s Lead Gardener.

Because of the existing strong presence on the ground of partners and project team it is not expected that the consultant will need to be based near to Stranraer; though local knowledge will clearly be an advantage it will not be a high priority within selection.

Funding is available for ongoing maintenance and potentially for some investment in garden infrastructure of the Unexpected Garden up to April 2023. This will be managed by The Stove Network.

How to Apply:

We encourage you to apply in a way that you feel most comfortable or you can submit your CV and a short covering letter, or video, to [email protected], explaining why you’re interested and what you could bring to the role. Please also give an indication of how you would approach delivery of the desired outcomes and how long you anticipate spending on each part.


Deadline for applications: 5pm, Friday 16th December 2022


It’s important that our people reflect and represent the diversity of the communities and audiences we serve. We welcome and value difference, so when we say we’re for everyone, we want everyone to be welcome in our teams too. Wherever you’re from, and whatever your background, we want to hear from you. We will accept applications from anyone and everyone who feels they have the skills required to fulfil this role.


Interested? Get in touch, we’d love to hear from you!

Background

The Unexpected Garden is a community garden situated on the waterfront of Stranraer, its creation was led by The Stove Network and Stranraer Development Trust. The garden was commissioned by EventScotland and funded via the Scottish Government, as part of Dandelion which was Scotland’s contribution to UNBOXED: Creativity in the UK. The Unexpected Garden was created in 2022 on an underused patch of ground next to Stranraer Harbour and the former ferry terminal, it has become a prominent and important symbol of the long hoped for revitalisation of the town and has attracted highly successful partnership working with many local groups. During the summer, the garden became a popular event space for community events ranging from open-mic nights to family craft workshops held in a tent in the garden. Also, the service users of our project partners use the garden regularly and through this activity the garden has become an important mixing space for different sections of the local community. The garden is designed as community food growing project and in September 2022 the Unexpected Garden was home to a community Harvest Festival which was attended by 750+ local folk.

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News Opportunities Project Updates

The Stove’s Christmas Salon – Open Call for Artists


The Stove Cafe and Conversing Building invites artists and creative folk from Dumfries and beyond to submit artworks to feature as part of a Christmas selling exhibition.

Every year, our Cafe hosts a festive display and this year we’d like to use the space to support local artists and create additional space for the purchase of artworks during the festive season.

The exhibition will run from Tuesday 22nd November to Thursday 22nd December, open to the public during regular cafe hours at The Stove, Monday-Saturday’s, 9am-3pm.

We will host an additional evening as part of Dumfries Christmas Lights Switch On Friday, 25th November from 4pm.

How To Submit Artwork:

  • Artists may submit up to a maximum of two artworks per person.
  • 2D artworks should not exceed 60cm in any direction, and 3D artworks should not exceed 30cm in any direction.
  • Artworks must be dropped off during one of our scheduled drop off dates (see below), or by appointment only
  • Artists must complete a contacts form including BACS Bank Transfer information before leaving any artworks. These will be available during our scheduled drop off dates or by emailing [email protected].
  • Any unsold artworks must be collected on Monday 9th January 2023.

Artwork Drop Off Dates:

Artworks can be dropped off Tuesday, 15th November between 3pm and 6pm, or Wednesday, 16th November between 12noon and 4pm.

For more information drop an email to Public Art Lead Katie Anderson, [email protected].

*Conversing Building is an ongoing project at The Stove, that looks to activate spaces around The Stove through a variety of visual and public art projects and displays. For more info on the project visit our project page here.

Categories
Musings News Project Updates

Free Improvisation

The Open Hoose project that lets local musicians colour outside of the lines

To find out what Free Improvisation is all about, we asked Free Improvisation’s organiser, Calum Walker, ten questions to get an insight into this unique and exciting group.

Photography by Kirstin McEwan

What is Free Improvisation?

The sessions are based on the group improvisations I’ve participated in, during my time studying. It is focused on listening and playing intuitively with a group, in a way that is open and unrestricted by genre-specific styles or technique. A big part of it is trying new ideas and then reflecting on the outcome.

How did you get into playing music?

I’ve played guitar since I was young, but I guess I wouldn’t have thought of myself as a musician until more recently. My friends and I started a metal band when we were young, and that kept us busy for a long time. Through that, I started to learn about other musical styles and wanted to write music for a wide range of orchestral and electronic instruments. More recently, I’ve been working to take my music further, by returning to full time education and working in new settings.

Which musicians inspire you?

There are thousands. For guitar, I’m really inspired by Guthrie Govan’s books on creative playing at the moment. The concept of the group sessions owes a lot to composers like John Cage and Terry Riley. I probably get the most inspiration from people I know personally. Being able to jam and talk music with great, knowledgeable players really compels me to practice harder.

Are there any musicians or bands that took the art of free improvisation into mainstream audiences?

There might be. Improvisation is everywhere in music but I think less stoic practices can seem a bit more abstract. It’s more popular in the contemporary jazz, electronic and classical worlds. However, loads of songwriters and bands will have used group improvisation as a foundation for a track. It’s no different to an ensemble picking up their instruments and just seeing what happens, without the pressure of it having to fit particular parameters.

Is it ever too late to start learning a new instrument or a new way of playing an instrument?

I can’t say for every case but I don’t think so. I think it can be a challenge if you have to start from nothing or unlearn old habits. With enough motivation and time I think anything is possible.

What got you thinking about setting up the Free Improvisation group?

In the beginning it was based on the sessions I attended at my college. They were much more ‘out there’ than I had expected, but I really got something out of it. Now, the sessions are more refined to suit the interests of the group. The format is great because it doesn’t matter about ability levels or having specific numbers or instruments. It’s not about shredding or proving that you’re the best, because it’s based on listening and group dynamics. It’s so flexible and anyone can participate in creating music in this way.

What do you like about jamming with other musicians?

It’s nice to have an objective, even if that objective is simply to be heard once in a while. The hard work and gruelling practice seems to all be worth it when you’re locked into a jam with players that share the same respect and enthusiasm.

What can newcomers expect from taking part in Free Improvisation sessions?

Each session tends to be quite different. It can be quite lively or serene. I usually come with a few ideas I want to explore, but it’s group led so it has the capacity to go in unexpected directions. There’s always a mix of shorter exercises and longer, experimental improvisations. Lately, we’ve been looking at AV projects to create sound for. The atmosphere is always really exciting and the group are really friendly and eager to create.

What do you see for the future of Free Improvisation?

I’m hoping that there’s still room to expand and collaborate with different mediums in new ways. There are loads of great players in the area. Free Improvisation might not be their burning passion, but I think there is something really interesting to be gained from it. The priority is the playing, and the benefit of sharing ideas with like minded musicians.

Just for fun – is there a particularly memorable highlight of a Free Improvisation session?

There’s been a few interesting moments. We did an exercise where one of the group members read lines from Karl Pilkington’s books, and the group would use the text as a stimulus for music. The most memorable parts of the sessions are in those moments when it all comes together and you can sense that everyone is really into the sound that’s being collectively created.

Open Hoose is a project at the heart of the Stove’s community venue. Ideas are given the space, time, resources and support of the Stove Network to launch ambitious projects to galvanise and gather our communities together. From climate cafes to bread clubs, jam nights and creative writing groups, Open Hoose offers an eclectic mix of different activities for everyone to take part in. Find out more about groups like this one on our Open Hoose page, here.

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