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The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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Musings

Blueprint100 Go to Edinburgh

From Emily Cooper – portraiture artist and blueprint100 Intern

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Earlier this month a group of intrepid Blueprint Members undertook an expedition to the frozen rain-soaked streets of Edinburgh in search of inspiration. Following an excited minibus journey we arrived at our first destination.

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Jupiter Art Land, a few miles outside of Edinburgh, hosts a vast array of large scale art pieces and indoor gallery exhibitions the first of which was the colourful and charming work Myth Cart by Hayley Tompkins, whose work did it’s best to brighten our spirits with its vivid display.

Soon though it was time to brave the weather and explore the grounds. We came across works from classical style structures such as Ian Hamilton Finley’s Temple of Apollo and Xth Muse, to the psychedelic Love Bomb by Marc Quinn.

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Particular favourites of the group were Weeping Girls by Laura Ford and Landscape with Gun and Tree by Cornelia Parker.

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Another thought provoking installation was In Memory by Nathan Coley a piece in which tall concrete walls surround a replica graveyard of apparently reclaimed gravestones.

All in all, despite the less than ideal weather conditions Jupiter Art Land proved to be a valuable and inspirational experience and certainly got our creative juices flowing and after something to warm us through in the onsite café it was time to head into Edinburgh and find our home for the night. The world’s first shipping container hotel! Some were excited…others were not.

As we pulled up into a slightly worse for wear, overgrown car park and were faced with the drab, grey corrugated iron walls, hearts began to sink and trepidation became rampant, however after hesitantly pushing open the gates, relief reigned supreme and what followed was a great night’s sleep in a warms comfy beds surrounded by friendly, colourful people. Our only regret was that we only had one night to stay.

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The following day began (somewhat late, after some difficulty navigating through the excessive crowds of fringe-time Edinburgh) with a trip to the pop up Arts Festival Hub to view the exhibition Platform followed by a guided tour of some other points off interest as part of the festival including the fountain of youth, created with the help of local school children!

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The rest if the day was free time to spend in whichever culturally education way we saw fit, for some that meant visiting the National Museum and exploring the various exhibits on offer whilst one group visited the National Portrait Gallery and experienced an impressive collection of self-portraits ranging from Matisse to Rembrandt.

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Art viewed, feet drenched and overpriced coffee consumed to excess, it was time for us to head home. A much quieter bus journey followed, interrupted only by the odd snore from the bus full of sleeping creatives. Thanks for having us Edinburgh, you were great…if a little exhausting!

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News

Snapshots Dumfries

Snapshots – a fast paced photography competition was first conceived by blueprint100 member Elli – invited competitors to challenge themselves and their camera to a day of exploring the town through different topics in the form of a photography marathon.

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In the run up to the competition, photographer and Stove member Kim Ayres joined the blueprint100 Open Tuesdays, to offer help, hints and inspiration to those interested in taking part.

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An ambitious 20 participants raced off at 10am, keen to win the ‘golden camera’ that was first prize, and most returned bedraggled and worn out and in need of coffee!

The judging panel was comprised of Kim, stove curatorial member Martin J O’Neill and Elli herself, who spent the following two hours judging all of the images that had arrived back at the Stove.

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Image credit: Kim Ayres
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Following on from the competition, Martin hosted a workshop with blueprint100 members developing narratives from the collected photograph sets, to work into short pieces of poetry and prose in the run up to the next Brave New Words.

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A selection of our favourite images from Snapshots Dumfries are available to view here

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News Project Updates

blueprint100: an exhibition

blueprint100, The Stove’s emerging artist group have launched their mission for the Spring, to take over Glasgow! blueprint100: an exhibition, will run every Saturday from 12 noon to 4pm at On The Corner, a great wee venue near the Barras on London Road full of energy and enthusiasm.

