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Feedback – It’s a Real Thing

From Moxie DePaulitte – The Stove The Stove Herald

Throughout the year, we strive to stay connected with all our members and ensure that everyone has the opportunity to easily share their hopes, wants, and needs regarding the development of The Stove and the collective creation of a better Dumfries. Whether it’s more formally at the members’ Housewarming event, during Cultural Wayfinding sessions, over Tea with Moxie (yes, that’s still going strong if you’d like a chat and a cuppa!), at drop-in sessions, during live events, through the speechbubbles project, or even in casual encounters on the street—the core team is eager to hear your thoughts, suggestions, and ideas for moving forward.

Moxie at work at Guid Nychburris
Moxie at work at Guid Nychburris

The Stove has truly blossomed since opening its High Street doors earlier this year, and there are many more exciting adventures on the horizon. Here’s a quick recap of the ideas you’ve shared with us and how we’ve responded.

Spoken word and creative writing were high on people’s agenda, with many suggesting an increase in related events. In April, Open Mouth burst onto the scene, led by Sarah Indigo and Eryl Shields, who conducted performance and creation workshops with school students during the day. Its success has led to Brave New Words being developed into a regular Open Mic night at The Stove. The next session is this Friday, 30th October, and is open to everyone (whether musical or spoken word—Brave New Words welcomes all original writing). In the run-up to Christmas, several other word-based events are planned, including the Wagtongues Pop-Up Bookshop at the end of November. Additionally, there is an open-call out for new writing for exciting art installations in the closes of the town.

Brave New Words - poetry slam September 18th 2015
Brave New Words – poetry slam September 18th 2015

A number of conversations around food were sparked at the Housewarming event, perhaps inspired by the delicious chai tea made by Open Jar and the bannocks baking over the open fire in the square. Attendees were eager to explore the power of nourishment in all its forms, suggesting ideas such as gatherings; gardening experiments where people could learn how to grow and cook seasonal produce; cup return schemes for the café; as well as film evenings and talks centred around food and produce.

We’ve also been discussing community gardens, rewilding initiatives, and collaborations with groups across the region to provide opportunities for exploring the intersection of growing and art.

The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)
The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)

The latter was explored during our recent film season at The Stove, where films such as Moo Man, Vanishing of the Bees, and The Lunchbox were accompanied by inspiring talks and equally delightful, relevant treats.

We also hosted an incredible talk by Alice from Social Bite, who shared their journey of building an amazing network of sandwich shops from scratch, which help the homeless get back on their feet and into work.

Work has begun on The Stove Café, which will provide a vibrant meeting place in the heart of Dumfries and serve as a base for further creative exploration of how we think about, grow, distribute, and cook food. The tender was won by Angela and Colin Green, and we are very excited to see the opportunities this new development will bring.

We are eager to hear from anyone interested in hosting groups in the early evening. For example, we have a regular Craftivism (Creative Activism) workshop starting on 28th October. These sessions aim to encourage people to linger a little longer after the shops close and further our commitment to breathing new life into the town centre.

The Craftivism workshops also align with other ideas raised by members. Many expressed interest in forming Skill Sharing groups and engaging in Mindfulness initiatives. Craftivism promotes both and we hope it will serve as a catalyst for other Skill Sharing/Skill Swap events.

It was also suggested that we take The Stove beyond the building and engage in more projects across the region. One such project saw The Young Stove working with school-aged children in the woods near New Galloway. They ran a workshop called Survival Art School and later gave the youngsters a tour of their show at Gatehouse of Fleet. Another example was the co-production of EAFS—a wonderful off-grid adventure in the grounds of Morton Castle. Among its many magical aspects, EAFS encouraged the sharing of food as a means of human connection and engagement, evoking a primal need to break down modern social barriers and foster friendships and communication around shared nourishment.

Rajasthan heritage Brass Band at The Stove
Rajasthan heritage Brass Band at The Stove

People asked for drumming, and what a line-up we gave them! Not only did we fill the day with the incredible Rajasthan Heritage Brass Band—bringing smiles to everyone they encountered—but we also hosted an evening workshop with local drumming groups. This spectacular session brought the community together in a loud and joy-filled way.

