Nithlight – The Stove Network

2019 Nithraid will definitely be a year to remember for us at The Stove. After months of planning and a huge amount of hard work by our fabulous Nithraid team, the decision to pull our annual River Festival had to be made the day before the main event to keep everyone safe in the face of terrible weather, and a complete deluge of rain. However, we are SO grateful for everyone who arrived to pitch in and lend a hand for an unbelievable turn around.

We were able to bring elements of the festival into the town centre, including workshops with Creative Futures, Freelance Ranger, Battlestations and the Dumfries American Hunters Football Team. The Salty Coo Procession roamed the streets of Dumfries town centre and was led by Blueprint100.

In the 3 months leading up to this year’s Nithraid, the Blueprint100 team worked with various local community groups and organisations to create banners and flags to used in the procession celebrating the people of Dumfries with their ‘powerful communities’ theme.

The live music took place in the Stove Cafe with fantastic performances from Freya Cloy, Ra, Eddie and Isla of Tiderays, Corrie Russell and Kate Kyle. Nithlight provided a beautiful close to the day on the Mill Green once the river had died down.The Friday evening provided a night to remember too0 – with an amazing array of local performers turning out to participate in the Big Nithraid Warm-Up Brave New Words, followed by a ceilidh from Reidhle which had every person in the room up dancing all night long.

This would not have been possible without so much hard work – thank you to everyone over the weekend who was able to lend a hand, and who came along to our event regardless – to all those in the procession, and who took part in the events, who re-arranged workshops and pitches to join us on the High Street – thank you!

There was a lovely atmosphere, and the sun even made a few brief appearances.Thank you to everyone for their support during Nithraid – it has been a joyful and affirming reminder of why we all put the hours in to make these events happen – even in the face of very challenging conditions.

By Philip Mairs

With the theme of this years Nithraid festival being salt and ritual – including salt’s local, historical and mythical uses – we thought of a way to combine all three of these things into something that could form the basis of Nithlight.

Upon finding out about the Celtic connection to the history of salt in the South-West Scotland region, we thought about using vibrational acoustic-phenomena to create patterns in the element of salt. A lot of these patterns appear surprisingly Celtic. For the Celts, the Earth and its elements, including all water and salt, were sacred.This idea was made possible by using a vibrating metal ‘Chladni’ plate, so called because following the pioneering experiments of Robert Hooke in the 1600s, it is the German physicist Ernst Chladni’s name that became most associated with these figures.

We set about filming the patterns emerging on our own plate, with the intention of beaming the projection over a maze of ship masts.

The ship masts were to replicate an old galleon ship, used for trading in the 1700’s. We then began to extend this narrative out by introducing reworked old seaman’s recipes and orientating our soundscape around water, grainy sounds and symmetrical patterning. We also wanted to give context to the projected video, and so thought that having the source for the images on site in an ‘obelisk’ type structure that people could sing into in order to create patterns themselves would be compelling; creating an immediate connection between creation and content.

Despite it looking like the event might have to be called off due to the Scottish summer in full flow, the event went ahead as planned. The ship sculpture provided an intriguing backdrop to people (and the occasional animal) singing and howling into the microphone, often watching patterns emerging as they would do so.

The feeling of old seafaring was enhanced by the provision of the some of the only kinds of food and drink that would last on voyages- in this case those being hard, salty biscuits; along with homemade ginger beer.

We also enjoyed the workshop we hosted earlier on in the day, where we were able to give people an up-close experience of Cymatics, from one of its original methods- bowing of metal plates with a violin bow; to one of its more recent related developments of the plate being driven by a loudspeaker. ___

Nithlight was a commission as part of Nithraid 2019, led by artists Emily Tough and Philip Mairs. The commission was supported by The Holywood Trust.

All image credits: Jamie Thomson, see his Facebook page here for details.

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