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Musings

Doughlicious: Baking Basics and Sourdough Starters

from Kerry Morrison

The last time I baked was some 30 years ago; Hot Cross Buns. They turned out like hot cross rocks. Inedible. I decided then it was time to give up on home made bread and yeast as my track record was littered with failures.

Fast-forward some thirty years, and, due to a series of events, I found myself attending the Douglicious gathering. To be more accurate, as a new recruit at The Stove, I was facilitating it. I meeted and greeted and made teas and coffees. And I watched and listened.

Kerry’s dough making notes


They were preparing sour dough. Liz, the wonderful woman who initiated Douglicious, handed out sour dough starter to all those who had brought with them flour and a bowl. She brought extra bowls and flour for those who hadn’t brought their own, so everyone had the opportunity to have a go.
I looked on. I was fascinated. I knew nothing about sour dough and I’d never, ever, thought about baking my own. I became engrossed and wanted to know more. When the dough was resting, we all sat around the tables, tasted samples people had brought with them, and talked about bread. I joined in.
I asked so many questions and Liz and the group were extremely accommodating, answering all of them. I took notes. At the end of the evening, Liz offered me the dough she had prepared. I hadn’t participated in the dough making, so was thrilled to be offered the sour-dough-in-the-making to take home and finish. I stretched it and rested it four times before going to bed.
The next day I baked it and it turned our perfectly: completely edible and delicious. Liz also gave me my own sour dough starter and I’ve been baking (dare I say) perfect sour dough loaves at home ever since. Who’d have thought it? Certainly not me.

Interested? The next Doughlicious event is on Wednesday, 17th July at 7pm. Full details available here

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Musings

My first year as Public Art Project Worker with Creative Futures

by Kirsty Turpie, December 2018

I began the position of Public Art Project Worker with Creative Futures Lochside and Lincluden in January this year. I was involved in the project last year as a Trainee Creative Producer, which seen me support Public Artists and attend community events. I really enjoyed being a Trainee Creative Producer so when the chance arose to become employed in this line of work I was excited and ready for it.

My challenge…to get residents in North West Dumfries engaged in Public Art projects. I was raring to go, and set up a weekly drop in at the Creative Futures hub under the name of Art in Action. The drop in ran for 5 weeks, and there were 5 local residents attending. We looked at local and international artists and public art examples and created small sculptures.

The name Art in Action has stuck and I have took it on the road to Lochside gala, a pop-up gazebo workshop in Lochside, Lochside and Lincluden Primary Schools and Nithraid.
One of the main projects I’ve been focusing on is the revamp of the Lincluden rhino statue. After research and consultation it was decided that I would offer the community a chance to create a new colourful look for the base of the rhino through the medium of mosaics. And, oh, have I fallen in love with them! I got up to speed on the mosaic techniques fast so that I could bring them to the public. In order to provide the mosaic workshops I had to do some preparation of ordering materials and experimenting. I’ve really enjoyed this part of the job. My background is in Graphic Design so I haven’t had too much opportunity in the past to work with large scale materials. So having to phone up builders yards, go to collect large pieces of wood and tile grout and having to use power tools to cut the wood to size have all been new and exciting responsibilities.

Kirsty and some of the team behind the new mosaics for the Lincluden Rhino

Another project that I have taken on through this position is the Lochside Primary School commemoration sculpture. This project has been a great opportunity to connect with the community on an ongoing basis and understand how to portray their ideas and history. In May I began working with the primary school pupils to design a totem pole featuring their memories of the school and it’s history since opening in 1962. It was lovely to hear the children’s memories and see them using paint and collage to get them down on paper. Back at the Creative Futures hub I drew up the final design comprised of six cement shapes to represent each era the school has been open. Mosaics would also be used in this design to create the children’s drawings and patterns and give the primary children a chance to learn this way of working. It is fair to say that they have enjoyed having a go. A small group of them came to the community centre and created the primary school logo out of mosaics and put it on to the first cement shape. In the summer I held a two day pop-up mosaic workshop in Lochside where families from the area took part. It is so rewarding being able to give people a chance to try something new and get creative. They always surprise me with their original ideas and creative flair.

Pop up mosaic workshops on Lochside Road


Something that has really stood out for me this year was in the October holidays when the Creative Futures team helped me to produce a whole week of art activities appropriately named ‘Art Week’. It was amazing to have the freedom to come up with a programme of events, and included in this a bus trip. Being able to organise a bus trip to be enjoyed by so many from the area and give them the opportunity to connect with public art, was truly brilliant. We took 32 people (adults and children) to Glenrothes in Fife where there are over a hundred pieces of public art. We went on a walk around the town led by local community workers who told us about the history of art in Glenrothes. It was great to hear people talking on the way back about how Dumfries could be different.

