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My first year as Public Art Project Worker with Creative Futures

by Kirsty Turpie, December 2018

I began the position of Public Art Project Worker with Creative Futures Lochside and Lincluden in January this year. I was involved in the project last year as a Trainee Creative Producer, which seen me support Public Artists and attend community events. I really enjoyed being a Trainee Creative Producer so when the chance arose to become employed in this line of work I was excited and ready for it.

My challenge…to get residents in North West Dumfries engaged in Public Art projects. I was raring to go, and set up a weekly drop in at the Creative Futures hub under the name of Art in Action. The drop in ran for 5 weeks, and there were 5 local residents attending. We looked at local and international artists and public art examples and created small sculptures.

The name Art in Action has stuck and I have took it on the road to Lochside gala, a pop-up gazebo workshop in Lochside, Lochside and Lincluden Primary Schools and Nithraid.
One of the main projects I’ve been focusing on is the revamp of the Lincluden rhino statue. After research and consultation it was decided that I would offer the community a chance to create a new colourful look for the base of the rhino through the medium of mosaics. And, oh, have I fallen in love with them! I got up to speed on the mosaic techniques fast so that I could bring them to the public. In order to provide the mosaic workshops I had to do some preparation of ordering materials and experimenting. I’ve really enjoyed this part of the job. My background is in Graphic Design so I haven’t had too much opportunity in the past to work with large scale materials. So having to phone up builders yards, go to collect large pieces of wood and tile grout and having to use power tools to cut the wood to size have all been new and exciting responsibilities.

Kirsty and some of the team behind the new mosaics for the Lincluden Rhino

Another project that I have taken on through this position is the Lochside Primary School commemoration sculpture. This project has been a great opportunity to connect with the community on an ongoing basis and understand how to portray their ideas and history. In May I began working with the primary school pupils to design a totem pole featuring their memories of the school and it’s history since opening in 1962. It was lovely to hear the children’s memories and see them using paint and collage to get them down on paper. Back at the Creative Futures hub I drew up the final design comprised of six cement shapes to represent each era the school has been open. Mosaics would also be used in this design to create the children’s drawings and patterns and give the primary children a chance to learn this way of working. It is fair to say that they have enjoyed having a go. A small group of them came to the community centre and created the primary school logo out of mosaics and put it on to the first cement shape. In the summer I held a two day pop-up mosaic workshop in Lochside where families from the area took part. It is so rewarding being able to give people a chance to try something new and get creative. They always surprise me with their original ideas and creative flair.

Pop up mosaic workshops on Lochside Road


Something that has really stood out for me this year was in the October holidays when the Creative Futures team helped me to produce a whole week of art activities appropriately named ‘Art Week’. It was amazing to have the freedom to come up with a programme of events, and included in this a bus trip. Being able to organise a bus trip to be enjoyed by so many from the area and give them the opportunity to connect with public art, was truly brilliant. We took 32 people (adults and children) to Glenrothes in Fife where there are over a hundred pieces of public art. We went on a walk around the town led by local community workers who told us about the history of art in Glenrothes. It was great to hear people talking on the way back about how Dumfries could be different.

Visiting artworks in Glenrothes!

Not only the bus trip but the rest of Art Week was fantastic too. We ran the workshops 11am until 3pm and invited children to bring their own lunch. This gave us plenty of time to get artistic. Some of the local children came every day. Holding these daily workshops has shown me how much my confidence has grown over the past few years in this line of work. I now feel really confident planning and delivering workshops across many art forms.
All in all being part of the Creative Futures team this year has been brilliant in so many ways. It has given me the opportunity to run many different workshops, given me the challenge of adapting to using new materials, the chance to work on large scale projects, and learn how it is to work as an artist in a community setting. I am really grateful for the responsibility and opportunities I’ve been given, the team I’ve been working with and the new connections I have made within the community. I now feel a welcome addition to community events and people know they can come to me if they have any creative project or workshop ideas. I’m looking forward to continuing these projects and developing new ideas in the new year.

