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D-LUX invites Dumfries to PLAY BIG in the town centre!

D-LUX Festival of Light will return to Dumfries Town Centre for their third annual event, and this time they are taking video games out of the house and on to the High Street! The event runs from 31st January to 2nd February and will have a focus on the gaming industry, aiming to bring interactive storytelling to Dumfries.

D-LUX brings warmth, light and curiosity into Dumfries Town Centre at the darkest time of the year, where artists explore new ways of illuminating the darkness. For 2019, D-LUX want to celebrate gaming culture and bring it to the High Street. The games industry is now bigger than Hollywood, the audiences are bigger, the ambitions and bigger, the budgets are bigger; and Scotland is rather good at making them!

‘Our Moon’ projected in the town centre as part of the Burns Night Parade.

D-LUX intends to light up the town with large-scale video projections of much loved and retro video games, as well as illuminating sides of buildings and shop windows with stories that are normally shared at home. All the games will be played live, and you can take part and play the games or just wander through the town and watch!

D-LUX will creative a collision of the public realm with interactive digital storytelling. Some stories are white knuckle rides of pure adrenaline and jeopardy, some are staggeringly beautiful role-playing games taking place in distant Galaxies, some are digital communities building alternative models of society. All are part of our contemporary world and D-LUX want to bring them into the heart of Dumfries. They hope that by bringing what is often private into public display, they will be able to show the community of Dumfries what opportunities might be available to young people in the gaming industry in a playful and entertaining way.

The Oven lit up as part of the ‘Whose Hoose Is This’ Project with the Midsteeple Quarter.

To explore the gaming culture in Dumfries, D-LUX have commissioned avid gamer Peter Bain to be their Community Engagement Officer. He believes the most exciting part of the project is the community element, going on to explain that the gaming industry has been shifting more and more in favour of online gameplay, and while that global connectivity has its benefits, there’s still something to be said for keeping it local. “I’d much rather play a game with a friend sitting across the room than across the country or even the planet. Scaling that experience up for the whole town and creating a visual extravaganza on the High Street sounds to me like a lot of fun!”

D-LUX will take place across several locations over 31st January to 2nd February. All events are free and will be on from dark until late. If you would like to be involved or to keep up to date with their events, visit their website here: www.d-lux.org.uk or find ‘D-LUX’ on Facebook.

For 2019, D-LUX is sponsored by Mark Jardine of Jardine Funeral Directors.

Passers by play with the lights in the town centre as part of ‘Town Centre Illuminations’.
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News

Groundswell: New Sculptures for Lochside

The second of a series of public artworks will be unveiled in Lochside in a public celebration on Wednesday, 12th December.

The artwork Groundswell is comprised of a series of six sandstone sculptures made from Locharbriggs stone by artists Susheila Jamieson and James Gordon. Over the past six months, Susheila and James have been based at the Family Centre on Lochside Road, carving each of the stones on site there. The artists thoroughly enjoyed their time in the community of Lochside and all the conversations they had with local folk and the workshops they did for the children.

The site for the works is based in the area of DGHP’s new properties at The Meadows, Lochside.

Groundswell is one of four Lochside Public Art Projects, commissioned by DGHP and managed by The Stove Network, who are based in Dumfries town centre. The first, Tattiefields was unveiled in September, and the final artworks will be installed in the next couple of months.

James and Susheila who are based in the Borders, were selected for the commission following an open call earlier in the year. James and Susheila said, “The idea behind these sculptures is to commemorate local quarrying and working of stone. Dumfries was built of sandstone and it’s history has been carved into it. Sadly, work has recently stopped at the local Locharbriggs quarry, the boulders for Groundswell were some of the last to be taken from the quarry.

We have really enjoyed, and will miss, working outside the Family Centre in Lochside.  It has been an  ideal way to meet people from the local community and we really appreciated all the encouraging , friendly comments and chats! Working in the public eye hopefully has let people have some insight into the process behind creating Groundswell.”

The artworks will be officially unveiled at the site in the Meadows at 3.45pm on Wednesday, 12th December. All are welcome to attend Full details available here.

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Local Democracy Event and The Stove’s AGM!

