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Jordan Chisholm is a student at Royal Conservatoire of Scotland studying Contemporary Perfomance Practice. She is currently doing a placement at The Stove and writing a blog about her experience with us – this is her first post..

Jordan (with blue hair) performing in the Salty Coo performance (Nithraid 2016) she co-designed and produced with Dillon Colthard
Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard for The Stove’s Nithraid 2016. Photo Kirstin McEwan

When I was thinking about where I wanted to do my placement for third year – I had no doubt in my mind that I wanted to do it in Dumfries. I moved to Dumfries, in 2012, when I was seventeen years old. When I left school, I had a university offer to do Criminology but I wasn’t entirely sure if this is what I wanted to do. My mum has stayed in Dumfries for around fourteen years and it was decided that I would move in with her, to be in a new environment with no one I knew.

I’d visited Dumfries many times at the weekends and over school holidays but living there on a daily basis was something extremely different. I wasn’t sure how I felt about the town. As an ‘outsider’ coming from Edinburgh; I felt as though I really did not belong in this beautiful space and I could not explain why. I guess this was something internal and I spent most of my first year living in Dumfries travelling back to Edinburgh; there was something I was not prepared to let go and starting a new life was not as simple as I had anticipated.

Time passed and I began to open my mind. I met new people and started to do new things. I began to explore Dumfries in a new way; it was like a playground – full of magic, wonder and uncertainty. I still feel much of that uncertainty today – over four years later. However, I am not scared by this anymore; instead it inspires me and it always leaves me wanting more.

Dumfries changed me. It changed the way I look at things, it changed my opinions, it gave me a platform to do things I never thought I was capable of doing, it gave me something to be passionate about, it allowed me to learn about myself and who I could be, it shaped my future, my hopes and my dreams; Dumfries changed my life. But could I change Dumfries?

When I think about what I may want to do in the future; giving something back to Dumfries is at the top of my list. You see, in this misunderstood town, where there may not be very much to do, there are hundreds of people who all share the same love and understanding of what this space really is. Dumfries has a strange pull to it; and this pull is of upmost importance to the future of the town. We have to work together to allow people to feel proud of where they come from – to make them want to stay. This is what I want to be a part of. A part of the regeneration of Dumfries through art, creativity and sheer hope. I want Dumfries to give everyone what it gave to me, and I don’t want them to have to look very hard to get what they are looking for.

The Stove Network is situated in the centre of Dumfries. It is a fully accessible public arts space/facility/resource for the population of the town and the wider region. It is a support network that creates opportunities and connections for the creative community and integrates with the local economy and wider society. One of The Stove’s aims is to use the arts to engage and empower people for themselves, the places they live and society at large. This aim is vital to my own learning and development; I knew that this was where I had to be for placement. I wanted to know how they manage to do what they do in a town that says no much more than it says yes. I wanted to live and breathe their commitment to the Dumfries community and I wanted to be around people who share the same desires as I do; who can show me how to make a positive difference with an understanding of the quality in process as well as the product.

Although I knew why I wanted to be at The Stove, I was still extremely nervous on my first day and I did not know what to expect. It reminded me of my earlier ‘outsider’ feelings but I pushed these to the side and arrived with no expectations as to how my first week may turn out.

I was met by curator, orchestrator and public artist; Matt Baker. The motivation for Matt’s work is to have an effect in the place for which it is made. I find it comforting and reassuring having the opportunity to be mentored by someone who vocalises that they became an artist to change the world.

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Musings Project Updates

The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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Musings

Blueprint100 Go to Edinburgh

From Emily Cooper – portraiture artist and blueprint100 Intern

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Earlier this month a group of intrepid Blueprint Members undertook an expedition to the frozen rain-soaked streets of Edinburgh in search of inspiration. Following an excited minibus journey we arrived at our first destination.

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Jupiter Art Land, a few miles outside of Edinburgh, hosts a vast array of large scale art pieces and indoor gallery exhibitions the first of which was the colourful and charming work Myth Cart by Hayley Tompkins, whose work did it’s best to brighten our spirits with its vivid display.

Soon though it was time to brave the weather and explore the grounds. We came across works from classical style structures such as Ian Hamilton Finley’s Temple of Apollo and Xth Muse, to the psychedelic Love Bomb by Marc Quinn.

