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Lochside Public Art Project: New Artists!

Following our recent call out for artists to work on two new commissions as part of the Lochside Public Art Project, we are delighted to introduce the artists that were selected! The application process was highly competitive, with a variety of brilliantly different artists applying from across Scotland to work on the project.

The Lochside Public Art Project consists of four separate projects, two currently ongoing, and these two new projects that are just starting, all four will be completed by the end of the year. The project has been created by The Stove Network in partnership with DGHP, (Dumfries and Gallloway Housing Partnership) to create new permanent artworks as part of their new housing development, The Meadows, in Lochside, North West Dumfries.

Our call out was for two separate commissions:

Corners and Offcuts
A commission to look at ‘left-over’ and ‘in-between’ spaces around the new housing development, that can create interesting places for residents to pause, and can utilise some of the underused parts of the site. For this project we have commissioned Susheila Jamieson and James Gordon, artists and stone carvers based in the Borders, and have previously worked on Summerhill’s Land Art project. More about their previous works available online here

‘Jamieson and Gordon are a design company specialising in creating public and socially engaged art installations in the UK and abroad. Susheila Jamieson is a professional sculptor and arts educator, and James Gordon, a landscape designer, also sculpts. We produce commissioned artworks in consultation with local communities. Cultural heritage and other aspects of place are often a starting point for developing ideas. Much of our work is abstract and is often inspired by the wider landscape and aspects of nature. Past commissions include work for Woodland Trust Scotland, Newcastle City, East Lothian, South and North Lanarkshire, Clackmannanshire and Dumfries and Galloway councils, Sustrans and various housing associations.We use materials that enhance or reflect the environment including Corten steel, green oak, stone, galvanised steel, ceramic, bronze and glass. Our work is unique, robust and intended for outdoors.

Developing designs for artwork is often undertaken in conjunction with community/stake holder groups, and we enjoy working with and running workshops for varied groups including schools and adults.

We are delighted to have been selected to create new work for Lochside. We have worked in Dumfries before and know that different areas of the town have different identities. We are keen to create work that reflects and celebrates the unique character of DG2.   The artworks will be “carved in stone” and we are looking forward to working with the local communities of Lochside and Lincluden to develop ideas and designs. “Taster workshops” are being planned where local residents can come and try stone carving and tell us what they would like to see incorporated into the artwork – these will be advertised on the Creative Futures facebook page, and in the North West Dumfries area.’

Susheila Jamieson and James Rachan – new artists for the Corners and Offcuts commission!

Signs and Symbols
Our second commission, Signs and Symbols looks to create a new visual presence across the Meadows site, taking inspiration from the wildlife and environment of the surrounding areas, the new housing styles, and ideas from local residents. For this project we have commissioned Glasgow based Design by Zag, graphic design company ran by Kat Loudon and Kirsty Geddes. More about their previous work available online here

‘Design by Zag, run by Kat and Kirsty, is a design company based in SWG3, Glasgow. As trained graphic designers, we have a strong focus on research which we use to formulate ideas, drive concepts and create relevant and meaningful projects.

We are delighted to be have been selected by the Stove Network and DGHP to work on the Signs and Symbols commission. We look forward to meeting the people of Lochside to create this piece of work for the local area.’

Kat and Kirsty of Design by Zag: new artists for the Signs and Symbols commission!
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News

Nithraid 2017: Coos, clowns and Vikings!

September 9th saw our fifth staging of Nithraid, a fun family event that takes place on and around the river. The daring sailing race, starting from the Solway Firth and sailing up the river Nith was made possible by one of the highest tides of the year. While waiting for the boats to arrive, visitors and families were invited over to The Mill Green to enjoy food, live music on a hand built stage, art activities and Viking fights!

Our lovely Project Manager for Nithraid, Sal Cuddihy, was delighted with how the day went and both her and everyone at the Stove would like to say a huge thank you to everyone who was involved in Nithraid 2017 – whether you were working, volunteering or just came along to cheer on the sailors. This was our biggest and most successful Nithraid yet, and it wouldn’t have been possible without those who supported the event.

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Nithraid is created and produced by The Stove Network and is part of our mission to make creative opportunities for local people to be involved in the future of Dumfries. This year, we had a total of 15 boats take part in the sailing race, with all boats carrying a small cargo which was delivered into the town to complete the race. This year’s winner was David Sleggs who was joined on his boat, ‘Scottish Bluebells’, by Paul Sleggs, and won the race with their sailing dingy.

Visitors to Nithraid were treated to an afternoon of great local food and fun family activities. Local music acts played throughout the day on a hand built stage by emerging artists Blueprint100. Amongst the acts were Kate Kyle, Isla Gracie, Colin James and Stoney Broke. Burgers, hotdogs and drinks were provided by Craig Patterson of Catering Plus, and professional up-cycler, Rose Hall, hosted a workshop on creating bags for life using t-shirts. This year, Nithraid also had a Viking theme, with Longfada Viking Group staging a re-enactment which interpreted the lives of people living by the river around 1000 years ago. Wordsmithcrafts, another Viking themed group, was working with other local groups from the area encouraging ‘have a go’ activities for all the family.