Stay in touch with the Creative Futures project by following their Facebook page here
More about Kirsty Turpie and her art practice on her Community Art page here

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News

Groundswell: New Sculptures for Lochside

The second of a series of public artworks will be unveiled in Lochside in a public celebration on Wednesday, 12th December.

The artwork Groundswell is comprised of a series of six sandstone sculptures made from Locharbriggs stone by artists Susheila Jamieson and James Gordon. Over the past six months, Susheila and James have been based at the Family Centre on Lochside Road, carving each of the stones on site there. The artists thoroughly enjoyed their time in the community of Lochside and all the conversations they had with local folk and the workshops they did for the children.

The site for the works is based in the area of DGHP’s new properties at The Meadows, Lochside.

Groundswell is one of four Lochside Public Art Projects, commissioned by DGHP and managed by The Stove Network, who are based in Dumfries town centre. The first, Tattiefields was unveiled in September, and the final artworks will be installed in the next couple of months.

James and Susheila who are based in the Borders, were selected for the commission following an open call earlier in the year. James and Susheila said, “The idea behind these sculptures is to commemorate local quarrying and working of stone. Dumfries was built of sandstone and it’s history has been carved into it. Sadly, work has recently stopped at the local Locharbriggs quarry, the boulders for Groundswell were some of the last to be taken from the quarry.

We have really enjoyed, and will miss, working outside the Family Centre in Lochside.  It has been an  ideal way to meet people from the local community and we really appreciated all the encouraging , friendly comments and chats! Working in the public eye hopefully has let people have some insight into the process behind creating Groundswell.”

The artworks will be officially unveiled at the site in the Meadows at 3.45pm on Wednesday, 12th December. All are welcome to attend Full details available here.

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News

Local Democracy Event and The Stove’s AGM!

Last night we held our yearly AGM which was a typically animated and entertaining Stovie night! We began this year with a discussion for our members around local democracy. Scottish Government has begun a national conversation about the need for more decisions to be made at a local level and they are asking for ideas about ways to do this.There has been much community-led activity around the country of late, with much of it being informal and grass roots. The question we posed at The Stove last night was how could this genuine popular activity become part of the larger power structure of our country?

In particular, we focused on the role that “alternative peoples town halls” could play – by this we mean places like The Stove that are publicly accessible and full of life and energy; places where conversations about ideas, change and projects naturally happen and places that people know they can always bring ideas or find out what is happening. Members talked about their experiences connected with The Stove and how Stove projects, discussions and partnerships created a fertile ground for the local community to get involved with making their own place for the future.

Conversations included:

  • Keeping democracy visible using empty shops etc. as “alternative town halls”;
  • Cultural activity being a brilliant way of keeping democratic process accessible and relevant for communities;
  • Uniting people around specific projects for their community being the catalyst for involving people in local decision making.

Then the AGM itself was a warm and supportive affair with an atmosphere of positivity about the last year and the future. The final accounts and Chairs Report will be posted on the website in 2 weeks time when we get the final audited accounts back from the accountant at the beginning of December.

Read the Tresurer’s Report here: Treasurer’s Report

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News

Dumfries’ first Sign & Dine at The Stove!

A fortnightly drop-in for the signing community to gather will be launched this week at The Stove!  The region’s first ‘Sign & Dine’ has been organised in association with the signing community and is a fortnightly drop-in in the cafe which is open to all to meet with one another, grab a coffee or just find out more about signing!
The initiative aims to engage both the hearing and deaf communities in signing and is the first regular event in what is hoped to be many more catering for the signing and deaf communities in the region.
Organiser and activist Eileen Cassells, who is an active and prominent member within the signing community has created this event as a welcoming place to come, whatever your level of sign language skills. It’s a universal language that can be used around the world. She is hoping to bridge the gap between the “hearing” and the “deaf” worlds, making it just “our” world. The event will allow the deaf to be heard and bring the whole community together, so you can “talk” to your deaf neighbour, friend, family member, or even that stranger you see every day.
We are delighted to be supporting such a great project and hope this grows similar initiatives across the region to engage the signing communities, both deaf and hearing. We want to be open to everyone in our community and encourage those learning or curious to pop in!
The first Sign & Dine is on the 16th of November at the Stove Café from 1pm followed by a launch reception at 7pm on the 16th featuring talks, refreshments and a chance to learn more about the project.