Looking ahead, the future vision for Dumfries includes suggestions for giant water slides, Segways instead of Orange Bike Schemes, permanent block parties, adult ball pits, and drive-in cinemas. It’s clear people want to feel the love returning to the town centre.

Phrases such as:

  • “Let’s celebrate what we have and what we can be rather than focusing on what we don’t. We are a vibrant town with vision. Work together to make it happen.”
  • “Keeping Dumfries’ heritage but being more upbeat and welcoming to new things.”
  • “Convert dead shops into flats = get people back into town.”
  • “Use empty shops as art galleries/installations – artists get work shown, town gets colourful, vibrant art instead of empty shops full of litter.”

have been echoed repeatedly. While perhaps less thrilling than foam bowling alleys, these suggestions are far more tangible and provide a solid starting point for meaningful change.

Regeneration has clearly begun, with many commenting on the positive difference The Stove has already made to the High Street—but much more remains to be done.

We’ve had inspiring public sessions working with Lateral North to explore how interventions and Cultural Wayfinding can help develop Dumfries, making it more welcoming and easier to navigate—just as has been achieved in other towns. There’s even more to come, including an event surrounding Norway House next month.

Since its creation, the building has taken on a variety of roles. It has been a messy creative space for The Young Stove and other artists, an exhibition venue, and a site for workshops, meetings, gatherings, and music gigs. It has welcomed a broad mix of people from diverse walks of life, which makes us very proud. It has also become a hub for exchanging ideas—a place where inspiration is shared, where ideas can be brought and nurtured to grow.

Radio DMC
Radio DMC

Music has been another hot topic for members and the public, and we have been developing a music strand since The Stove began through our Dumfries Music Conference. Since 100 High Street opened, this has continued to grow through partnerships with local music groups such as Small Town Sounds, Music Plus, and Electric Fields. These collaborations have led to fantastic gigs showcasing local talent, including Rudi Zygadlo, MØGEN, and Mark Lyken. You can even learn guitar at The Stove now with lessons from guitar teacher David Bass.

Other topics raised in discussions include:

  • Partnerships with the Crichton Campus – exciting news to come on this in February.
  • Fast Public Broadband – a big thanks to Ailsa for making The Stove the first business in the town centre with fibre-optic broadband.
  • Space for Screenprinting – we are supporting Upland and Maklab in their efforts to establish a facility at Maklab’s premises on the High Street.
  • Classes in IT and Film Editing – our digital making suite will soon be taking bookings, so watch this space.
  • Support for Research Projects into Environmental Issues – The Stove was the base for the recent Environmental Art Festival Scotland. Stay tuned for ArtCOP Scotland @ The Stove in early December.
  • More for Young People in the Town – The Young Stove continues to flourish and is now integrated into nearly everything we do.
  • Be Part of Making Dumfries Better – The Stove remains a space for people to come together, debate, and take positive action for the town. We are actively involved in discussions about the Whitesands and have exciting news about significant improvements to the High Street.
'Not to Be Sold Separately' an exhibition by Young Stove
‘Not to Be Sold Separately’ an exhibition by Young Stove

So, let us know what you think! Book in with Moxie for a cuppa, send an email, or drop our Herald a line on Facebook. The Stove is ever-evolving, and its quiet energy is building all the time—so get in touch and let’s see how we can sail together into the next phase.

P.S. If you’re ever wondering what’s happening at The Stove, please check our Events page, or look back at what’s been going on via our Blog page.

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News

Environmental Arts Festival Scotland 2015…

In 2013, The Stove Network joined forces with Wide-Open and Spring Fling to co-produce the first Environmental Art Festival Scotland (EAFS) in Dumfries and Galloway. Now, we are delighted to announce that we are part of bringing you the second outing of the festival—EAFS 2015, Off-Grid, has been announced this week.

The ruins of Morton Castle, along with its fabulous surrounding countryside, will provide the spectacular backdrop for the Environmental Art Festival Scotland 2015 over the weekend of 29th–30th August.

