Open and accessible drawing workshops. No experience needed, for any age or ability. Only £8 with all materials provided – pay on the door
Drawing for Enjoyment returns to The Stove on the High Street in the centre of Dumfries with a focus to getting back to the essence of drawing and enjoying the meditative and restorative qualities it brings to well-being.
Covering lots of accessible subjects and methods, these sessions are perfect for beginners or for anyone who wants to develop their practice.
Starting with a ten minute demonstration at the beginning of each session with some guided handouts to aid progress through the class.
Join the For Enjoyment community and get creative in a relaxing friendly and supportive environment.
No need to book but there are limited spaces in the cafe space so don’t be late !
The Open Hoose project that lets local musicians colour outside of the lines
To find out what Free Improvisation is all about, we asked Free Improvisation’s organiser, Calum Walker, ten questions to get an insight into this unique and exciting group.
The sessions are based on the group improvisations I’ve participated in, during my timestudying. It is focused on listening and playing intuitively with a group, in a way that isopen and unrestricted by genre-specific styles or technique. A big part of it is trying new ideas and then reflecting on the outcome.
How did you get into playing music?
I’ve played guitar since I was young, but I guess I wouldn’t have thought of myself as amusician until more recently. My friends and I started a metal band when we wereyoung, and that kept us busy for a long time. Through that, I started to learn about othermusical styles and wanted to write music for a wide range of orchestral and electronicinstruments. More recently, I’ve been working to take my music further, by returning tofull time education and working in new settings.
Which musicians inspire you?
There are thousands. For guitar, I’m really inspired by Guthrie Govan’s books oncreative playing at the moment. The concept of the group sessions owes a lot tocomposers like John Cage and Terry Riley. I probably get the most inspiration frompeople I know personally. Being able to jam and talk music with great, knowledgeableplayers really compels me to practice harder.
Are there any musicians or bands that took the art of free improvisation into mainstream audiences?
There might be. Improvisation is everywhere in music but I think less stoic practices canseem a bit more abstract. It’s more popular in the contemporary jazz, electronic andclassical worlds. However, loads of songwriters and bands will have used group improvisation as a foundation for a track. It’s no different to an ensemble picking up theirinstruments and just seeing what happens, without the pressure of it having to fitparticular parameters.
Is it ever too late to start learning a new instrument or a new way of playing an instrument?
I can’t say for every case but I don’t think so. I think it can be a challenge if you have tostart from nothing or unlearn old habits. With enough motivation and time I thinkanything is possible.
What got you thinking about setting up the Free Improvisation group?
In the beginning it was based on the sessions I attended at my college. They weremuch more ‘out there’ than I had expected, but I really got something out of it. Now, thesessions are more refined to suit the interests of the group. The format is great becauseit doesn’t matter about ability levels or having specific numbers or instruments. It’s notabout shredding or proving that you’re the best, because it’s based on listening andgroup dynamics. It’s so flexible and anyone can participate in creating music in this way.
What do you like about jamming with other musicians?
It’s nice to have an objective, even if that objective is simply to be heard once in a while. The hard work and gruelling practice seems to all be worth it when you’re locked into ajam with players that share the same respect and enthusiasm.
What can newcomers expect from taking part in Free Improvisation sessions?
Each session tends to be quite different. It can be quite lively or serene. I usually comewith a few ideas I want to explore, but it’s group led so it has the capacity to go inunexpected directions. There’s always a mix of shorter exercises and longer,experimental improvisations. Lately, we’ve been looking at AV projects to create soundfor. The atmosphere is always really exciting and the group are really friendly and eager to create.
What do you see for the future of Free Improvisation?
I’m hoping that there’s still room to expand and collaborate with different mediums innew ways. There are loads of great players in the area. Free Improvisation might not betheir burning passion, but I think there is something really interesting to be gained from it.The priority is the playing, and the benefit of sharing ideas with like minded musicians.
