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Behavin’ Festival Programme Announcement!

A DIY micro-festival of performance, live art and music in an upside-down world is coming to Dumfries over the weekend of Friday 26th – Saturday 27th July, held on the High Street, The Stove, The Plaza and the Oven. Behavin’ is about new spaces, new worlds, radical gatherings and new work from the weirdest corners of the mind. In it’s inaugural year, Behavin’ explores play, permission and public space alongside a whole host of weird and wonderful projects and people.

All events and performances are free and open to the public. However, discretionary donations are welcome but by no means mandatory.Full programme below:

FRIDAY

Phone Box Poetry
12 – 5pm / Dumfries High Street

The 21stCentury has played witnessed to a revolution in digital communication, yet in its wake has left the humble public telephone in ruin, a phantom of its former self. From the 26th– 27th, keep your ears open for what may well be the voice of the telephone speaking from its ghostly realm. Ring, ring…ring, ring…

To submit your work please contact [email protected]

Press Play by Zoe Pearson
12 – 5pm / The Stove Elevator

An art-gremlin has set up home in the lift of 100 High Street. Each time you press play, the doors will open to a new improvised performance. Featuring spoken word, sounds, drawings, writing, miming, movement, costumes, and… well, who knows what!

Brave New Words: Behavin Spectacular
7pm / The Stove Network
Theme: Behaviour 

For words spoken, sung, signed, shot or silenced. The Stove’s monthly open mic night returns for the inaugural Behavin’ festival opening extravaganza. Expect an evening of scintillatingly scandalous performances from local poets, musicians, filmmakers and performers from ages 8-80. Guest hosted by the spectacular Miss Behavin’. To sign up, arrive prompt for 7PM. Be Brave.

Free / BYOB

Saturday

Phone Box Poetry
12 – 5pm / Dumfries High Street

The 21stCentury has played witnessed to a revolution in digital communication, yet in its wake has left the humble public telephone in ruin, a phantom of its former self. From the 26th– 27th, keep your ears open for what may well be the voice of the telephone speaking from its ghostly realm. Ring, ring…ring, ring…

To submit your work please contact [email protected]

Press Play by Zoe Pearson
12 – 5pm / The Stove Elevator

An art-gremlin has set up home in the lift of 100 High Street. Each time you press play, the doors will open to a new improvised performance. Featuring spoken word, sounds, drawings, writing, miming, movement, costumes, and… well, who knows what!

Broken Brolly’s by Charnah Watson
12 – 5pm / Dumfries High Street

These broken brolly’s have been among the many unfortunate who have been subject to our dreich Scottish weather. Because of their misfortune they are quite frankly miserable and could do with some cheering up…can you help?

Dumfries Music Conference and The Plaza Presents: The World’s Smallest Music Venue
12 – 5pm / Dumfries High Street

Sit knee-to-knee with some of the finest local and national singer/songwriters in the world’s most intimate acoustic venue – The Plaza.
2 Chairs, 1 performer, 1 audience member, 1 unique experience.

Featuring: Ra, Prussia Snailham, Frozen Shores, Alix Apples and Flew the Arrow

Xing Yi: A Masterclass
12pm / The Stove Network, Room 2
Book your place by clicking HERE.

Xing Yi Quan is classified as one of the Wudang styles of Chinese martial arts. The name of the art translates approximately to “Form-Intention Fist”, or “Shape-Will Fist”

In this introductory masterclass, tutor Felix Waterhouse will take you through all the essentials in this most fascinating and relatively unknown martial art.

Comfortable clothing recommended.

The Accidental Death of An Anarchist by Dario Fo with Mackenzie Claperton
2pm / The Stove Network, Room 2
Book your place by clicking HERE.

‘I ought to warn you that the author of this sick little play, Dario Fo, has the traditional, irrational hatred of the police common to all narrow-minded left-wingers and so I shall, no doubt, be the unwilling butt of endless anti-authoritarian jibes.’ (Inspector Bertozzo, Central Italian Police HQ)

A sharp and hilarious satire on police corruption, The Death of an Anarchist concerns the case of an anarchist railway worker who, in 1969, ‘fell’ to his death from a police headquarters window.

A re-imagining of the classic play by young performance artist and theatre-maker Mackenzie Claperton. Anarchists assemble…

Harm (Less) by Hannah Wright (16+)
4pm /The Stove Network, Room 2
Book your place by clicking HERE.

What do memories weigh?
They can lift you up
They can break you down
They can scatter you
And shatter you into pieces
What is a memory?
Is it truth?

