Support Us
Categories
Musings

Doing business, the Stovie way

by Lauren Tuckerman

Lauren is a researcher who has been working with the Stove for over a year looking at the Stove as a business and how it interacts with other organisations, the community and its members.

I first came across The Stove three years ago when I was working in a different job, but as soon as I started this research project I knew I wanted to work with them. My supervisors recently asked me why this was, and that made me reflect on what attracted me to working with The Stove.

The first thing I remember about meeting The Stovies was how friendly they were, and their interest in what I was researching. That was a big plus for me. When I asked to research them, they proposed a more collaborative approach. This was right up my street, I wanted to research with them, rather than do research on them.

From the perspective of my topic, this was also interesting. I’m looking at how ‘open’ organisations are to different sources of information. And already The Stove was showing that they were ready to collaborate with researchers. They understood that it would take up their time and were careful to make sure the research was the right fit for them.

Their openness to working with me did not stop there. I was invited to different events, meetings and discussions. While some of the other researchers I know working with other companies were struggling to get information from organisations, I was heading to meet The Stove’s partners, sitting in on team meetings and attending the board away day.

Throughout this time, I built up a rich picture of how The Stove does business, and how it works with partners, the community and its members. While I am still in the middle of getting all my notes and interviews ready to be analysed, I have a few insights into what makes The Stove an interesting business.

The Stove’s Curatorial Team is one of the ways they are unusual. The majority of charities and community groups will have a voluntary board (which The Stove also have) who are in charge of overseeing the organisation, but who also may have a huge impact on the direction of the organisation. The Stove has two levels to set direction, the board and the CT, and at the board away day, both levels came together to generate ideas for the future of The Stove.

In terms of my research, this was interesting and important. The Curatorial Team is made up of practising artists who have strong ties to the community of Dumfries, and they therefore bring in practical experiences and their ideas help shape The Stove.

When looking at how they decide when to work with another organisation, we spent a lot of time talking about the ‘fit’ between The Stove and the possible partner. There isn’t a set of conditions an organisation or person had to meet to work with The Stove. The way people work is important in making this decision. That’s not to say that The Stove expects everyone to do things their way. It looks more like the ethos of the approach that matters. The values embedded in how people work are important to The Stove.

Although I’m two thirds of the way through this research project, I still feel I have so much to learn and that my observations, thinking and ideas will grow. I know one thing for sure, I’m so grateful I was able to work with The Stove and they have supported me with so much throughout the process.

Lauren will be presenting and sharing alongside researcher Lizzie Smith as part of an open discussion on the role of cultural and third sector organisations like The Stove this month. It’s open to all and takes place on Thursday, 21st February.

Categories
Musings News

My Time at The Stove

by Ellen Mitchell

As I’m approaching the end of my wonderful journey at The Stove, I want to reflect on my time here and how it has influenced me and my career, and brought me in to the position I find myself in today. I feel privileged to have been a part of a group that has made such huge strides to integrate art in to Dumfries and really helped to shape the town’s future in the most positive way.
In 2015 I was working as a Modern Apprentice at D&G Council’s Film Office. I was informed that I could spend the final year of my apprenticeship working for an external organisation and immediately my mind landed on The Stove. I had admired their work up to that point and was really inspired by their ethos, which at its core was a desire to connect the community through creative means and ignite a positive change in Dumfries.
My first day in June 2015 was an experience I’ll never forget. That was because of the arrival of the Rajasthani Brass Band at The Stove that day, dancing and making music in their incredible vibrant, colourful costumes. I was asked to photograph the event, and as I watched stovie members, children and the band dancing out in the street I knew I was going to have a great adventure ahead of me.

Initially my role at The Stove was to support events and help with administration. The first major project I helped to coordinate was Nithraid 2015. Nithraid is an annual festival which aims to celebrate the town’s relationship with the River Nith by holding a boat race down the river. I worked alongside the event producer booking stalls, marketing the event and managing volunteers.

