This year the Stove took part in the Guid Nychburris Day Parade, an annual event in the Dumfries calendar that sees community groups and clubs in a variety of fancy dress taking to the streets in the evening parade that is the culmination of the days festivities.
In honour of the upcoming Nithraid festival, our Salty Coo returned early from her pastures to take pride of place on a small Mirror Dinghy – definitely the blue-est cow we’ve ever encountered!
Our resident seagull attracted the most attention on the parade route
Ahead of the Parade, we opened out the invitation to smaller groups and organisations to take part in banner making workshops in the Oven and the Stove. The Parade is a great opportunity to share projects and community groups with an audience of thousands along the route, but it can be a bit daunting to take on a large float amongst a small group of volunteers.
On the day, we were joined by the blueprint100 team and some fantastic volunteers – familiar and new faces! and the DGMA multicultural association, who all produced a beautiful collection of banners in record time!
One of the DGMA’s brightly coloured banners
And we even won a prize! Placed third in our category, thanks to the efforts of our banner making team and all who attended the workshops.
The blueprint100 team will be hosting a series of banner making workshops in July and August in the run up to this years Nithraid festival on Saturday, 31st of August – and everyone is invited! Find out about upcoming workshops, or contact Jordan directly to host a workshop with your community group or organisation. For details, visit the blueprint100 Facebook page here or contact [email protected].
Ribbon cutting with local school children from NW Community Campus alongside (in centre, left to right) artist Kat Loudon, Councillor Andy Ferguson, Tony Fitzpatrick The Stove Network Board Chair, DGHP’s Chairman Bill Robertson, Councillor David McKie and Councillor Ronnie Nicholson
Dumfries and Galloway Housing Partnership and The Stove Network have unveiled the last in a series of four public artworks in a new housing development in Dumfries. The Lochside Public Art Project was commissioned by DGHP and created in partnership with McGowan Miller, who employed The Stove to co-ordinate and commission the works. Friday (May 10) saw the unveiling of the last of the works created by artists Kat Loudon, and Michelle Johnston working with with Chris Taylor and Tam Potts.
Ribbon cutting with local school children from NW Community Campus alongside (in centre, left to right) artist Kat Loudon, Councillor Andy Ferguson, Tony Fitzpatrick The Stove Network Board Chair, DGHP’s Chairman Bill Robertson, Councillor David McKie and Councillor Ronnie Nicholson
Based in and around the area of DGHP’s new properties at The Meadows, Lochside, the works have brought together the community, neighbourhoods, school children, the artists and DGHP.
DGHP’s Chairman, Bill Robertson, said at the final event: “This is an excellent series of artworks that really are a symbol of communities working together to achieve more.
“Having been here at the launch of the first works, Tattiefields, and now be here again at the completion has been excellent – the transformation in the area is just unbelievable and I’m sure the families living here will enjoy the art works for many years to come. Well done to all of the children, artists and contractors working on the project.”
Artist Chris Taylor (far left), DGHP’s Chairman Bill Robertson, Tony Fitzpatrick – Chair of The Stove Network Board and Katie Anderson sharing more about the Wildlife project.
Lead artist on the project for the Stove, Katie Anderson, said: “We’ve had a series of 24 community events connected with the project in Lochside, including workshops in local schools, events and activities in local community centres and as part of other community events like the Lochside Gala and on-site art workshops – these have been attended by more than 300 people over the 18 months.”
Design by Zag’s Signs and Symbols Pavement Artworks
The artworks were split into four projects to showcase artworks created by the local communities and schools in the area. The last two pieces of artwork unveiled on Friday were ‘Signs and Symbols’ and ‘Wildlife’. For ‘Signs and Symbols’, a colourful pathway was designed and created through workshops with local children led by Glasgow-based artist Kat Loudon, of Design by Zag, and officially opened during the launch. This came together following a children’s collage workshop.
