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Feedback – It’s a Real Thing

From Moxie DePaulitte – The Stove The Stove Herald

Throughout the year, we strive to stay connected with all our members and ensure that everyone has the opportunity to easily share their hopes, wants, and needs regarding the development of The Stove and the collective creation of a better Dumfries. Whether it’s more formally at the members’ Housewarming event, during Cultural Wayfinding sessions, over Tea with Moxie (yes, that’s still going strong if you’d like a chat and a cuppa!), at drop-in sessions, during live events, through the speechbubbles project, or even in casual encounters on the street—the core team is eager to hear your thoughts, suggestions, and ideas for moving forward.

Moxie at work at Guid Nychburris
Moxie at work at Guid Nychburris

The Stove has truly blossomed since opening its High Street doors earlier this year, and there are many more exciting adventures on the horizon. Here’s a quick recap of the ideas you’ve shared with us and how we’ve responded.

Spoken word and creative writing were high on people’s agenda, with many suggesting an increase in related events. In April, Open Mouth burst onto the scene, led by Sarah Indigo and Eryl Shields, who conducted performance and creation workshops with school students during the day. Its success has led to Brave New Words being developed into a regular Open Mic night at The Stove. The next session is this Friday, 30th October, and is open to everyone (whether musical or spoken word—Brave New Words welcomes all original writing). In the run-up to Christmas, several other word-based events are planned, including the Wagtongues Pop-Up Bookshop at the end of November. Additionally, there is an open-call out for new writing for exciting art installations in the closes of the town.

Brave New Words - poetry slam September 18th 2015
Brave New Words – poetry slam September 18th 2015

A number of conversations around food were sparked at the Housewarming event, perhaps inspired by the delicious chai tea made by Open Jar and the bannocks baking over the open fire in the square. Attendees were eager to explore the power of nourishment in all its forms, suggesting ideas such as gatherings; gardening experiments where people could learn how to grow and cook seasonal produce; cup return schemes for the café; as well as film evenings and talks centred around food and produce.

We’ve also been discussing community gardens, rewilding initiatives, and collaborations with groups across the region to provide opportunities for exploring the intersection of growing and art.

The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)
The amazing Alice Thompson from Social Bite talking food and social enterprise at The Stove (http://www.social-bite.co.uk/)

The latter was explored during our recent film season at The Stove, where films such as Moo Man, Vanishing of the Bees, and The Lunchbox were accompanied by inspiring talks and equally delightful, relevant treats.

We also hosted an incredible talk by Alice from Social Bite, who shared their journey of building an amazing network of sandwich shops from scratch, which help the homeless get back on their feet and into work.

Work has begun on The Stove Café, which will provide a vibrant meeting place in the heart of Dumfries and serve as a base for further creative exploration of how we think about, grow, distribute, and cook food. The tender was won by Angela and Colin Green, and we are very excited to see the opportunities this new development will bring.

We are eager to hear from anyone interested in hosting groups in the early evening. For example, we have a regular Craftivism (Creative Activism) workshop starting on 28th October. These sessions aim to encourage people to linger a little longer after the shops close and further our commitment to breathing new life into the town centre.

The Craftivism workshops also align with other ideas raised by members. Many expressed interest in forming Skill Sharing groups and engaging in Mindfulness initiatives. Craftivism promotes both and we hope it will serve as a catalyst for other Skill Sharing/Skill Swap events.

It was also suggested that we take The Stove beyond the building and engage in more projects across the region. One such project saw The Young Stove working with school-aged children in the woods near New Galloway. They ran a workshop called Survival Art School and later gave the youngsters a tour of their show at Gatehouse of Fleet. Another example was the co-production of EAFS—a wonderful off-grid adventure in the grounds of Morton Castle. Among its many magical aspects, EAFS encouraged the sharing of food as a means of human connection and engagement, evoking a primal need to break down modern social barriers and foster friendships and communication around shared nourishment.