I had been working for The Stove for several months when they were approached by Queen Margaret University looking for people working in the arts to fill spaces on their MA in Arts & Festival Management up in Musselburgh. Although I had no formal qualifications up to this point, the Stove team encouraged me to apply and I was very surprised when offered a spot on the course. This was a huge moment for me, as I had always considered myself non-academic. It was a time I look back at now to see a change in my self-confidence and belief in my own abilities growing.


An element of the course was a group project to produce a marketing strategy for The National Library of Scotland’s new exhibition. Within the group I handled the visual components of the strategy, and attempted to create a logo for the exhibition. I approached a graphic designer friend and asked him for the basics on Illustrator so I could attempt to make the logo properly. Following that project I spent weeks teaching myself adobe software and design online. I had found something that was creative, that I felt I could understand well and become good at!

As I was approaching the end of the first year of university, I started to reflect on where I wanted to see myself going with my career. My apprenticeship had also ended and I was getting up at 5 every Friday to travel up to Musselburgh, I wanted to make sure I was doing it for the right reasons. I found myself drawn more and more to spend time learning about design, and studying just seemed to get in the way of that. I made the very difficult decision to finish the year, and not return.

Over this time I had contributed more and more to The Stove’s design work creating posters for events, and they invited me to continue to work there one day a week as an in-house graphic designer. I must thank stovies hugely for taking this risk as it truly gave me the push to pursue graphic design as a viable career choice.

I have continued to work part time as The Stove’s designer since, pushing myself to learn to be creative and expressive in design working on many different projects. I had to find work elsewhere to pay the bills, first as a marketing assistant, most recently as a designer for a local print shop, and I have just been offered a job as a full time graphic designer at a local company.

I must say that had I not been working for such a supportive organisation as The Stove, I wouldn’t have found myself on a journey that started with me teaching myself graphic design, and having a full time role as a designer less than three years later.

I will miss every part of life at The Stove, however I don’t feel as though I am leaving because without a doubt I will be there as much as I can be as a Stove Member, witnessing the amazing progress they are making for our town through projects like the Midsteeple Quarter.

Thank you again to Team Stove!

Categories
Musings

Who or What is The Stove? How Does it Work?

Our Orchestrator, Matt Baker is one of the original founders of The Stove Network and offers some personal reflections about how The Stove started and how it works today.

So just Who or What is The Stove? 

‘The Stove’ has existed for 7 years now. Its origins have perhaps been forgotten, and questions and assumptions naturally arise about what The Stove is now, how it functions, for whom and why?

Let me start by stating that I am fiercely proud of The Stove, and believe passionately in its potential to help people shape their own dreams and careers. I also hope that The Stove is a creative force that has become a vital part of supporting local people to re-invent Dumfries as a vibrant and prosperous place, a Dumfries fit for our times.

The Stove started as a conversation in 2011, between 10 artists and creative people working in the area. We all shared a belief that placing a community project with a creative ethos at the heart of Dumfries town centre would have a positive impact on the future of the town and contribute new opportunities for local people, when precious few existed. That was it really – a commitment to the generous way that creative people work together and how that could infuse the life of the town.

There were moments of doubt and significant obstacles to overcome on the journey: ‘how would we run a space?’, ‘where would the money come from?’, ‘how would we organise ourselves and make decisions?’… we have tackled every question and situation in the same spirit – by talking together and applying our founding values:

  • To work through collaboration (not in isolation)
  • To innovate (not be risk-averse)
  • To put people first and consider the emotional landscape of all decision-making

These values bring creative practice into all of the structures and processes that we encounter, developing a working methodology that keeps The Stove open, transparent and flexible. People are genuinely able to shape The Stove in ways that work for them and for the town.

Our values led us to the two foundations of how The Stove works:

  1. The Stove is a membership organisation, membership is free and unrestricted*. Currently we have just over 500 members who, every year, elect a Board of Directors who are responsible for running The Stove.
  2. The Board employ a very small team of core employees who take care of the day to day management of The Stove. The core team supports a much larger group of freelancers – this is a flexible and changing group of people who work on one or more project with The Stove, some of these roles are longer term and some can be just a matter of weeks connected to a particular festival or workshop.

