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News Project Updates

Midnight Streetlight Smalltown Rain

Midnight Streetlight Smalltown Rain is a project between artists Martin  Joseph O’Neill, Colin Tennant and composer and musician Stuart Macpherson. First conceived as a short poem MSMR has since moved onto include a series of artworks and interventions throughout the High Street and side streets of Dumfries town.

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Come Dawn, a 12 hour writing project from 7PM to 7AM took place at the Bakers Oven in November. A performance installation, the writer sat typing whilst in real time, the words were projected onto the windows of the empty unit in front of a live audience.

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Working from a manuscript of 60 pages the collective were commissioned by the D-LUX Festival of Light to produce an artwork showcasing one of the poems to be projected behind the Stove. The artwork deployed Burroughs’ cut-up method of writing in a live performance lasting four hours, four nights a week, where a single poem was transformed continuously by adding and subtracting the words, manually blocking the light of the projector through a window using paper and tape.

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The regional project is inspired by the narratives of the small town at night and is to continue throughout the year in installations, performances and interactive artworks throughout the town.

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Midnight Streetlight Smalltown Rain was a Stove Members project, supported by DG Unlimited and the Dumfries and Galloway Council.

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Musings

everybody is just a human being

Jordan Chisholm is a student at Royal Conservatoire of Scotland studying Contemporary Perfomance Practice. She is currently doing a placement at The Stove and writing a blog about her experience with us – this is her first post..

Jordan (with blue hair) performing in the Salty Coo performance (Nithraid 2016) she co-designed and produced with Dillon Colthard
Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard for The Stove’s Nithraid 2016. Photo Kirstin McEwan

When I was thinking about where I wanted to do my placement for third year – I had no doubt in my mind that I wanted to do it in Dumfries. I moved to Dumfries, in 2012, when I was seventeen years old. When I left school, I had a university offer to do Criminology but I wasn’t entirely sure if this is what I wanted to do. My mum has stayed in Dumfries for around fourteen years and it was decided that I would move in with her, to be in a new environment with no one I knew.

I’d visited Dumfries many times at the weekends and over school holidays but living there on a daily basis was something extremely different. I wasn’t sure how I felt about the town. As an ‘outsider’ coming from Edinburgh; I felt as though I really did not belong in this beautiful space and I could not explain why. I guess this was something internal and I spent most of my first year living in Dumfries travelling back to Edinburgh; there was something I was not prepared to let go and starting a new life was not as simple as I had anticipated.

Time passed and I began to open my mind. I met new people and started to do new things. I began to explore Dumfries in a new way; it was like a playground – full of magic, wonder and uncertainty. I still feel much of that uncertainty today – over four years later. However, I am not scared by this anymore; instead it inspires me and it always leaves me wanting more.

Dumfries changed me. It changed the way I look at things, it changed my opinions, it gave me a platform to do things I never thought I was capable of doing, it gave me something to be passionate about, it allowed me to learn about myself and who I could be, it shaped my future, my hopes and my dreams; Dumfries changed my life. But could I change Dumfries?

When I think about what I may want to do in the future; giving something back to Dumfries is at the top of my list. You see, in this misunderstood town, where there may not be very much to do, there are hundreds of people who all share the same love and understanding of what this space really is. Dumfries has a strange pull to it; and this pull is of upmost importance to the future of the town. We have to work together to allow people to feel proud of where they come from – to make them want to stay. This is what I want to be a part of. A part of the regeneration of Dumfries through art, creativity and sheer hope. I want Dumfries to give everyone what it gave to me, and I don’t want them to have to look very hard to get what they are looking for.

The Stove Network is situated in the centre of Dumfries. It is a fully accessible public arts space/facility/resource for the population of the town and the wider region. It is a support network that creates opportunities and connections for the creative community and integrates with the local economy and wider society. One of The Stove’s aims is to use the arts to engage and empower people for themselves, the places they live and society at large. This aim is vital to my own learning and development; I knew that this was where I had to be for placement. I wanted to know how they manage to do what they do in a town that says no much more than it says yes. I wanted to live and breathe their commitment to the Dumfries community and I wanted to be around people who share the same desires as I do; who can show me how to make a positive difference with an understanding of the quality in process as well as the product.

Although I knew why I wanted to be at The Stove, I was still extremely nervous on my first day and I did not know what to expect. It reminded me of my earlier ‘outsider’ feelings but I pushed these to the side and arrived with no expectations as to how my first week may turn out.

I was met by curator, orchestrator and public artist; Matt Baker. The motivation for Matt’s work is to have an effect in the place for which it is made. I find it comforting and reassuring having the opportunity to be mentored by someone who vocalises that they became an artist to change the world.

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News Project Updates

Brave New Words Celebrates First Birthday!