Rajasthan heritage Brass Band at The Stove
Rajasthan heritage Brass Band at The Stove

People asked for drumming, and what a line-up we gave them! Not only did we fill the day with the incredible Rajasthan Heritage Brass Band—bringing smiles to everyone they encountered—but we also hosted an evening workshop with local drumming groups. This spectacular session brought the community together in a loud and joy-filled way.

Looking ahead, the future vision for Dumfries includes suggestions for giant water slides, Segways instead of Orange Bike Schemes, permanent block parties, adult ball pits, and drive-in cinemas. It’s clear people want to feel the love returning to the town centre.

Phrases such as:

  • “Let’s celebrate what we have and what we can be rather than focusing on what we don’t. We are a vibrant town with vision. Work together to make it happen.”
  • “Keeping Dumfries’ heritage but being more upbeat and welcoming to new things.”
  • “Convert dead shops into flats = get people back into town.”
  • “Use empty shops as art galleries/installations – artists get work shown, town gets colourful, vibrant art instead of empty shops full of litter.”

have been echoed repeatedly. While perhaps less thrilling than foam bowling alleys, these suggestions are far more tangible and provide a solid starting point for meaningful change.

Regeneration has clearly begun, with many commenting on the positive difference The Stove has already made to the High Street—but much more remains to be done.

We’ve had inspiring public sessions working with Lateral North to explore how interventions and Cultural Wayfinding can help develop Dumfries, making it more welcoming and easier to navigate—just as has been achieved in other towns. There’s even more to come, including an event surrounding Norway House next month.

Since its creation, the building has taken on a variety of roles. It has been a messy creative space for The Young Stove and other artists, an exhibition venue, and a site for workshops, meetings, gatherings, and music gigs. It has welcomed a broad mix of people from diverse walks of life, which makes us very proud. It has also become a hub for exchanging ideas—a place where inspiration is shared, where ideas can be brought and nurtured to grow.

Radio DMC
Radio DMC

Music has been another hot topic for members and the public, and we have been developing a music strand since The Stove began through our Dumfries Music Conference. Since 100 High Street opened, this has continued to grow through partnerships with local music groups such as Small Town Sounds, Music Plus, and Electric Fields. These collaborations have led to fantastic gigs showcasing local talent, including Rudi Zygadlo, MØGEN, and Mark Lyken. You can even learn guitar at The Stove now with lessons from guitar teacher David Bass.

Other topics raised in discussions include:

  • Partnerships with the Crichton Campus – exciting news to come on this in February.
  • Fast Public Broadband – a big thanks to Ailsa for making The Stove the first business in the town centre with fibre-optic broadband.
  • Space for Screenprinting – we are supporting Upland and Maklab in their efforts to establish a facility at Maklab’s premises on the High Street.
  • Classes in IT and Film Editing – our digital making suite will soon be taking bookings, so watch this space.
  • Support for Research Projects into Environmental Issues – The Stove was the base for the recent Environmental Art Festival Scotland. Stay tuned for ArtCOP Scotland @ The Stove in early December.
  • More for Young People in the Town – The Young Stove continues to flourish and is now integrated into nearly everything we do.
  • Be Part of Making Dumfries Better – The Stove remains a space for people to come together, debate, and take positive action for the town. We are actively involved in discussions about the Whitesands and have exciting news about significant improvements to the High Street.
'Not to Be Sold Separately' an exhibition by Young Stove
‘Not to Be Sold Separately’ an exhibition by Young Stove

So, let us know what you think! Book in with Moxie for a cuppa, send an email, or drop our Herald a line on Facebook. The Stove is ever-evolving, and its quiet energy is building all the time—so get in touch and let’s see how we can sail together into the next phase.

P.S. If you’re ever wondering what’s happening at The Stove, please check our Events page, or look back at what’s been going on via our Blog page.