Our doors are always open for members. They can (and do) get in touch at any time with their questions, ideas and projects. Literally anyone can work with the Stove, either in a paid capacity, as a volunteer, for the experience or just the good craic of being involved in something worthwhile. We are proud that in 2017-18 we were able to offer £212,000 in contracts and opportunities for the local creative people and small businesses at all stages of their development. Since 2011, we’ve commissioned £665,775 in total. This is all money that the vision and vibrancy of The Stove has managed to attract to the area. For every £1 of local council support we receive for local projects, we attract an additional £8.00 of income from other sources (check our ‘Key Facts’ for more info about Stove income sources and history)

It has been an extraordinary journey since that original conversation around a table at the Coach and Horses in 2011…but the Stove’s success continues to be drawn from those original founding principles of: people first, collective working, openness and, of course, creativity. Why not see for yourself and come in for a chat – it might just be a conversation that changes your life!

*you don’t have to be an ‘artist’, just interested in our mission to be part of shaping the future of our region. Check it out here

Categories
Musings

My first year as Public Art Project Worker with Creative Futures

by Kirsty Turpie, December 2018

I began the position of Public Art Project Worker with Creative Futures Lochside and Lincluden in January this year. I was involved in the project last year as a Trainee Creative Producer, which seen me support Public Artists and attend community events. I really enjoyed being a Trainee Creative Producer so when the chance arose to become employed in this line of work I was excited and ready for it.

My challenge…to get residents in North West Dumfries engaged in Public Art projects. I was raring to go, and set up a weekly drop in at the Creative Futures hub under the name of Art in Action. The drop in ran for 5 weeks, and there were 5 local residents attending. We looked at local and international artists and public art examples and created small sculptures.

The name Art in Action has stuck and I have took it on the road to Lochside gala, a pop-up gazebo workshop in Lochside, Lochside and Lincluden Primary Schools and Nithraid.
One of the main projects I’ve been focusing on is the revamp of the Lincluden rhino statue. After research and consultation it was decided that I would offer the community a chance to create a new colourful look for the base of the rhino through the medium of mosaics. And, oh, have I fallen in love with them! I got up to speed on the mosaic techniques fast so that I could bring them to the public. In order to provide the mosaic workshops I had to do some preparation of ordering materials and experimenting. I’ve really enjoyed this part of the job. My background is in Graphic Design so I haven’t had too much opportunity in the past to work with large scale materials. So having to phone up builders yards, go to collect large pieces of wood and tile grout and having to use power tools to cut the wood to size have all been new and exciting responsibilities.

Kirsty and some of the team behind the new mosaics for the Lincluden Rhino

Another project that I have taken on through this position is the Lochside Primary School commemoration sculpture. This project has been a great opportunity to connect with the community on an ongoing basis and understand how to portray their ideas and history. In May I began working with the primary school pupils to design a totem pole featuring their memories of the school and it’s history since opening in 1962. It was lovely to hear the children’s memories and see them using paint and collage to get them down on paper. Back at the Creative Futures hub I drew up the final design comprised of six cement shapes to represent each era the school has been open. Mosaics would also be used in this design to create the children’s drawings and patterns and give the primary children a chance to learn this way of working. It is fair to say that they have enjoyed having a go. A small group of them came to the community centre and created the primary school logo out of mosaics and put it on to the first cement shape. In the summer I held a two day pop-up mosaic workshop in Lochside where families from the area took part. It is so rewarding being able to give people a chance to try something new and get creative. They always surprise me with their original ideas and creative flair.