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For the first time, Nithraid also continued into the evening for ‘Nithraid Night Time’. Visitors to Nithraid were invited back in the evening for vegan stew, film screenings, campfires and music provided by local musicians, Fraser Clark and Stuart Macpherson.

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Image credit: Galina Walls

A large crowd of people also joined in with the legendary Salty Coo procession, starting from The Stove on the High Street and finishing at the Mill Green, and were treated to this year’s fun and exciting parade from the ‘Moo Coo Collective’, led by Leo Marsh, Jimmy Russell and Agne Zdanaviciute; a group of young artists living in Dumfries.

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This year, Nithraid was kindly sponsored by the People’s Project. The People’s Project is a non-profit organisation which was set up in 2008 by Mark Jardine to rekindle the meaning of community in Dumfries and Galloway. The project aims to encourage acts of kindness across the region of Dumfries and Galloway through numerous projects and events. Nithraid was also generously supported by Holywood Trust, Barfil Trust and many local businesses.

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For more information and photos from this year’s Nithraid, please visit www.thestove.org/nithraid or visit the Nithraid Facebook page!

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Musings News

The MooCoo Collective: Nithraid 2017

Blog post written by (and with thanks to) Jimmy Russell

Nithraid 2017’s Viking theme continues The Stove Network’s broader exploration of historic and current Nordic cultural influence in Dumfries & Galloway. In support of this Moovement Coollective (MooCoo) will be leading a procession of community groups with the Salty Coo through the town to meet the boat race and a Viking encampment at Mill Green. MooCoo is a newly formed performance trio comprised of Agnė Zdanavičiūtė, Jimmy Russell and Leo Marsh, three young artists living and working in Dumfries. The three members of MooCoo each bring something unique to the group.

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Inspiration for the MooCoo team comes in the form of CIRCA, the Clandestine Rebel Clown Army

Leo is a costume maker and performer who has worked with Oceanallover and often contributes to Brave New Words. Their work is rooted in vulnerability and connection, exploring topics such as sense of self and belonging through the lenses of gender and sexuality.
Jimmy is a researcher, writer and performer who has worked on the Our Norwegian Story and Lost Chronicles of Gallovidia projects, while regularly reading at Brave New Words. His interests lie in history, community empowerment and costume design, all of which find some outlet with Nithraid.
Agnė is a recent graduate in environmental science at the Crichton who is fascinated by public art interventions and wants to learn how to organise and deliver a performance. She also wants to challenge peoples’ ways of thinking and give something to Dumfries.

Nithraid coo

For the procession MooCoo are fusing Viking lore with clowning sensibilities to create a spectacle at the river festival that combines heritage with silliness. In preparation we are coordinating different community groups that will process with us, including the Sandside Garden Apaches and Galloway Longfhada Vikings, as well as musicians and our fellow clowns. Our troupe of MooCoo clowns are benefiting from training by experienced rebel clown Lance Goodey from Glasgow who is delivering sessions at The Stove and Sandside Community Garden over two weekends.

During Nithraid 2017 we want to challenge the popular imagery of Vikings as bloodthirsty marauders with the reality that their presence in Galloway represented a surprisingly peaceful coexistence between different peoples. Rather than perpetuate the narrative that overseas invaders threaten our way of life, we wish to highlight the cultural exchange that did and still can exist in our homeland, not least with Norse folk. That is why our slogan for Nithraid 2017 is ‘We Come In Peace’.

Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!
Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!

In a predictably ridiculous fashion we’ll invoke the Nordic creation myth of Auðumbla: a primeval cow who nourished herself by licking salty glacier, which slowly released Búri, the first Norse god and grandfather of Odin. In turn Auðumbla’s milk nourished Ytar, a being whose body was used by Odin and the other gods to fashion Midgard, the realm of men. This story depicts creation as an ongoing and participatory process, a fitting message for Nithraid, which highlights the centuries old relationship between the river and Dumfries.

Clowning is something that has interested all three of us for some time. It seemed an interesting method of animating this myth and challenging typical tales of Vikingly violence. By adopting the dynamics of clowning – curiosity, engagement, presence, wonder – we want to inject a sense of fun and friendliness into local Viking lore, and invite people to question what they think they know about Norse-Gallovidian relations. The Nithraid procession will harness vulnerability to create a performance which is responsive to interactions and which blossoms in joyful, surprising directions.

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News Project Updates

Midnight Streetlight Smalltown Rain

Midnight Streetlight Smalltown Rain is a project between artists Martin  Joseph O’Neill, Colin Tennant and composer and musician Stuart Macpherson. First conceived as a short poem MSMR has since moved onto include a series of artworks and interventions throughout the High Street and side streets of Dumfries town.