The pathway leads to a seating area on the edge of Glentrool Park, creating a wildlife space for spending time exploring the natural environment The ‘Wildlife’ project was led by local resident, Michelle Johnston, with the stonework completed by local dyker Tam Potts and his team. The ceramics were created by Chris Taylor of Clayworks Studio based at the Crichton. The original concept was developed through workshops with local schoolchildren led by Michelle Johnston.
Eight years ago a group of artists in Dumfries started a conversation. Standing here in 2019’s ‘A Year of Conversation’, this initial spark has grown into 4 separate social enterprises, which between them provide regular employment for more than 40 people and a working partnership between the community, Council and Government towards a new future for our town.
And, what have we have learned? We’ve learned that keeping the conversation going is the single most important thing of all – for conversation is an open space of possibility, it is owned by no-one, rather it is stewarded, nurtured and protected by everyone who takes part. Inclusive Growth is the new mantra of Scottish Politics – it’s a vision of a society and an economy that does not simply value numbers, but rather supports economic activity that benefits communities, places and ALL the people who live there. For this idea to make any sense at all, it needs to be shaped and held in a conversation, one that is rooted at a profoundly local level, a conversation that is open and free to roam without limits imposed by those who wield ‘power’. Rather, the true power must be in the principle of conversation itself.
In 2001, our conversation in Dumfries began with a on open question: ‘What is the purpose of a small market town in 21st Century rural Scotland?’. Dumfries had fallen on hard times, there were in excess of 70 empty shops in the town centre. What is now popularly cried the ‘Death of the High Street’ (big retailers pulling out of High Streets because of online shopping and Out of Town retail parks) was already happening fast. We wondered what creativity and culture could do to help, it wasn’t that we had any answers to the problem that we wished to promote…on the contrary! But, we saw how important the health of the town centre was to the sense of identity within our community. We knew that town centres were places for people to gather to celebrate, to protest, to remember – but what are the mechanisms of interaction between people (commerce, leisure, services etc) that are necessary to maintain a town centre as a place for us all to gather in?? The withdrawal of big national and international concerns from our town centre created a vacuum, but it also presented an incredible opportunity for a new kind of town centre – one founded in an ‘inclusive localism’. We knew that this could only grow from a spirit of conversation which made a space for everyone’s voice to be heard. We have helped steward this conversation for eight years now – asking our question in myriad different ways..town dinner parties, a crowd-sourced Town Charter, a giant chalk drawing in the local square, an annual festival celebrating the role of the river in the town, a 2 year exploration of Dumfries’ relationship with Norway, a monthly open-mic evening for new writing – spoken or sung. We now operate two High Street buildings as ‘can-do places’ or ‘arty community centres’ or ‘alternative town halls’ depending on the flavour of the town conversation as you choose to see it.
This is what could be called ‘Conversational Practice’, but really, it is just a set of shared values about the way to treat people and to operate as a human being. Being in conversation is a useful metaphor that encompasses the three core values of our collective work in Dumfries..which could also be seen as necessary ingredients for a good conversation?:
To work through collaboration (not in isolation)
To take risks
To put people first and consider the emotional landscape of all actions
The Stove Network is taking part in A Year of Conversation in two ways: through the first two weeks of May we are staging an interactive exhibition and series of events to explore ‘Art in Public Space’ which centres around a series of conversations with artists working in public. Then, in June, we are shaping all of our regular programming activity into a ‘Month of Conversation’. Our conversation month will also mark a significant shift in our practice as we move onto a new topic of conversation – the new conversation space that we will help to hold for our town is ‘how we grow our own culture’ and how everyone can give themselves permission to be part of that endeavour.
Pop in for a chat!
Matt Baker is a public artist, since 2011 he has focused on long-term activist strategies for the social, economic and political structures of his home region in South West Scotland. He was one of the founders, and is based with, The Stove Network in the heart of Dumfries town centre. www.thestove.org
D-LUX
Festival of Light will return to Dumfries Town Centre for their third annual
event, and this time they are taking video games out of the house and on to the
High Street! The event runs from 31st January to 2nd
February and will have a focus on the gaming industry, aiming to bring
interactive storytelling to Dumfries.