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Artists taking part in the exhibition:
Emily Cooper
Sebastian Summers
Hayley Watson
Rhiannon Dewar
Jade Walters
Victoria Blackaby

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There will be a closing event to mark the end of the exhibition, details on this coming soon!

Huge thanks to exhibition co-ordinator Michael Moore, artist support Cate Ross, the emergency install team, and the fabulous guys and gals at On The Corner.

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News

Young Stove Member Profile: Sara Redden

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What is your earliest memory?

My earliest memory was when I was 2 years old on holiday and my dad got me a fishing net. He convinced me that the plastic fish were real and I tried to eat them.

What drew you to The Stove?

I think what interested me most about the stove was the fact everyone is on the same team, it’s like one big family striving to make things better for everyone.

Which person do you most admire, and why?

I admire anyone who can go through a huge ordeal and still manage to smile at the end of the day.

What time of the day do you like most?

I love seeing the sunset, its so relaxing to see and I find the duller tone more calming.

Share your hope and dreams for The Stove?

I hope that the stove will continue to strive and be the main attraction of Dumfries and Galloway.

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Sara’s work at the Mill on the Fleet during the Young Stove’s Not to be Sold Separately exhibition

What’s something that you found yourself enjoying that you never thought you would?

I walk a lot and am still able to love it.

Which film changed your life?

Ratatouille…I imagine all of the little rats of Dumfries cooking away whilst the chefs are distracted.

What keeps you in and around Dumfries?

The Stove and family

What’s been the most exciting part of the Stove Process for you?

Seeing the building come together and the development of the young stove.

What songs do you carry closest to your heart?

Blue Velvet, my dad always sang this to my mum.

What do you consider your greatest achievement?

My daughter

Where’s your favourite place to be in D&G?

The stove

What makes you happiest?

Paintings that work out

Tell us your passion:

My art and my daughter Daisy

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The Young Stove’s first collective exhibition, Not to Be Sold Seperately will open at The Stove on Friday, 11th September and feature performance, live art, installation events as part of the exhibitions opening. More details about Not to Be Sold Seperately coming shortly.

Aged 16 to 30 and interested in the arts? Find out more about the Young Stove here

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News

Young Stove Member Profile: Hayley Watson

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Tell us about your creative process.

Mind maps first, then lots of drawing onto photos with markers and cutting and layering papers and fabrics until I can figure out a concept that looks good and start to turn it into something tangible

What is your earliest memory?

My third birthday but actually the only thing I can remember about it was the cake. It was literally covered in every kind of sweet 3-year-olds are into and it must have been a good cake if it’s managed to stay in my memory that long above anything else from around that time

What drew you to The Stove?

Wanting to be part of something with a bigger purpose

What time of the day do you like most?

Early morning because it’s fresh and new

Would you share three words that you love?

Reduce, re-use, recycle

What’s something that you found yourself enjoying that you never thought you would?

Exercise and neutral colours

Who, from throughout history, would you like to sit and have a good chat with?

Andy Warhol because of our shared passion for sugary food and minimal answers to interview questions

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Pre-Owned collection. Part of Not to Be Sold Separately – Young Stove exhibition at the Mill on the Fleet

What’s the best piece of advice you have ever got?

“You’ve got the inspiration. You just have to bat away the naysayers and keep focused. Life really is too short. No one’s around on this planet long enough to really understand fully what’s going on. With the risk of sounding too morbid, we’re all scared little kids, right through to old age, right through ’til the day we die…Imagine 80 sweets, then imagine again as many Christmases or birthdays. It’s not that many really. Take your life and run with it. It’s yours” – I had to dig through 3 years worth of Facebook messages to find that but it had a huge impact on me at the time

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The Young Stove’s first collective exhibition, Not to Be Sold Seperately will open at The Stove on Friday, 11th September and feature performance, live art, installation events as part of the exhibitions opening. More details about Not to Be Sold Seperately coming shortly.

Aged 16 to 30 and interested in the arts? Find out more about the Young Stove here

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