Just for fun – is there a particularly memorable highlight of a Free Improvisation session?
There’s been a few interesting moments. We did an exercise where one of the groupmembers read lines from Karl Pilkington’s books, and the group would use the text as astimulus for music. The most memorable parts of the sessions are in those momentswhen it all comes together and you can sense that everyone is really into the soundthat’s being collectively created.
Open Hoose is a project at the heart of the Stove’s community venue. Ideas are given the space, time, resources and support of the Stove Network to launch ambitious projects to galvanise and gather our communities together. From climate cafes to bread clubs, jam nights and creative writing groups, Open Hoose offers an eclectic mix of different activities for everyone to take part in. Find out more about groups like this one on our Open Hoose page, here.
An activist space for members of the LGBTQIA+ community locally to get together, Queer Club is an opportunity for the queer community, its allies and advocates to conjure up big plans and get making.
The Open Hoose group hit the ground running, setting up and managing the 2022 Dumfries Pride festival in its first four months.
Dumfries Pride’s jam-packed programme of activity spanned the month of July, including a pop-up hub/shop (Queer Quarter) on the High Street, creative workshops, film nights, drag shows and so much more!
The Dumfries Pride calendar culminated in the celebratory and momentous Pride march around Dumfries town centre, with a masquerade ball taking place in the evening for all of the community to come together and celebrate an inspiring month of LGBTQ+ solidarity.
So what’s next for Queer Club?
As we’re now well into Autumn, Queer Club continues to host monthly meet-ups at The Stove, with plenty of fun activities to take part in, there really is something for everyone!
Queerbroidery: Take part in this mindful but fun activity, using embroidery to celebrate Queerness with fun and vibrant stitch patterns
Zine making: For lovers of collage and print, the Zine is one of the most accessible (and enjoyable) crafts you can do. Using old magazines, newspapers, photos and advertisements, the Zine is all about making, mending and transforming the old into the new, from the ordinary, comes the miraculous!
Beginner’s DJing with Double Down Disco: The art of DJing is all about weaving your own unique taste with that of the crowd. Read the room, blend the tunes and get moving. Get hands-on with the decks and try out the Stove’s Function One Sound System (it’s a beaut!), guided by the legendary Les Ross.
Book club: Read something of late you just HAVE to let others know about? Whether it was Wuthering Heights or the Bluthering Blows, we want to celebrate, educate and get inspired by queer, trans, non-binary and LGBTQ+ writers across the world. Bring along a book, whether a novel, non-fiction, poetry or comic and let’s get reading!
Queer Club is ran by, with, for and about the local LGBTQ+ community. It’s open to the wider community, whether advocate or ally, queer or questioning. It’s a safe, inclusive and friendly space for everyone to take part.
Interested in joining the Queer Club steering group? Then come along and speak with one of our members on the night. They’d be delighted to get to know you.
Join in the next Queer Club session by signing up via our events page, here.
Are you inspired by this Open Hoose group? Want to learn more about Open Hoose and find out how you can start or develop a project for the community? Check out our Open Hoose page for more information.
Solway to Svalbard is an immersive, multi-artform response to the spring migration of barnacle geese.
This unique piece of theatre brings together original music with cinematic visuals, evocative soundscapes, and live storytelling. Created by composer Stuart Macpherson, filmmaker Emma Dove and sound recordist Pete Smith the project was developed over the course of five years, enabled by support from Creative Scotland, PRS Foundation, Help Musicians UK, Tenk Traena AiR, Galleri Svalbard, DG Arts Live, The Stove Network, DGU and the National Theatre of Scotland’s Engine Room programme.
Forming part of Dumfries & Galloway’s Wild Goose Festival, which is produced by The Stove Network and held in Dumfries and surrounding areas, the festival unites key partners from the region in an exploration of nature, creativity, and place, Solway to Svalbard follows the migratory rough of Svalbard’s Barnacle geese from Southwest Scotland to the High Arctic and back. The final artwork is highlighted as this year’s finale event with the world premier will take place at the Loreburn Hall in Dumfries on Saturday 29th October.