The festival, held in Dumfries and Galloway, will be an intriguing and playful opportunity for artists to help change ideas and influence thinking about how we need to adapt and evolve in an era of climate change.

There will be a strong emphasis on youth, with five interns playing a central role in organising and delivering the project, helping to build a wider, younger audience to engage with environmental issues.

At the heart of the event will be a variety of specially commissioned artworks, as well as walks, fireside conversations, food art, and other activities to inspire the imagination.

Ruaridh Thin-Smith, one of the interns, said: “The festival will be really enjoyable and fun while addressing some of the most pressing issues of our age.

“EAFS is about getting young people to understand a simple truth—that, whatever it might seem, we are in control of our own spaces, our places, our environment.

“If we can understand that we have the power to affect positive changes and make our planet a better place to live, then we can accomplish anything.”

The other interns, all from Dumfries and Galloway, which is home to EAFS, are Meredith Langley Vine, Katie Anderson, Daniel Leigh, and Kerry Annison. The EAFS youth project, which involves a wider group of young people as well as the interns, is funded by the Holywood Trust.

Over the last year, the EAFS team has been developing the ethos for a thoughtful and playful festival for 2015. This is reflected in the central themes of “inventiveness, foolishness, and generosity as a way of understanding the world.”

The festival aims to attract visitors from all over Scotland and beyond, bringing together people who work with the land, scientists, artists, environmentalists, cultural thinkers, poets, and performers to participate in the event.

Jan Hogarth, a co-curator of EAFS, said: “The castle and its amazing landscape are a brilliant place for an environmental art event that is all about our changing relationship with the environment.

“We are expecting lots of interest from all over the region and the country as a whole in the event, and we are delighted to be working with our team of five interns. They are bringing a huge vitality and a fresh perspective to EAFS.

“We are very grateful for the support of the Holywood Trust and their recognition of the need to engage young people in the arts and landscape.”

Photos by Colin Tennant.

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News

Rajasthan Drops-In

SAMSUNG CAMERA PICTURES
Image Credit: Graeme Robertson

Every Tuesday at The Stove is Drop-In Day. Yesterday, we had some very special visitors all the way from India—the Rajasthan Heritage Brass Band, no less! The band were in the region courtesy of our friends at DG Arts Festival, who asked if they could spend an afternoon with The Stove and host a workshop in the evening.

Quite a day at The Stove… bring on some more! Another Drop-In next week—are you coming?

Photos courtesy of Brian Pritchard, Ellen Mitchell, and Graeme Robertson.

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News

Under New Management

Our friends at Dumfries and Galloway Council joined in the #OpenHouse spirit at The Stove today and suggested a wee public event to officially sign over the lease of 100 High Street to The Stove Network.

A genuine act of faith in seeking alternative futures for the town on behalf of our Council—fair play to them!

Signatories from left David Smith (Chair of The Stove Network), Alex Haswell (Director Community and Customer Services), Councillor Ted Thompson (Provost of Dumfries)
Signatories from left David Smith (Chair of The Stove Network), Alex Haswell (Director Community and Customer Services), Councillor Ted Thompson (Provost of Dumfries)
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News

#HouseWarming – An Old Stovie Looks at a Building

By Mark Zygadlo

I offer my reflections on a couple of aspects of the gathering to mark the reopening of 100 High Street, Dumfries, on 29th May 2015.

First, the building is just a building—open or closed. The Stove, on the other hand, has never been away. However, the resumption of 100 High Street is a cause for celebration because, occupied by The Stove, the building becomes a symbol, a statement of intent, a declaration in the heart of the town, redolent with possibility.

These are carefully chosen words. When you get to be an old Stovie like me, you can laugh in the face of cool and bravely speak of sentiment. For this, I take my lead from Moxie, who put her wares gently on the table at the reopening and slid under the radar to remind me—at any rate—that to be anything meaningful, an artist not least, you have to be a human being first. This was cleverly done. Addressed obliquely and full of ambiguity, her condimental list invoked the mysterious nine-tenths. Elementary, my dear Moxie. Fundamental.

