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Midnight Streetlight Smalltown Rain

Midnight Streetlight Smalltown Rain is a project between artists Martin  Joseph O’Neill, Colin Tennant and composer and musician Stuart Macpherson. First conceived as a short poem MSMR has since moved onto include a series of artworks and interventions throughout the High Street and side streets of Dumfries town.

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Come Dawn, a 12 hour writing project from 7PM to 7AM took place at the Bakers Oven in November. A performance installation, the writer sat typing whilst in real time, the words were projected onto the windows of the empty unit in front of a live audience.

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Working from a manuscript of 60 pages the collective were commissioned by the D-LUX Festival of Light to produce an artwork showcasing one of the poems to be projected behind the Stove. The artwork deployed Burroughs’ cut-up method of writing in a live performance lasting four hours, four nights a week, where a single poem was transformed continuously by adding and subtracting the words, manually blocking the light of the projector through a window using paper and tape.

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The regional project is inspired by the narratives of the small town at night and is to continue throughout the year in installations, performances and interactive artworks throughout the town.

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Midnight Streetlight Smalltown Rain was a Stove Members project, supported by DG Unlimited and the Dumfries and Galloway Council.

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News Project Updates

PRESENCE an Art-in-Between Commission update

By Jo Hodges and Robbie Coleman

We are coming to the end of working on the Art_Inbetween commission and it’s been a fascinating process.  The outcome is a work called PRESENCE which is a set of cards to be used as ‘A divining tool for journeys through the restless territories and blurred boundaries of art in the social or public realm’ the cards are a creative tool to explore and reveal aspects of a project or practice and to provoke discussion and exploration.

Background

PRESENCE is a research led response to some of the questions that arose during the Art_Inbetween Summit held at The Stove Network earlier in 2016. The summit attempted to describe the distinctiveness of an evolving ‘rural’ contemporary arts practice with an emphasis on social/participatory/public art across the UK and our starting point was to try and understand this distinctiveness. What are the differences between rural arts practice and projects in urban settings with similar intentions or processes?

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During the research phase, we worked with a number of artists, curators and producers using a word card process to explore core features of practice and context. These conversations were interesting and delved into territories that were slippery and shifting, we felt this area had more to offer to a wider audience. We began to work with the idea that practice was perhaps more important and distinctive than location and so the work began on developing PRESENCE; a method to explore and open up projects and practice that could become a companion on creative journeys, a navigational aid that could help understand and articulate the aims, methods and values of a project or practice. There are 16 CARDS, each exploring a core element of practice. Each card has a number of questions on the reverse. We suggest picking one or more card at regular intervals through a live project (or project development) and letting the questions lead into conversation and discussion.

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The Cards

We see the cards as a ‘divining tool’ in the process of making creative work. They cannot be used to navigate the straightest, fastest route through a project or process but provide different positions to view the route from. They are not instructions or a model to build a project around and have no opinions about the best way to conduct a project – each project (and artist) is unique. Their role is to prompt, disrupt habits, to revisit assumptions and reassess progress and to re-excite artists and collaborators about their work and provide a tool for exploring projects and practice.

 We have tried to create a process that will result in a series of overlapping views from different positions (The points of interest in situated or social practice are not stationary and two dimensional, but three dimensional and moving, sometimes through time as well as space) This compound eye allows us to examine the same issues from different positions and so learn different things from each viewpoint.

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Open Source Future

PRESENCE is an open source project: all questions, concepts and card designs can be challenged, refuted or replaced. Our version is a starting point from which new sets can be constructed specifically tailored to a project or practice. A website is in the process of being set up that will include all design tools and templates to allow people to easily make new sets and upload their designs for others to use.

Huge thanks to everybody who contributed to the summit and to those who have helped with the development of PRESENCE.

If you are interested in getting a set of the PRESENCE cards – please contact [email protected]

More info about the project can be downloaded here

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News

The Stove goes to Electric Fields

This years Electric Fields festival saw a series of pop up Stove activity from commissioned work by Ailie Rutherford, art installations from Stove member Kirsty Turpie, a pop up Brave New Words tent and a gang of the Stove’s sign painting team who hand painted nearly 60 signs for the festival village.

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Ailie Rutherford and Laurence Payot‘s People Pavilion popped up at various points throughout the festival, a roam people-constructed structure that danced it’s way around the site, creating temporary intimate spaces before dispersing through the crowds..

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Kirsty Turpie‘s mad marble run maze was on-site throughout the weekend:

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The Brave New Words tent ran both days of the two day festival, featuring a mix of local and national acts performing in our intimate and cosy teepee tent, organised by regular Brave New Words organiser and curatorial team member Martin Joseph O’Neill.

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In the run up to the festival itself, The Stove’s workshop room turned into a sign painting factory, where a steadfast team worked through the weekends to prepare new signs for the festival site.

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Huge thank you to our various teams of volunteers and supporters who helped out with various Stove themed projects, from sign painters, to pavillion dancers, performers, poets, and artists – and big up to the Electric Fields festival team for putting together a great weekend at Drumlanrig (extra points for perfect weather conditions!).