“We have all put so much work into this project and I think we have really created something that not only gives audiences and insight into the geese’s journey but also the journey we have gone on as the friends in creating the work.”
Pete Smith – Sound Recordist
More About the Project
From their wintering site on the wetlands of the Solway Firth, through staging sites in Norway, to their breeding grounds in the High Arctic, the barnacle geese journey across shifting environments in search of food and safety. Following the geese on their journey were a team of three clunky humans who charted the flight path of these birds, encountering different communities along the way, seeking answers to their own questions of home and resources.
Solway to Svalbard is the culmination of the research, inspiration, documentation, ideas, thoughts, and feelings for these three collaborators and through their in-depth development, a richness of material has been generated that captures very special and intimate moments of the barnacle geese’s migration.
But where did is all begin?
“Fancy spending a couple of days filming and recording geese at the wetlands?” I don’t think any of us had any idea of the journey that we had just started when we got together for that initial reccie!”
Stuart MacPherson – Composer
The Solway Firth’ mudflats and coastal grasslands make up one of the largest intertidal habitats in the UK attracting tens of thousands of geese and other wildfowl and waders each autumn, the story of Solway to Svalbard stars here…
“Caerlaverock WWT was the first wildlife reserve I went to as a child. I remember ‘hiding in a hide’ and peeking out the small windows, looking at the vast numbers of grazing barnacle geese and listening to their noisy squabbling. It made a real impression on me, so, when Stuart first got in touch and asked me to come along on a recce for the project I jumped at the opportunity.”
Pete Smith – Sound Recordist
The development process of this project has encompassed research trips to the High Arctic, writing and filming sessions in the wetlands of the Solway Firth, writing residencies in Scotland and Norway, pop-up musical performances in Caerlaverock Castle and a work in progress performance in a working man’s club in Dumfries for the National Theatre of Scotland’s ‘Just Start Here’ festival.
Wide-shot panoramic footage of their journey evokes the scope and scale of the landscapes they travel through with close up environmental detailed shots. An immersive textured sound design weaves field recordings of the geese. Recorded interviews and stories recounted by local people in the Arctic and the Solway comment upon our integral but often forgotten interconnectedness with the natural world and the reality of environmental change on us all. An original score written as a response to the different environments and habitats weaves through the show. At the heart of the work – Stuart, Pete and Emma’s personal story – their account of navigating these people, places and landscapes and how their time with the geese changed and shifted their perspectives.
“When Stuart approached me to work on Solway to Svalbard, I felt an immediate connection to the piece. I naively imagined setting up my camera down on the Solway Firth and patiently waiting for skeins of geese to fly in perfect formations overhead. The reality really was much more of a wild goose chase – a lesson in our limits as clunky humans stuck to the ground, as well as an incredible journey of discovery of the places, habitats and people that are connected by the barnacle geese and their round trip to the high arctic.”
Emma Dove – Filmmaker
Image by Stuart Macpherson
Solway to Svalbard is a work about the natural world, our relationships with it. We’re currently living in a moment where a radical reconsideration of our relationship to our planet is required, and as gentle, tender, and intimate as the work is – it has never felt more urgent or necessary.
Audiences will learn about the geese, their habitat – what is changing and why that’s important. The barnacle geese are a conservation success story to celebrate but they are also an indicator species – their shifting behaviours and journeys pointing to rising temperatures and climate change. Above all, Solway to Svalbard is a work about feeling and connection. Immersed in the sights and sounds and movement of the geese and orchestrated by live music – audiences will be invited to feel their own interconnectedness with the natural world.
This year, the famous Coo was sprayed golden and gets a great view of the Suspension Bridge!
On 13th August 2022, we welcomed teams of sailors, coastal rowers, canoes and kayaks to the River Nith as they battled it out for the fastest time from Glencaple to Dumfries and back.