Harm(less) is an immersive and interactive performance, using film and spoken word to explore the topic of sexual assault and memory. Revisiting some of the milestone moments of her life, from that magical first kiss to the ones that are better forgotten,

Hannah explores how trauma affects memories by reflecting on fragments that are scattered throughout her conscious and unconscious mind.

The Behavin Manifesto: A Culinary Calamity
6pm / The Stove Cafe

Join us for dinner and drinks in the Behavin Lounge(Stove Café) and contribute to the Behavin Manifesto: a charter, a symbol and the starting gun of a radical movement in music, live art and theatre for Dumfries. Expect a culinary feast from the frivolous fancies of the resident anarchist chef.

Devine Tension: Intervention
8pm / Venue TBC
Book your place by clicking HERE.

Welcome…to the Haus of Tension.
You’ve been given an exclusive invitation to experience drag in the upside down, with Devine Tension.
‘INTERVENTION!!!’ Is a drag show turned love story, packed with camp visuals, spoken word, lip sync performance & some (sketchy) vocals. Buckle up. It’s going to be a wild ride.

Contains adult themes and strobe lighting.

Dae Somethin’: The Variety Showcase
9pm / The Oven

Dae Somethin’ – The Variety Showcase
Warhol’s Factory? Cabaret Voltaire? They were nothing on Dae Somethin’. A variety night featuring Extinction Rebellion, Steven Seagull & The Reguritators and you…yes, you…dae somethin’.

Sleeping in Space

10pm – 10am

Live out of town? Think you might miss the bus? No worries. We’ve a place for you to lay your weary head. Blueprint100 invite you to come stay in a safe space in the town centre. Get in touch for location details.
Sleeping Space is the first in an on-going calendar of sleepovers igniting conversations around regional transport, town centre living and access to the big events of Dumfries town centre. Lights out!

For more information and to book your space contact: [email protected]
(please note booking is mandatory)

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Musings News

Welcome Jordan!

Hello! I’m Jordan – the new member of the Blueprint100 Curatorial Team and I am over the moon to have been offered this position.

I am originally from Edinburgh, but I moved to Dumfries in 2012 and have called it home since then. I am love with this town. I am in love with the river. I am in love with the possibilities this place holds. I am in love with the way it makes me feel. Like many, I want to make Dumfries a better place – because not everyone loves the place we call home and this feels unsettling. I am eager to create arts opportunities for young people across the region but most of all, I want to create a place in which we are not ashamed of.

For the last four years, I have been studying Contemporary Performance Practice (CPP) at the Royal Conservatoire of Scotland (RCS), in Glasgow. I graduated in July with a First-Class Honours Degree and I still cannot quite believe that happened!

Glasgow, is my favourite Scottish city (at the moment anyway – I change my mind like the weather!!) I think it’s true what they say – people truly do make Glasgow and many of the things that happen there are so diverse and beautiful that I can see why people never leave.

For me, Glasgow was not all roses and rainbows. The course was tough (but also awesome and life-changing and thought-provoking and full of magic. I will be forever grateful to have had that experience, you can find out more about my course here: https://www.rcs.ac.uk/courses/ba-contemporary-performance-practice/).

I recognised in my third year that the fire that burns within me was dimming in the city. I didn’t feel like I was suited to living full-time in the bright lights and the busy streets. I guess, as cliché as this sounds, I was feeling lost and uncertain. I felt a yearning for something more, something that I wouldn’t feel like I was drowning in. I wanted to be a part of something, something I could change. Something where my voice was heard. Something where my arts practice would not go to waste, although I wasn’t entirely sure what that was yet. I didn’t realise that all I ever wanted was right in front of me – at home, in Dumfries.

Looking back, I wish I had known that these feelings were completely fine to be feeling. I put more pressure on myself at the time because everyone around me seemed to be on a different thought process and figuring out their arts practice and really “getting it” and I wasn’t. I began to experience some mental health issues and my course soon fell to the bottom of my priorities.

I love to party – that is still true today. But a couple of years ago, this became an escape mechanism for me and I never wanted the party to stop. I decided that I was going to leave the course at the end of third of year and not complete my honours. I did not care at all and although (spoiler alert!) that point of view came to bite me in the bum in fourth year (stressss!) I am not angry at myself for feeling like that because I know it was genuinely how I was feeling – and we should not beat ourselves up for our emotions, or else we are all doomed. It was a part of me figuring things out.

