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Musings Project Updates

New Distractions

We asked ourselves a question: “Can a sign above a High Street building ever do anything other than promote and brand; can it ask questions, be part of a conversation with other signs… can our High Street ever be a space that prioritises people as well as sales?”

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Whose downturn is this?

As a species we show ourselves to be resilient and forever adaptable, but what true opportunities are there between the moss and the ‘for sale’ signs? How do we re-make the spaces between the High Streets we remember and what is left when our High Street no longer meets the bottom line of the multinationals?

Our town centres have grown out of a need to gather, connect, meet, barter and exchange. Dumfries owes its place to the river, the cattle marts and the passage of people. But from our largely rural context, Dumfries has also been the gathering point, the melting pot of communities meeting and exchanging, not just economically but socially, our connection out into the world.

‘A marketplace (rather than ‘market’) is a sociable space in which buying and selling take place surrounded by other activities, a place you come to see friends, to hear stories, to argue about ideas. Crucially, unlike a Starbucks or a department store, it is a space where your welcome is not determined purely by your abilities to spend money.’*

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What is valuable on our High Streets?

Dumfries stands at a point questioning its identity, and it’s place within the world. Primark may not have arrived, but there is an air of anticipation and change whispering quietly amongst a growing number of the town’s communities. Now is the time to search for the new role we can play in creating the future of Dumfries, to reach out for a possible Dumfries.

Dumfries is not dead, only sleeping. Hidden Dumfries is in plain sight, behind the sagging bus stances and single occupancy street furniture.

Now is the time to act.

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How do we judge what a downturn is anyways?

This action does not require grand master planners, or large scale redevelopment, but a little collective energy and small positive acts. Testing and experimentation, problem solving and lightweight interventions can lead the way to a more active high street, looking forward to a more valuable town centre. Small actions can highlight, question, explore and initiate discussion, growing from an inquisitive response to our everyday.

This is a call for new distractions.

Can we create a new visual language for our high streets?

*Dougald Hine, Space Makers. Quoted in how to save our town centres, by Julian Dobson.

Supported by:
cultwayfunderlogossmall

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News Project Updates

Thinking Differently About Our Town

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Dumfries is a town at the gateway to Scotland. Famous for its relationship with Rabbie Burns, the town is the nodal point of the region (Dumfries and Galloway) and has a strong heritage past, and an even stronger cultural potential.

Cities, towns and villages throughout Scotland are reimagining their centres and what function they serve within their urban setting.

Inverness is creating different artworks along its River Ness ranging from simple signage installations through to engineered viewing platforms; Oban is reinventing its waterfront and becoming a hub for the Hebrides; Helmsdale has centred its village around arts and heritage with a wonderful cultural centre that is growing leaps and bounds; and even rural Scotland is getting involved in the act with initiatives such as the Scottish Scenic Routes, Spring Fling and the North Coast 500 aiming to reinvent the landscape that they find themselves within.

Dumfries has a similar ambition to reinvent, reimagine and reactivate its high street, its town centre and its entire region. The Stove Network working in collaboration with Lateral North and creative organisations throughout Dumfries would like to invite you to contribute your ideas for a future Dumfries and ultimately towards creating new ideas within the town to showcase the heritage, cultural, environmental, industrial and creative communities that thrive within Dumfries.

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Join us to design these interventions, contribute your ideas and find out about the Dumfries you don’t know; yet.
If you’re someone with a passion for the town of Dumfries, and a commitment to being part of its future, then join us for the Cultural Wayfinding Workshop on the 15th July at The Stove. Full information about the event can be found here.

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Musings News

Cultivating the High Street: Artists and Town Centres

From Andrew Gordon

High streets across Britain are fundamentally changing, and Dumfries is no exception. The combined impact of the economic downturn, out of town complexes and online shopping is leading to more and more town centre closures. The effect on Dumfries is unmistakable, from the closure of national chains stores, to long established family-owned businesses, each leaving behind empty husks in what once were regarded prime locations. With their empty displays these unwanted buildings contribute to a worrying sense that the town is in perpetual decline.

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However there have also been signs of different life; the Electric Theatre Workshop has turned a disused shop into a space for practicing and performing theatre, as well as the central hub for winter festival, Big Burns Supper. Although shops have struggled, cafes and restaurants are continuing to generate business, prompting a number of new openings and refurbishments. These changes remind us that high streets have historically been places to “debate and meet”, as retail-consultant Mary Portas stated in her 2011 report for the UK Government. It is her opinion that high streets must return to this role as “multifunctional, social spaces” if they are to serve any purpose in the future, commerce forming just a part of their civic service rather than dictating it.

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The Stove Network shares this vision – it aims to demonstrate that rethinking the way we use the vacant buildings on the high street can have a profound and beneficial impact on the local community. By opening it’s new accessible public arts space at 100 High Street, it will be placing creativity and risk taking right at the centre of local efforts to re-imagine Dumfries as a contemporary regional capital.

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The retail chains that previously occupied these spaces were concerned with telling us what we want. The Stove will instead respond to what we need, a collaborative effort between artists and others in the town to cultivate a place that will serve us as citizens rather than consumers. This means including the public in the operation of the Stove itself and the Tuesday Drop-In sessions are one example. These weekly meetings will invite one and all to discuss the Stove’s operation, and to voice their own ideas about what it should be doing more of to contribute towards the regeneration of Dumfries town centre. The Charter14 event held during last year’s Guid Nychburris festival, asked Doonhamers to put forward their own ambitions for the town’s future as part of a new “People’s Charter”, and is another example of The Stove Network’s approach.

