Support Us
Categories
Musings News

Don’t Forget the Self-Employed!

At The Stove we recognise the position and the responsibility we have within the region’s cultural, creative and community sectors. Of our 600+ members, we estimate that as many as half will be self-employed or freelancers.

With the national shutdown of the economy for COVID-19 virtually all freelancers and self-employed people have had their incomes wiped out overnight as events and regular contracts have been cancelled – people are literally facing personal bankruptcy overnight. This in contrast to people employed on PAYE who will now be supported with 80% of their wages through the Government’s national bailout package.

First off, we have written to the region’s MSPs and MPs asking them to advocate for the Scottish and UK Governments to take urgent action to support the self-employed sector.

In Dumfries and Galloway 17.2% of people in employment are self-employed, against a national average of 10.8% (source: Skills Development Scotland – Regional Skills (D&G) Assessment 2016).The vast majority of self-employed people submit a tax return every year and it would be straightforward measure to extend the 80% package to the self-employed on the basis of, say, an aggregate of their last 3 tax returns to assess average earnings. Such a measure has been adopted by Sweden and different European countries are also supporting their self-employed economies.

Currently the self-employed in the UK only have access to statutory Sick Benefit (£94 per week – if they are ill) and have been given a 6 month ‘holiday’ from advance tax payments.

The cultural, creative and community sectors have been one of the regions success stories of recent years, being one of the very few local industries that is attracting people to relocate or move back to the region. Figures show that there are now more people employed in the Creative Industries in D&G than there are in Agriculture (source: SoSEP) – this is a sector with high value jobs of exactly the sort we are trying to attract to the region through initiatives like South of Scotland Enterprise and Borderlands. It is imperative that we, as a country, act immediately to protect this vital sector within our local economy and support the people and families that rely on self-employment/freelance work.

At The Stove we know how important we are to the ecosystem of the cultural, creative and community sectors – organisations like us can function as a conduit between individual freelancers/small teams and national/international partnerships and funding – we can draw budgets into the region that are spread amongst the local sector. Typically, The Stove puts £200,000 per annum into the freelance economy of D+G. Our first instinct at the start of the health emergency was to maintain our support for the wider community around us – both the folk we work with as participants in our work, but also the wider creative community. We have been able to honour all the existing commitments we have to freelancers across all our projects (and also keep on our café staff).

Looking into the future we know only too well that the freelance community normally expect regular work through organisations like us at festivals and events. We are working hard at the moment to find ways that we can continue to deliver on projects and offer new contracts to freelancers. We are a creative community and opportunities to do useful and creative work for the local community will present themselves!

Currently we are working on ideas to bring the local cultural, creative and community sectors together at this very challenging time – in the hope that we can be a useful collective resource and also forge some self-help initiatives that will help this struggling within our own sector. If you have anything you would like to contribute then do get in touch.

Please stay tuned to the various Stove platforms for updates.

#Homegrown

Categories
News

Coronavirus Update from The Stove Network

The Stove has always been a responsive and community-led organisation, we care deeply  about our team, our membership and the community we serve. The current public health situation with Coronavirus is a serious challenge to all of us and the way we do things as a society. We have decided to take a series of measures which are listed below and would ask everyone to have a read of these and pass on the message to anyone who you think might need to know.

However, thinking about the situation in its entirety, our team’s decision is not to leap in to immediate responses. Rather, we plan to wait, be watchful and listen to those around us and work to support the efforts of the council and other agencies who are taking a lead role in managing the challenges that face us all. The Stove has always been a future-facing and responsive organisation, we will make available all of our capacity, knowledge and experience and look for opportunities for positive action and change for our community.

Public Events

From today (Monday 16th March), all Stove programming for public events is cancelled until further notice. This means that all events in our calendar that are open to a public audience will not be going ahead. We will be reviewing this policy as official advice and guidance is available as the COVID-19 pandemic develops.

Room Bookings at The Stove

For outside groups using the Stove for their own private room bookings, we will continue to offer this facility for groups. We will be making some detailed changes to the way we use rooms and protocols for hygiene. These details will be made available to individual groups prior to their event.

The Stove Cafe

We are aware of the fast changing situation with regard to cafes and bars. For the time being we will keep the Stove Café open. We’ve discussed this with our staff who feel comfortable and confident. Everybody at the Stove feels that the community function of the café is important to people and that we should offer this facility for as long as possible. We will be keeping a close eye on national guidance and anticipate that the café may have to close in the near future, until then we have reduced the number of tables to allow folk to remain further apart and introduced additional hygiene measures around payment systems etc. The coffee will remain awesome!

In the meantime please stay safe and look after each other – if there is anything that you feel The Stove could be doing or you would like to contribute to our thinking about how to act in the future, please do get in touch.

