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Nithraid 2017: Coos, clowns and Vikings!

September 9th saw our fifth staging of Nithraid, a fun family event that takes place on and around the river. The daring sailing race, starting from the Solway Firth and sailing up the river Nith was made possible by one of the highest tides of the year. While waiting for the boats to arrive, visitors and families were invited over to The Mill Green to enjoy food, live music on a hand built stage, art activities and Viking fights!

Our lovely Project Manager for Nithraid, Sal Cuddihy, was delighted with how the day went and both her and everyone at the Stove would like to say a huge thank you to everyone who was involved in Nithraid 2017 – whether you were working, volunteering or just came along to cheer on the sailors. This was our biggest and most successful Nithraid yet, and it wouldn’t have been possible without those who supported the event.

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Nithraid is created and produced by The Stove Network and is part of our mission to make creative opportunities for local people to be involved in the future of Dumfries. This year, we had a total of 15 boats take part in the sailing race, with all boats carrying a small cargo which was delivered into the town to complete the race. This year’s winner was David Sleggs who was joined on his boat, ‘Scottish Bluebells’, by Paul Sleggs, and won the race with their sailing dingy.

Visitors to Nithraid were treated to an afternoon of great local food and fun family activities. Local music acts played throughout the day on a hand built stage by emerging artists Blueprint100. Amongst the acts were Kate Kyle, Isla Gracie, Colin James and Stoney Broke. Burgers, hotdogs and drinks were provided by Craig Patterson of Catering Plus, and professional up-cycler, Rose Hall, hosted a workshop on creating bags for life using t-shirts. This year, Nithraid also had a Viking theme, with Longfada Viking Group staging a re-enactment which interpreted the lives of people living by the river around 1000 years ago. Wordsmithcrafts, another Viking themed group, was working with other local groups from the area encouraging ‘have a go’ activities for all the family.

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For the first time, Nithraid also continued into the evening for ‘Nithraid Night Time’. Visitors to Nithraid were invited back in the evening for vegan stew, film screenings, campfires and music provided by local musicians, Fraser Clark and Stuart Macpherson.

Nithraid-night-time- Galina Walls 3
Image credit: Galina Walls

A large crowd of people also joined in with the legendary Salty Coo procession, starting from The Stove on the High Street and finishing at the Mill Green, and were treated to this year’s fun and exciting parade from the ‘Moo Coo Collective’, led by Leo Marsh, Jimmy Russell and Agne Zdanaviciute; a group of young artists living in Dumfries.

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This year, Nithraid was kindly sponsored by the People’s Project. The People’s Project is a non-profit organisation which was set up in 2008 by Mark Jardine to rekindle the meaning of community in Dumfries and Galloway. The project aims to encourage acts of kindness across the region of Dumfries and Galloway through numerous projects and events. Nithraid was also generously supported by Holywood Trust, Barfil Trust and many local businesses.

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For more information and photos from this year’s Nithraid, please visit www.thestove.org/nithraid or visit the Nithraid Facebook page!

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Musings News

The MooCoo Collective: Nithraid 2017

Blog post written by (and with thanks to) Jimmy Russell

Nithraid 2017’s Viking theme continues The Stove Network’s broader exploration of historic and current Nordic cultural influence in Dumfries & Galloway. In support of this Moovement Coollective (MooCoo) will be leading a procession of community groups with the Salty Coo through the town to meet the boat race and a Viking encampment at Mill Green. MooCoo is a newly formed performance trio comprised of Agnė Zdanavičiūtė, Jimmy Russell and Leo Marsh, three young artists living and working in Dumfries. The three members of MooCoo each bring something unique to the group.

clowning
Inspiration for the MooCoo team comes in the form of CIRCA, the Clandestine Rebel Clown Army

Leo is a costume maker and performer who has worked with Oceanallover and often contributes to Brave New Words. Their work is rooted in vulnerability and connection, exploring topics such as sense of self and belonging through the lenses of gender and sexuality.
Jimmy is a researcher, writer and performer who has worked on the Our Norwegian Story and Lost Chronicles of Gallovidia projects, while regularly reading at Brave New Words. His interests lie in history, community empowerment and costume design, all of which find some outlet with Nithraid.
Agnė is a recent graduate in environmental science at the Crichton who is fascinated by public art interventions and wants to learn how to organise and deliver a performance. She also wants to challenge peoples’ ways of thinking and give something to Dumfries.

