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Blueprint100 Go to Edinburgh

From Emily Cooper – portraiture artist and blueprint100 Intern

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Earlier this month a group of intrepid Blueprint Members undertook an expedition to the frozen rain-soaked streets of Edinburgh in search of inspiration. Following an excited minibus journey we arrived at our first destination.

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Jupiter Art Land, a few miles outside of Edinburgh, hosts a vast array of large scale art pieces and indoor gallery exhibitions the first of which was the colourful and charming work Myth Cart by Hayley Tompkins, whose work did it’s best to brighten our spirits with its vivid display.

Soon though it was time to brave the weather and explore the grounds. We came across works from classical style structures such as Ian Hamilton Finley’s Temple of Apollo and Xth Muse, to the psychedelic Love Bomb by Marc Quinn.

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Particular favourites of the group were Weeping Girls by Laura Ford and Landscape with Gun and Tree by Cornelia Parker.

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Another thought provoking installation was In Memory by Nathan Coley a piece in which tall concrete walls surround a replica graveyard of apparently reclaimed gravestones.

All in all, despite the less than ideal weather conditions Jupiter Art Land proved to be a valuable and inspirational experience and certainly got our creative juices flowing and after something to warm us through in the onsite café it was time to head into Edinburgh and find our home for the night. The world’s first shipping container hotel! Some were excited…others were not.

As we pulled up into a slightly worse for wear, overgrown car park and were faced with the drab, grey corrugated iron walls, hearts began to sink and trepidation became rampant, however after hesitantly pushing open the gates, relief reigned supreme and what followed was a great night’s sleep in a warms comfy beds surrounded by friendly, colourful people. Our only regret was that we only had one night to stay.

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The following day began (somewhat late, after some difficulty navigating through the excessive crowds of fringe-time Edinburgh) with a trip to the pop up Arts Festival Hub to view the exhibition Platform followed by a guided tour of some other points off interest as part of the festival including the fountain of youth, created with the help of local school children!

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The rest if the day was free time to spend in whichever culturally education way we saw fit, for some that meant visiting the National Museum and exploring the various exhibits on offer whilst one group visited the National Portrait Gallery and experienced an impressive collection of self-portraits ranging from Matisse to Rembrandt.

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Art viewed, feet drenched and overpriced coffee consumed to excess, it was time for us to head home. A much quieter bus journey followed, interrupted only by the odd snore from the bus full of sleeping creatives. Thanks for having us Edinburgh, you were great…if a little exhausting!

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Musings

Introducing Euan Macrory

This years Nithraid sees us welcome a new team of young interns to help kick-start our now annual sailing race up river and into the centre of Dumfries. First up is Euan Macrory, a musician from the town and joining the event production and marketing team. We asked Euan to tell us a little more about himself and his music:

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I am a musician that is driven by giving opportunities to other performers and artists. I hope to contribute my part to the Dumfries music community by encouraging new performers and hopefully allow people to try music as a hobby even if they never have, purely so people can discover a new passion. My main passion at the moment is combining genres and changing music. This has involved me taking genres that are not always perceived as exciting, like traditional folk and combining it styles like funk, flamenco and jazz. In the future I hope I can encourage a rise in the interest of the Dumfries music scene and try to change music.

I was drawn to Nithraid because I wanted to try being part of the organisation of an event so I could participate in events from a new perspective. I have been a performer at events but I am looking forward to experiencing events under different circumstances and gaining new skills in fields that present unique challenges and rewards.

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Nithraid 2014 – Procession and Nithraid Band

I think Dumfries is a town with a lot of potential. I think it has a really nice local community that you struggle to find in other areas. I believe that with our close community values we can make a modern town with more reasons for young people to stay here and build careers.

The most exciting part of the Stove process for me is the involvement it permits. The stove opens up a wide variety of opportunities for people to get involved in, including different types of workshops and events for activities that people would not consider if the Stove was not offering these unique opportunities.

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Five books I think everyone should read are Tortilla Flat by John Steinbeck, The Symposium by Plato, How to Ruin Everything by George Watsky, If On a Winters Night a Traveller by Italo Calvino and Of Mice and Men by John Steinbeck.

There are so many songs that I couldn’t live without but if I had to name a few it would be Santeria by Sublime, Emily by the Bill Evans Trio and just every song by a spoken word poet and rapper George Watsky.