Last night we held our yearly AGM which was a typically animated and entertaining Stovie night! We began this year with a discussion for our members around local democracy. Scottish Government has begun a national conversation about the need for more decisions to be made at a local level and they are asking for ideas about ways to do this.There has been much community-led activity around the country of late, with much of it being informal and grass roots. The question we posed at The Stove last night was how could this genuine popular activity become part of the larger power structure of our country?

In particular, we focused on the role that “alternative peoples town halls” could play – by this we mean places like The Stove that are publicly accessible and full of life and energy; places where conversations about ideas, change and projects naturally happen and places that people know they can always bring ideas or find out what is happening. Members talked about their experiences connected with The Stove and how Stove projects, discussions and partnerships created a fertile ground for the local community to get involved with making their own place for the future.

Conversations included:

  • Keeping democracy visible using empty shops etc. as “alternative town halls”;
  • Cultural activity being a brilliant way of keeping democratic process accessible and relevant for communities;
  • Uniting people around specific projects for their community being the catalyst for involving people in local decision making.

Then the AGM itself was a warm and supportive affair with an atmosphere of positivity about the last year and the future. The final accounts and Chairs Report will be posted on the website in 2 weeks time when we get the final audited accounts back from the accountant at the beginning of December.

Read the Tresurer’s Report here: Treasurer’s Report

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News

National Culture Strategy Consultation Event

On Thursday 6th September, the Stove Network hosted public consultation session on the Draft Culture Strategy by Scottish Government, aiming to encourage individuals to contribute and generate group discussion on the way culture and creativity is part of our society and community.

Since the beginning of 2018, the Scottish Government has been consulting with the people of Scotland on their ideas and aspirations for a National Culture Strategy. This is not simply about the ‘arts’, rather it includes heritage and cultural activity of all kinds and aims to build an understanding of the value of culture as something that should play a part right across the spectrum of society. At the end of June this year, the Scottish Government published a draft of the Cultural Strategy and have asked people to comment on it and contribute ideas for practical activity that will put the Strategy into real and useful action for communities.The consultation event was a great success and it was very useful to be able to discuss certain issues with such a diverse and committed group of colleagues. The event began with an introductory talk by Gwilym Gibbons who is currently CEO of the Crichton Trust and previously has headed up major cultural projects in Perth and the Shetland Islands. Following Gwilym’s introduction, attendees were invited to take part in two facilitated workshops; one looking at the content of the draft strategy and the other to gather ideas for ways that the Culture Strategy could be delivered practically in our region and beyond.

We have now prepared a document for you to view with notes from the discussions. These notes are just the interpretation of the conversations made by the scribes. The Stove will not be attempting to represent the views expressed at the meeting in our submission to the official Consultation. Rather, we will be making our own submission (which may mirror some of the views expressed) and we encourage everyone else to do the same.

Download the document here: Culture Strategy Consultation Event at The Stove Network

Download the official Stove Network response here: Official Stove Response

More information and how to submit your own views can be found here: https://consult.gov.scot/culture-tourism-and-major-events/culture-strategy/

If you have any further questions please do not hesitate to get in touch!

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Musings News

Welcome Jordan!

Hello! I’m Jordan – the new member of the Blueprint100 Curatorial Team and I am over the moon to have been offered this position.

I am originally from Edinburgh, but I moved to Dumfries in 2012 and have called it home since then. I am love with this town. I am in love with the river. I am in love with the possibilities this place holds. I am in love with the way it makes me feel. Like many, I want to make Dumfries a better place – because not everyone loves the place we call home and this feels unsettling. I am eager to create arts opportunities for young people across the region but most of all, I want to create a place in which we are not ashamed of.

For the last four years, I have been studying Contemporary Performance Practice (CPP) at the Royal Conservatoire of Scotland (RCS), in Glasgow. I graduated in July with a First-Class Honours Degree and I still cannot quite believe that happened!

Glasgow, is my favourite Scottish city (at the moment anyway – I change my mind like the weather!!) I think it’s true what they say – people truly do make Glasgow and many of the things that happen there are so diverse and beautiful that I can see why people never leave.