On my course, we do our dissertations in third year (instead of fourth, because our final year is full of other fantastic modules) so before leaving, I had to complete my dissertation. I am extremely interested in conversation and the way it is used to make and create art. I entitled my dissertation; Conversation as an art form – when is conversation art?

Cutting a very long story short, during this time, my mum became very unwell and my life really changed. I had to commit to being in Dumfries whilst juggling a dissertation and end of year show and a million other uncertainties and things were happening at once. It felt like the world was caving in and I have never felt so alone… but, as some person once said, when the going gets tough, the tough get going… and that’s what happened. I did a lot of growing up. I completed my dissertation, I completed third year, I became a carer, I overcame some heady stuff and cried loads and loads and loads. I’m actually crying right now as I type this! It’s good to cry though.

My mum made a miraculous recovery that has made me believe in angels and all things other. I knew I had to complete fourth year and entered my final year at RCS determined and ready. My mum and I even made a show together named Kin; a memory that I will cherish deeply for the rest of my life.

Right now, I am committed to community arts practice and particularly interested in the therapeutic role of creativity; my ongoing work resides in community development. I am determined that if we all take a little more time to care for each other and the place in which we live, we will begin to feel much more connected to each other, contributing to better mental health.  I hope that my Blueprint100 journey allows me to implement this and I look forward to (hopefully) being a part of your journey too.

So, that’s a little bit about me! If you want to get in touch, I would love to hear from you! My email is [email protected]

Categories
Musings

Goodbye Jenna!

Jenna Macrory

This month we say goodbye to Blueprint100 Curatorial Team Member Jenna Macrory as she ventures off to Newcastle to begin her degree in Traditional Music. She has written a few words discussing her experience of working at Blueprint100 and her journey through different projects. We wanted to say a huge thank you to Jenna for all her amazing work over the last 2 years – we will miss you!

Jenna Macrory

Starting this role in November 2016 following on from my Nithraid internship, Blueprint provided a natural progression. After Nithraid, I knew that I wanted to work in the arts but was lost as to what my next step should be. Blueprint100 provided a paid role to work and develop projects but also to work and develop myself as an artist. Through Blueprint, I was able to host events, workshops and experiences for young people and give back to my town.

As a musician I was able to explore other job prospects in the music industry like event management and sound engineering. Being able to explore these other routes of working within the creative industry is essential for young people today as in schools the focus is pushed so heavily on STEM (science, technology, engineering, mathematic) based careers. This leaves a stigma that there are not viable career options within this sector, which is not true. It is absolutely essential that young people are made aware of this and also people that live in rural regions are able to access the arts.

Prior to working for blueprint I didn’t see much in Dumfries. I saw an anchor to my creativity but now as someone that is about to go to university in a city I don’t want to leave. Part of the magic of Dumfries is that is an unfinished project and getting to play a part in the development of Dumfries has been incredible and I’m very grateful that I was able to play a part in that. 

Looking forward I’m really excited to come back to Dumfries and Galloway and see where this town is. Projects like Midsteeple Quarter and Rosefield Mills are set to revitalise parts of the town which I believe will change the dynamics of the town and set us on track for the future.

Categories
Musings News

Brave New Words: Blueprint100 Takeover

Brave New Words Celebrates with a Blueprint Takeover, Millions Dead
by Chauncey Milquetoast

The night of the 27th was one of debauchery, excess and – at the hands of the host – violence. There was also some rather lovely poetry and music and…misc.
The night marked a change from what was usually expected, thanks to a bunch of youths running the show this time instead of that guy what usually does it.

Hosted by the absurdly abrasive Brandan Braslin and his Phantom House Band (one dude), the night began innocuously enough before descending into surreal, Lynchian chaos.There was more variety than ever with acts performing a cacophony of poetry, prose, musical numbers and stand up comedy. It’s impossible to pick a highlight, as each act was as wonderful as the one that preceded it, except for one profoundly unpleasant man in a hideous floral shirt.

The only downside was that, for the fourth time, my request for Dead Kennedys fell on deaf ears. Perhaps I should ask a musical act next time instead of literally every poet. Live and learn.This was also a particularly inclusive night where everyone was made to feel welcome – with only one heckler this time, which I believe is a new record, plus it was a member of staff so it doesn’t even really count.

The finale consisted of our host providing a final monologue before disassembling himself into minute, complex geometrical shapes and dissolving into the ether, while the house band grew to a gargantuan size before rampaging through the town centre.Overall it was a good night. I’d say…twelve out of a possible thirteen stars.