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Musings Project Updates

The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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News

Flight

As part of the upcoming launch of Kathy Hinde’s Luminous Birds installation in Dumfries, Stuart Macpherson will be introducing the first in a series of pieces of his newly commissioned work Flight. Both works launch on Wednesday, 7th September, starting from the Stove at 7.30pm, ahead of the switch on of Luminous Birds at 9pm at the Globe Inn. Full details available on our events page here

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Flight – Is a moving soundscape/composition influenced and inspired by the migration of barnacle geese from Svalbard to Caerlaverock. Taking the idea of Migration from Kathy Hinde’s Luminous Birds installation, Flight explores the ability to move from one place to the other, using multiple sounds sources to create something that mimics the movement of the birds. Individual parts are composed to work together as a movement.

This opening is an introduction to the piece which will continue with further developments and performances through until November. You are invited to come along and immerse yourself in the first run coinciding with the opening of Luminous Birds at The Stove.

Stuart Macpherson is a freelance bassist and composer based in rural Dumfries & Galloway. He has been involved in numerous projects and performances, mostly recently the highly acclaimed orchestration of GRIT by Greg Lawson at the Edinburgh International Festival. He also plays in a recently formed quartet with local musicians Wendy Stewart, Gavin Marwick and Ruth Morris. Short-listed twice for the Martin Bennet Prize for Composition Stuart’s work ranges from soundscapes such as his work with Chinese pole artist and performer Phil Hardie on Welcome my Son to pieces written for Red Note Ensemble and Mr McFalls Chamber. His compositional work has been taking an expansive swing towards more experimental pieces and collaborative work such as this.

Special acknowledgement to Sound recordists Geoff Sample and Simon Elliott who have very kindly allowed their recordings of the geese to be used for this piece.

This commission is supported by:
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News

Kathy Hinde’s Luminous Birds

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Stunning sonic and light installation to visit Dumfries, Dundee and Glasgow from 7 September.
The large-scale work will illuminate lanes and public places in Dumfries, Dundee and Glasgow with an animated flock of origami-style birds suspended overhead in celebration of the Year of Innovation, Architecture and Design 2016.

Composer, sonic and visual artist Kathy Hinde will be bringing her stunning sound and light installation Luminous Birds to locations across Scotland this autumn.
As a key event in the Year of Innovation, Architecture and Design 2016, the sight and sound spectacular will illuminate public spaces in Dumfries (7 September – 14 November), Dundee (12 September – 19 November) and Glasgow (16 September – 16 November) as hundreds of origami birds flock overhead.
Luminous Birds is designed and hand-crafted by Cryptic Associate artist Kathy Hinde and encourages members of the public – from commuters to day-tripping families to night owls winding their way home – to ‘look up’ and appreciate their day-to-day environment. The innovative design of the mechanical birds (created from paper, plastic and metal) will transform their surroundings using synchronised lighting and spatialised sounds that create the effect of birds flying overhead. The action of many birds, flocking together, is one of nature’s most amazing phenomena – an ultimate act of cooperation, hundreds moving together in harmony.
Im particularly excited about showing Luminous Birds in Scotland during the autumn because many birds will be on their migration passage at that time, with huge flocks of Barnacle Geese resting near Dumfries and Pink Footed Geese further north near Dundee. said Kathy about the work premiering in Scotland. I want to create the effect of birds flying just above peoples heads, through alleys and lanes right in the heart of towns and cities, highlighting some of the many beautiful aspects of bird flight, through light and sound.
Cathie Boyd, Artistic Director of Cryptic said: We are delighted to be able to show the work of Cryptic Associate Artist Kathy Hinde on such a large scale, with Dumfries and Dundee being inspiring firsts for Cryptic. We are developing dynamic relationships with new partners and communities across all three locations and further afield – encouraging everyone to come and experience this mesmerising event.
Especially for Dumfries, The Stove has commissioned musician and composer Stuart Macpherson to create an accompanying sound work and performance artwork, that will pop up during and around Kathy’s Luminous Birds. More information on Stuart’s commission coming soon!
Luminous Birds is a free, non-ticketed event, to be viewed after dark; it opens at The Globe Inn, Dumfries High Street on 7 September, with further flocks appearing at The Howff, Meadowside, Dundee on 12 September and Kingarth Lane next to Govanhill Baths, Glasgow from 16 September. Celebrating its historical design as both a water tank and dovecote, the Mackintosh Tower at Glasgow’s The Lighthouse will also host the birds from 20 September up to 8 January, encouraging visitors to journey upwards through evocative soundscapes before reaching a flock of birds fluttering and chirping in harmony at the top.
The installations will feature an accompanying free workshop programme led by Kathy Hinde, encouraging members of the local community to create their own origami birds. In Dumfries, these workshops will take place as part of Nithraid, The Stove’s annual boat race and river festival on Saturday, 3rd of September.

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