I never expected to enjoy volunteering in a charity shop as much as I did. Honestly when I started I thought it would be a fairly quiet standard shop job but I had so much fun and made so many great memories from it.

My passion is music, it means so much to me and it always has. I couldn’t see my life without it.

Find out more about Euan and his music online via his youtube channel here, and his instagram account here.

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News

Young Stove Member Profile: Sara Redden

What is your earliest memory? My earliest memory is from when I was two years old, on holiday, when my dad got me a fishing net. He convinced me that the plastic fish were real, and I tried to eat them.

What drew you to The Stove? What interested me most about The Stove is that everyone is on the same team—it’s like one big family striving to make things better for everyone.

Which person do you most admire, and why? I admire anyone who can go through a huge ordeal and still manage to smile at the end of the day.

What time of the day do you like most? I love seeing the sunset. It’s so relaxing, and I find the softer tones of light more calming.

Share your hopes and dreams for The Stove? I hope The Stove continues to thrive and becomes the main attraction of Dumfries and Galloway.

Sara’s work at the Mill on the Fleet during the Young Stove’s Not to be Sold Separately exhibition

What’s something that you found yourself enjoying that you never thought you would? I walk a lot and still find so much joy in it.

Which film changed your life? Ratatouille—I imagine all the little rats in Dumfries cooking away while the chefs are distracted.

What keeps you in and around Dumfries? The Stove and my family.

What’s been the most exciting part of the Stove process for you? Seeing the building come together and the development of the Young Stove.

What songs do you carry closest to your heart? Blue Velvet—my dad always sang this to my mum.

What do you consider your greatest achievement? My daughter.

Where’s your favourite place to be in D&G? The Stove.

What makes you happiest? Paintings that work out.

Tell us your passion? My art and my daughter, Daisy.


The Young Stove’s first collective exhibition, Not to Be Sold Separately, will open at The Stove on Friday, 11th September. The opening will feature performances, live art, and installation events. More details about Not to Be Sold Separately will be shared soon.

Are you aged 16 to 30 and interested in the arts? Find out more about the Young Stove.

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News

Young Stove Member Profile: Hayley Watson

Tell us about your creative process? I start with mind maps, followed by lots of drawing onto photos with markers and cutting and layering papers and fabrics. This helps me figure out a concept that looks good and begin turning it into something tangible.

What is your earliest memory? My third birthday, although the only thing I can remember about it is the cake. It was covered in every kind of sweet a three-year-old could dream of, and it must have been a truly unforgettable cake to have stayed in my memory above all else from that time.

What drew you to The Stove? The desire to be part of something with a bigger purpose.

What time of the day do you like most? Early morning—it feels fresh and new.

Would you share three words that you love? Reduce, re-use, recycle.

What’s something that you found yourself enjoying that you never thought you would? Exercise and neutral colours.

Who, from throughout history, would you like to sit and have a good chat with? Andy Warhol—our shared passion for sugary food and minimal answers to interview questions would make for a fascinating conversation.

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Pre-Owned collection. Part of Not to Be Sold Separately – Young Stove exhibition at the Mill on the Fleet

What’s the best piece of advice you have ever received? “You’ve got the inspiration. You just have to bat away the naysayers and stay focused. Life really is too short. No one’s around on this planet long enough to fully understand what’s going on. At the risk of sounding too morbid, we’re all scared little kids—from childhood to old age, all the way to the day we die. Imagine 80 sweets, then imagine that many Christmases or birthdays—it’s not that many, really. Take your life and run with it. It’s yours.”

I had to dig through three years’ worth of Facebook messages to find this, but it had a huge impact on me at the time.


The Young Stove’s first collective exhibition, Not to Be Sold Separately, will open at The Stove on Friday, 11th September. The opening will feature performances, live art, and installation events. More details about Not to Be Sold Separately will be shared shortly.

Are you aged 16 to 30 and interested in the arts? Find out more about the Young Stove.

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News

Young Stove Member Profile: Lauren Souter

Tell us about your creative process? I’m still trying to figure out what my process is. I tend to start by gathering things that inspire me and then focus on what catches my eye. I suppose I take the process as it comes—I go with my gut feeling more than anything.

What drew you to the Young Stove? The upcoming artist event last summer. A friend told me about it, and I went—it was the first time I’d seen an artist-type event in Dumfries and Galloway, so I was excited.