Nithraid coo

For the procession MooCoo are fusing Viking lore with clowning sensibilities to create a spectacle at the river festival that combines heritage with silliness. In preparation we are coordinating different community groups that will process with us, including the Sandside Garden Apaches and Galloway Longfhada Vikings, as well as musicians and our fellow clowns. Our troupe of MooCoo clowns are benefiting from training by experienced rebel clown Lance Goodey from Glasgow who is delivering sessions at The Stove and Sandside Community Garden over two weekends.

During Nithraid 2017 we want to challenge the popular imagery of Vikings as bloodthirsty marauders with the reality that their presence in Galloway represented a surprisingly peaceful coexistence between different peoples. Rather than perpetuate the narrative that overseas invaders threaten our way of life, we wish to highlight the cultural exchange that did and still can exist in our homeland, not least with Norse folk. That is why our slogan for Nithraid 2017 is ‘We Come In Peace’.

Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!
Auõumbla: the primeval cow of Norse mythology who nourished herself by licking a salty glacier!

In a predictably ridiculous fashion we’ll invoke the Nordic creation myth of Auðumbla: a primeval cow who nourished herself by licking salty glacier, which slowly released Búri, the first Norse god and grandfather of Odin. In turn Auðumbla’s milk nourished Ytar, a being whose body was used by Odin and the other gods to fashion Midgard, the realm of men. This story depicts creation as an ongoing and participatory process, a fitting message for Nithraid, which highlights the centuries old relationship between the river and Dumfries.

Clowning is something that has interested all three of us for some time. It seemed an interesting method of animating this myth and challenging typical tales of Vikingly violence. By adopting the dynamics of clowning – curiosity, engagement, presence, wonder – we want to inject a sense of fun and friendliness into local Viking lore, and invite people to question what they think they know about Norse-Gallovidian relations. The Nithraid procession will harness vulnerability to create a performance which is responsive to interactions and which blossoms in joyful, surprising directions.

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News Project Updates

Midsteeple Quarter Ideas Exhibition in Glasgow

Our recent exhibition in the Stove cafe is now on the move! Following a two week show in Dumfries, the exhibition is now installed and available to visit in the Southblock, in Glasgow during regular cafe hours.

Image Credit_Gordon Flemming_ARPL Architects_2


The Midsteeple Quarter Ideas Exhibition features 15 different submissions to our Architecture Ideas Competition that was launched in April in partnership with the Glasgow Institute of Architects.
The winners were selected by our panel of judges (see here for details) and are as follows:
Winner – First Place
Gordon Fleming, ARPL Architects
Second Place
Andie Cooke, Megan Ward, Cara Brunton and Ashley Mitchell
Third Place
Pioneer Landscape Architecture
Drawing Commendation
Ryan Canning and Titas Grikevicius, Holmes Miller

Following the close of the Dumfries exhibition our People’s Choice Winner, selected by popular vote, has also been announced:
Gordon Fleming, ARPL Architects

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Exhibition Dates:
Friday 30 June – Wednesday 12 July 2017

Exhibition Venue:
South Block, 60-64 Osborne St, Glasgow, G1 5QH

Opening Times:
Monday – Friday: 9am – 5pm
Saturday & Sunday: Closed

MQIC Winner’s Presentation and Debate:
We invite you to join us on Thursday 6th July, between 6-7.30pm, to see presentations by the winning 3 entries and to discuss the possibilities of architectural responses to the decline of our high streets. Free to attend with complimentary wine but please book here

If you missed seeing the exhibition in Dumfries, and can’t make the Glasgow venue, the competition entries are available to download as a pdf, available here

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News

Finn The Whale

Catching up on ‘Our Norwegian Story‘ Instalment I.

Finn the Whale – written by our very own talented Stove Curatorial Team member Martin Joseph O’Neill and local artist Maria Ruiz Plana – took the metaphors of Exile, Journey, and Friendship and wove them into a beautiful tale of finding your true self and a safe place of Refuge.  Workshops were held at The Stove and Lincluden Primary school in November with performances given to inspire the compositions of our young Paragon musicians.  Both these compositions and the Shadow Puppet show were performed as part of the Our Norwegian Story showcase in November’s STORY event.

STORY

STORY in The Stove

Finn the Whale Puppet Making copy

In the Making

Finn the Whale5 copy

Our very own Finn

Finn the Whale2 copy
Categories
News

Architecture Competition Winner Announced!