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Musings

Contemporary Creative Currents in Scotland in memory of Gordon Robertson

Last week we were delighted to host the event ‘Contemporary Creative Currents in Scotland’ featuring two illustrated talks by national cultural figures –  Andrew Crummy and Collective Architecture. Presented by The Saltire Society and The Stove Network, the event was in memory of Gordon Robertson who was an active and much missed member of both organisations.

The first talk was by Ross Aichison of Collective Architecture; an award-winning, 40-strong, employee owned studio across Glasgow and was established to pursue themes of participation and sustainability in architecture. They are are one of the most exciting young practices in Scotland and unique in the way that they are structured to give all who work there a say in the work of the practice. Ross gave a fascinating acoount of the design ethos of collective and two specific current projects, one in Dundee and the other in the old school site in Lockerbie.The next talk was from Andrew Crummy, an independent artist. Andrew Crummy has a unique place in the history of community art in Scotland. His mother, Helen Crummy, started the highly influential Craigmillar Festival Society which began as a grass roots festival for local children and grew to become a launch pad for household names such as Billy Connoly, Bill Patterson and Jimmy Boyle.

Andrew grew up within this amazing cauldron of creativity and gave a first hand account of the people and the ethos of the community projects in Craigmillar and the associated works around the country. Andrew himself became an artist and is best known for leading the Great Tapestry of Scotland Project which involved over 1000 volunteer stitchers and is now being housed in a specially built venue in Galashiels.Andrew wrote the chapter on Scottish community art in the book published last year called ‘Culture, Democracy and the Right to Make Art – The British Community Arts Movement’. At the event, Andrew announced that the rights to this book has now been bought by Manchester University who have made it available as a free download link here

The evening was in memory of Gordon Robertson, a man of wide-ranging and eclectic interests, which were rooted deeply in his local community in Dumfries and his upbringing but ranged across genres from painting to writing and opera. He was particularly keen on international travel and a regular on exchanges to Gifhorn (Dumfries’ twin town in Germany) whilst at the same time nurturing a strong commitment to the culture and history of his beloved Dumfries.

A collection of his paintings was also exhibited in The Stove Cafe space. In Gordon’s later years, it was his artwork in particular which held his greatest interest – his style and his different use of mediums was wide ranging and topics were diverse with particular focus on local landmarks but also featured interpretations from his travels to Germany and Iceland. 

He frequently had his paintings exhibited in venues across the community, he was very knowledgable on multiple subjects and wrote many articles on topics of historical interest and would speak at local events – he was a passionate Burnsian and therefore a ‘weel kent’ face in the local community. If you ever passed him in the street and exchanged a pleasant ‘How are you Gordon’ you had to be prepared for a long response… and more often than not you would leave knowing something that you didn’t know before the encounter started!

His death at the age of 82 earlier this year will leave a void in the community and his enquiring mind along with his ability to retain a vast memory of historical knowledge even in his later years will be sadly missed. However, the small selection of his work which was exhibited will allow his memory to live on and is a fitting lasting legacy to a very special Doonhamer. 

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News

CCS’ Library of Creative Sustainability: Case Study

Creative Carbon Scotland have just recently launched their Library of Creative Sustainability, a digital resource for people working to address environmental sustainability and climate change, and we are one of their case studies!

The new digital resource showcases best practice examples of collaborations between sustainability partners and artists seeking to make the world a better place and is aimed for people working to address the challenging issues of environmental sustainability and climate change, demonstrating the benefits of collaborating with artists and cultural approaches to help achieve their aims.

Their initial launch includes five case studies, featuring:
SLOW Clean-UP civic Experiments in Chicago, USA
WATERSHED+ in Calgary, Canada
HighWaterLine an international installation by artist Eve Mosher
Sutton Tidal Attenuation Barrier and Falkenham Saltmarsh Tidal Management Scheme in Suffolk
And The Stove in Dumfries!

Find out more about the library and the other case studies shared online here

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