For me, Glasgow was not all roses and rainbows. The course was tough (but also awesome and life-changing and thought-provoking and full of magic. I will be forever grateful to have had that experience, you can find out more about my course here: https://www.rcs.ac.uk/courses/ba-contemporary-performance-practice/).

I recognised in my third year that the fire that burns within me was dimming in the city. I didn’t feel like I was suited to living full-time in the bright lights and the busy streets. I guess, as cliché as this sounds, I was feeling lost and uncertain. I felt a yearning for something more, something that I wouldn’t feel like I was drowning in. I wanted to be a part of something, something I could change. Something where my voice was heard. Something where my arts practice would not go to waste, although I wasn’t entirely sure what that was yet. I didn’t realise that all I ever wanted was right in front of me – at home, in Dumfries.

Looking back, I wish I had known that these feelings were completely fine to be feeling. I put more pressure on myself at the time because everyone around me seemed to be on a different thought process and figuring out their arts practice and really “getting it” and I wasn’t. I began to experience some mental health issues and my course soon fell to the bottom of my priorities.

I love to party – that is still true today. But a couple of years ago, this became an escape mechanism for me and I never wanted the party to stop. I decided that I was going to leave the course at the end of third of year and not complete my honours. I did not care at all and although (spoiler alert!) that point of view came to bite me in the bum in fourth year (stressss!) I am not angry at myself for feeling like that because I know it was genuinely how I was feeling – and we should not beat ourselves up for our emotions, or else we are all doomed. It was a part of me figuring things out.

On my course, we do our dissertations in third year (instead of fourth, because our final year is full of other fantastic modules) so before leaving, I had to complete my dissertation. I am extremely interested in conversation and the way it is used to make and create art. I entitled my dissertation; Conversation as an art form – when is conversation art?

Cutting a very long story short, during this time, my mum became very unwell and my life really changed. I had to commit to being in Dumfries whilst juggling a dissertation and end of year show and a million other uncertainties and things were happening at once. It felt like the world was caving in and I have never felt so alone… but, as some person once said, when the going gets tough, the tough get going… and that’s what happened. I did a lot of growing up. I completed my dissertation, I completed third year, I became a carer, I overcame some heady stuff and cried loads and loads and loads. I’m actually crying right now as I type this! It’s good to cry though.

My mum made a miraculous recovery that has made me believe in angels and all things other. I knew I had to complete fourth year and entered my final year at RCS determined and ready. My mum and I even made a show together named Kin; a memory that I will cherish deeply for the rest of my life.

Right now, I am committed to community arts practice and particularly interested in the therapeutic role of creativity; my ongoing work resides in community development. I am determined that if we all take a little more time to care for each other and the place in which we live, we will begin to feel much more connected to each other, contributing to better mental health.  I hope that my Blueprint100 journey allows me to implement this and I look forward to (hopefully) being a part of your journey too.

So, that’s a little bit about me! If you want to get in touch, I would love to hear from you! My email is [email protected]

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News

Latvia at 100 Evening Reception

A travelling exhibition has stopped off in Dumfries, offering the public the opportunity to find out more about the fascinating story of Latvia as a European nation since its becoming independent 100 years ago. The project is part of Latvia’s Centenary celebration culture programme and has been created in cooperation with the Latvian National Library, with the participation of Honorary Consuls of Latvia and various organizations in the United Kingdom. Its goal is to create a dialogue about the differences in what each of us perceive as the true history through historical cartoons. 

The exhibition presents a selection of political cartoons from the Latvian press, covering the entire 20th century right up to the present day. This chronicle of Latvia’s history also features historical events with international resonance: World War I, the interwar period, the Great Depression, World War II, the periods of occupation and related restrictions on freedom of expression, as well as the European Union and other contemporary political-economic subjects. 

The exhibition opened on Wednesday 5th September, with Deputy Head of Mission to the UK Katarina Plâtere official opening the evening alongside Dumfries Provost Tracey Little. An evening of Latvian food and drink followed.

We would like to say a huge thank you to Katarina for travelling to Dumfries, and a special thanks to Sanita Lapkase for organising the exhibition and bringing it to Dumfries. It was a wonderful evening enjoyed by all! If you missed out then don’t worry – the exhibition will be on display in the Stove cafe until Thursday 13th September.

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