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Sal Cuddihy and the Curse of the Fairy Lights

From Sal Cuddihy

Since starting with the Curatorial Team almost 3 years ago, the amount I have learned and the people I have had the opportunity to work with has been invaluable to how my life has unfolded. The Stove creates a space for growing and nurturing whether it be people or ideas, and it’s safe to say I have came a long way since the nervous person sitting on the interview chair babbling about fairy lights.

I had a little experience working with the Stove before joining the Curatorial Team; the first interaction I had was with the Environmental Arts Festival. I have a background in being involved in local events and was pointed in their direction as a volunteer by Sleeping Giants, a partner of the Stove. Not quite sure what I had got myself into, I ended up meeting a group of extraordinary people who had created a community and used their creativity to produce an event that had reached me like no other had in my previous experience. I actually cried after the end of that project, the thought of going back to my usual day-to-day pub work filled me with dread and not knowing when the next opportunity would be.

EAFS 2015 at Morton Castle

The advert came up for the CT position and I thought there wouldn’t be a chance in hell that I would get the job but it would be good to throw my name in the ring for experience. I got an Interview… (How I have no idea but I did!) In the Interview, Fairy Lights were mentioned A LOT. I had resigned myself to “well you gave it a shot at least”. Now I’m not entirely sure if the existing team were within their right minds or, like myself, had no idea what they had gotten themselves into, but that day changed my life.

From there I went on to focus on the events and expand my practice with community work. Nithraid Festival has been the biggest part of my role here and has taught me so much that I had previously taken for granted as until then I was always brought in later to an events delivery. Being the project manager and planning from the very ground up has given me priceless knowledge, sometimes through trial and error, of working with the local community and authorities to deliver a festival that has grown along with myself into something I am proud of.

Nithraid River Festival 2018

Another part of the job that I loved working with was health as a subject be it physical or mental health. I created a project called the Light Room in October 2016 that entailed tackling prejudice, working with a diverse range of groups and a lot of (you guessed it) FAIRY LIGHTS. After that and the curse of the fairy lights you will be glad to know I learned my lesson – and the event opened my eyes to how we can use art to get conversations happening. That was what being part of the team did, you have a group of people with all different ranges of expertise and they will help you work through a project or idea. Even when you have been up a ladder for 5 hours and are tangled in a mass of cables they will be up those ladders with you. It’s not just for those that join the CT, every person that comes into the Stove with an idea are guided on how to do it them selves, and not “we will do it for you”.

Every experience has been a huge learning curve and not one day is the same – that is what I will forever treasure working as part of the CT and any time I think, ” What have I got myself into now?” I welcome it.

___

A huge and special thank you to Sal for her sterling work the past two and a half years on our Curatorial team, but don’t worry – Sal isn’t going anywhere just yet, you can still find her in the Stove managing room bookings and events production, and as Project Manager on Nithraid – coming up this year on the 31st of August!

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Musings News

Quest 3 at SUBMERGE

“Quest” is an ongoing environmental project by artist Jan Hogarth, exploring our relationship with the environment, land, and water. Jan’s working practice grows out of a deep love of the land (in the broadest sense of the word—by “land” I mean water, trees, animals, mountains, etc.), an empathy for it, and a deep desire to heal it. Jan has been working with Sheila Pollock, a practitioner in the healing arts for over 30 years, and invites others who love the land to become involved in the environmental art quests.

In Celtic tradition, healing wells, springs, and the sources of rivers were thought to possess sacred and healing properties.

“Quest” explores rituals and the truths behind them to create and invent new environmental art rituals aimed at healing the environment. The idea of searching for the source of the Nith originated from a local rumour that the Lynors of Dumfries Guid Nychburris took spring water from the source of the Nith and carried it with them when they rode the boundaries of the town. My friend Sheila, who has been working in the healing arts, and I went in search of the source of the Nith, which is located at Dalmellington in Ayrshire. Instead, we found an environmental catastrophe in the form of open-cast mines and landfill sites, with no access to the source due to the activities of the open-cast mine operators. It was shocking—how could this river be healed when its source serves as an example of how we take from the land without empathy for our energy consumption? This seemed to act as a metaphor for the wider issue of climate change. The problem lies with us—our lack of love for non-human life and our lack of reverence for nature, water, and the land.