D-LUX brings
warmth, light and curiosity into Dumfries Town Centre at the darkest time of
the year, where artists explore new ways of illuminating the darkness. For
2019, D-LUX want to celebrate gaming culture and bring it to the High Street.
The games industry is now bigger than Hollywood, the audiences are bigger, the
ambitions and bigger, the budgets are bigger; and Scotland is rather good at
making them!
‘Our Moon’ projected in the town centre as part of the Burns Night Parade.
D-LUX intends to light up the town with large-scale video projections of much loved and retro video games, as well as illuminating sides of buildings and shop windows with stories that are normally shared at home. All the games will be played live, and you can take part and play the games or just wander through the town and watch!
D-LUX will
creative a collision of the public realm with interactive digital storytelling.
Some stories
are white knuckle rides of pure adrenaline and jeopardy, some are staggeringly
beautiful role-playing games taking place in distant Galaxies, some are digital
communities building alternative models of society. All are part of our
contemporary world and D-LUX want to bring them into the heart of Dumfries. They hope that by bringing what
is often private into public display, they will be able to show the community
of Dumfries what opportunities might be available to young people in the gaming
industry in a playful and entertaining way.
The Oven lit up as part of the ‘Whose Hoose Is This’ Project with the Midsteeple Quarter.
To explore the gaming culture in Dumfries, D-LUX have commissioned avid gamer Peter Bain to be their Community Engagement Officer. He believes the most exciting part of the project is the community element, going on to explain that the gaming industry has been shifting more and more in favour of online gameplay, and while that global connectivity has its benefits, there’s still something to be said for keeping it local. “I’d much rather play a game with a friend sitting across the room than across the country or even the planet. Scaling that experience up for the whole town and creating a visual extravaganza on the High Street sounds to me like a lot of fun!”
D-LUX
will take place across several locations over 31st January to 2nd
February. All events are free and will be on from dark until late. If you would
like to be involved or to keep up to date with their events, visit their
website here: www.d-lux.org.uk or find ‘D-LUX’ on Facebook.
For 2019, D-LUX is sponsored by Mark Jardine of Jardine Funeral Directors.
Passers by play with the lights in the town centre as part of ‘Town Centre Illuminations’.
I began the position of Public Art Project Worker with Creative Futures Lochside and Lincluden in January this year. I was involved in the project last year as a Trainee Creative Producer, which seen me support Public Artists and attend community events. I really enjoyed being a Trainee Creative Producer so when the chance arose to become employed in this line of work I was excited and ready for it.
My challenge…to get residents in North West Dumfries engaged in Public Art projects. I was raring to go, and set up a weekly drop in at the Creative Futures hub under the name of Art in Action. The drop in ran for 5 weeks, and there were 5 local residents attending. We looked at local and international artists and public art examples and created small sculptures.
The name Art in Action has stuck and I have took it on the road to Lochside gala, a pop-up gazebo workshop in Lochside, Lochside and Lincluden Primary Schools and Nithraid. One of the main projects I’ve been focusing on is the revamp of the Lincluden rhino statue. After research and consultation it was decided that I would offer the community a chance to create a new colourful look for the base of the rhino through the medium of mosaics. And, oh, have I fallen in love with them! I got up to speed on the mosaic techniques fast so that I could bring them to the public. In order to provide the mosaic workshops I had to do some preparation of ordering materials and experimenting. I’ve really enjoyed this part of the job. My background is in Graphic Design so I haven’t had too much opportunity in the past to work with large scale materials. So having to phone up builders yards, go to collect large pieces of wood and tile grout and having to use power tools to cut the wood to size have all been new and exciting responsibilities.
