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Football in Our Street – ONS Rematch

In August we reclaimed the High Street of Dumfries town centre with football (albeit in a cage – next time we can try without!).  Celebrating the long standing friendship of local football club Greystone Rovers with Norway started in a 1940 match between Dumfries locals and Norwegian exiles resulting in a draw.  A rematch was called and eventually played in Bergen in 1951 beginning a series of exchange visits over the years since.  With Greystone Rovers 80th anniversary upcoming in 2018 they are keen to resume their friendship and exchange opportunities for their club members.  Graham Muir, club manager, has supported The Stove’s Our Norwegian Story project as an important recognition of how beneficial these friendships can be.

This event tied in with the Our Land festival of events across Scotland looking at land use and the importance of community ownership of these spaces.  The Stove wrote an article to highlight how our events can reach out to tackle wider national issues which can be found here on The Common Space website:

www.commonspace.scot/articles/9000/our-land-its-time-buy-back-our-high-street

Our Norwegian Story continues to develop, with the depth of stories bubbling up from under the surface, with personnel memories knitting together these more historical events.

Stay tuned for more next week – Films, food, drawing big maps and stitching our story into existence!

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Football in our Streets
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Activity outside The Stove
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The Greystone Rovers youth team
The Greystone Rovers youth team
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Screen printing T-shirts with Sarah Keast
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Memorabilia from the 70 year relationship between Greystone Rovers and SK Brann was on display in The Stove
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Time for Subbuteo

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News Project Updates

Our Scottish/Norwegian Skill Share

Back to “Our Norwegian Story” so far – July brought us a two day event sharing skills and learning about our common love of making.  We made boats, oars, whistles, rope and nets while also exploring the knitting of Sanquhar patterns and their Norwegian counterparts.  Our friends from Galgael Trust up in Glasgow, Alyne Jones of Moniaive, Simon Lidwell of local group Clauran Haven and Wordsmithcrafts helped us explore the beauty of skilled craft and our intertwined history within it.

The Stove ‘Our Norwegian Story’
Rowing instruction from Cluaran
A different kind of street market
Whistle Making with Nora from Forest Schools
Oar making with the Galgael Trust
Knitting with Alyne Jones of Vanishing Scotland
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News Project Updates

ONS Market & Recipe Swap

Looking over the next few weeks on Our Norwegian Story so far – The project kicked off on June 17th the with a wonderful array of specialities from Norway as well as this side of the ocean for our Recipe Swap and Market. Those who turned up shared stories over warm waffles with Norwegian blueberries, Kransekake and some scotch favourites like Chranachan, writing down some recipes for you to enjoy at home.

All of the Recipes have now been up-loaded to our project page here: http://www.thestove.org/portfolio/our-norwegian-story-recipe-swap/

Saturday the 17th June saw us join Dumfries’ annual Guid Nychburris celebrations with more waffles, cinnamon buns and a special Norwegian Market kindly put on by Alex of Edinburgh based Nordic Affar – www.nordicaffar.com – where you can buy all the Norwegian classics from Brown Cheese to Salted Liquorice.

More food to come at Septembers Scottish/Norwegian film Shorts and Pot Luck night on September 15th at 7pm, information to follow.

Norwegian food swap at the Stove , Dumfries
Recipe Swap gathering
Norwegian food swap at the Stove , Dumfries
Sharing our Recipes
Norwegian food swap at the Stove , Dumfries
Enjoying Norwegian stew
Norwegian food swap at the Stove , Dumfries
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Norwegian food swap at the Stove , Dumfries
Chranachan
Norwegian food swap at the Stove , Dumfries
Waffles and blueberries
The stove
Norge Hus at The Stove
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Cinnamon buns!
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Our Norwegian Market
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Nordic Affar joins us at The Stove
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Sharing Stories
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News Project Updates

Thinking Differently About Our Town

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Dumfries is a town at the gateway to Scotland. Famous for its relationship with Rabbie Burns, the town is the nodal point of the region (Dumfries and Galloway) and has a strong heritage past, and an even stronger cultural potential.

Cities, towns and villages throughout Scotland are reimagining their centres and what function they serve within their urban setting.

Inverness is creating different artworks along its River Ness ranging from simple signage installations through to engineered viewing platforms; Oban is reinventing its waterfront and becoming a hub for the Hebrides; Helmsdale has centred its village around arts and heritage with a wonderful cultural centre that is growing leaps and bounds; and even rural Scotland is getting involved in the act with initiatives such as the Scottish Scenic Routes, Spring Fling and the North Coast 500 aiming to reinvent the landscape that they find themselves within.

Dumfries has a similar ambition to reinvent, reimagine and reactivate its high street, its town centre and its entire region. The Stove Network working in collaboration with Lateral North and creative organisations throughout Dumfries would like to invite you to contribute your ideas for a future Dumfries and ultimately towards creating new ideas within the town to showcase the heritage, cultural, environmental, industrial and creative communities that thrive within Dumfries.