Visiting artworks in Glenrothes!

Not only the bus trip but the rest of Art Week was fantastic too. We ran the workshops 11am until 3pm and invited children to bring their own lunch. This gave us plenty of time to get artistic. Some of the local children came every day. Holding these daily workshops has shown me how much my confidence has grown over the past few years in this line of work. I now feel really confident planning and delivering workshops across many art forms.
All in all being part of the Creative Futures team this year has been brilliant in so many ways. It has given me the opportunity to run many different workshops, given me the challenge of adapting to using new materials, the chance to work on large scale projects, and learn how it is to work as an artist in a community setting. I am really grateful for the responsibility and opportunities I’ve been given, the team I’ve been working with and the new connections I have made within the community. I now feel a welcome addition to community events and people know they can come to me if they have any creative project or workshop ideas. I’m looking forward to continuing these projects and developing new ideas in the new year.

Stay in touch with the Creative Futures project by following their Facebook page here
More about Kirsty Turpie and her art practice on her Community Art page here

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News

National Culture Strategy Consultation Event

On Thursday 6th September, the Stove Network hosted public consultation session on the Draft Culture Strategy by Scottish Government, aiming to encourage individuals to contribute and generate group discussion on the way culture and creativity is part of our society and community.

Since the beginning of 2018, the Scottish Government has been consulting with the people of Scotland on their ideas and aspirations for a National Culture Strategy. This is not simply about the ‘arts’, rather it includes heritage and cultural activity of all kinds and aims to build an understanding of the value of culture as something that should play a part right across the spectrum of society. At the end of June this year, the Scottish Government published a draft of the Cultural Strategy and have asked people to comment on it and contribute ideas for practical activity that will put the Strategy into real and useful action for communities.The consultation event was a great success and it was very useful to be able to discuss certain issues with such a diverse and committed group of colleagues. The event began with an introductory talk by Gwilym Gibbons who is currently CEO of the Crichton Trust and previously has headed up major cultural projects in Perth and the Shetland Islands. Following Gwilym’s introduction, attendees were invited to take part in two facilitated workshops; one looking at the content of the draft strategy and the other to gather ideas for ways that the Culture Strategy could be delivered practically in our region and beyond.

We have now prepared a document for you to view with notes from the discussions. These notes are just the interpretation of the conversations made by the scribes. The Stove will not be attempting to represent the views expressed at the meeting in our submission to the official Consultation. Rather, we will be making our own submission (which may mirror some of the views expressed) and we encourage everyone else to do the same.

Download the document here: Culture Strategy Consultation Event at The Stove Network

Download the official Stove Network response here: Official Stove Response

More information and how to submit your own views can be found here: https://consult.gov.scot/culture-tourism-and-major-events/culture-strategy/

If you have any further questions please do not hesitate to get in touch!

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Musings

Beyond Burns

From Dr Gerard Lee McKeever
I was delighted to have the opportunity to run an event at The Stove in Dumfries in February. They are a really exciting arts network who have been a driving force in revitalising Dumfries town centre in recent years, part of a much broader flowering of cultural activity in the region.

Gerry McKeever introsducing 'Beyond Burns' at The Stove
Gerry McKeever introducing ‘Beyond Burns’ at The Stove

 Beyond Burns was an evening of poetry and talks about literary Dumfriesshire & Galloway, past and present – the first event funded by my British Academy Postdoctoral Fellowship. It was an opportunity to engage with the local public, aiming to inspire thinking about other literature connected to the region around the time of Robert Burns, as well as more contemporary writing.

Beyond Burns Galina Walls

After an opening talk in which I surveyed some of the early fruits of my research, I was delighted to give the stage over to three local poets: Hugh McMillan, author of many books and pamphlets including Not Actually Being in Dumfries (2015) and McMillan’s Galloway (2016); Liz Niven, widely published in Scots and English and recently the editor of I’m Coming With You (2017); and Stuart A. Paterson, the latest BBC Scotland Poet in Residence, who has a new collection titled Looking South (2017). All three poets gave performances featuring a mix of their own work, other local poetry and reflections on the literary history of the region, with particular stress on issues including place, gender and language.

beyond-burns-stove-dumfries-gwalls-20180222-069

‘Knowledge Exchange’ and ‘Impact’ in academia have acquired the off-putting quality of all buzzwords. But literary scholars are among those best placed to engage with wider audiences. I’ve been really heartened at the response my project has had from the local community over the past six months. It’s clear that there is a significant wellspring of local knowledge and enthusiasm for eighteenth and nineteenth-century subjects. Through my involvement with the Oxford University Press edition of Burns at Glasgow, I was introduced to some creative ways of tapping into the massive public interest in Burns. Certainly no other D&G writer has his profile, but there is a real appetite for the wider literary-historical landscape here.

