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The Procession of the Salty Coo – Performance, Creativity and Acceptance

From Dillon Colthart

As part of Nithraid 2016, The Stove commissioned emerging performance artists Dillon Colthart and Jordan Chisholm to lead the procession of the Salty Coo, a now annual event starting in the town centre and finishing in the river with the Nithraid’s mascot and icon, the Salty Coo raised to a great height overseeing the sailing race’s conclusion.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan


‘It began with a blog post, advertising various commission opportunities for young artists in and around Dumfries & Galloway. It seemed fitting that Jordan and I would apply for both in hopes of our creative flare being challenged and displayed by the time Nithraid came around in September. We were excited, nervous and determined to bring something theatrically unique, as well as highly political, to the streets of Dumfries.

Jordan (with blue hair) performing in the Salty Coo performance she co-designed and produced with Dillon Colthard

Upon receiving Nithraid’s ‘Salty Coo Procession’ commission from the Stove Network in early July, we became overwhelmed with joy and immediately began to brainstorm ideas creatively over various different types of coffee within local coffee shops throughout Dumfries with some paper, a pen and a desire to spread awareness through theatre and performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

We came up with an idea to base our performance on the theme of ‘acceptance’ through queer performance whilst maintaining the meaning of the Salty Coo, which was to give something back to the river. Creatively, we challenged ourselves to incorporate movements with a strong message and create something which was both visual and aurally stimulating.

Grasping the attention of an audience in Dumfries, a place which has so much potential in terms of heightening awareness of LGBT, queer performance (such as drag) and acceptance was challenging yet liberating. We thought of ways we could get performers involved from more than just a theatrical background and made our goal inclusiveness though performance.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

The process was overall smooth. We worked together well, got to learn more about one another than we already knew, based our teamwork on compromise and began to find a balance between our personal relationship and working relationship. It was interesting, as we have so many of the same views on various issues, yet positively challenged each other constantly to bring out our best creatively.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

When the performance eventually came around, after weeks and weeks of preparation, we were ready to present the Salty Coo in all it’s glory – with rainbow coloured costumes, a kilt wearing – all tartan – unicorn, comic costumes, flower heads, white capes and colour bombs within the river to conclude. Our connection with the river has never been so strong, and the Coo never looked so good.

The annual Nithraid took place in Dumfries on Saturday 3rd of September and despite the rain hundreds of people turned out to watch they parade of the " Salty Coo" through the town and the sail race finishing on the Greensands. Pix Kirstin McEwan

This opportunity is something which was indeed challenging in terms of managing our own time and being given a complete creative freedom, as we wanted to do our Salty Coo justice, as well as making the team at Nirthraid proud. This was an excellent commission for anyone looking to further their practise in the arts, whatever you may specialise in. From our preview performance – confined within plastic bags and smothered in paint – to the ‘Salty Coo’ installation and multi coloured procession, our procession came full circle, and we couldn’t be more proud of what we achieved.’

All pictures: Kirstin McEwan

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News Project Updates

Football in Our Street – ONS Rematch

In August we reclaimed the High Street of Dumfries town centre with football (albeit in a cage – next time we can try without!).  Celebrating the long standing friendship of local football club Greystone Rovers with Norway started in a 1940 match between Dumfries locals and Norwegian exiles resulting in a draw.  A rematch was called and eventually played in Bergen in 1951 beginning a series of exchange visits over the years since.  With Greystone Rovers 80th anniversary upcoming in 2018 they are keen to resume their friendship and exchange opportunities for their club members.  Graham Muir, club manager, has supported The Stove’s Our Norwegian Story project as an important recognition of how beneficial these friendships can be.

This event tied in with the Our Land festival of events across Scotland looking at land use and the importance of community ownership of these spaces.  The Stove wrote an article to highlight how our events can reach out to tackle wider national issues which can be found here on The Common Space website:

www.commonspace.scot/articles/9000/our-land-its-time-buy-back-our-high-street

Our Norwegian Story continues to develop, with the depth of stories bubbling up from under the surface, with personnel memories knitting together these more historical events.

Stay tuned for more next week – Films, food, drawing big maps and stitching our story into existence!

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Football in our Streets
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Activity outside The Stove
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The Greystone Rovers youth team
The Greystone Rovers youth team
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Screen printing T-shirts with Sarah Keast
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Memorabilia from the 70 year relationship between Greystone Rovers and SK Brann was on display in The Stove
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Time for Subbuteo

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News

Flight

As part of the upcoming launch of Kathy Hinde’s Luminous Birds installation in Dumfries, Stuart Macpherson will be introducing the first in a series of pieces of his newly commissioned work Flight. Both works launch on Wednesday, 7th September, starting from the Stove at 7.30pm, ahead of the switch on of Luminous Birds at 9pm at the Globe Inn. Full details available on our events page here

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Flight – Is a moving soundscape/composition influenced and inspired by the migration of barnacle geese from Svalbard to Caerlaverock. Taking the idea of Migration from Kathy Hinde’s Luminous Birds installation, Flight explores the ability to move from one place to the other, using multiple sounds sources to create something that mimics the movement of the birds. Individual parts are composed to work together as a movement.