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Join us to design these interventions, contribute your ideas and find out about the Dumfries you don’t know; yet.
If you’re someone with a passion for the town of Dumfries, and a commitment to being part of its future, then join us for the Cultural Wayfinding Workshop on the 15th July at The Stove. Full information about the event can be found here.

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News

Catering Scoping Project for The Stove – Open Jar Collective

Catering Scoping Project for The Stove – Abridged version to accompany Catering Tender
Original version by Clem Sandison, Alex Wilde and Hannah Brackston

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Outline of the project

The aim of Open Jar’s work with The Stove Network was to gather ideas and viewpoints about the creation of a catering enterprise at The Stove. Following a period of targeted conversations with key stakeholders and pop-up engagement activities with the public, Open Jar Collective produced a report. This will now inform how the space is developed and used by the public, and forms part of tendering process to appoint someone to deliver the catering enterprise at The Stove. From Dec 2014 – Feb 2015 we surveyed the food businesses local to the Stove building, spoke to eleven individuals / group and ran a public feeding creativity event, which 20 people attended.

Identified needs

By the Stove:

  •  To provide a welcoming space that is a community resource, a hub for the arts community, a space for people to share and connect
  • To provide a flexible space that be used for a range of events, workshops, meetings or other ways of engaging people
  • To have the functioning of any cafe element of the space operated autonomously
  • A catering enterprise would be a stepping stone to the wider programme of the Stove and activities within the building. A way of signposting people.
  • An income stream as part of the social enterprise of the Stove Network Ltd charity and an integrated part of the activities of the charity.
  •  A desire to offer something different with its own unique identity
  •  A desire for the approach to be ethical in terms of operation, production and supply
  • Connected to the wider aim of regeneration and attracting people into the town centre
  • To connect with the street outside the Stove and activity in the square

In the meetings:

  • Training opportunities in the hospitality industry for college students
  • Somewhere to go after 5pm in the town centre
  • There is very little for 14 – 21 year olds in Dumfries
  • For people to work together to rejuvenate the town centr
  •  To create a destination

In the feeding creativity event:

  • Place to meet and space for groups to hire
  • Connecting with local food and food producers
  • A platform for exchange of knowledge or produce between small scale growing
    projects/allotments/community gardens
  • Mindfulness of food – simple menu, good food, affordable price, nourishing environment, sharing table / space
  • A space that is accessible to young people
  • To promote transparent and ethical buying
  • Collaboration – support a range of other local businesses
  •  Not displacing existing business – offering something new or distinct

What are the opportunities?

  • There is a lot of goodwill towards to Stove and excitement about the new building and what it can offer.
  • Offer something different, most places in the town centre are the same
  •  Work with the college to cook food off-site
  • Multi-functional arts venue – meet needs of lots of different groups
  • Alcohol free? – Stricter drink-drive limit – pub atmosphere in a cafe environmen
  •  Experiment with the waste food catering model
  • Growing Hub – connect allotments, exchange/barter schemes, information and knowledge about growing, seed banks
  •  To provide education about growing produce and cooking methods
  • Bringing food production into the town
  • Profit share with pop-up guest chefs / food producers
  • To create a community of people/organisations within the building which has it’s own momentum and draws in different audiences

Challenges

  • If you have a specific offer in order to be a viable business (eg. local food focus), how do you avoid alienating people who aren’t attracted by that particular focus?
  •  Quality is really important
  •  Is it possible to have a social objective of local, fairtrade, ethical and make money?
  • Not to be in direct competition with other food businesses in the town
  • Need a shift of mindset to encourage people to support small, independent business over the chains and multi-nationals
  • To ensure that an operator didn’t crash and burn due to lack of revenue or energy after a year
  • To create a viable enterprise opportunity given the lack of space and kitchen facilities

Considerations / restrictions

Restrictions of prep/serving/storage area:

  • The limited space available for preparing food, cold storage and serving means that it is fairly impossible to do much more than hot and cold drinks, cakes and maybe soup.
  • Catering for pop-up events would still need to happen off-site as there are not the facilities to make cooked meals.
  •  The conversion of the space off the courtyard into dry storage is essential to enable a catering enterprise to operate.
  • A double prep/washing up sink (in addition to the hand wash sink) will need to be permanent fixtures in the space along with the coffee machine, and electrics to power fridges.
  • Ideally the double sink and additional cold storage would be in the courtyard but this doesn’t seem feasible given potential building restrictions and the pillar blocking access.
  • Design will require counter area for serving, preparation and till. Cold storage required, recommend 3 undercounter fridges minimum – for milk, cold drinks, and food. Additional dry storage space for daily stock.
  • Need to be able to reconfigure the space on a regular basis for events so you will want to limit fixed items and have units on wheels.