Pop up mosaic workshops on Lochside Road


Something that has really stood out for me this year was in the October holidays when the Creative Futures team helped me to produce a whole week of art activities appropriately named ‘Art Week’. It was amazing to have the freedom to come up with a programme of events, and included in this a bus trip. Being able to organise a bus trip to be enjoyed by so many from the area and give them the opportunity to connect with public art, was truly brilliant. We took 32 people (adults and children) to Glenrothes in Fife where there are over a hundred pieces of public art. We went on a walk around the town led by local community workers who told us about the history of art in Glenrothes. It was great to hear people talking on the way back about how Dumfries could be different.

Visiting artworks in Glenrothes!

Not only the bus trip but the rest of Art Week was fantastic too. We ran the workshops 11am until 3pm and invited children to bring their own lunch. This gave us plenty of time to get artistic. Some of the local children came every day. Holding these daily workshops has shown me how much my confidence has grown over the past few years in this line of work. I now feel really confident planning and delivering workshops across many art forms.
All in all being part of the Creative Futures team this year has been brilliant in so many ways. It has given me the opportunity to run many different workshops, given me the challenge of adapting to using new materials, the chance to work on large scale projects, and learn how it is to work as an artist in a community setting. I am really grateful for the responsibility and opportunities I’ve been given, the team I’ve been working with and the new connections I have made within the community. I now feel a welcome addition to community events and people know they can come to me if they have any creative project or workshop ideas. I’m looking forward to continuing these projects and developing new ideas in the new year.

Stay in touch with the Creative Futures project by following their Facebook page here
More about Kirsty Turpie and her art practice on her Community Art page here

Categories
News

Groundswell: New Sculptures for Lochside

The second of a series of public artworks will be unveiled in Lochside in a public celebration on Wednesday, 12th December.

The artwork Groundswell is comprised of a series of six sandstone sculptures made from Locharbriggs stone by artists Susheila Jamieson and James Gordon. Over the past six months, Susheila and James have been based at the Family Centre on Lochside Road, carving each of the stones on site there. The artists thoroughly enjoyed their time in the community of Lochside and all the conversations they had with local folk and the workshops they did for the children.

The site for the works is based in the area of DGHP’s new properties at The Meadows, Lochside.

Groundswell is one of four Lochside Public Art Projects, commissioned by DGHP and managed by The Stove Network, who are based in Dumfries town centre. The first, Tattiefields was unveiled in September, and the final artworks will be installed in the next couple of months.

James and Susheila who are based in the Borders, were selected for the commission following an open call earlier in the year. James and Susheila said, “The idea behind these sculptures is to commemorate local quarrying and working of stone. Dumfries was built of sandstone and it’s history has been carved into it. Sadly, work has recently stopped at the local Locharbriggs quarry, the boulders for Groundswell were some of the last to be taken from the quarry.

We have really enjoyed, and will miss, working outside the Family Centre in Lochside.  It has been an  ideal way to meet people from the local community and we really appreciated all the encouraging , friendly comments and chats! Working in the public eye hopefully has let people have some insight into the process behind creating Groundswell.”

The artworks will be officially unveiled at the site in the Meadows at 3.45pm on Wednesday, 12th December. All are welcome to attend Full details available here.

Categories
News

CCS’ Library of Creative Sustainability: Case Study

Creative Carbon Scotland have just recently launched their Library of Creative Sustainability, a digital resource for people working to address environmental sustainability and climate change, and we are one of their case studies!

The new digital resource showcases best practice examples of collaborations between sustainability partners and artists seeking to make the world a better place and is aimed for people working to address the challenging issues of environmental sustainability and climate change, demonstrating the benefits of collaborating with artists and cultural approaches to help achieve their aims.

Their initial launch includes five case studies, featuring:
SLOW Clean-UP civic Experiments in Chicago, USA
WATERSHED+ in Calgary, Canada
HighWaterLine an international installation by artist Eve Mosher
Sutton Tidal Attenuation Barrier and Falkenham Saltmarsh Tidal Management Scheme in Suffolk
And The Stove in Dumfries!

Find out more about the library and the other case studies shared online here

Skip to content