Categories
News

Lowland: Text in Context

“I wrote about what was around me. But some people are so daft they don’t understand that writing about Prestwich is just as valid as Dante writing about his Inferno.” Mark E. Smith

In an in-between place like this, writers have free reign. A place, on the edge of becoming, nearest to the precipice of the green dreaming miles to the coast. We know, it’s not quite like anywhere else. Far from it. Too close to call home. Too far in reach. Too full of hope to try.

Over the last three years, a project has been quietly simmering in the studios of the Stove. Launched in its first year by writer-in-residence, Stuart A Paterson, Lowland sought to create a new literary portrait of Dumfries town.
Now approaching the third year, the project aspires to engage more writers to reflect on a town in a transitional phase of its history.

About The Play

Lowland 

Barnside is sinking and the residents are on the edge of revolution. The local council, in its bleary wisdom, has been drafted in to ease the tensions. Only, not everything is, as it seems. And sooner or later, something’s got to give…

Inspired by over 300 postcards by local people, visitors and newcomers reflecting on Dumfries as well as conversations in the heart of the high street, ‘Lowland’ is a play about life in an in-between place. Developed in association with the Stove Network and the National Theatre of Scotland, this new play written by young local writers is an often otherworldly, farcical and radical presentation into the nature of community.

The first public sharing of Lowland, a work-in-progress play written by local writers, performed by a community and directed by Stove programmer Martin O’Neill will take place at the end of this month in Langholm, Moniaive, and the YMCA in Lochside, Dumfries. Tickets are priced £2-5 on a pay-what-you-feel basis – get yours now, available here

Categories
News

Caerlaverock Stories

This year at the Stove, we are looking at the towns connection to Caerlaverock Castle, exploring the routes there from the town centre, the heritage and history of the site and it’s importance in the history of our region, drawing new connections and opening up the site to new audiences.

What are your connections with Caerlaverock Castle? What do you know about it, what are you memories of time spent there? What local myths and legends are connected with the site?
We are looking at stories: stories of history, environment and communities, trade routes and pathways, ways of living then and now.

To kick things off we’ve been meeting with local partners, gathering creative projects and looking at how we can be part of expanding the narrative of Caerlaverock.
The core theme of the project is Living on the Edge, exploring ideas of Peace, War, the Living Landscape and the Wolves at the Door – Caerlaverock is more than just a castle at siege but has a long and winding history – how much of it do you know? Caerlaverock is more than just a castle.

To launch this new conversation, we are mapping some of these histories, routes and pathways to and from the Castle in the Stove café. Pop in between the 6th and 28th of March to add some of your own, and help us build a bigger picture of Caerlaverock’s past – and future.

Do you remember your earliest visits to the castle? Do you have any great images of the castle or grounds that you could share? What does Caerlaverock mean to you? Get in touch, or let us know using #LivingCaerlaverock.

We will also be hosting a conversation between project lead Katharine Wheeler and Sally Hinchcliffe of Cycling Dumfries about routes to and from the castle, slow travel and alternative transport options. This will be a free event on Friday, 13th March from 5pm – come and join in the discussion! Full details here

A performance of Solway to Svalbard, led by musician and composer Stuart Macpherson in Caerlaverock Castle in 2019

The Stove is working with Historic Environment Scotland as part of their work to develop Caerlaverock Castle as a significant place in our region, specifically around what this place means to our communities to develop skills and learning opportunities.

For more information, contact [email protected]

Categories
News

National Culture Strategy

Last Friday, the Scottish Government published the new National Culture Strategy for Scotland, and we are delighted that the Stove has been featured as a case study! You can download and read the Culture Strategy in full online here, and comment on Twitter using #culturescot.

The strategy has three main aims:

  • to strengthen culture
  • transforming through culture
  • empowering through culture

We’ve been having a read of it over the weekend, and have picked out some of the key facts that we found particularly inspirational.

“Value, trust and support creative people – for their unique and vital contribution to society and the economy.”
“Encourage greater openness and diverse cultures to reflect a changing Scotland in the 21st century.”
“Foster international collaboration and build on Scotland’s reputation for cultural excellence.”
“Open up the potential of culture as a transformative opportunity across society.”
“Extend the view of culture to include the everyday and emerging, the established and more formal.”
“Extend opportunities that enable people to take part in culture throughout their lives.”
“Recognise each community’s own local cultures in generating a distinct sense of place, identity and confidence.”
“Everyone has the right to participate freely in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits (Article 27, Universal Declaration of Human Rights).”
Categories
Musings News

Solway to Svalbard: In Conversation with Stuart Macpherson

Coming up this Friday, 28th February as part of National Theatre Scotland’s Just Start Here festival in Dumfries will be the next development of Solway to Svalbard, an creative project led by composer and musician Stuart Macpherson, in collaboration with filmmaker Emma Dove and sound recordist Pete Smith.

Following a successful starter residency supported by NTS, and a recent trip to Svalbard on the trail of the barnacle geese – the project has continued to grow and develop, so we are so excited to find out more about how the work has been developing! Ahead of Friday, Stuart tells us more about the project:

How did it all begin?

