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Musings Project Updates

READ ALL ABOUT IT, READ ALL ABOUT IT!

Blog post from Stuart Paterson

Into the second of three months of the Lowland residency now & the project is nicely gathering pace & form. Things are beginning to take shape, both in the mind & in reality. The Flood of Words started out as a rivulet & is quickly becoming a spate. Coos have been dunked. Postcards have been piling up. Conversations have been had. Latvians have been gathering. Governmental approval has been forthcoming. Poets & writers have been assembled & given instruction &continue to rally to the cause.

NITHRAID
Nithraid River Festival 2018 saw The Stove undergo Edinburgh Festival-like transformations as the weeks leading up to the Do With The Coo became days & great swathes of activity culminated triumphantly on Saturday August 11th on Dumfries’s Mill Green. The Salty Coo was held aloft & borne to the Green in a procession of funereal solemnity, weirdly inspirational music & surreal costumery, courtesy of pointy-eared funsters Madjakkals. It was hoisted high onto its pontoon midstream in the Nith, awaiting the winners of the boat race. They began to arrive after 1pm, completing a journey of 14 miles up the coast from Carsethorn (‘The Port of Dumfries’) by oar & sail, briefly, fragmentedly but strikingly recreating a time when the Solway was one of the busiest waterways anywhere on the British coast. By this time the Green was alive with stalls & people, performers & visitors, the river aflutter with sails. The weather was holding up & the Lowland stall was quickly busy with folk writing their thoughts on Dumfries on the Lowland postcards or the Typewriter of Truth.

Image Credit: Galina Walls

I was amazed at the amount of people who participated, popped over, curious, then keen to get involved. Many were visitors to the town, some from overseas, some day-trippers from outwith the region. Some were weans, some were ‘veterans’ of the toon. Many, many people were happy to contribute & so much of what they contributed was honest, touching, beautiful. Disparate words, phrases, poems, drawings, reflections, memories, hopes & visions coming together to add to a tapestry of what Dumfries means to those who live & visit here.

Image Credit: Kirstin McEwan

And so, the Salty Coo, created to commemorate two of Dumfries’s most important products when it was one of Scotland’s busiest trading ports – salt & livestock. It first appeared in 2013 – to be offered as tribute to the Nith & its glorious past, to rise again each year as a symbol of hope & optimism. This year, I was honoured to be asked to write an ‘Ode’ to the Coo as it was lowered into the river on some strange mechanical contraption & left to float downstream, its salt dissolving, its proud bovine features slowly disappearing beneath what passed for the river (2018 was a record dry summer). We’ll feature the Ode elsewhere on this site; in the Stove you can read it on a big blackboard. I proclaimed said Ode via the PA to the gathered masses, over 500 in the crowd, each of them shouting back the chorus with increasing gusto. It was indeed a proud moment, an exhilarating mixture of high panto & ancient Druidic solemnity as the Coo entered the Nith to the sound of the Doonhame Choir, was embraced by the Nith’s sluggish heartbeat, travelled 10 yards & got stuck on a traditional shopping trolley. No matter, the Ode will now be an annual thing, hopefully a fitting tribute not just to the town’s salutary bustling past but a verbal signpost to a future where the past’s not just a commodity but a mirror to the present.

FLOOD OF WORDS

In mid-August, the Scottish Government’s Minister for Communities, Aileen Campbell, visited The Stove. She heard about the ongoing work being carried out by the Midsteeple Quarter & their plans & vision for the regeneration of Dumfries town centre, making many of its empty or underused buildings accessible to independent traders & affordable properties for tenants from all social quarters. Aileen visited the Baker’s Oven, currently leased to The Stove for use as a creative venue for a peppercorn rent. While in The Stove, she spent time admiring the Flood of Words exhibition. It’s turning into some collection, I can tell you, an actual Flood of Words. It’s now taking up a whole wall in The Stove café & it’s still growing. Aileen was properly impressed by this tour de force show of community engagement & creativity. She has connections to the town herself & took away a Lowland postcard, promising to return it complete with her own creative thoughts on what Dumfries means to her. Cheers Aileen. And don’t forget the stamp.

Why not pop in & look at it? Or just to have a brew & something to munch – the Stove Café is a really central, accessible & mellow place to spend an hour or two in town meeting, blethering, thinking or just reading the papers. The food & drink are splendid too, the staff friendly & welcoming. And while you’re there, add your own tributary & see the Flood of Words grow further. There are Lowland postcards scattered about & a Lowland Post-box wherefor to deposit your words. Every word, every contribution means something as do you. Make yourself count.