Beyond Burns Galina Walls Stuart Paterson
Stuart A Paterson
Beyond Burns Galina Walls
Liz Niven
Beyond Burns Galina Walls
Hugh McMillan

Engaging with three contemporary writers has also been a refreshing way of developing my thinking. Liz, Stuart and Hugh are all poets with a keen interest in the historical, geographical and political issues around living and working in this part of Scotland, with its unique perspective on local, national and global contexts. Further collaborations have already been mentioned – it’s great to reach beyond the traditional confines of scholarly research and participate in what is an optimistic moment in the region’s arts scene.

Beyond Burns Galina Walls

Beyond Burns was well-attended and closed with a Q&A session, before an after-hours writing workshop for keen attendees. The response to the event has been brilliant – I hope that it has helped to stimulate some new conversations about this rich literary history ­– including but also beyond the legacy of Burns.

Credit to Galina Walls for the photos from the evening.

Categories
Musings

Melting Pot with blueprint100

From Emily Cooper:

‘Open creative space is vital when it comes to fostering and nurturing creative thought and practice but it comes at a premium both in terms of cost and available footage. Studio space for young people can seem a daunting and unobtainable prospect and can be an almost immovable barrier when starting out.

Having a safe and inspirational environment in which young people can freely express themselves without fear of ridicule can be the catalyst that takes an “Artist”, whatever their chosen field, visual, word, music and beyond, from a being a timid foreshadowing of their full potential, to a confident and self-empowered young Artist (this time minus the air quotes).

blueprint100

Throughout my time at Blueprint, I’ve watched as waves of young people reap the benefits of being allowed to take up space, sometimes for the first time in their lives. It makes me incredibly proud to be part of such a project, a project that has helped some young people, uncertain of their paths in life, and more worryingly uncertain of their ability and worth to both pursue careers in the arts independently and also get accepted into prestigious Art Schools.

Artists, by nature, often suffer from crippling crises of confidence. A ready made cure for this can be collaboration, at least in idea and discussion, if not in practice. Meeting with peers and engaging in debate, whether harmonious or discordant, can go on to create sparks which ignite some of the most vibrant and innovative artistic endeavours.

blueprint100

With all these things in mind, following a successful pilot, Blueprint are launching a block of four Melting Pot sessions. Melting Pot is an open studio drop-in running on every Tuesday of March from 5:30pm- 7:30pm. Young people are invited to come and hang out in The Stove Cafe, to work on their own projects and feed off the creative atmosphere.

melting point blueprint100
Categories
Musings

Song Factory

From Alix Adair

mic live song factory

In an effort to provide young musicians the opportunity to write, record, and release their own tracks; Blueprint100, in association with D&G Council and DGU, created the Song Factory. Running over the course of two months, participants were taken through various aspects of the music industry from songwriting to graphic advertising. Workshops ran every Wednesday from the 14th of a June to the 5th of July, with time to record until the 2nd of August when the final workshop was held.

song factory workshop

During these workshops those involved were able to work with poet Hugh McMillan; singer-songwriter Jamie McClennan; graphic designer Sam Sparrow; and producer and owner of Lovers Lane Studios Grant Christian Henderson. They worked in groups to create 3 songs overall, paying ample attention to both music and lyrics, and then – after a tour of the studios – were funded to record these songs.

song factory workshops
Song Factory Workshops

The final workshop focused on publicising your music, so as well as being taken through some basic graphic design participants were talked through an interview in preparation for a slot on the Thursday Night Showcase on Alive radio the following night. Here they talked about how they found the course and either played their track or performed their song live. All recorded tracks will be regularly featured on the show from this point onward.

Song Factory Recording
Song Factory
Song Factory

The response to Song Factory has been truly touching, with the involved Blueprint members receiving messages of thanks from many of those involved, and the songs created will be worthy additions to Dumfries and Galloway’s ever-growing music scene.

All photographs credited to Kirstin McEwan Photography.

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