Kirsty and some of the team behind the new mosaics for the Lincluden Rhino
Another project that I have taken on through this position is the Lochside Primary School commemoration sculpture. This project has been a great opportunity to connect with the community on an ongoing basis and understand how to portray their ideas and history. In May I began working with the primary school pupils to design a totem pole featuring their memories of the school and it’s history since opening in 1962. It was lovely to hear the children’s memories and see them using paint and collage to get them down on paper. Back at the Creative Futures hub I drew up the final design comprised of six cement shapes to represent each era the school has been open. Mosaics would also be used in this design to create the children’s drawings and patterns and give the primary children a chance to learn this way of working. It is fair to say that they have enjoyed having a go. A small group of them came to the community centre and created the primary school logo out of mosaics and put it on to the first cement shape. In the summer I held a two day pop-up mosaic workshop in Lochside where families from the area took part. It is so rewarding being able to give people a chance to try something new and get creative. They always surprise me with their original ideas and creative flair.
Pop up mosaic workshops on Lochside Road
Something that has really stood out for me this year was in the October holidays when the Creative Futures team helped me to produce a whole week of art activities appropriately named ‘Art Week’. It was amazing to have the freedom to come up with a programme of events, and included in this a bus trip. Being able to organise a bus trip to be enjoyed by so many from the area and give them the opportunity to connect with public art, was truly brilliant. We took 32 people (adults and children) to Glenrothes in Fife where there are over a hundred pieces of public art. We went on a walk around the town led by local community workers who told us about the history of art in Glenrothes. It was great to hear people talking on the way back about how Dumfries could be different.
Visiting artworks in Glenrothes!
Not only the bus trip but the rest of Art Week was fantastic too. We ran the workshops 11am until 3pm and invited children to bring their own lunch. This gave us plenty of time to get artistic. Some of the local children came every day. Holding these daily workshops has shown me how much my confidence has grown over the past few years in this line of work. I now feel really confident planning and delivering workshops across many art forms. All in all being part of the Creative Futures team this year has been brilliant in so many ways. It has given me the opportunity to run many different workshops, given me the challenge of adapting to using new materials, the chance to work on large scale projects, and learn how it is to work as an artist in a community setting. I am really grateful for the responsibility and opportunities I’ve been given, the team I’ve been working with and the new connections I have made within the community. I now feel a welcome addition to community events and people know they can come to me if they have any creative project or workshop ideas. I’m looking forward to continuing these projects and developing new ideas in the new year.
The second of a series of public artworks will be unveiled in Lochside in a public celebration on Wednesday, 12th December.
The artwork Groundswell is comprised of a series of six sandstone sculptures made from Locharbriggs stone by artists Susheila Jamieson and James Gordon. Over the past six months, Susheila and James have been based at the Family Centre on Lochside Road, carving each of the stones on site there. The artists thoroughly enjoyed their time in the community of Lochside and all the conversations they had with local folk and the workshops they did for the children.
The site for the works is based in the area of DGHP’s new properties at The Meadows, Lochside.
Groundswell is one of four Lochside Public Art Projects, commissioned by DGHP and managed by The Stove Network, who are based in Dumfries town centre. The first, Tattiefields was unveiled in September, and the final artworks will be installed in the next couple of months.
James and Susheila who are based in the Borders, were selected for the commission following an open call earlier in the year. James and Susheila said, “The idea behind these sculptures is to commemorate local quarrying and working of stone. Dumfries was built of sandstone and it’s history has been carved into it. Sadly, work has recently stopped at the local Locharbriggs quarry, the boulders for Groundswell were some of the last to be taken from the quarry.
We have really enjoyed, and will miss, working outside the Family Centre in Lochside. It has been an ideal way to meet people from the local community and we really appreciated all the encouraging , friendly comments and chats! Working in the public eye hopefully has let people have some insight into the process behind creating Groundswell.”
The artworks will be officially unveiled at the site in the Meadows at 3.45pm on Wednesday, 12th December. All are welcome to attend Full details available here.
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