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The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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Flight

As part of the upcoming launch of Kathy Hinde’s Luminous Birds installation in Dumfries, Stuart Macpherson will be introducing the first in a series of pieces of his newly commissioned work Flight. Both works launch on Wednesday, 7th September, starting from the Stove at 7.30pm, ahead of the switch on of Luminous Birds at 9pm at the Globe Inn. Full details available on our events page here

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Flight – Is a moving soundscape/composition influenced and inspired by the migration of barnacle geese from Svalbard to Caerlaverock. Taking the idea of Migration from Kathy Hinde’s Luminous Birds installation, Flight explores the ability to move from one place to the other, using multiple sounds sources to create something that mimics the movement of the birds. Individual parts are composed to work together as a movement.

This opening is an introduction to the piece which will continue with further developments and performances through until November. You are invited to come along and immerse yourself in the first run coinciding with the opening of Luminous Birds at The Stove.

Stuart Macpherson is a freelance bassist and composer based in rural Dumfries & Galloway. He has been involved in numerous projects and performances, mostly recently the highly acclaimed orchestration of GRIT by Greg Lawson at the Edinburgh International Festival. He also plays in a recently formed quartet with local musicians Wendy Stewart, Gavin Marwick and Ruth Morris. Short-listed twice for the Martin Bennet Prize for Composition Stuart’s work ranges from soundscapes such as his work with Chinese pole artist and performer Phil Hardie on Welcome my Son to pieces written for Red Note Ensemble and Mr McFalls Chamber. His compositional work has been taking an expansive swing towards more experimental pieces and collaborative work such as this.

Special acknowledgement to Sound recordists Geoff Sample and Simon Elliott who have very kindly allowed their recordings of the geese to be used for this piece.

This commission is supported by:
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Kathy Hinde’s Luminous Birds

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Stunning sonic and light installation to visit Dumfries, Dundee and Glasgow from 7 September.
The large-scale work will illuminate lanes and public places in Dumfries, Dundee and Glasgow with an animated flock of origami-style birds suspended overhead in celebration of the Year of Innovation, Architecture and Design 2016.

Composer, sonic and visual artist Kathy Hinde will be bringing her stunning sound and light installation Luminous Birds to locations across Scotland this autumn.
As a key event in the Year of Innovation, Architecture and Design 2016, the sight and sound spectacular will illuminate public spaces in Dumfries (7 September – 14 November), Dundee (12 September – 19 November) and Glasgow (16 September – 16 November) as hundreds of origami birds flock overhead.
Luminous Birds is designed and hand-crafted by Cryptic Associate artist Kathy Hinde and encourages members of the public – from commuters to day-tripping families to night owls winding their way home – to ‘look up’ and appreciate their day-to-day environment. The innovative design of the mechanical birds (created from paper, plastic and metal) will transform their surroundings using synchronised lighting and spatialised sounds that create the effect of birds flying overhead. The action of many birds, flocking together, is one of nature’s most amazing phenomena – an ultimate act of cooperation, hundreds moving together in harmony.
Im particularly excited about showing Luminous Birds in Scotland during the autumn because many birds will be on their migration passage at that time, with huge flocks of Barnacle Geese resting near Dumfries and Pink Footed Geese further north near Dundee. said Kathy about the work premiering in Scotland. I want to create the effect of birds flying just above peoples heads, through alleys and lanes right in the heart of towns and cities, highlighting some of the many beautiful aspects of bird flight, through light and sound.
Cathie Boyd, Artistic Director of Cryptic said: We are delighted to be able to show the work of Cryptic Associate Artist Kathy Hinde on such a large scale, with Dumfries and Dundee being inspiring firsts for Cryptic. We are developing dynamic relationships with new partners and communities across all three locations and further afield – encouraging everyone to come and experience this mesmerising event.
Especially for Dumfries, The Stove has commissioned musician and composer Stuart Macpherson to create an accompanying sound work and performance artwork, that will pop up during and around Kathy’s Luminous Birds. More information on Stuart’s commission coming soon!
Luminous Birds is a free, non-ticketed event, to be viewed after dark; it opens at The Globe Inn, Dumfries High Street on 7 September, with further flocks appearing at The Howff, Meadowside, Dundee on 12 September and Kingarth Lane next to Govanhill Baths, Glasgow from 16 September. Celebrating its historical design as both a water tank and dovecote, the Mackintosh Tower at Glasgow’s The Lighthouse will also host the birds from 20 September up to 8 January, encouraging visitors to journey upwards through evocative soundscapes before reaching a flock of birds fluttering and chirping in harmony at the top.
The installations will feature an accompanying free workshop programme led by Kathy Hinde, encouraging members of the local community to create their own origami birds. In Dumfries, these workshops will take place as part of Nithraid, The Stove’s annual boat race and river festival on Saturday, 3rd of September.