I love that brownie orange

Onward, the mugs. Whisked back to my first days at art school—longer ago than even my newfound bravery wants to consider—messing about with a process I couldn’t quite handle, yet desperate for my mug to somehow transcend its mugginess and become art. Then not caring if it did or… hang on—I love that browny orange; let’s get some more of that! The noise level, the concentration, the babies… what’s going on? Is this a family or something?

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The sledgehammer of the Young Stove finally cracked it

Thanks to a shock-resistant bottle and the shock-absorbing qualities built into the fabric and spirit of the old Stove—useful qualities against the vicissitudes of the future—the sledgehammer of the young Stove finally cracked it. “Jules, fetchez la vache” comes to mind for some reason; a phrase so poignant for an old Nithraider that I include it despite its irrelevance. So what? So what? So what? John Dowson, the only other resident of the High Street, told us what. The making of history, he said, quite rightly.

Now, here’s a thing, and it’s one of my favourite things: life is lived forward but looked at backwards. History is the backward view—a mash-up of memories, archives, documents, photographs, and, of course, the way we have shaped the environment. It’s all history. But the making of history is the process of living, doing, making things happen, and changing the place we live in.

A good definition of The Stove.

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News Project Updates

Open Mouth – If You Thought Nothing Cool Ever Happened in Dumfries…

By Sindigo

If you thought nothing cool ever happened in Dumfries, then your mind must have been truly blown by the recent Open House series of events at The Stove. If you missed it, then I’m sorry—it’s not Dumfries that’s uncool, my friend—it’s you!

On Tuesday, 28th April, The Stove opened its doors to anyone wanting to try their hand at the fashionable art of spoken word. The all-day live event, called Open Mouth, promised to wow audiences with local and national talent whilst providing support and encouragement to keen youngsters with a raw thirst for poetry slamming.

Young Stover Ivor Gott and Sindigo prepared an eye-catching backdrop for the stage
Young Stover Ivor Gott and Sindigo prepared an eye-catching backdrop for the stage

Part 1 – Schools Workshops @OpenMouth

In the morning, pupils from a local school attended workshops designed to spark their thinking about words.

They were divided into three groups to rotate between three sessions. The Open Jar Collective added a foodie twist to the activities, and each group had the chance to paint a plate that will be used in the new Stove Café.

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So, not only will they be eating their own words when they say Dumfries isn’t cool, but they’ll be eating them off a plate with their own words painted onto it! You couldn’t make it up—it’s so genius.

All the participants were keen to come back to the Stove for other events "I'm coming back to eat off my own plate", said one, "my mum will be so impressed"
All the participants were keen to come back to the Stove for other events “I’m coming back to eat off my own plate”, said one, “my mum will be so impressed”

At the same time as these workshops were taking place, poet Eryl Shields was conducting creative writing workshops upstairs.

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To delve into their deepest personal truths, Eryl set the theme as “10 things I know to be true.” Eryl said, “We shared the lists. Then, I asked them to write a short piece in their chosen form, based on or inspired by any aspect of their own list. We read out our pieces and looked at how they could be redrafted to be more effective as spoken word performance pieces. I was very impressed by the strength and variety of the work produced.”

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Sindigo (second from right) with school pupils in an Open Mouth workshop

Meanwhile, in another room of The Stove’s amazing new premises, I was busy hosting spoken word performance masterclasses. I explained what “spoken word” was, what it could be, and how they could make it unique for themselves. The main rule we established was that it should be your own work and should be performed in front of a crowd.

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The pupils then wrote a short piece about themselves, employing emotion or humour—often both. They didn’t seem shy or scared when I told them it was time to read their pieces into a microphone. With sensitivity, they were given critical feedback by me and the other members of the group on how they could improve both content and delivery.

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For the humorous pieces, we discussed ways to make them even funnier—exaggerating actions, using pauses effectively, and engaging the audience with eye contact and pointing. “Do you do this for a living?” one girl asked. “That’s so cool! I wanna do that.”