Brave New Words once again returned to The Stove, on Friday 30th September, for a special night celebrating the first anniversary of this monthly platform for new writing, spoken and sung. The night consisted of an extraordinary mix of performance by local poets and songwriters, featuring film, music and a specially commissioned performance from local artists Michael Sullivan and Lee McQueen.

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To celebrate their first birthday, Brave New Words teamed up with blueprint100 to create a special zine for the night. Blueprint100 held various workshops throughout the month of September, in which previous participants of the open mic night submitted their original poetry and artwork to be part of the zine. The zine is currently available in The Stove Café for a small donation, with all proceeds going towards The Sindigo Foundation.

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Brave New Words zine.

Martin O’Neill, who runs Brave New Words, commented, “The past year has been incredible, we’ve seen people grow more confident with each month, heard some of the most inspiring poetry and played host to dynamic people, workshops and ideas. We were really pleased with the amount of people that came along to be a part of Brave New Words, and we would like to thank all the participants for contributing, as well as anyone who picked up a zine and donated money.”

The open mic night is part of our mission to bring vibrancy to evenings in the Town Centre. Through various performances, the event aims to challenge stigmas and stereotypes, whilst offering support to those willing to make a positive and impactful change in their home town and beyond. Over the past year, Brave New Words has held workshops with community groups, the general public and schools, in which they aim to celebrate diversity, and understand creative writing. They have also had the opportunity to host some of Scotland’s biggest names in the spoken word scene, voyaged to festivals, created multi-disciplinary installations and uncovered some incredible talent right here in the heart of Dumfries.

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Jamie Court performing at Brave New Words

Brave New Words will return to The Stove on the 28th of this month for a special Halloween Spectacular open mic night.

To take part and for more information on events, please email [email protected].

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News

The Stove goes to Electric Fields

This years Electric Fields festival saw a series of pop up Stove activity from commissioned work by Ailie Rutherford, art installations from Stove member Kirsty Turpie, a pop up Brave New Words tent and a gang of the Stove’s sign painting team who hand painted nearly 60 signs for the festival village.

People Pavillion

Ailie Rutherford and Laurence Payot‘s People Pavilion popped up at various points throughout the festival, a roam people-constructed structure that danced it’s way around the site, creating temporary intimate spaces before dispersing through the crowds..

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Kirsty Turpie‘s mad marble run maze was on-site throughout the weekend:

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The Brave New Words tent ran both days of the two day festival, featuring a mix of local and national acts performing in our intimate and cosy teepee tent, organised by regular Brave New Words organiser and curatorial team member Martin Joseph O’Neill.

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In the run up to the festival itself, The Stove’s workshop room turned into a sign painting factory, where a steadfast team worked through the weekends to prepare new signs for the festival site.

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Huge thank you to our various teams of volunteers and supporters who helped out with various Stove themed projects, from sign painters, to pavillion dancers, performers, poets, and artists – and big up to the Electric Fields festival team for putting together a great weekend at Drumlanrig (extra points for perfect weather conditions!).

Categories
Musings Project Updates

The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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News

Flight

As part of the upcoming launch of Kathy Hinde’s Luminous Birds installation in Dumfries, Stuart Macpherson will be introducing the first in a series of pieces of his newly commissioned work Flight. Both works launch on Wednesday, 7th September, starting from the Stove at 7.30pm, ahead of the switch on of Luminous Birds at 9pm at the Globe Inn. Full details available on our events page here

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Flight – Is a moving soundscape/composition influenced and inspired by the migration of barnacle geese from Svalbard to Caerlaverock. Taking the idea of Migration from Kathy Hinde’s Luminous Birds installation, Flight explores the ability to move from one place to the other, using multiple sounds sources to create something that mimics the movement of the birds. Individual parts are composed to work together as a movement.

This opening is an introduction to the piece which will continue with further developments and performances through until November. You are invited to come along and immerse yourself in the first run coinciding with the opening of Luminous Birds at The Stove.

Stuart Macpherson is a freelance bassist and composer based in rural Dumfries & Galloway. He has been involved in numerous projects and performances, mostly recently the highly acclaimed orchestration of GRIT by Greg Lawson at the Edinburgh International Festival. He also plays in a recently formed quartet with local musicians Wendy Stewart, Gavin Marwick and Ruth Morris. Short-listed twice for the Martin Bennet Prize for Composition Stuart’s work ranges from soundscapes such as his work with Chinese pole artist and performer Phil Hardie on Welcome my Son to pieces written for Red Note Ensemble and Mr McFalls Chamber. His compositional work has been taking an expansive swing towards more experimental pieces and collaborative work such as this.

Special acknowledgement to Sound recordists Geoff Sample and Simon Elliott who have very kindly allowed their recordings of the geese to be used for this piece.

This commission is supported by:
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