Which person do you most admire, and why? Nicola Sturgeon. I love Nicola—I admire how she stands up for Scotland and how down-to-earth she is. She’s not superficial like most politicians.

Would you share three words you love? Buzzing, kale, biddy.

Share your hopes and dreams for The Stove? I’m not sure, but I’d really love to see it flourish across all of D&G and beyond. I’d also love for The Stove to gain more recognition locally for everything it does.

What’s something that you’ve found yourself enjoying that you never thought you would? Bingo! I’ve always hated numbers, but my family goes every week, so I’ve joined them on occasion. Surprisingly, I’ve found it’s quite weirdly fun—haha.

What film changed your life? I’m not sure if any film has truly changed my life, but maybe Legally Blonde. I love how Elle suddenly excels—it’s actually quite motivating to watch, haha.

What’s been the most exciting part of The Stove process for you? I’d have to say Parking Space. I absolutely loved that event—it was really, really interesting.

What makes you feel alive? Midnight car journeys and visiting new places.

What songs do you carry close to your heart? I’m on and off with songs, but I’d say We Bros by a group called WU LYF.

What’s your dream for the artists in D&G? For them to receive more recognition. I feel D&G has so much to offer in terms of its artists.

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Who throughout history would you like to sit and have a good chat with? Elizabeth I—she might be a bit intimidating to talk to, but I think she would be absolutely fascinating.

What instrument would you play if you could instantly master it? The harp, or perhaps the art of making music from glass cups.

What would you consider your greatest achievement? Surviving a six-hour journey on a bumpy Stagecoach bus while carrying a box of delicate glass—and none of it broke, haha!

Where’s your favourite place to be in D&G? Portpatrick—it’s such an idyllic and beautiful coastal town.

What’s your favourite piece you’ve produced? Creating a collection of glass vessels with glass artist Amanda Simmons. I’ve never had many opportunities like that, and it really opened my eyes to what’s possible out there.

What five books do you think everyone should read?

  • One Flew Over the Cuckoo’s Nest by Ken Kesey
  • The Bell Jar by Sylvia Plath
  • The BFG by Roald Dahl
  • The Little Stranger by Sarah Waters
  • The Woman in Black by Susan Hill

What makes you happiest? Travelling—especially car journeys, but I love train journeys too. Good food.

Tell us your passion? Most creative things! Art, though I’m not sure exactly what yet—but definitely something within the field of art.


The Young Stove’s first collective exhibition, Not to Be Sold Separately, will open at The Stove on Friday, 11th September. The opening will feature performances, live art, and installation events. More details about Not to Be Sold Separately will be shared soon.

Are you aged 16 to 30 and interested in the arts? Find out more about the Young Stove.

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News Project Updates

Not To Be Sold Separately

From Emily Cooper

Months of planning, budgeting, and—most importantly—creating had led to the Young Stove finally making their debut on the art scene of Dumfries and Galloway. Not to Be Sold Separately, our maiden voyage into exhibiting as a collective, launched on the 3rd of July and was met with a wave of excitement and glowing feedback.

As a group of eight young artists, each with contrasting styles and creative visions, coming together to form a cohesive show seemed like a daunting task. However, rather than becoming an obstacle, it turned into one of our greatest strengths, resulting in a vibrant and diverse collection of work that reflects who we are as a group.

Installation day brought its own challenges. With only a matter of hours to transform a beautiful yet unconventional space—complete with complex lighting—and to install all our work before opening that same evening, the pressure was intense. The learning curve was steep, as our experience ranged from seasoned exhibition veterans to those of us (myself included) who had never exhibited publicly before. Yet, remarkably, we pulled it off without a hitch! Having complete creative control and taking responsibility for hanging our own work proved to be an invaluable experience, one that will undoubtedly shape how we approach exhibitions in the future.

Not to Be Sold Separately closes on the 26th of July and will travel to Dumfries to be reimagined and reopened at the start of August. With a new space, fresh pieces, and even more artists added to the line-up, it presents an exciting opportunity to redevelop and build on the success of the exhibition’s first leg. Mill on the Fleet has been a fantastic opening venue. Transplanting a thoroughly modern, edgy collection of work into such a historical and characterful building has resulted in a glorious, colourful discordance—truly symbolic of the Young Stove.

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