At one point, some of the participants shared that they could speak other languages and were able to translate their pieces into Mandarin and Lithuanian. By the end of the class, two girls were rapping about their love of cheese, including audience participation sections in three languages. Yaldi!

Afterwards, their teacher sent a text saying, “Thank you very much for today. The kids loved it, and I thought it was really interesting—I learned loads too!”

Part 2 – Open Workshop @OpenMouth

One student even returned at 5 pm to take part in the open mentoring sessions with established performance poet Emily Elver, emcee and Girobabies frontman Mark McGhee, and Scottish Slam champion Bram E. Giebens.

Open Mouth evening workshop
Open Mouth evening workshop

The Notorious Young Stove were also heavily present, along with several other local poets and keen amateurs. Sitting around in a circle, talking about how we first came across writing, I suddenly felt like I was at a Poets Anonymous meeting.

“My name’s Sindigo, and I’m an addict.” “How long have you been addicted to poetry, Sindigo?”

But the mood soon lifted with a few laughs. Participants were able to get invaluable advice from our guests and even had the chance to perform their work and receive feedback from the experts.

Mark McGhee keeps it real
Mark McGhee keeps it real

Part 3 – Gig @OpenMouth

After the briefest of pauses for pizza and ginger beer, I took to the stage to announce the evening performances and to thank the wonderful folks of The Stove for making it all possible. Scottish Slam champion Bram opened the show and was incredible, as usual, with his haunting portrayal of the inner psyche and poignant references to politics and personal anguish.

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Pierluigi Angelini

Local poet and keen admirer of The Stove, Peter Angelini, provided a sentimental and romantic reflection on Dumfries and the surrounding area, his infectious smile winning over the crowds. Next up was our incredible schoolgirl, Annemarie, who had taken part in the morning workshops. She bravely took to the stage and melted our hearts with a poem about her baby sister’s ginger afro and heart-shaped freckles. I was swelling with pride at my wee protégé.

AnneMarie
Annemarie

The Young Stovers were the real stars of the show. Ivor Gott wowed us with a poem written on the day about Mother Earth. Cara McNaught sauntered onto the stage with real style and blasted out an accomplished rap as if she’d been doing it for years. Then, Rhiannon Dewar bared her soul with a hard-hitting piece straight from the heart. She modestly declared afterwards, “I definitely found it a cool experience.” Steven Rogerson proved himself to be an accomplished writer of personal experiences, and his confidence shone on the mic. All future stars in the making!

Ivor Gott
Ivor Gott

Mark McGhee of Jakal Trades showed us why he’s always an asset on any bill with his fast-paced social commentary and wit, inventing his own words and getting the audience chanting along. His poem about Edward Snowden is still one of my favourites, and he absolutely smashed it, earning rapturous applause.

Mark McGhee
Mark McGhee
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Eryl Shields

Eryl Shields’s refined and ethereal style wonderfully conveyed her polished poetic narrative. Catherine Major brought a punchy slam style, and her savvy performance was a true asset to the show. Herald at The Stove and all-round ray of light, Moxie de Paulette, gave us a rousing reaction to the election, including a mighty fine impression of Nigel Farage. Ginger, a local professional, transported us to muddy fields and festival shenanigans with his take on some traditional Burns, twisted through psychedelic raving and all-night swallying.

Emily Elver, another rising star on the scene, delivered a phenomenal performance. She had us all in stitches with her sci-fi foreplay piece and demonstrated why she’s a much-loved talent and an unstoppable force of spoken word alchemy. She said, “Open Mouth was one of the best events I’ve had the privilege to be involved in. The workshop was buzzing with new voices and experienced performers. The open mic showcased how many amazing new performers Dumfries & Galloway has. Could not have been more impressed with The Stove team and Sindigo’s hard work.”

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Sindigo on Stage

I enjoyed introducing everyone and felt a surge of electricity every time I went on the mic. It was, in fact, one of the best nights of my life—a celebration of everything coming alive in Dumfries and across Scotland.

“This is just the beginning!” said Debz McDozey, leader of The Young Stove, as I gave her a high five.

#OpenMouth was produced in association with the Wigtown Festival Company. Huge thanks to them for everything!

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