The results of our Midsteeple Quarter Architecture Competition have been announced, with Ayr based ARPL Architects winning the 1st prize of £1000. Gordon Flemming from ARPL Architects stated, “We are very pleased that our ideas for the Midsteeple Quarter in Dumfries were recognised by the competition judges. The challenge of ensuring regional town centres stay viable and lively is a great task and we hope our contribution to the discussion helps add a new dimension to this.”

Image Credit_Gordon Flemming_ARPL Architects_1
Gordon Fleming’s entry wins First Place

The Midsteeple Quarter project is an important part of a national debate about the future of town centres as traditional retail declines everywhere, the architectural ideas submitted are not proposals of what will be built, but a way of continuing the conversation of how the Midsteeple Quarter could develop as a new heart of our town centre.

The judging panel consisted of John Dowson, a Dumfries High Street Resident; Melissa Gunn, Lecturer in Business and Enterprise at the University of the West of Scotland & Chair of the Board of Directors at The Stove Network; Tim Gray, Director at Holmes Miller Architects & GIA President; Iain Monteith, Director at Loader & Monteith Architects and Tutor at the Mackintosh School of Architecture and David Cowan, Head of Regeneration Unit at the Scottish Government.

Second place was awarded to a group of young female architects who focused their entry on the social aspect of regenerating Dumfries High Street, providing solutions which introduced both day and night time activity. Their reimaging of the town centre sought to provide an achievable, affordable and permanent solution to empty shop fronts whilst integrating student accommodation into the heart of a potentially thriving community. Third place was awarded to Pioneer Landscape Architecture, who looked at the unique nature of the site and its spaces to guide their response. Their aim was to revitalise the Midsteeple Quarter by making proposals on both a regional and local scale, reinstating the importance of Dumfries as a regional capital in a post retail society. In addition to the cash prizes the Judges wanted to commend Ryan Canning and Titas Grikevicius from Holmes Miller with a Drawing Commendation.

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.
Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Sam Patterson, who coordinated the architecture competition on behalf of the Glasgow Institute of Architects, commented, “The GIA are delighted to have worked with The Stove Network on developing such a rich and challenging competition brief and we are thrilled with the range of ideas that were received across the 15 submissions. The quality of the submissions exceeded our expectations and we hope will stimulate the debate in Dumfries about the potential of the Midsteeple Quarter.”

Long-term and careful public consultation has brought a consensus that re-populating the town centre is an urgent necessity. Late last year,we conducted an online survey and had responses from over 800 members of the public. Their responses revealed support for a more diverse approach to the future of the town centre with a very positive response to ideas of enterprise, education, live-work, health services and restaurants/nightlife all being available in the town centre as well as more events, festivals and markets to encourage more people to come into the town.

On Friday 9th June, entries to the Midsteeple Quarter Architecture Competition will be on display in the Stove building, 100 High Street, until 21st June, as well as South Block in Glasgow. The exhibition launch at The Stove will be opened by the new Leader of Dumfries and Galloway Council, Councillor Elaine Murray, and will begin at 6.30pm. Everyone is invited to come along and view the architectural concepts for the Midsteeple Quarter of Dumfries High Street from professional individuals and practices for a reimaged urban core of Dumfries. The public in Dumfries will be able to vote for a ‘Peoples Choice’ winner at the exhibition at The Stove.

For more information, please contact David Smith at [email protected] or visit the Glasgow Institute of Architects website http://gia.org.uk.

Categories
Musings

Dumfries Fountain – History and Future?

Kirsten McClure Rowe has recently been in touch with the Stove as she has recently been researching into the history of Dumfries’ fountain, with the aim of hosting a crowdfunding campaign to restore the fountain to it’s former glory. Her proposal includes stripping back the layers of old peeling paint and professionally restoring it to it’s original colours which were gold and bronze with cactus painted to appear real.

The following is some of Kirsten’s research into the history, and potential future for the Dumfries Fountain:

‘On the 5th of December 1882, Provost Lennox unveiled the fountain which stands on Dumfries High Street. It was made by the Sun Foundry, Alloa and is one of only two models of its type known anywhere in the world. The fountain commemorates the supply of public drinking water to the town from nearby Lochrutton.

The first pipe of the waterworks was laid on 16th January 1851 after many years of wrangling by various committees in Dumfries and Maxwelltown. Many felt that the pipeline wasn’t necessary and that the half a dozen or so seepage wells, which supplied some of the water and the bulk of the supply taken by the “burn drawers” in their dirty wheeled barrels from just below the main sewerage outlet in the Nith and sold at a penny a bucket, were sufficient.