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News

Environmental Arts Festival Scotland 2015…

In 2013, The Stove Network joined forces with Wide-Open and Spring Fling to co-produce the first Environmental Art Festival Scotland (EAFS) in Dumfries and Galloway. Now, we are delighted to announce that we are part of bringing you the second outing of the festival—EAFS 2015, Off-Grid, has been announced this week.

The ruins of Morton Castle, along with its fabulous surrounding countryside, will provide the spectacular backdrop for the Environmental Art Festival Scotland 2015 over the weekend of 29th–30th August.

The festival, held in Dumfries and Galloway, will be an intriguing and playful opportunity for artists to help change ideas and influence thinking about how we need to adapt and evolve in an era of climate change.

There will be a strong emphasis on youth, with five interns playing a central role in organising and delivering the project, helping to build a wider, younger audience to engage with environmental issues.

At the heart of the event will be a variety of specially commissioned artworks, as well as walks, fireside conversations, food art, and other activities to inspire the imagination.

Ruaridh Thin-Smith, one of the interns, said: “The festival will be really enjoyable and fun while addressing some of the most pressing issues of our age.

“EAFS is about getting young people to understand a simple truth—that, whatever it might seem, we are in control of our own spaces, our places, our environment.

“If we can understand that we have the power to affect positive changes and make our planet a better place to live, then we can accomplish anything.”

The other interns, all from Dumfries and Galloway, which is home to EAFS, are Meredith Langley Vine, Katie Anderson, Daniel Leigh, and Kerry Annison. The EAFS youth project, which involves a wider group of young people as well as the interns, is funded by the Holywood Trust.

Over the last year, the EAFS team has been developing the ethos for a thoughtful and playful festival for 2015. This is reflected in the central themes of “inventiveness, foolishness, and generosity as a way of understanding the world.”

The festival aims to attract visitors from all over Scotland and beyond, bringing together people who work with the land, scientists, artists, environmentalists, cultural thinkers, poets, and performers to participate in the event.

Jan Hogarth, a co-curator of EAFS, said: “The castle and its amazing landscape are a brilliant place for an environmental art event that is all about our changing relationship with the environment.

“We are expecting lots of interest from all over the region and the country as a whole in the event, and we are delighted to be working with our team of five interns. They are bringing a huge vitality and a fresh perspective to EAFS.

“We are very grateful for the support of the Holywood Trust and their recognition of the need to engage young people in the arts and landscape.”

Photos by Colin Tennant.

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News Project Updates

Thinking Differently About Our Town

Dumfries is a town at the gateway to Scotland. Famous for its relationship with Rabbie Burns, the town is the nodal point of the region (Dumfries and Galloway) and has a strong heritage and an even stronger cultural potential.

Cities, towns, and villages across Scotland are reimagining their centres and the functions they serve within their urban settings.

Inverness is creating various artworks along its River Ness, ranging from simple signage installations to engineered viewing platforms. Oban is reinventing its waterfront and becoming a hub for the Hebrides. Helmsdale has centred its village around arts and heritage, with a wonderful cultural centre that is growing by leaps and bounds. Even rural Scotland is part of the movement, with initiatives such as the Scottish Scenic Routes, Spring Fling, and the North Coast 500 aiming to redefine the landscapes in which they are situated.

Dumfries shares a similar ambition: to reinvent, reimagine, and reactivate its high street, town centre, and the wider region. The Stove Network, working in collaboration with Lateral North and creative organisations throughout Dumfries, would like to invite you to contribute your ideas for the future of Dumfries—ultimately to generate new concepts within the town to showcase the heritage, cultural, environmental, industrial, and creative communities that thrive here.

Join us to design these interventions, contribute your ideas, and discover the Dumfries you don’t yet know.

If you’re someone with a passion for the town of Dumfries and a commitment to being part of its future, join us for the Cultural Wayfinding Workshop on 15th July at The Stove.