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By offering ready access to art and the tools of its creation in the very centre of the town, the Stove stands to thoroughly involve the people of Dumfries in bringing about constructive change to the place we call hame, turning an otherwise forlorn relic of times gone by into a symbol for a new future for Dumfries – one conducted on our own terms. “High streets will thrive if we re-imagine them”, Mary Portas suggests, and what better way could there be to inspire new ways of thinking about the high street than through art?

All images are of Charter14, Guid Nychburris Day Festival June 2014. All images: Colin Tennant

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News

Dumfries in line for Creative Places award

It’s an exciting day down at the Stove, and as if the build up to tonight’s big gig as part of DMC wasn’t enough, we are pleased to welcome in the morning with the following press release. Go team Dumfries!

United artists approach makes shortlist for National Award

Several organisations were jumping for joy at the news in Dumfries today – that the town has been shortlisted for the coveted Creative Place Award for 2014.

A joint bid was led by Big Burns Supper, The Stove and Electric Theatre Workshop to attract investment of £150,000 to the town to support the development of a Creative Place through a year-long celebration of Creativity to help support Dumfries town centre.

Uniquely – the bid has been developed by the arts organisations independently, which mirrors the trend that has been happening in Dumfries over the last three years.   Artists and their Organisations are leading the way in the regeneration of place, community and identity.

Graham Main, Artistic Director of Electric Theatre Workshop & Big Burns Supper said, “We are thrilled with the news of the shortlist – which celebrates the ground breaking transformation, and creative leadership model in our community. Organisation’s like Big Burns Supper, The Stove and Electric Theatre Workshop – and our many associate organisations like Theatre Royal, Peter Pan Moatbrae, Greyfriars Concerts, DG Arts Festival and The Crichton Campus are leading on a fresh approach to arts delivery, and redefining the rules to creative participation through a new confidence that is spreading throughout our region.”

Matt Baker, Stove Network artists collective founder member said: “Culture and Heritage have been identified by many as the key to revitalising Dumfries – a future built on assets like the river, the history and the creative talents of our citizens. Much work has been done already by groups like Stove, Big Burns Supper and Electric Theatre Workshop – we have all focussed on making opportunities for other local folk to get involved and through this building a network of amazing people with a ‘can do’ attitude.

Being shortlisted for this award is amazing national recognition of both the work done to date and potential for the future. Dumfries is ready to claim itself Queen of the South again for the new century – we look forward to working with everyone to make that happen.”

It comes on the same day that Big Burns Supper announced plans for their Homecoming Carnival, which will set the town alight on the 25th January 2014, which will see over 2000 people taking part in the organisations largest ever Participation project to date.

A massive community celebration which help pay tribute to the centenary of World War One, with second year students from several high schools helping to design and create the first ever Burns Night Carnival in the town’s history.

As the news came in, Final preparations were being made to the Dumfries Music Conference weekend which is taking place at The Stove in the centre of Dumfries.  The second Dumfries Music Conference (#DMC2013) will pick up where Greg Wilson signed off last year, with a programme centred on sharing knowledge, ideas and thoughts about music.

Their aim is to be progressive, which is why this year’s sessions have a different complexion than last year’s. Where 2012’s focus was electronic music and technology, 2013 is about shining a light on the music industry’s storytellers.

As part of their continued development, Electric Theatre Workshop have announced continued expansion into communities throughout Dumfries, supporting communities and schools to get access to creativity.

The Community Interest Company based in the centre of Dumfries has opened Youth Theatre projects at Lochside Primary, Lincluden Primary, St Teresa’s Primary and St Ninian’s Primary Schools throughout the next year.  It comes as part of the organisations pledge to lift barriers to creativity in Dumfries thanks to support from the Holywood Trust.

Dumfries will find out at an Awards Ceremony in January 2014 whether or town the town will lift the prize.

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News Project Updates

An Update and an Invitation

The Stove committee has been pushing forward on all fronts over the past year, and we would like to invite you to a catch-up meeting on Wednesday, the 5th of September at 7 pm at The Stove building.

At this meeting, we will report back on progress with the building and projects and discuss the future structure of The Stove as an arts organisation. The Stove began as an open invitation and opportunity for D+G practitioners; we’d like to discuss ideas we have for sustaining this ethos into the future and are eager to involve as many of you as possible in these discussions.

Some of you may also be aware that we have been commissioning artworks to accompany a two-week-long programme of public arts activity in and around Dumfries at the start of November. Artist Mike Inglis was awarded one of The Stove’s Inbetween commissions; Mike is one of Scotland’s leading street artists and will present a short illustrated talk on the 5th of September about his practice and what he has planned for the November events.

Utopian Junk Dreams

Kirsty Whiten: Centaur
Fraser Grey: Explosion
Martin McGuinness: Landscape
Mike Inglis: Spaceboy and the No. 9 Junk Dream
Rab Choudhry: Coins

We will also be introducing a two-day symposium we are presenting in November, where invited speakers will address issues surrounding the identity of contemporary market towns in the UK: ‘Place, Sustainability, and Future Culture’ in Dumfries on 8th and 9th November.

We hope you can join us. If so, please RSVP via [email protected] with the text ‘Stove Meeting Wed 5 Sep’ in the subject line.

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