Original Fountain circa 1870
Original Fountain circa 1870

In September 1832, Cholera struck Dumfries. A total of 841 people contracted the disease and 421 died within Dumfries, with a further 237 becoming ill in Maxwelltown of which 127 died. A mass grave at St Michaels churchyard bears a memorial to 420 souls. Unofficial figures state that as many as 700 coffins were produced in the 3-month period of epidemic which ended on 27th November 1832.

“In 1848 cholera struck again. The infant Scottish Board of Health, with little real power, sent Dr John Sutherland from Glasgow, a man of strong personality. He found corpses lying in the streets and no action being taken at all. He got a medical board organised, a house cleansing programme under way and immediately tracked the cause to the water supply and cleared up the epidemic, but not before 431 people had died out of 814 cases.”

Colours of the Fountain in 2004
Colours of the Fountain in 2004

As early as 1765 there had been proposals to introduce a clean gravitation water supply into the town, however it took until 10th May 1850 for a Committee of the House to give a unanimous verdict in favour of the promoters. As it was chiefly working-class areas that suffered in the first cholera epidemic, it was suggested that intemperance and lack of religious faith had led to this divine punishment of the poor. It was only after the middle-class residents of Dumfries and Maxwelltown began to fall ill, that any real action was taken.

A newspaper article from 22nd October 1851 reports the “Record of Public Introduction of Water to Sister Burghs of Dumfries and Maxwelltown” “This boon has been secured after a severe and protracted struggle against the ignorance, apathy, prejudice and selfishness, which formed a strong anti-sanitary battalion that was, with difficulty, beaten from the field” “When the news arrived in Dumfries next day, the bells were rung and bonfires kindled in token of the general joy”

Early 1900s
Early 1900s

“The 21st October 1851 was chosen to introduce water from Lochrutton. Midsteeple bells rang, music from the Annan band played and flags flown”. “A fountain was erected between the Kings Arms and Commercial Hotels being the principle place of resort for the congregated crowds” “This structure, formed of fire clay is in a Roman style of art with Grecian ornaments and is very handsome”

The opening ceremony was performed by Provost Nicholson and was not without incident. When the Provost turned the valve, water shot into the air and descended to soak the assembled citizens!

This fountain was only ever intended to be a temporary fixture and was moved to Nithbank Hospital when our current fountain was unveiled 30 years later.

The fountain is no longer at Nithbank and further investigation is needed to uncover its current whereabouts.

Original fountain sited in Nithbank
Original fountain sited in Nithbank

The district council funded the purchase of the new fountain from the Sun Foundry, while donations from the townspeople of Dumfries paid for its decoration. A total of £191.0s 6d from 221 subscribers was raised. The fountain was a glorious sight to behold and the townsfolk crowded onto the High Street to witness the unveiling. The Dumfries and Galloway Standard dated 6th December 1882 describes the fountain in vivid detail.

Brilliant painted photo showing original colours
Brilliant painted photo showing original colours

“The boys, the dolphins and the storks are entirely gilded and look to be figures in massive gold. The ground of the fountain is bronzed with some of its conventional details displayed in gold. On four pedestals in the freestone basin are placed as many iron vases holding each a large iron cactus, coloured so cleverly after nature, that many who saw them thought they must be real.” – where are these cacti filled vases now?

Boys at the Fountain 1900
Boys at the Fountain 1900

In an amazing coincidence, the town of Kandy in Sri Lanka has an identical twin fountain! The inscribed dedication on the fountain reads “Erected by the Coffee Planters of Ceylon in Commemoration of the visit of Albert Edward, The Prince of Wales (1841-1910) to Kandy December 1875.” The Prince of Wales was the eldest son of Queen Victoria (1837-1901) who succeeded his mother as King Edward VII (1901-10). It was recently renovated and ceremonially bequeathed to the public of Kandy in June 2013.

Prince of Wales Fountain in Kandy, Sri Lanka
Prince of Wales Fountain in Kandy, Sri Lanka

Our fountain is a hugely important part of our social history. It marks a turning point for our ancestors, the people of Dumfries. It currently stands in a very sorry state with peeling paint and green algae. This once celebrated jewel of Dumfries town centre needs our help. Sadly, due to budget cuts, the maintenance of the fountain has not been a priority for the local council. Therefore, it falls to us to rescue it and bring it back to life.’

Sad fountain
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