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News

Catering Scoping Project for The Stove – Open Jar Collective

Outline of the Project

The aim of Open Jar’s work with The Stove Network was to gather ideas and viewpoints about the creation of a catering enterprise at The Stove. Following a period of targeted conversations with key stakeholders and pop-up engagement activities with the public, Open Jar Collective produced a report. This will now inform how the space is developed and used by the public and forms part of the tendering process to appoint someone to deliver the catering enterprise at The Stove. From December 2014 to February 2015, we surveyed the food businesses local to The Stove building, spoke to eleven individuals/groups, and ran a public “Feeding Creativity” event, attended by 20 people.

Identified Needs

By The Stove:

  • To provide a welcoming space that is a community resource, a hub for the arts community, and a space for people to share and connect.
  • To provide a flexible space that can be used for a range of events, workshops, meetings, or other ways of engaging people.
  • To ensure that the functioning of any café element in the space is operated autonomously.
  • A catering enterprise would serve as a stepping stone to the wider programme of The Stove and activities within the building—a way to signpost people.
  • An income stream as part of the social enterprise of The Stove Network Ltd charity, integrated into the charity’s activities.
  • A desire to offer something different with its own unique identity.
  • A desire for the approach to be ethical in terms of operation, production, and supply.
  • To connect to the wider aim of regeneration and attracting people into the town centre.
  • To engage with the street outside The Stove and activities in the square.

In the Meetings:

  • Training opportunities in the hospitality industry for college students.
  • Somewhere to go after 5 pm in the town centre.
  • Addressing the lack of activities for 14–21-year-olds in Dumfries.
  • For people to collaborate to rejuvenate the town centre.
  • To create a destination.

At the “Feeding Creativity” Event:

  • A place to meet and space for groups to hire.
  • Connecting with local food and food producers.
  • A platform for exchanging knowledge and produce between small-scale growing projects/allotments/community gardens.
  • Mindfulness around food—simple menu, good food, affordable prices, nourishing environment, and sharing tables/spaces.
  • A space that is accessible to young people.
  • Promotion of transparent and ethical buying.
  • Collaboration—supporting a range of local businesses.
  • Avoiding displacement of existing businesses—offering something distinct.

Opportunities

  • Goodwill and excitement surrounding The Stove and the new building’s potential.
  • Offering something distinct, as most places in the town centre are similar.
  • Collaborating with the college to cook food off-site.
  • Establishing a multi-functional arts venue to meet the needs of diverse groups.
  • Alcohol-free venue—responding to stricter drink-drive limits and creating a pub-like café atmosphere.
  • Experimenting with a waste food catering model.
  • Growing hub—connecting allotments, barter schemes, and knowledge exchange about growing.
  • Providing education on growing produce and cooking methods.
  • Bringing food production into the town.
  • Profit-sharing with pop-up guest chefs and food producers.
  • Creating a community within the building, which has its own momentum and attracts different audiences.

Challenges

  • Avoiding alienation of people who are not attracted by a specific focus, such as local food.
  • Maintaining quality as a priority.
  • Balancing social objectives like local, fairtrade, and ethical sourcing while generating profit.
  • Avoiding competition with other food businesses in the town.
  • Encouraging support for small, independent businesses over chains and multi-nationals.
  • Preventing burnout or lack of revenue for the operator within a year.
  • Creating a viable enterprise given limited space and kitchen facilities.

Considerations/Restrictions

Prep/Serving/Storage Area:

  • Limited space allows only basic preparation of drinks, cakes, and soup.
  • Pop-up event catering would need to happen off-site due to insufficient facilities for cooked meals.
  • Conversion of the courtyard space into dry storage is essential.
  • Permanent fixtures such as a double prep/washing-up sink, hand wash sink, coffee machine, and electrics for fridges are necessary.
  • Cold storage requirements include at least three undercounter fridges for milk, cold drinks, and food.
  • Space design should include a counter area for serving and preparation, with flexibility to reconfigure for events.

Design/Fit-Out:

  • Balancing the café brand with The Stove’s aesthetic vision.
  • Serving drinks and food in compostable paper plates/cups due to space constraints.
  • The integration of an industrial dishwasher and china serving ware would require additional staff and storage space.