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Particular favourites of the group were Weeping Girls by Laura Ford and Landscape with Gun and Tree by Cornelia Parker.

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Another thought provoking installation was In Memory by Nathan Coley a piece in which tall concrete walls surround a replica graveyard of apparently reclaimed gravestones.

All in all, despite the less than ideal weather conditions Jupiter Art Land proved to be a valuable and inspirational experience and certainly got our creative juices flowing and after something to warm us through in the onsite café it was time to head into Edinburgh and find our home for the night. The world’s first shipping container hotel! Some were excited…others were not.

As we pulled up into a slightly worse for wear, overgrown car park and were faced with the drab, grey corrugated iron walls, hearts began to sink and trepidation became rampant, however after hesitantly pushing open the gates, relief reigned supreme and what followed was a great night’s sleep in a warms comfy beds surrounded by friendly, colourful people. Our only regret was that we only had one night to stay.

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The following day began (somewhat late, after some difficulty navigating through the excessive crowds of fringe-time Edinburgh) with a trip to the pop up Arts Festival Hub to view the exhibition Platform followed by a guided tour of some other points off interest as part of the festival including the fountain of youth, created with the help of local school children!

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The rest if the day was free time to spend in whichever culturally education way we saw fit, for some that meant visiting the National Museum and exploring the various exhibits on offer whilst one group visited the National Portrait Gallery and experienced an impressive collection of self-portraits ranging from Matisse to Rembrandt.

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Art viewed, feet drenched and overpriced coffee consumed to excess, it was time for us to head home. A much quieter bus journey followed, interrupted only by the odd snore from the bus full of sleeping creatives. Thanks for having us Edinburgh, you were great…if a little exhausting!

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Musings

Introducing Euan Macrory

This years Nithraid sees us welcome a new team of young interns to help kick-start our now annual sailing race up river and into the centre of Dumfries. First up is Euan Macrory, a musician from the town and joining the event production and marketing team. We asked Euan to tell us a little more about himself and his music:

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I am a musician that is driven by giving opportunities to other performers and artists. I hope to contribute my part to the Dumfries music community by encouraging new performers and hopefully allow people to try music as a hobby even if they never have, purely so people can discover a new passion. My main passion at the moment is combining genres and changing music. This has involved me taking genres that are not always perceived as exciting, like traditional folk and combining it styles like funk, flamenco and jazz. In the future I hope I can encourage a rise in the interest of the Dumfries music scene and try to change music.

I was drawn to Nithraid because I wanted to try being part of the organisation of an event so I could participate in events from a new perspective. I have been a performer at events but I am looking forward to experiencing events under different circumstances and gaining new skills in fields that present unique challenges and rewards.

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Nithraid 2014 – Procession and Nithraid Band

I think Dumfries is a town with a lot of potential. I think it has a really nice local community that you struggle to find in other areas. I believe that with our close community values we can make a modern town with more reasons for young people to stay here and build careers.

The most exciting part of the Stove process for me is the involvement it permits. The stove opens up a wide variety of opportunities for people to get involved in, including different types of workshops and events for activities that people would not consider if the Stove was not offering these unique opportunities.

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Five books I think everyone should read are Tortilla Flat by John Steinbeck, The Symposium by Plato, How to Ruin Everything by George Watsky, If On a Winters Night a Traveller by Italo Calvino and Of Mice and Men by John Steinbeck.

There are so many songs that I couldn’t live without but if I had to name a few it would be Santeria by Sublime, Emily by the Bill Evans Trio and just every song by a spoken word poet and rapper George Watsky.

I never expected to enjoy volunteering in a charity shop as much as I did. Honestly when I started I thought it would be a fairly quiet standard shop job but I had so much fun and made so many great memories from it.

My passion is music, it means so much to me and it always has. I couldn’t see my life without it.

Find out more about Euan and his music online via his youtube channel here, and his instagram account here.

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Musings

Art and Politics at Art_Inbetween

Following on from last weeks Art_Inbetween summit, and reposted from Sarah Beattie-Smith’s blog, (visit it here to read the full report), some reflections from her attending the first day of Art_Inbetween:

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” “Don’t think of art and politics as separate parts of your life – you can do both”. These were the simple words of Katharine from The Stove in Dumfries that, in a few seconds, managed to make disparate bits of my life make sense. Our conversation took place at a thoroughly inspiring event – Art_Inbetween – at the newly refurbished Stove on Dumfries high street last week. Luckily for me, it was just one of a whole day full of provocative, compelling and exciting conversations with artists, performers, community workers and more.