This opening is an introduction to the piece which will continue with further developments and performances through until November. You are invited to come along and immerse yourself in the first run coinciding with the opening of Luminous Birds at The Stove.

Stuart Macpherson is a freelance bassist and composer based in rural Dumfries & Galloway. He has been involved in numerous projects and performances, mostly recently the highly acclaimed orchestration of GRIT by Greg Lawson at the Edinburgh International Festival. He also plays in a recently formed quartet with local musicians Wendy Stewart, Gavin Marwick and Ruth Morris. Short-listed twice for the Martin Bennet Prize for Composition Stuart’s work ranges from soundscapes such as his work with Chinese pole artist and performer Phil Hardie on Welcome my Son to pieces written for Red Note Ensemble and Mr McFalls Chamber. His compositional work has been taking an expansive swing towards more experimental pieces and collaborative work such as this.

Special acknowledgement to Sound recordists Geoff Sample and Simon Elliott who have very kindly allowed their recordings of the geese to be used for this piece.

This commission is supported by:
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News Project Updates

Our Scottish/Norwegian Skill Share

Back to “Our Norwegian Story” so far – July brought us a two day event sharing skills and learning about our common love of making.  We made boats, oars, whistles, rope and nets while also exploring the knitting of Sanquhar patterns and their Norwegian counterparts.  Our friends from Galgael Trust up in Glasgow, Alyne Jones of Moniaive, Simon Lidwell of local group Clauran Haven and Wordsmithcrafts helped us explore the beauty of skilled craft and our intertwined history within it.

The Stove ‘Our Norwegian Story’
Rowing instruction from Cluaran
A different kind of street market
Whistle Making with Nora from Forest Schools
Oar making with the Galgael Trust
Knitting with Alyne Jones of Vanishing Scotland
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Musings

Blueprint100 Go to Edinburgh

From Emily Cooper – portraiture artist and blueprint100 Intern

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Earlier this month a group of intrepid Blueprint Members undertook an expedition to the frozen rain-soaked streets of Edinburgh in search of inspiration. Following an excited minibus journey we arrived at our first destination.

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Jupiter Art Land, a few miles outside of Edinburgh, hosts a vast array of large scale art pieces and indoor gallery exhibitions the first of which was the colourful and charming work Myth Cart by Hayley Tompkins, whose work did it’s best to brighten our spirits with its vivid display.

Soon though it was time to brave the weather and explore the grounds. We came across works from classical style structures such as Ian Hamilton Finley’s Temple of Apollo and Xth Muse, to the psychedelic Love Bomb by Marc Quinn.

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Particular favourites of the group were Weeping Girls by Laura Ford and Landscape with Gun and Tree by Cornelia Parker.

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Another thought provoking installation was In Memory by Nathan Coley a piece in which tall concrete walls surround a replica graveyard of apparently reclaimed gravestones.

All in all, despite the less than ideal weather conditions Jupiter Art Land proved to be a valuable and inspirational experience and certainly got our creative juices flowing and after something to warm us through in the onsite café it was time to head into Edinburgh and find our home for the night. The world’s first shipping container hotel! Some were excited…others were not.

As we pulled up into a slightly worse for wear, overgrown car park and were faced with the drab, grey corrugated iron walls, hearts began to sink and trepidation became rampant, however after hesitantly pushing open the gates, relief reigned supreme and what followed was a great night’s sleep in a warms comfy beds surrounded by friendly, colourful people. Our only regret was that we only had one night to stay.

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The following day began (somewhat late, after some difficulty navigating through the excessive crowds of fringe-time Edinburgh) with a trip to the pop up Arts Festival Hub to view the exhibition Platform followed by a guided tour of some other points off interest as part of the festival including the fountain of youth, created with the help of local school children!

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The rest if the day was free time to spend in whichever culturally education way we saw fit, for some that meant visiting the National Museum and exploring the various exhibits on offer whilst one group visited the National Portrait Gallery and experienced an impressive collection of self-portraits ranging from Matisse to Rembrandt.

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Art viewed, feet drenched and overpriced coffee consumed to excess, it was time for us to head home. A much quieter bus journey followed, interrupted only by the odd snore from the bus full of sleeping creatives. Thanks for having us Edinburgh, you were great…if a little exhausting!

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Its Time to Buy Back Our High Street

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