NOT ONLY BUT ALSO….

High Street Writers will be meeting in The Stove on the following dates, all Wednesdays – September 12th & 19th, plus October 3rd. All sessions will run from 6-8pm & everyone’s welcome to come along, no matter your level of experience as a writer or in which genre (& it’s free). We’d love to meet you. Please come along. If you’ve any queries about the group or access needs, email The Stove & we’ll hopefully be able to sort it out. Writers are the beating heart of a community – come along to High Street Writers & help it beat stronger. And of course, Brave New Words, which I’m preparing for tonight. Dumfries’s very own fantastic showcase of spoken word meets on the last Friday of the month, next gathering being on September 28th at 7pm. There’s nothing quite like it in south-west Scotland. And if you’ve anything at all to contribute to or want to ask about Lowland, please comment here or send us a message at The Stove.

The Flood of Words continues, of course. Myself & Lowland’s lead artist Martin O’Neil have been meeting to plan & organise further events & engagements, particularly in schools & on the High Street. Look out for announcements about what’s coming up on National Poetry Day, October 4th, in the Baker’s Oven & on the street. The Dumfries Words Walk will be coming up in around 4 weeks. A series of posters, with extracts of work from many local writers, young & old, mostly alive, is in the production stages, for display in shops, schools, libraries & anywhere we can place them. And there are also plans to create a permanent poetry street, The Poets’ Close, in a yet-to-be-disclosed location in the town centre. Imagine – Dumfries having its own Poets’ Corner, where (most of) the poets arenae even deid yet.

LATVIA 100 IN CARTOONS

Aaaand finally… On Wednesday September 5th, tangential to but still relevant to Lowland, we’re having the grand opening (huzzah!) of a major touring exhibition which will be at The Stove until the 13th. This is Latvia 100, celebrating 100 years of Latvian independence from Russia. It takes the form of 16 A1 panels of cartoon & text, drawn & written by the cream of Latvia’s creative talent & I can tell you, it looks utterly brilliant.

“This chronicle of Latvia’s history features historical events with international resonance: World War I, the interwar period, the Great Depression, World War II, the periods of occupation and related restrictions on freedom of expression, as well as the European Union and other contemporary political-economic subjects.”

There’ll be Latvian food, music & dance, all MCed by myself. It begins at 6.30pm with a speech by Dumfries’s Provost, Tracey Little, to be followed by an address by no less a person than Latvia’s ambassador to the UK, Her Excellency Ms. Baiba Braže. D&G’s Latvian community have responded brilliantly & we’re really pleased to be hosting an exhibition that’s also visiting Liverpool, London, Manchester, Glasgow & Edinburgh. The cartoons are tremendous. Please do come along & see it between the 6th & 13th, if you can’t make the launch next Wednesday. To which, of course, all are most welcome. No bad for a wee toon, eh? But a wee toon with an increasingly big creative presence on the UK stage.

Sláinte.

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News Project Updates

Midsteeple Quarter Ideas Exhibition in Glasgow

Our recent exhibition in the Stove cafe is now on the move! Following a two week show in Dumfries, the exhibition is now installed and available to visit in the Southblock, in Glasgow during regular cafe hours.

Image Credit_Gordon Flemming_ARPL Architects_2


The Midsteeple Quarter Ideas Exhibition features 15 different submissions to our Architecture Ideas Competition that was launched in April in partnership with the Glasgow Institute of Architects.
The winners were selected by our panel of judges (see here for details) and are as follows:
Winner – First Place
Gordon Fleming, ARPL Architects
Second Place
Andie Cooke, Megan Ward, Cara Brunton and Ashley Mitchell
Third Place
Pioneer Landscape Architecture
Drawing Commendation
Ryan Canning and Titas Grikevicius, Holmes Miller

Following the close of the Dumfries exhibition our People’s Choice Winner, selected by popular vote, has also been announced:
Gordon Fleming, ARPL Architects

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Exhibition Dates:
Friday 30 June – Wednesday 12 July 2017

Exhibition Venue:
South Block, 60-64 Osborne St, Glasgow, G1 5QH

Opening Times:
Monday – Friday: 9am – 5pm
Saturday & Sunday: Closed

MQIC Winner’s Presentation and Debate:
We invite you to join us on Thursday 6th July, between 6-7.30pm, to see presentations by the winning 3 entries and to discuss the possibilities of architectural responses to the decline of our high streets. Free to attend with complimentary wine but please book here

If you missed seeing the exhibition in Dumfries, and can’t make the Glasgow venue, the competition entries are available to download as a pdf, available here

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News

Architecture Competition Winner Announced!