Competitors get warmed up at the starting line down in Glencaple
It was a bright, warm and sunny day which made for perfect conditions for those who joined us to watch the race at Mill Green, or taking part in the activities we had running across the day.
Some spectators took to the shade while watching the race – a smart move!
Produced by The Stove Network and supported by Dumfries & Galloway Council and Historic Environment Scotland, we were pleased that this year’s event attracted a record number of race participants not only from the local area, but from across Scotland too!
The teams get ready to launch into the river at Glencaple
This year, the boats transported a signal flag, each created by young people during EcoArt’s flag making workshops in the weeks preceding the race.
One of the colourful flags waves in the breeze as the boat makes its way along the Nith
As the boats arrived the flags were raised over the town’s iconic Suspension Bridge, proudly welcoming the racing vessels and signalling the halfway point of the race.
Rows of bold flags lining the Suspension Bridge, Dumfries
(EcoArt is a grassroots charity connecting community, art & sustainability. Find out more about the LAND project and EcoArt here.) Good spirits as the race preparations get underway at Glencaple
“For me a real highlight of this year’s Nithraid was to see more boats in the middle of town than ever, including spectators on the river, taking part in a celebration of the Nith in the heart of Dumfries. It was the largest entry to date for the event with huge increases in the Coastal Rowing and the Racing Kayak elements.”
Mark Zygadlo, Race Organiser
Nithraid is an event for the community, not just those who take part in the race itself.
Two cheerful competitors stand proudly with their vessel before making their way down the Nith
“We were thrilled with this year’s race entry list, it is testament to the hard work the Nithraid team have put in over the years to build a following for the event. Nithraid has faced a few challenges over the years, with bad weather, COVID, etc, but this year really did feel special and we’re so happy that the event attracted people to Dumfries from all over Scotland, some visiting the town for the first time. Nithraid is a real celebration of the Nith and of Dumfries and we hope that we develop the event for next year and attract more people to our beautiful town.”
Sal Cuddihy, Nithraid Project Manager and Head of Production at The Stove Network
Boats pass under Suspension Bridge, by Mill Green
This year in addition to the annual River Race, the Stove Network led a series of family-friendly activities throughout the day, all free of charge and accessible along the banks of the River Nith, including:
EcoArt Flags – Land: Signals to the World – Signal flag designing workshop
‘Migratory Trails’ – A stamp sheet treasure hunt at Dock Park
‘Find the Coo’ – Treasure hunt from Dumfries to Kingholm Quay
Simon Lidwell’s Viking Cluaran
‘Source to Sea’ – A pre-recorded QR audio performance by Hugh McMillan
Mill Green revellers learn how to row just like the Vikings didA kayaker unloads to take a well-deserved rest at the finish lineSimon Lidwell of Wordsmith Crafts provides immersive storytelling down at Mill Green
In addition, many of the town’s pubs joined in with the festivities, offering live music and special Nithraid-themed hospitality. We had The Dougie Arms, Coach and Horses Inn and The Riverside Bar all joining in on the fun!
But, let’s get back to the race…
A rowing team pushes on up the River Nith
Though conditions were grand for all those enjoying the race more comfortably on dry land, the warm weather added an extra challenge to our incredible competitors who all did extremely well to endure the heat and complete the race!
Some competitors make hard work look easy!Give us a wave!Team effort is needed to get these rowers moving quickly upstreamThe bright yellow vessel was hard to miss on the River Nith!
We can’t thank you enough for all the hard work you put in to giving us another brilliant race this year, you’re all winners in our eyes.
A cause for celebration as the results are announced at Barbour Hall in Glencaple
However, we think it’s important to give credit to those who battled it out for the fastest time and we know how integral the competitive element of the race is to those who take part, so here are this year’s winners!