Sheila has worked with Jan on the Quests project, focusing on the energy of water and its places, and exploring how to lift that energy and raise its vibration. Through dowsing, there is evidence that the vibration of the water she worked on during Quest 1 was raised, and that improvement has been sustained. The Nith presents a significant challenge due to its source in an open-cast mine. Sheila and Jan will be discussing this on Thursday evening at the Stove as part of their work.

Jan’s install in preparation for SUBMERGE

Quest is part of SUBMERGE, an exhibition featured in ArtCOP Dumfries, running daily from 10:00 am to 5:00 pm until Saturday, 12th December.

Jan and Sheila will be discussing Quest as part of A Question of Scale

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News Project Updates

The Lands of EAFS

The Environmental Art Festival Scotland (EAFS) is an international biennial showcasing contemporary art practice within the landscape.

The Lands of EAFS extended from the main festival village site at Morton Castle out into the Lowther Hills in South West Scotland and were mapped for the festival by Andrew McAvoy. Artworks, installations, guided walks, and expeditions invited visitors to venture into the landscape, make new discoveries, and explore alternative routes. One of the festival’s themes, focusing on journeys and migrations, encouraged visitors to experience varied forms of transport—from horse and kayak to foot travel. EAFS shuttle buses transported visitors to different points, fostering new ways of engaging with the Lands.

This is what they found.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, collaborating with the brilliant Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

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News Project Updates

EAFS – People

The Environmental Art Festival Scotland 2015—an international biennial of contemporary art practice in the landscape—ventured off-grid into the wilds of the Lowther Hills in South West Scotland. This two-day festival was based at Morton Castle near Thornhill and explored themes of generosity and hospitality, journeys and migrations, as well as foolishness and playfulness as ways of understanding the world. The weekend featured art installations and experiments, walks, talks, performances, and campfire discussions.

EAFS served as a hub for gathering, meeting, and discussion in the open air. During the day, visitors embarked on walks and adventures into the landscape. In the evenings, they returned to the festival site to share discoveries made during their explorations and to gather around the EAFS campfires. Conversations ranged from navigating new futures to contemplating death and the unknown, tracing local watercourses to exploring innovative approaches for tackling global climate change.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, in collaboration with the brilliant Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

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News Project Updates

EAFS – Adventures

The Environmental Art Festival Scotland 2015—an international biennial of contemporary art practice in the landscape—ventured off-grid into the wilds of the Lowther Hills in South West Scotland. This two-day festival, based at Morton Castle near Thornhill, explored themes of generosity and hospitality, journeys and migrations, as well as foolishness and playfulness as ways to understand the world. The weekend featured art installations, experiments, walks, talks, performances, and campfire discussions.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, in collaboration with the exceptional Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

Categories
News Project Updates

EAFS – Discussions

The Environmental Art Festival Scotland 2015—an international biennial of contemporary art practice in the landscape—ventured off-grid into the wilds of the Lowther Hills in South West Scotland. This two-day festival, based at Morton Castle near Thornhill, explored themes of generosity and hospitality, journeys and migrations, as well as foolishness and playfulness as ways of understanding the world. Across the weekend, attendees engaged with art installations, experiments, walks, talks, performances, and campfire discussions.

EAFS was a hub for gathering, meeting, and open-air discussion. During the day, visitors embarked on walks and adventures into the landscape, and in the evenings, they returned to the festival site to share new discoveries from their explorations. Around the campfires, conversations delved into a wide range of topics—from navigating new futures to death and the unknown, tracing local watercourses, and exploring innovative approaches to tackling global climate change.

EAFS 2015 was created and co-produced by The Stove Network and Wide Open, in collaboration with the exceptional Robbie Coleman and the EAFS recharge team, with additional support from Spring Fling.

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