Further Thoughts

Sourcing/Pricing Policy:

  • Balancing local/fairtrade sourcing with affordability to avoid being seen as a niche market.
  • Defining “local,” “ethical,” and “sustainable” clearly in the tender document.
  • A “preferred supplier” list could include producers such as Loch Arthur for cheese, Earth’s Crust for bread, and Greencity Wholefoods for dried goods.
  • Seasonal vegetable soups could showcase local produce and provide a good profit margin.
  • Maintaining competitive prices for quality meat, cheese, and bread may be challenging.

Catering Scoping Project for The Stove – Abridged version to accompany Catering Tender

Original version by Clem Sandison, Alex Wilde and Hannah Brackston

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News

Rajasthan Drops-In

SAMSUNG CAMERA PICTURES
Image Credit: Graeme Robertson

Every Tuesday at The Stove is Drop-In Day. Yesterday, we had some very special visitors all the way from India—the Rajasthan Heritage Brass Band, no less! The band were in the region courtesy of our friends at DG Arts Festival, who asked if they could spend an afternoon with The Stove and host a workshop in the evening.

Quite a day at The Stove… bring on some more! Another Drop-In next week—are you coming?

Photos courtesy of Brian Pritchard, Ellen Mitchell, and Graeme Robertson.

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News Project Updates

HAME. 2nd-16th May 2015

By Gerard McKeever

gerardmckeever.co.uk

It’s easy to forget just how extraordinarily important the places where we live are. They are our frame, our point of reference, and a huge portion of the real detail of life. This capacity of the land to shape us takes on a special dimension when we have either lived somewhere for a very long time or spent the early years of our life there. I was born in Upper Nithsdale and spent the best part of two decades in the area before leaving for the city. It is a familiar narrative: the draw of study, work, and a faster pace of life. Yet, as a creative person, I am increasingly aware of the influence of D&G on my thought processes—a language of place through which much of my work is communicated. Because of this, and because of a longstanding ambition to return to the region, Mark Lyken and Emma Dove’s recent Hame installation for The Stove Network resonated with me.

Perhaps one reasonable working definition of art could be: a community talking to itself about itself. This was a fascinatingly literal instance of that process, with audio clips of people discussing their relationships contextualised against meditative imagery of the area. Seeing the places we know celebrated and examined in this fashion makes them more real and more vital. It is a process of validation through which both the bonds and the divides in our community are exposed. The installation made us question which voices were included and which were not—whose particular home was being offered a platform?

On a formal level, the piece made use of the suggestive space of 100 High Street, succeeding in creating a feeling of audience participation through its non-linear looseness. At the risk of overstating the point, wandering through the multiple levels of the installation captured something of the jagged, contingent nature of our existence in place. If and when the piece is transposed into a linear production, it will undoubtedly be engaging but very different, precisely calibrated as it was to radiate from the town centre. Lyken and Dove guided us through a mixture of voices that spoke with the random authority of community. From recollections of a previous era to the impressions of youth, for two weeks, The Stove became an open archive of shared experience. Just as ‘hame’ doesn’t quite mean the same as ‘home’ to me, all the small details and nuances of life in D&G carry a particular shading. It was this peculiar quality of rootedness that the installation articulated so well. Fortunately, Hame was also too stylish to fall into the traps of tourist information or museum exhibits that a piece of its nature might otherwise face.

The Stove is a commendable effort to further invigorate a growing community of creative people in and around Dumfries and, in doing so, contribute to the revitalisation of the town centre. As one of the many young locals living elsewhere but with half an eye on home, I find projects like this encouraging. Alongside the growing number of music festivals in the region, the successes of Spring Fling and other arts events, D&G seems to be building towards a creative critical mass—a blossoming that is being noticed on a national level. Perhaps we don’t need to look so far away after all if we have these things at hame.

Images © Colin Tennant