Category
Team
Number
Coastal Rowing
Firth of Clyde Rowing Club
#12
Sailing
Gareth Jones
#14
Racing Kayak
Will Stevely*
#28
Miscellaneous
Dave Golding
#25
We would like to take this opportunity to apologise for an error we made earlier in our announcing of the winner of the racing kayak category. The correct winner has been shown above*, and we’d like to give thanks to the competitors for your brilliant sportsmanship and camaraderie for bringing this to our attention.
Nithraid 2022 wouldn’t be Nithraid without the race, so we want to say a HUGE thank you and well done! to all who took part this year and gave us a wonderfully memorable and exciting race.
A team of rowers give the photographer a cheery wave
Thank you also to EcoArt, Simon Lidwell & the Cluaran Heritage Project clan and Hugh McMillan for the wonderful entertainment and activity at Mill Green; the safety boats who were out on the Nith all day to keep the competitors safe; Nith Inshore Rescue, who do the vital work of keeping our waters safe all year-round; all those who volunteered at this year’s event to help us set up and facilitate the race; and the businesses around Dumfries who set up special live entertainment around the town to help us celebrate Nithraid more widely this year – The Dougie Arms, Coach and Horses Inn and The Riverside Bar.
A view of Mill Green from Suspension Bridge, above the River Nith
We’re thrilled at the success of Nithraid 2022 and are grateful for all the help and support we’ve received to help make it happen.
This glorious day in the sunshine is one we will remember for some time…
– The Stove Network
For more information on Nithraid, visit our webpagehere.
The Stove Network launch kNOw One Place, Creative Placemaking Forum – an ambitious, future-thinking discussion on creative placemaking. The Forum will take place from 22-23 September 2022 at Loreburn Hall in Dumfries and will draw over 100 people from public, private, independent and charitable sectors across the two days. Through a mixture of open space discussion and expert reflection, exhibition and original artworks, the forum is set to be a participatory space to think about and develop grass-roots and community-led approaches to placemaking for the future – both nationally and internationally.
We define Creative Placemaking as: a community led approach that uses creative activity to support collective decision-making and positive change for people and the places they live
More about Creative Placemaking
The idea for the forum stems from the work that The Stove Network has led on over the past 10 years. The Stove Network has been working with a Creative Placemaking approach at its core since its inception to stimulate conversations, change, art, and renewed ownership across communities in Dumfries. This was then formalised, scaled and piloted as a network approach to working from within communities in the recent project, What We Do Now. What We Do Now helped inform and was part of Scotland’s Culture Collective Programme, a major Scottish initiative for culture and creativity to play a role in the nation’s recovery from the pandemic.
We have also published our approach to Creative Placemaking in our most recent publication, Embers. Now it’s time to dig into the core principles of this work with others, to contribute to our evolving understanding of this way of working in Scotland.
Hear from Katharine Wheeler, Partnerships and Project Development at The Stove Network, as she talks about Creative Placemaking and ‘What We Do Now’:
Join the conversation
Throughout the month of September and in the lead-up to the kNOw One Place forum, The Stove Network will host a series of online activities and events that will take a closer look at creative placemaking.
These events will bring together the public, private, independent, and charitable sectors through open space discussion, expert reflection, an exhibition, and original artworks.
Across two weeks five digital events will explore the key creative placemaking themes of:
All events take place online from 6pm- 7pm and are open to anyone interested in disusing, contributing to or finding out more about the concept of Creative Placemaking.
What We Do Now (WWDN) is a pilot for a Creative Placemaking Network for Dumfries and Galloway which sees The Stove Network support a community anchor group (place hub) in each of five towns in Dumfries & Galloway to host creative practitioners for an extended period to work with sections of the community in that place to co-create new future visions and practical projects.
WWDN supports artists to explore bold new ideas with communities to give voices to those under-represented in local decision making.
For more information on The Stove Networks approach to creative placemaking and to find out more about the pilot project visit: whatwedonow.scot
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