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Orphaned Limbs – In Residence

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A week long residency followed by performance by dance collective Orphaned Limbs exploring connections and notions of ‘home’, When in Roam. The residency included live music performance from musician Ross Whyte, and open performance workshops.

Working alongside Orphaned Limbs, ‘stovies interactive’ Michael Sullivan and Donna Winter were commissioned to make responsive work alongside the When in Roam project.

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The Stovies Interactive kept a video diary, available to view online here

The performance itself, a mixture of projection, dance, spoken word and sound took place across both floors of the Stove, followed by a Q&A with the performers and artists involved.

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This commission was supported by:
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As Above So Below

From Ivor Gott

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“Hey Ivor, it’d be pretty neat if you could write a blog to tell us about your project for nithraid” announced Katie Anderson excitedly at the last Young Stove meeting. The first thing that went through my mind upon hearing these words was “CRIKEY!! How on earth am I ever going to explain this to the general public?” . . . After much careful consideration, i have come to the conclusion that the best approach would be to just tell the truth.

So here goes. . .

It all started with a pirate ship, a great big pirate ship. A great big pirate ship made out of recycled plastic bottles. . .  So how did i get from a pirate ship to two pyramids or should i say tetrahedrons, a chrome unicorn and an art performance based loosely around the concept of enlightenment. The truth of the matter is I didnt get there on my own. The pirate ship was a snap decision made during a meeting with my stove mentor Denise Zygadlo.  i was feeling under immense pressure to make some sort of decision on the project, at this point it had been two weeks since the commission had started, and my initial idea, although perfect for the dock park site (where nithraid was originally intended to be) was just not going to work on mill green. . . “come on Ivor” My inner voice urged. . . “what are you going to do? It must be good, no better than good, It must be fabulous!” . . . so before i had even properly thought about it i found myself telling denise that i might make a pirate ship out of plastic bottles.

This idea then grew from a pirate ship into a viking long boat, inspired by a workshop held at stove that evening. However this was not to remain the case for very long. After a few meetings with my fellow creatives the Mad Jackals (Majikals) the idea of making a viking long boat was starting to seem pretty tiresome. I just couldnt get excited about it. It wasn’t a reflection of me nor was it a reflection of my wonderfully creative friends. . . Then it just came to me i said. “We need to make a pyramid and float it down the nith!!” . . . “We have to have a unicorn inside the pyramid!!” . . . the words of a mad person? Yes, probably.

At this point there was myself, sophie and michael at the studio. You could feel the collective excitement crackling between our minds. I started scribbling ideas down.  it MUST and I repeat MUST include the mer-ka-ba, rainbow smoke, flash grenades, horned elementals . . . i was really getting away with myself, credit to Sophie and Michael they were running with me, we were organic and free, if not a little overly optimistic.

The next day I met with my little brother. We were sat in the queensberry, and i was expressing anxiety over the size of the project as it stood. Conor very often being the voice of reason, is somebody who i consult when mashing around creative ideas. He is himself a creative, but where I go off on tangents and allow my concepts to grow bigger than my mind can handle, he has a real skill for reducing it down and keeping it real. i can always trust him to tell me the truth, and to be realistic. . . “one question?” he pondered with his eyebrow raised ” How are you going to do this in 2 weeks?” . . .