Design / fit out:

  •  How do you balance the brand of the cafe with the aesthetic vision of the Stove for the space?
  •  Coffee machine would be expected to be part of the equipment that came with the space.
  • Due to space limitations, it may be difficult to fit in a dishwasher in the proposed set-up. This means that all drinks and food would need to be served in compostable paper plates/cups, essentially like take away. This may not appeal to all customers. If an industrial dishwasher was integrated into the prep space and china serving ware was used, additional staffing would be required to clear tables and manage washing up and additional storage space would be needed for china.

Further thoughts

Sourcing / Pricing policy:

There is a direct tension between local/fair trade sourcing and affordability/accessibility of the cafe (i.e. having a more expensive menu than other local cafes and therefore being seen as niche market). The general trend in food businesses in Dumfries is to sell at a very low price (e.g. £1.40 for a take away toastie). This results in food that is not locally sourced, organic, ethical, and is often quite highly processed. Some people in Dumfries may be willing to pay more for better quality ethically sourced food (making it a unique selling point for the cafe), but not everyone. The Stove need to make a decision about how important local food is to them, and define what they mean by ‘local’, ‘ethical’ and ‘sustainable’ in the tender document, as these terms can be very widely interpreted. The Cafe manager/operator may need to charge more than other cafes in the area to fulfil this brief. It’s quite simple to serve organic fairtrade tea and coffee, because the mark-up is much greater on hot drinks than it is on food. There is good profit margin on seasonal veg soups, so this would be a good item on the menu to showcase local produce. Sourcing good quality meat, cheeses, and bread, and keeping prices competitive with other local establishments will be more difficult. The Stove could consider developing a “prefered supplier” list e.g. cheese from Loch Arthur, bread from Earth’s Crust, dried goods from Greencity Wholefoods. The Cafe Manager/Operator would then need to price the menu accordingly based on these suppliers. We think seasonal soup using local ingredients could be the unique food offer, and the best option with limited prep/storage space. This could be a springboard for creating a local food hub, engaging with local growers and setting up fruit and veg bartering schemes. This requires a creative and competent cook/cafe manager to make use of available seasonal produce to prepare fresh soup each day. Alternatively the cafe manager could research other caterers/local businesses that could supply fresh soup, sandwiches, and cakes on a daily basis.

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News Project Updates

HAME. 2nd-16th May 2015

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By Gerard McKeever
gerardmckeever.co.uk

It’s easy to forget just how extraordinarily important the places where we live are. They are our frame, our point of reference, a huge portion of the real detail of life. This capacity of the land to shape us takes on a special dimension when we have either lived somewhere for a very long time, or spent the early years of our life there. I was born in Upper Nithsdale and spent the best part of two decades in the area before leaving for the city. It is a familiar narrative: the draw of study, work and a faster pace of life. Yet as a creative person I am increasingly aware of the consequence of D&G in my thought processes, a language of place through which much of my work is communicated. Because of this, and because of a longstanding ambition to return to the region, Mark Lyken and Emma Dove’s recent Hame installation for The Stove Network resonated for me.

Perhaps one reasonable working definition of Art could be: a community talking to itself about itself. This was a fascinatingly literal instance of that process, with audio clips of people discussing their relationships contextualised against meditative imagery of the area. Seeing the places we know celebrated and examined in this fashion makes them more real and more vital. It is a process of validation through which both the bonds and the divides in our community are exposed. The installation made us question which voices were included and which were not – whose particular home was being offered a platform?

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On a formal level, the piece made use of the suggestive space of 100 High St., succeeding in creating a feeling of audience participation through its non-linear looseness. At the risk of straining the point, wandering around the multiple levels of the installation captured something of the jagged, contingent nature of our existence in place. If and when the piece is transposed into a linear production it will be no doubt engaging but very different, precisely calibrated as it was to radiate from the town centre. Lyken and Dove took us through a mixture of voices that spoke with the random authority of community. From recollections of a previous era to the impressions of youth, for two weeks the Stove became an open archive of shared experience. Just as ‘hame’ doesn’t quite mean the same as ‘home’ to me, all the little details and nuances of life in D&G have a particular shading. It was this odd quality of rootedness that the installation did so well to elaborate. Fortunately, Hame was also too stylish to fall into the tourist information or museum exhibit traps which a piece of its nature must face.

The Stove is a commendable effort to further invigorate a growing community of creative people in and around Dumfries, and in doing so contribute to the salvage of the town centre. As one of the many young locals living elsewhere but with half an eye on home, I find projects like this encouraging. Alongside the growing number of music festivals in the region, the successes of Spring Fling and other arts events, D&G seems to be building towards a creative critical mass, a blossoming that is being noticed on a national level. Perhaps we don’t need to look so far away after all, if we have these things at hame.

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Images © Colin Tennant

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