Well… funnily enough it all started off with a commissioning opportunity through the Stove Network for one of their members to create a piece of work responding to the brief of Migrating Birds, to coincide with the opening of Kathy Hinde’s Luminous Birds installation that was coming to Dumfries.
At the time there was another Stove project exploring Dumfries’ ties to Norway and I thought I’d explore the avian link between Norway and Scotland.  I knew the barnacle geese that came to the Solway each year had something to do with Norway but didn’t realise that was just their spring staging point and they in fact came from Svalbard. Pretty impressive… there’s also loads of really cool mythology surrounding the geese which is fascinating.
Anyway, the resulting piece that I created was “Flight” – a migratory soundscape incorporating field recordings and free triggered samples.  Pretty early on in the process of making that piece I started to think about where they stop on their journey and the idea of exploring those environments.  I really liked the idea of incorporating visuals and some proper field recordings.  Also, I guess I had grown a bit of a fondness for the geese through working on “Flight” and felt that I wasn’t quite finished with them yet!

Its important to me that I make work that has a relevance to where I am and with what is around me.

I also wanted to work on this project with other artists that have ties to the region, Emma and Pete were an obvious choice, I love both their work, they’re really good at what they do and in fact both had been involved in some level with “Flight” too.

What about geese particularly sparked your inspiration?

Initially the folklore surrounding the barnacle geese was the bit that got me hooked, the idea that folk actually thought they hatched from barnacles on bits of driftwood… totally brilliant!  But I guess very quickly there was an admiration that grew for them, it is amazing what they do – the distances they travel each year.  They evoke a lot and represent all sorts of different things to different folk, all the while they’re just being a cool wee goose flying between here and the high arctic trying to eat the best grass when it grows and raise a family… I like that.

I believe you’ve visited Svalbard twice now, along with your key collaborator Emma Dove to record the geese as well as the natural surroundings. How has this affected the work?

I’ve actually only visited Svalbard once… and that was with key collaborators Emma Dove and Pete Smith.  We also have spent a fair amount of time at Caerlaverock filming and recording the geese and last April/May I spent a month on a wee island in Northern Norway (just in the arctic circle) where the geese spring stage on their way north.
So yeah, a lot of this project has been about filming and recording the environments that the geese pass but also about talking to people and what place means to them.  It was particularly important for the three of us to make it to Svalbard as that has really put things into context, to be able to explore the furthest extents of the flyway and get a perspective from both ends.

Its been an interesting one as a project that started off with the geese has ended up with lots of chat about people, its been a very organic process.  We’ve learnt a lot from each other.

How’s it been working with the National Theatre of Scotland?

I’ve been really enjoying working with NTS on the project, they’ve been incredibly supportive, not just with the narrative development of the work but also with the technical/practical side of things and being able to help hold the production elements of the project… something that I personally find pretty overwhelming.
They’ve got a huge amount of experience and all this resource that we have been able to access, so its been a really great process for us.
We’ve been working closely with director/playwright Davie Anderson and he feels very much like part of the Solway to Svalbard team now, having that outside lens to look at a project has been a really helpful.  He’s been encouraging and supporting us to explore different ways of presenting the work… its definitely been a change from what we are used to within our own practices and at times a little daunting but actually it has been really refreshing and enjoyable and genuinely feel the work will be the better for it.
Its also been great to work up at Rockvilla, to have a bit of separation to properly focus on a project has been super helpful, not to mention that it’s a really cool space to work in.

What should we expect?

That’s a hard one as we’re still working that one out ourselves… I guess showing the work through Just Start Here allows us to properly test for the first time all the different elements of the work, that up until now we have been unable to.  As well as figuring out how to actually make this work we’ve been focusing a lot on the narrative of the project, and feel we’ve got to a really strong place with that.  There’s obviously elements that will be missing for this showing, but we’re hoping that folk will be able to get a good idea of what the finished work might be like.
For lots of different reasons this is a pretty complicated show, we’re combining multiple screens with surround sound design and live musicians as well as dialogue and other more theatrical elements.  So on that side of things it looks and sounds pretty cool… not the kind of thing you see very often… especially in a social club.

What are the future plans for the work?

What is great about Just Start Here is that it is an opportunity to test ideas and to see how folk respond to those ideas.  There will no doubt be things that need tweaked afterwards as well as other elements that we simply have not had time to get to yet.  We have a rough diamond here.

As I’ve said previously I’m really enjoying working with NTS on the project, so would like to continue that journey and see where we end up.  But the idea would be to create a touring work… it makes perfect sense to me that a work based on migration should travel itself.

Solway to Svalbard will be a part of Friday evenings Just Start Here festival, in Dumfries on Friday 28th February. Limited tickets are still available for the evening are £5 per person, and available online here

Skip to content