It was a breath of fresh air to drive over the hills to Dumfries last week, to listen to people from across Scotland and the rest of the UK talk about art as activism, about art in a rural context, the politics of artistic practice and the very real political barriers to cultural creation in this country. Art_Inbetween was described as “a summit on arts practice in rural regions” but brought out discussions much more diverse than the description suggests. A morning of conversations about Dumfries and Galloway and the creative thread that runs through the region was followed by workshops on topics as diverse as the structures in place to support the arts and the problems of a rural/urban definition for how seriously rural-based artists are taken.

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I was really heartened to hear the feedback from the different workshops at the end, all reaching the same conclusions. That capitalism, centralisation and an urban-focused economy are all deeply destructive and that we need greater democracy, participation and equality across the country if we’re to stand any hope of truly supporting the arts in D&G and beyond.

Throughout the day, it became increasingly clear to me that art and “the arts” more generally are not something separate from society. Indeed, to think of art in this way runs the risk of devaluing artistic practice and alienating many of the people who would benefit most from participating in it. If we’re to support the arts, through things like the Scottish Green Party’s Intermittent Work Scheme and protection for arts venues and studios, we must do so with an understanding that artistic endeavour is at the very heart of cultural life in Scotland. We must understand that art and politics are neither separate nor mutually exclusive, but bound up together.”

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Musings News

We Live With Water

SUBMERGE offered The Stove the opportunity to imagine a Dumfries of the future—a future predicted to be up to twice as wet by the end of this century.

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As we prepared for SUBMERGE, our local council unanimously voted for a plan to build a physical structure along the edge of the River Nith, aiming to hold back the surges in this spate river and prevent the flooding that has been a feature of the town since records began. Hard as we searched, we could not identify the longer-term vision for the town that the barrier plan was intended to align with—how did the barrier contribute to a future for Dumfries, we wondered? The only answer we could ascertain was that it aimed to make a small area of the town more attractive to property developers. The strategy of attempting to attract private investment to revitalise the town has been the mantra for the past 20 years; however, it has not been successful and appears increasingly questionable amid the decline of 20th-century capitalism, which is failing to deliver well-being for the majority of the population in Scotland.

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The Stove issued a call for people to join a group that would take an alternative approach and imagine a future where increased rainfall, sea levels, and river surges could be seen as an opportunity. We sought to reimagine Dumfries as a River Town—a place that embraced its environment, a place that Lives With Water.

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In this plan, the banks of the River Nith are rewilded as riverbank through the centre of town. These new spaces are integrated with existing green spaces adjacent to the river to create a green corridor along the Nith, which is utilised for a combination of food and energy production, leisure, culture, and education.

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“The commercial district of the town centre is condensed and centres on its traditional functions: serving as a market for local producers, a meeting place, and a centre for culture and heritage. As the transport hub for the region, Dumfries acts as the gateway linking national and international relations to the broader region of South West Scotland.

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The area immediately surrounding the High Street and Market Square is converted to residential use, with urban smallholders and makers capitalising on the proximity to the market for their excess production, bringing vitality to the town centre throughout the day and night.

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This vision was presented in a document titled ‘We Live With Water’, which was written from the vantage point of Dumfries in 2065 and featured commentaries by local writers reflecting on the future from a retrospective perspective.

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Richard Arkless MP visited his constituents in Dumfries on Monday, 7th December 2015, to inspect the aftermath of the flooding from the previous weekend. During his visit, he heard rumours of an alternative plan for the town and the river and obtained a copy of We Live With Water to take back to Westminster as a potential way forward for our town.

Richard-Arkless

We Live With Water was coordinated by The Stove Network and included contributions from:

Katie Anderson
Kate Foster
Rita Pacheco
Alyne Jones
David Slater
Mike Bonaventura
Lee McQueen
Matt Baker
Mark Zygadlo
Ivor Gott
Stuart White
Mary Smith
Lauren Soutar
Rhiannon Dewar
Linda Powell
Katharine Wheeler
(and some anonymous writers)

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