Categories
Musings

Melting Pot with blueprint100

From Emily Cooper:

‘Open creative space is vital when it comes to fostering and nurturing creative thought and practice but it comes at a premium both in terms of cost and available footage. Studio space for young people can seem a daunting and unobtainable prospect and can be an almost immovable barrier when starting out.

Having a safe and inspirational environment in which young people can freely express themselves without fear of ridicule can be the catalyst that takes an “Artist”, whatever their chosen field, visual, word, music and beyond, from a being a timid foreshadowing of their full potential, to a confident and self-empowered young Artist (this time minus the air quotes).

blueprint100

Throughout my time at Blueprint, I’ve watched as waves of young people reap the benefits of being allowed to take up space, sometimes for the first time in their lives. It makes me incredibly proud to be part of such a project, a project that has helped some young people, uncertain of their paths in life, and more worryingly uncertain of their ability and worth to both pursue careers in the arts independently and also get accepted into prestigious Art Schools.

Artists, by nature, often suffer from crippling crises of confidence. A ready made cure for this can be collaboration, at least in idea and discussion, if not in practice. Meeting with peers and engaging in debate, whether harmonious or discordant, can go on to create sparks which ignite some of the most vibrant and innovative artistic endeavours.

blueprint100

With all these things in mind, following a successful pilot, Blueprint are launching a block of four Melting Pot sessions. Melting Pot is an open studio drop-in running on every Tuesday of March from 5:30pm- 7:30pm. Young people are invited to come and hang out in The Stove Cafe, to work on their own projects and feed off the creative atmosphere.

melting point blueprint100
Categories
News

Nithraid 2017: Coos, clowns and Vikings!

September 9th saw our fifth staging of Nithraid, a fun family event that takes place on and around the river. The daring sailing race, starting from the Solway Firth and sailing up the river Nith was made possible by one of the highest tides of the year. While waiting for the boats to arrive, visitors and families were invited over to The Mill Green to enjoy food, live music on a hand built stage, art activities and Viking fights!

Our lovely Project Manager for Nithraid, Sal Cuddihy, was delighted with how the day went and both her and everyone at the Stove would like to say a huge thank you to everyone who was involved in Nithraid 2017 – whether you were working, volunteering or just came along to cheer on the sailors. This was our biggest and most successful Nithraid yet, and it wouldn’t have been possible without those who supported the event.

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Nithraid is created and produced by The Stove Network and is part of our mission to make creative opportunities for local people to be involved in the future of Dumfries. This year, we had a total of 15 boats take part in the sailing race, with all boats carrying a small cargo which was delivered into the town to complete the race. This year’s winner was David Sleggs who was joined on his boat, ‘Scottish Bluebells’, by Paul Sleggs, and won the race with their sailing dingy.

Visitors to Nithraid were treated to an afternoon of great local food and fun family activities. Local music acts played throughout the day on a hand built stage by emerging artists Blueprint100. Amongst the acts were Kate Kyle, Isla Gracie, Colin James and Stoney Broke. Burgers, hotdogs and drinks were provided by Craig Patterson of Catering Plus, and professional up-cycler, Rose Hall, hosted a workshop on creating bags for life using t-shirts. This year, Nithraid also had a Viking theme, with Longfada Viking Group staging a re-enactment which interpreted the lives of people living by the river around 1000 years ago. Wordsmithcrafts, another Viking themed group, was working with other local groups from the area encouraging ‘have a go’ activities for all the family.

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For the first time, Nithraid also continued into the evening for ‘Nithraid Night Time’. Visitors to Nithraid were invited back in the evening for vegan stew, film screenings, campfires and music provided by local musicians, Fraser Clark and Stuart Macpherson.

Nithraid-night-time- Galina Walls 3
Image credit: Galina Walls

A large crowd of people also joined in with the legendary Salty Coo procession, starting from The Stove on the High Street and finishing at the Mill Green, and were treated to this year’s fun and exciting parade from the ‘Moo Coo Collective’, led by Leo Marsh, Jimmy Russell and Agne Zdanaviciute; a group of young artists living in Dumfries.

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This year, Nithraid was kindly sponsored by the People’s Project. The People’s Project is a non-profit organisation which was set up in 2008 by Mark Jardine to rekindle the meaning of community in Dumfries and Galloway. The project aims to encourage acts of kindness across the region of Dumfries and Galloway through numerous projects and events. Nithraid was also generously supported by Holywood Trust, Barfil Trust and many local businesses.

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For more information and photos from this year’s Nithraid, please visit www.thestove.org/nithraid or visit the Nithraid Facebook page!

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