The results of our Midsteeple Quarter Architecture Competition have been announced, with Ayr based ARPL Architects winning the 1st prize of £1000. Gordon Flemming from ARPL Architects stated, “We are very pleased that our ideas for the Midsteeple Quarter in Dumfries were recognised by the competition judges. The challenge of ensuring regional town centres stay viable and lively is a great task and we hope our contribution to the discussion helps add a new dimension to this.”

Image Credit_Gordon Flemming_ARPL Architects_1
Gordon Fleming’s entry wins First Place

The Midsteeple Quarter project is an important part of a national debate about the future of town centres as traditional retail declines everywhere, the architectural ideas submitted are not proposals of what will be built, but a way of continuing the conversation of how the Midsteeple Quarter could develop as a new heart of our town centre.

The judging panel consisted of John Dowson, a Dumfries High Street Resident; Melissa Gunn, Lecturer in Business and Enterprise at the University of the West of Scotland & Chair of the Board of Directors at The Stove Network; Tim Gray, Director at Holmes Miller Architects & GIA President; Iain Monteith, Director at Loader & Monteith Architects and Tutor at the Mackintosh School of Architecture and David Cowan, Head of Regeneration Unit at the Scottish Government.

Second place was awarded to a group of young female architects who focused their entry on the social aspect of regenerating Dumfries High Street, providing solutions which introduced both day and night time activity. Their reimaging of the town centre sought to provide an achievable, affordable and permanent solution to empty shop fronts whilst integrating student accommodation into the heart of a potentially thriving community. Third place was awarded to Pioneer Landscape Architecture, who looked at the unique nature of the site and its spaces to guide their response. Their aim was to revitalise the Midsteeple Quarter by making proposals on both a regional and local scale, reinstating the importance of Dumfries as a regional capital in a post retail society. In addition to the cash prizes the Judges wanted to commend Ryan Canning and Titas Grikevicius from Holmes Miller with a Drawing Commendation.

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.
Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Sam Patterson, who coordinated the architecture competition on behalf of the Glasgow Institute of Architects, commented, “The GIA are delighted to have worked with The Stove Network on developing such a rich and challenging competition brief and we are thrilled with the range of ideas that were received across the 15 submissions. The quality of the submissions exceeded our expectations and we hope will stimulate the debate in Dumfries about the potential of the Midsteeple Quarter.”

Long-term and careful public consultation has brought a consensus that re-populating the town centre is an urgent necessity. Late last year,we conducted an online survey and had responses from over 800 members of the public. Their responses revealed support for a more diverse approach to the future of the town centre with a very positive response to ideas of enterprise, education, live-work, health services and restaurants/nightlife all being available in the town centre as well as more events, festivals and markets to encourage more people to come into the town.

On Friday 9th June, entries to the Midsteeple Quarter Architecture Competition will be on display in the Stove building, 100 High Street, until 21st June, as well as South Block in Glasgow. The exhibition launch at The Stove will be opened by the new Leader of Dumfries and Galloway Council, Councillor Elaine Murray, and will begin at 6.30pm. Everyone is invited to come along and view the architectural concepts for the Midsteeple Quarter of Dumfries High Street from professional individuals and practices for a reimaged urban core of Dumfries. The public in Dumfries will be able to vote for a ‘Peoples Choice’ winner at the exhibition at The Stove.

For more information, please contact David Smith at [email protected] or visit the Glasgow Institute of Architects website http://gia.org.uk.

Categories
News

Drawing for Enjoyment Workshop returns

Following on from the success of the first Drawing for Enjoyment events late last year and the café exhibition, artist Frank Hayes brings another set of drawing workshops back to the Stove Network for a 8-week block.

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Frank commented, “The aim of the workshop is to encourage and support anyone who is looking to get more creative and learn new ways of approaching art, whatever their skill level.” Each week, participants were shown different techniques as well as being shown how to work with different materials and resources.

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Each week, Frank explained and taught a different skill, such as blind contour and observational techniques, abstract art, still life, encouraging everyone that there are no mistakes in art, only discoveries.