I knew he was right. The idea had to change again, and it had to change fast. More of the jackals were arriving at this point. ideas were being thrown around, the ideas were coming thick and fast –

“time capsule” . . . ” Did you say time capsule. . .

Thats perfect. the mer-ka-ba. . . As above so below. . . We’ll make a time capsule and we’ll make it in the shape of an inverse tetrahedron. . . of course we’re going to need a non-inverted tetrahedron too. . . ahhhh its perfect. . . there will be two tetrahedrons. . . the unicorn thats staying, the rainbow smoke has to stay too. “

In order to maintain some mystery about the performance and workshop I’m going to stop there, but in a nutshell thats how an idea that first birthed itself into consciousness as a plastic bottle pirate ship evolved into an exciting interactive art performance based loosely around the theme of enlightenment. We look forward to seeing you all on sunday, when all will be revealed. . . One thing i’d like to say before I get back to putting the finishing  touches on everything is that this commission although applied for as a solo project has been a collaborative effort, I often find collaboration so much more exciting than working alone, and have the most fabulous team of creative individuals in my life. We are the Mad Jackals because, they think we’re mad, but we know that we are majickal.

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HAME. New work by resident artists Mark Lyken & Emma Dove

We’ve been artists in residence with The Stove for 5 months and are now in to the final month before our film and sound installation HAME opens on 2nd May as part of The Stove’s Open House series of events to mark the launch of 100 High St.

HAME explores relationships to Dumfries and Galloway through the words of those who call it home. During our time working here we have been very privileged to record conversations with over 45 people throughout D&G and guided by these conversations have gathered footage around the area from our trusty Black Cab, chauffeured by the excellent Will Marshall. Our experience, perspectives and knowledge of D&G has gradually mutated and transformed through these conversations and our own explorations.

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Filming at the Dalveen Pass. Images © Will Marshall.

We have been recalling when we first moved here from Glasgow, following the Sat Nav to our house, exploring our own street and seeking directions to the shop. Journeys through the unfamiliar have gradually become dotted with reference points – places we’ve passed through, stopped to film or interview someone. Names of towns and villages that previously floated in an imaginary space now slot in to their geographical location. Buildings, bridges, trees and rivers that were once void of meaning now sprout stories and conjure images.

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A few of the significant places marked by interviewees.

Through the process of filming and recording whilst journeying through the area we have become more acutely aware of its rhythms and the interconnecting threads of feelings, memories and knowledge of those living both within it and thinking on it from afar.

We have heard stories of everything from ancient stone markings in Eggerness to hiding places at Annan harbour to recollections of a Palmerston football match in 1958. There have been childhood dens, daredevil antics and trees that sprouted chocolate biscuits. Grub-collecting hot spots, smelly spots and “J” spots. Bad corners, best views, secret beaches and spooky ruins.  Sunday mass in a chip shop, raves in a woodland, and the 2am ‘accidental’ purchase of a stretch limo in a pub. We’ve learned how to appropriately pronounce ‘Kirkgunzeon’ ‘Caerlaverock’ and ‘Red Cola’, have finally worked out the parking system in Dumfries and we now know how to find anyone’s house in D&G (over the wee bridge, round the bend and up the hill).

Interview with Denise & Mark Zygaldo
Interview with Denise & Mark Zygaldo

As ever, the more we explore, the more questions arise, layers of perspectives overlap, clash and muddle, and the more we realise we do not know. Yet through this has developed a kinship and a care. And this seems to be the binding thread connecting everyone that we have spoken to. Everyone, in one way or another, genuinely cares.

Perhaps what has most surprised us though is how the process of the last few months has changed our own perspectives so much so that we now feel at home here ourselves and are on the look out for a place to stay beyond the project (you know the place – over the wee bridge, round the bend and up the hill?).

We hope you can make it along to the opening of HAME, 2nd May and look forward to seeing you there!

Emma & Mark
Dalbeattie, March 2015
Previous project blog posts:
New Stove Artists in Residence. Guest Blog Alert
Taxi to Dumfries? 

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