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Come Dawn, a 12 hour writing project from 7PM to 7AM took place at the Bakers Oven in November. A performance installation, the writer sat typing whilst in real time, the words were projected onto the windows of the empty unit in front of a live audience.

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Working from a manuscript of 60 pages the collective were commissioned by the D-LUX Festival of Light to produce an artwork showcasing one of the poems to be projected behind the Stove. The artwork deployed Burroughs’ cut-up method of writing in a live performance lasting four hours, four nights a week, where a single poem was transformed continuously by adding and subtracting the words, manually blocking the light of the projector through a window using paper and tape.

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The regional project is inspired by the narratives of the small town at night and is to continue throughout the year in installations, performances and interactive artworks throughout the town.

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Midnight Streetlight Smalltown Rain was a Stove Members project, supported by DG Unlimited and the Dumfries and Galloway Council.

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News Project Updates

PRESENCE an Art-in-Between Commission update

By Jo Hodges and Robbie Coleman

We are coming to the end of working on the Art_Inbetween commission and it’s been a fascinating process.  The outcome is a work called PRESENCE which is a set of cards to be used as ‘A divining tool for journeys through the restless territories and blurred boundaries of art in the social or public realm’ the cards are a creative tool to explore and reveal aspects of a project or practice and to provoke discussion and exploration.

Background

PRESENCE is a research led response to some of the questions that arose during the Art_Inbetween Summit held at The Stove Network earlier in 2016. The summit attempted to describe the distinctiveness of an evolving ‘rural’ contemporary arts practice with an emphasis on social/participatory/public art across the UK and our starting point was to try and understand this distinctiveness. What are the differences between rural arts practice and projects in urban settings with similar intentions or processes?

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During the research phase, we worked with a number of artists, curators and producers using a word card process to explore core features of practice and context. These conversations were interesting and delved into territories that were slippery and shifting, we felt this area had more to offer to a wider audience. We began to work with the idea that practice was perhaps more important and distinctive than location and so the work began on developing PRESENCE; a method to explore and open up projects and practice that could become a companion on creative journeys, a navigational aid that could help understand and articulate the aims, methods and values of a project or practice. There are 16 CARDS, each exploring a core element of practice. Each card has a number of questions on the reverse. We suggest picking one or more card at regular intervals through a live project (or project development) and letting the questions lead into conversation and discussion.

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The Cards

We see the cards as a ‘divining tool’ in the process of making creative work. They cannot be used to navigate the straightest, fastest route through a project or process but provide different positions to view the route from. They are not instructions or a model to build a project around and have no opinions about the best way to conduct a project – each project (and artist) is unique. Their role is to prompt, disrupt habits, to revisit assumptions and reassess progress and to re-excite artists and collaborators about their work and provide a tool for exploring projects and practice.

 We have tried to create a process that will result in a series of overlapping views from different positions (The points of interest in situated or social practice are not stationary and two dimensional, but three dimensional and moving, sometimes through time as well as space) This compound eye allows us to examine the same issues from different positions and so learn different things from each viewpoint.

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presence-backs

Open Source Future

PRESENCE is an open source project: all questions, concepts and card designs can be challenged, refuted or replaced. Our version is a starting point from which new sets can be constructed specifically tailored to a project or practice. A website is in the process of being set up that will include all design tools and templates to allow people to easily make new sets and upload their designs for others to use.

Huge thanks to everybody who contributed to the summit and to those who have helped with the development of PRESENCE.

If you are interested in getting a set of the PRESENCE cards – please contact [email protected]

More info about the project can be downloaded here

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News

The Stove goes to Electric Fields

This years Electric Fields festival saw a series of pop up Stove activity from commissioned work by Ailie Rutherford, art installations from Stove member Kirsty Turpie, a pop up Brave New Words tent and a gang of the Stove’s sign painting team who hand painted nearly 60 signs for the festival village.

People Pavillion

Ailie Rutherford and Laurence Payot‘s People Pavilion popped up at various points throughout the festival, a roam people-constructed structure that danced it’s way around the site, creating temporary intimate spaces before dispersing through the crowds..

People Pavillion
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Kirsty Turpie‘s mad marble run maze was on-site throughout the weekend:

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The Brave New Words tent ran both days of the two day festival, featuring a mix of local and national acts performing in our intimate and cosy teepee tent, organised by regular Brave New Words organiser and curatorial team member Martin Joseph O’Neill.

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In the run up to the festival itself, The Stove’s workshop room turned into a sign painting factory, where a steadfast team worked through the weekends to prepare new signs for the festival site.

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Huge thank you to our various teams of volunteers and supporters who helped out with various Stove themed projects, from sign painters, to pavillion dancers, performers, poets, and artists – and big up to the Electric Fields festival team for putting together a great weekend at Drumlanrig (extra points for perfect weather conditions!).

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