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Drawing for Enjoyment will once again return to The Stove for an 8-week block starting on Thursday 16th March from 5-7pm. The workshop is open to anyone above the age of 16, and a small contribution of £4 will be required, which will go towards materials and resources. For any more information, contact the blueprint100 team at [email protected], to find out more about enjoying drawing in a fantastic and creative atmosphere. Whether you are an artist or would like to try something new, Drawing for Enjoyment is a great way to spend an evening to relax.

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Categories
News

In Flight

Both birds and humans have migrated for millennia, whether seeking more abundant food, or more favourable climates. Some of these journeys are regular and temporary, others more permanent, perhaps due to catastrophe or dreams of a achieving a better life elsewhere.
Currently Europe is seeing a huge influx of migrants and –stoked by the vitriol of a malicious press and an ugly political mood – it’s becoming alarmingly commonplace to consider our fellow human beings as pests, no matter how urgent their need for shelter and security. Our individual and collective capacity to help them remains largely unfulfilled.
Perhaps it would be useful to imagine a scenario where we are the migrants – climate change predictions (irrespective of whether it’s a natural cycle or mans interference at the root cause) suggest there won’t be many decades before this becomes a reality. Arguably it already is, with people displaced from their homes from the increasingly damaging floods we experience in the UK.

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In Flight itself depicts both birds and people; in the end we are the same, following evolutionary paths birthed in the stars. Fluttering on the wind, lit by the sun and moon, refreshed by the falling rains, the intermingling of the white birds and the people offers a prayer of peace and love to our family in need across the globe.
The location of the installation is an unused close in Dumfries and the first work will be to clean it, to prepare a welcoming space for the flock. Experimental and expressive, the artwork will only fully take shape upon completion.

In Flight will take place during our Chapter One event on Tuesday 15th and Wednesday 16th November, in a nearby close. For details of where to find the work drop into the Bakers Oven and ask for directions. Full details about Chapter One available here

In Flight has been created by artist and photographer Morag Paterson. More details about her work available here

Categories
Musings

Curating Captive Art #3

From Morgan Hardie, emerging artist and curator of the recent exhibition Captive Art #3 in the Stove cafe:

I am a portrait artist based in Dumfries, I graduated with a HND in Art and Design three years ago at Dumfries and Galloway College and have continued since then as self-taught. I have a huge interest and wish to pursue a career in the therapeutic arts, which is why I was really excited when I was offered the opportunity to curate Captive Art #3! I believe it is so important that the prisoners have the chance to show their work outside of prison walls and to offer the local community a better understanding of prison rehabilitation, and how art practice and creative writing play a fundamental part in this.

Captive Art 3 - The Stove Network


The experience of curating the exhibition was so busy and enjoyable, I loved all of the different aspects from selecting the work in Dumfries Prison to hanging the exhibition the day before the opening. I had written out a plan covering everything that needed to be done and how I was going to do it, and with some help from blueprint100 and the prison education department, I think I managed to stay fairly organised! Selecting the artwork was probably the most challenging, as there was a huge variety to choose from and such limited wall space in The Stove Café, but I managed to really narrow it down and include work which demonstrated a range of different styles and techniques.

Captive Art 3 - The Stove Network

The reason I chose the painting called ‘The Nearest Faraway Place’ to be used on the posters and invites, apart from it being my personal favourite, was because of the story behind it and the immense detail portrayed. The artist had explained to me that the painting was a representation of a dream he’d had, and he had felt the need to paint it on to canvas.

Captive Art 3 - The Stove Network

My main goal was to involve the prisoners as much as possible, as it is their exhibition after all. I took information about The Stove up to the prison, along with photographs of the space so that they were clued up on where their work was going. I had decided to keep all of the work anonymous, but instead had asked each artist for a small statement on what art does for them on a personal level and included this on their labels. I received really good feedback at the opening event about this personal touch, as well as the prisoners’ poems which were read out at the beginning and the other written work which was also on display. I found that the visitors really liked that interesting connection between art and writing as it helps them to gain a more informative insight, which is exactly what I had hoped for.

Captive Art 3 - The Stove Network

The opening event was more successful than I imagined it would be, and I hope the exhibition continues to deliver and inform for the remaining time that it is on display. Hopefully everyone enjoys the exhibition as much as I loved curating it!

All Images: Kirstin McEwan

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